Aleta Williams spins a realistic tale that indeed is... Saltier Than Ever--- CA$H author of the urban classic Trust No Man trilogy, Thugs Cry, and Shorty Got A ThugSix months after her mother's death Jazz is determined to start the healing process and follow her dreams. It seems like things go from good.. to bad... to worse in a matter of time. How can you let go of the past and prepare for a future that is unknown to you; when you are not even sure of your present? Will Jazz be able to push through life's drama and find herself again or will she be left standing alone and hurt by those she trusted and love?Diesel lost his basketball contract, might have impregnated a stripper, and as quiet as its kept he's dealing with the stress the only way he knows how, by lashing out at the black b*tch he believes is responsible for his misery. Will Diesel take responsibility for his own actions?From a preacher to a gangster, Pastor G is out for revenge. He wants the man's head that he believes is the real reason for his wife's death. Will Pastor G succeed on the devils playground?Ken always seems to be in the right place at the wrong time. Trying to make sure a friend makes it home safe, turns into him being a suspect in crime that he claims he didn't commit; thus, making him less closer to winning over the one that has his heart. Will Ken clear his name and capture the heart of the one he loves?Yay-Yay and White-Girl are still the grimiest chicks in Los Angeles, but when karma pays them both a visit, they soon find out that she's the baddest b*tch of them all. Will these chicks ever learn the true reason for their downfall?Supported by the ghetto, grimy, and sassy characters of this novel. This installment is Saltier than Ever! ***Aleta is back with a juicy third installment of the Ghetto Soap Opera series. Saltier Than Ever is full of drama, twists and turns that you wont see coming. ---Karen Williams author of Harlem on Lock, Dirty to the Grave, The People vs Cashmere, Thug In Me, and Sweet Giselle.

    Easy to tick off so you can keep track of which book is next in reading order. There are no parts or portions of the books themselves here, just the titles in reading order. Perfect for keeping a checklist in your kindle app.

    Lady Sondra and her family. Shortly after Lady Sondra is released from doing a ten year stint in Bellevue Mental Institution, tragedy strikes close to home testing her bad side and putting her on a vengeful mission for blood. Things go horribly wrong when she attempts to recruit her twin sons Rahmel and Jahmel to embark on a mission to build an untouchable drug empire all the while trying to keep her daughter Mahogany on the straight and narrow path. Lady Sondra is just one incident away from being sent back to the place she’s vowed never to visit again. Drama and betrayal send her spiraling down a dark bumpy road of no return. Get to know the Bells and learn all of the family secrets as you and those who betray Lady Sondra experience “A Bitch’s Bad Side”

    

    After much time, therapy, and wine, Elissa is at last in a healthy place, still orbiting around her mother but keeping far enough away to preserve the stable, independent world she has built as a writer and editor. Then Elissa is confronted with the unthinkable: Rita, whose days are spent as a fl�neur, traversing Manhattan from the Clinique counters at Bergdorf to Bloomingdale's and back again, suffers an incapacitating fall, leaving her completely dependent upon her daughter.Now Elissa is forced to finally confront their profound differences, Rita's yearning for beauty and glamour, her view of the world through her days in the spotlight, and the money that has mysteriously disappeared in the name of preserving youth. To sustain their fragile mother-daughter bond, Elissa must navigate the turbulent waters of their shared lives, the practical challenges of caregiving for someone who refuses to accept it, the tentacles of narcissism, and the mutual, frenetic obsession that has defined their relationship.Motherland is a story that touches every home and every life, mapping the ferocity of maternal love, moral obligation, the choices women make about motherhood, and the possibility of healing. Filled with tenderness, wry irreverence, and unforgettable characters, it is an exploration of what it means to escape from the shackles of the past only to have to face them all over again.Praise for Motherland"Rarely has a mother-daughter relationship been excavated with such honesty. Elissa Altman is a beautiful, big-hearted writer who mines her most central subject: her gorgeous, tempestuous, difficult mother, and the terrain of their shared life. The result is a testament to the power of love and family."--Dani Shapiro, author of Inheritance

    Kathleen's son Sean has just been transferred to Belfast's most notorious prison - Long Kesh, recently renamed the Maze. Kathleen knows that he will join the other prisoners on their non-cooperation protest, known as the Blanket. Rumours of a hunger strike are beginning to circulate.John Dunn has finished twenty years in the British Army. After three tours of Belfast, he's found a girl and a house and a job as a prison guard. In the weeks before Christmas, both Kathleen and John will find themselves in impossible situations. Both will have to find a way to survive when everything they love is in danger of being destroyed.This Human Season is Louise Dean’s second novel set in Belfast, Ireland, during The Troubles of the late 1970’s and early 1980’s. It was widely praised by critics internationally and described as ‘astonishing’ by reviewers from The Daily Telegraph in the United Kingdom to BookForum in the United States.‘Breathtaking…This Human Season is a novel that confirms the arrival of a significant voice in British fiction’. The Observer'Magnificent.' Arena.‘Not a wasted moment in this terrifying and terribly funny book.' Kirkus Starred Review.'This is a fine and thoughtful historical novel which manages to find humour and decency in the most awful of places.' The Sunday Times‘Dean is an audacious arrival in British fiction. She is unafraid to tackle unsexy or unsafe material, or to stray beyond the domestic sphere.’ The Guardian‘Dean is brave enough to offer the reader a glimpse of real hope…She is also an eloquent architect of the strengths and shapes of passion…Ranging across this desperate landscape is a novel which captures a community’s resilience and it’s humour full of broken glass.’ Ali Smith, Times Literary Supplement'Louise Dean's pitch-perfect second novel, ''This Human Season,'' recreates the time of the troubles ... With remarkable evenhandedness, she evokes the day-to-day struggles of English and Irish, Protestant and Roman Catholic, as they try to get on with their lives while the world around them goes insane ...' New York Times'With clear-eyed compassion, and with all the resources of the novelist's art, Louise Dean leads us through those terrible days when for a while Belfast was a vortex for the worst of the world's cruelty and pain' J.M. Coetzee Click to purchase the print or e-book publicationClick to purchase the print or e-book publication'Audacious . . . remarkable. That an English woman born after the Troubles began should take one of its most grisly episodes—the 'dirty protests' in the Maze prison—as the focus of a compelling family drama is ambitious to say the least. That she should pull it off with such compassion and perceptive detail is nothing short of astonishing."The Telegraph'Dean mercilessly heightens the suspense while managing at the same time to confer complexity and even grace on her characters and on their forbidding city.' The Boston Globe'Dean's great achievement is showing us how ordinary people can go on with their lives in the midst of extraordinary brutality and how a few are able to do so with compassion and hope.' People'How everyday people become mortal enemies is both the central mystery and tragedy of this intelligent book.' Entertainment Weekly

    It is clear that the author is madly in love, not only with her partner for whom she writes both idiosyncratic and sultry poems for, but in love with language, in love with queerness, in love with the therapeutic process of bankrupting the politics of shame. These poems tackle gun violence, toxic masculinity, LGBTQ* struggles, suicidality, and the oppression of women's bodies, while maintaining a vivid wildness that the tongue aches to speak aloud. Known best for breathtaking last lines and truths that will bowl you over, Drive Here and Devastate Me will "relinquish you from the possibility of meeting who you could have been, and regretting who you became."

    In the seventy years from 1432 to 1502, some 17,000 men--in a city of only 40,000--were investigated for sodomy; 3,000 were convicted and thousands more confessed to gain amnesty. Michael Rocke vividly depicts this vibrant sexual culture in a world where these same-sex acts were not the deviant transgressions of a small minority, but an integral part of a normal masculine identity.In 1432 The Office of the Night was created specifically to police sodomy in Florence. Seventy years of denunciations, interrogations, and sentencings left an extraordinarily detailed record, which Rocke uses to its fullest in this richly documented portrait. He describes a wide range of sexual experiences between males, ranging from boys such as fourteen-year-old Morello di Taddeo, who prostituted himself to fifty-seven men, to the notorious Jacopo di Andrea, a young bachelor implicated with forty adolescents over a seventeen-year period and convicted thirteen times; same-sex "marriages" like that of Michele di Bruno and Carlo di Berardo, who were involved for several years and swore a binding oath to each other over an altar; and Bernardo Lorini, a former Night Officer himself with a wife and seven children, accused of sodomy at the age of sixty-five. (Mortified, he sent his son Taddeo to confess for him and plead for a discreet resolution of his case.) Indeed, nearly all Florentine males probably had some kind of same-sex experience as a part of their "normal" sexual life.Rocke uncovers a culture in which sexual roles were strictly defined by age, with boys under eighteen the "passive" participants in sodomy, youths in their twenties and older men the "active" participants, and most men at the age of thirty marrying women, their days of sexual frivolity with boys largely over. Such same sex activities were a normal phase in the transition to adulthood, and only a few pursued them much further. Rather than precluding heterosexual experiences, they were considered an extension of youthful and masculine lust and desire. As Niccolo Machiavelli quipped about a handsome man, "When young he lured husbands away from their wives, and now he lures wives away from their husbands." Florentines generally accepted sodomy as a common misdemeanor, to be punished with a fine, rather than as a deadly sin and a transgression against nature. There was no word, in the otherwise rich Florentine sexual lexicon, for "homosexual," nor was there a distinctive and well-developed homosexual "subculture." Rather, sexual acts between men and boys were an integral feature of the dominant culture.Rocke roots this sexual activity in the broader context of Renaissance Florence, with its social networks of families, juvenile gangs, neighbors, patronage, workshops, and confraternities, and its busy political life from the early years of the Republic through the period of Lorenzo de' Medici, Savonarola, and the beginning of Medici princely rule. His richly detailed book paints a fascinating picture of a vibrant time and place and calls into question our modern conceptions of gender and sexual identity.

    Chased out of Germany by the Nazis, who banned and burned his books, Kahn emigrated to Palestine, then France, and finally the United States to continue his life's work. Though his achievements were numerous, the most notable was the development of creative visualizations to explain complex scientific ideas. Published on the 125th anniversary of Kahn's birth and destined to bring his work back into the spotlight, this monograph features more than 350 illustrations with extensive captions, three original texts by Fritz Kahn, a foreword by Steven Heller, and an essay about Kahn’s life and œuvre. Natural science buffs, graphics professionals, and anyone interested in visual expression of ideas will be fascinated by this tribute to Kahn’s greatest achievements.

    Rubin, a pioneering theorist and activist in feminist, lesbian and gay, queer, and sexuality studies since the 1970s. Rubin first rose to prominence in 1975 with the publication of “The Traffic in Women,” an essay that had a galvanizing effect on feminist thinking and theory. In another landmark piece, “Thinking Sex,” she examined how certain sexual behaviors are constructed as moral or natural, and others as unnatural. That essay became one of queer theory’s foundational texts. Along with such canonical work, Deviations features less well-known but equally insightful writing on subjects such as lesbian history, the feminist sex wars, the politics of sadomasochism, crusades against prostitution and pornography, and the historical development of sexual knowledge. In the introduction, Rubin traces her intellectual trajectory and discusses the development and reception of some of her most influential essays. Like the book it opens, the introduction highlights the major lines of inquiry pursued for nearly forty years by a singularly important theorist of sex, gender, and culture.

    Nuala is the Irish immigrant nurse who coaxes him toward survival. The odd synergy of their relationship is both his link to reality and his inspiration to fantasy. This is the hypnotic story of the world that grows in the silence between them.In Thomas Moran's first novel, the New York Times Book Review saw evidence of his "incontestable conceptual gifts". In his "elegant writing", the Los Angeles Times found the promise of a serious new career. The New Yorker compared The Man in the Box to The Diary of Anne Frank, and the Los Angeles Times compared Thomas Moran to Eli Wiesel. And on the heels of this critical success comes The World I Made for Her.Nuala means "white shoulders" in Gaelic. Nuala's wild red hair falls in disarray over hers. James watches her moving deftly around him; changing his IV, attaching a fresh respirator tube. Nuala's movements are like dance to him through his morphine-clouded vision. His senses are numbed, his mind is dulled, but he hears her Irish spirit sing against the metronome of the life-support machines. He is drawn to the warmth of her. He carries Nuala in and out of consciousness with him, writing a secret love story in which she is, unknowingly, the heroine.In prose that moves seamlessly between fantasy and reality, The World I Made for Her is a novel of obsession and redemption that unfolds like a dream -- a story that will break your heart.

    She was a tinker, a traveler girl who had married a wealthy man. Her name was Agatha Sheehy....There are silences all around my mother's story." So begins The Nature of Water and Air, set on a patch of Irish coast where, amid a flurry of whispers, we meet Agatha's only surviving daughter, Clodagh. Determined to secure her mother's elusive love and the truth about her, Clodagh is swept into a relationship with a handsome, isolated man. He brings her to the heart of her mother's story, where she must confront the questions "Does a truth change love?" and "What madness will come from chasing a secret?" Powerfully sensitive, this startling debut novel about forbidden love will place Regina McBride among our most celebrated novelists.

    Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous.Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.

    Appropriating this quote, Malebo boldly renounces societal expectations placed on her as a Black woman and shares her journey towards misbehaviour. According to Malebo, it is a norm for a Black woman to live through a society that will prescribe what it means to be a well behaved woman. Acting like this prescribed woman equals good behaviour. But what happens when a black woman decides to live her own life and becomes her own form of who she wants to be? She is often seen as misbehaving.Miss Behave challenges society’s deep-seated beliefs about what it means to be a well behaved woman. In this book, Malebo tracks her journey on a path towards achieving total autonomy and self-determinism. Miss Behave will challenge, rattle and occasionally cause you to reflect on your own life – asking yourself the question – are you truly living life the way you want to?

    Sever the hands of the criminal who pilfers livestock or grain or another's garment. Whip the child who defies an elder. For such is the law and the law must be obeyed. For generations, these ironclad rules had governed the people. Nobody questioned whether it was right to humiliate a child or execute a murderer. An eye for an eye was the way of the world. But was there another way? When an antiquarian book is discovered in the disheveled study of an old Vermont farmhouse, the house's new owner has the volume translated. The result is The Book of the Shepherd, a timeless story full of life lessons for us all. Set in a mythical time, in an unnamed land, The Book of the Shepherd tells the tale of a shepherd, Joshua, who is troubled by the harsh code of "an eye for an eye" that governs his world. Called by a dream, the shepherd sets off on a journey to find "the new way." Accompanied by Elizabeth, a former slave who is kind and generous, and David, a boy who must learn to walk in new shoes, the shepherd knows that "an age of miracles" will come when the new way is found. But the journey is not without incident. En route to a cave near the Great Inland Sea, the travelers meet a cast of extraordinary characters, including the Storyteller, the Apothecary, the Blind Man, and the Stranger. Each imparts an important lesson that pushes the travelers toward their destiny. At the cave, Joshua must see if he can bring forth secrets long buried. But he, Elizabeth, and David will also discover that sometimes what we have been searching for has been inside us all along.