They are well paid and consider themselves lucky—until they begin to fall mysteriously ill. As the corporations try to cover up a shocking secret, these determined shining girls suddenly find themselves at the center of a historic and deadly scandal.Written with a captivating voice and galloping pace, The Radium Girls illuminates the courage and tenacity of these incredible women, whose determination to fight back led to life-changing regulation, advanced nuclear research, and ultimately saved countless lives.This enthralling and accessible young readers’ edition of the New York Times and USA Today bestseller includes all-new material including a glossary, timeline, dozens of bonus photos, and more.

    They are all easy on time, washing up, shopping and your waistline! Get ready to make it easy with Si and Dave's...15 Minute fillers - super quick recipes Assembly jobs - no cooking Half a Dozen winners - recipes with six ingredients One Pot Wonders - forget the fuss and save on washing-up Batch cooking - getting ahead, cooking in bulk, freezing, saving money, having quick fixes ready to go when you're hungry Easy Peasy Puds - guilt-free sweetness and satisfaction It's time to lose weight, the easy way. It's worked for MILLIONS of readers, and it can work for you!

    Now with the strongest coverage of research writing in a full-sized handbook, the seventh edition helps students meet one of the core challenges of academic writing: maintaining their own voice while writing from sources. This edition also adds innovative tips from writing center tutors, sound advice for writing across the curriculum, and substantially more help for writing with and writing about visuals.

    Lewis, was the first American to win the Nobel Prize for Literature. Possibly the greatest satirist of his age, Lewis wrote novels that present a devastating picture of middle-class American life in the 1920s. Although he ridiculed the values, the lifestyles, and even the speech of his characters, there is often affection behind the irony. Lewis began his career as a journalist, editor, and hack writer. He became an important literary figure with the publication of Main Street. His seventh novel, Babbitt, is considered by many critics to be his greatest work. One of his major works The Job begins: Captain Lew Golden would have saved any foreign observer a great deal of trouble in studying America. He was an almost perfect type of the petty small-town middle-class lawyer. He lived in Panama, Pennsylvania. He had never been captain of anything except the Crescent Volunteer Fire Company, but he owned the title because he collected rents, wrote insurance, and meddled with lawsuits. See other titles by this author available from Kessinger Publishing.

    Those men and women who's legacies were so great that their stories have been repeated generation to generation. A person of such impact that other cultures long detached from the origins tell stories of these powerful individuals. Such is the story of Victor Deus. Unlike many such legends, there was little need to embellish the deeds he and his allies accomplished. Some remember him as a savior, some as a tyrant. There are whole worlds that worship him like a god, and others that raise him up as a devil. All of these worlds agree upon one thing though, he was fiercely protective of his allies, and swiftly dealt with his enemies. How does one become such a figure? Loved by so many, yet feared by even more? The story is a long one, and I hope you will bear with me as the story unfolds. One thing you must know about Victor Deus is that he was not given time to be a child, for his formative years were full of training and despair. Therefor, it is there where this story begins, a boy, barely able to hold a sword, thrust into events he cannot control.

    Too often, he found debates framed by old divisions or pro-market ideology that increasingly failed to capture whether economic policy was fostering exploitation, economic insecurity, and disillusionment that were too often invisible within our current framework. Now more than ever, at a moment when the very capacity of modern capitalism to avoid accelerating inequality, a hollowed-out middle class, and structural poverty is being questioned, we need to step back and reflect on our ultimate goals.Economic Dignity is Sperling's effort to do just that - to frame our thinking about the way forward in a time of wrenching economic change. His argument combines moral and intellectual seriousness with actual high-level policy experience. Economic dignity, Sperling maintains, can be seen as resting on three pillars. The first: the capacity to care for family without economic deprivation denying people the capacity to experience its greatest joys - the birth of one's children, the companionship of a loving partner, the love of family and friends, the fulfillment that comes from providing. The second: the right to the pursuit of potential and purpose, including the right to first and second chances - the right to a life of active striving. The third: economic participation with respect and without domination and humiliation. All three pillars are rooted in the highest and most noble values of the American project. But getting there is the rub, and in Economic Dignity, Sperling offers paths that policymakers and citizens can follow for years to come. As he puts it, if you live in times when major steps forward are needed, it is important to be clear on your destination - or at least to know the North Star that is guiding you. His answer, in two words, is economic dignity.

    It's even more savage inside the twisted minds of murderers who conceal their malevolence behind smiling masks and strike out without pity. This spine-tingling collection contains 23 new stories of suspense from some of the bestselling authors in the genre. Authors include Clive Barker, Lawrence Block, David Morrell, Ray Bradbury, and many more.CONTENTSThe dripping / David Morrell --The wringer / F. Paul Wilson --A season of change / Richard T. Chizmar --Good vibrations / Richard Laymon --The Tulsa experience / Lawrence Block --Trolls / Christopher Fahy --Small deaths / Charles de Lint --White lightning / Al Sarrantonio --Hitman / Rick Hautala --Vympyre / William F. Nolan --And eight rabid pigs / David Gerrold.Bringing it along / A.R. Morlan --Redemption / Jack Ketchum --The graveyard ghoul / Edward D. Hoch --The rings of Cocytus / Katherine Ramsland --Late last night / John Maclay --Beasts in buildings, turning 'round / J.N. Williamson --Dark side of the moon / Babara Collins --Honor bound / J.M. Morgan --The instrumentalist / William Relling Jr. --Corpse carnival / Ray Bradbury --The book of blood / Clive Barker.

    Jane. But women, it turns out, have always gone to war. In this fascinating, lively, and wide-ranging book, historian Pamela Toler draws from a lifetime of scouring books for mentions of women warriors to tell their stories and to consider why women go to war.Tomyris, ruler of the hard-riding Massagetae, and her warriors killed Cyrus the Great of Persia when he sought to invade her lands. She herself hacked off his head in revenge for the death of her son. The West African ruler Amina of Hausa, a contemporary of Elizabeth I, led her fierce warriors in a campaign of territorial expansion for more than thirty years. Like Elizabeth, she refused to marry; unlike Elizabeth, she never claimed to be a Virgin Queen. Contemporary accounts of medieval sieges in Europe describe women using firearms, participating in night raids, joining in the defense of breaches in the walls, and fighting hand-to-hand at the improvised barricades that often provided a last line of defense. Among the examples of female samurai in Japan are the Joshigun, a group of thirty seriously combat-trained women who fought against the forces of the Meiji emperor in the late 19th century.These are the stories of those who commanded from the rear and those who fought in the front lines, those who fought because they wanted to, because they had to, or because they could. Considering the ways in which their presence has been erased from history, Toler concludes that women have always fought: not in spite of being women but because they are women.

    As the oldest daughter in a family of six children, she seemed trapped in her role as Big Sister and Mommy’s Helper. Then, one day, teetering on the brink of adolescence, hormones surging, she heard someone call her “cheesecake,” and suddenly saw her path.“Cheesecake, jailbait, sex kitten”--the very words seemed to be “doors opening” to a splendid new self. But from the moment she decides to lose her virginity and reels in her prey, a “full-grown man,” fourteen-year-old Kathy is headed for trouble. One cold, raw March night some months later, parked in a car with four boys on the outskirts of her small suburban town, she finds it. Though she could never have foreseen the outcome of that night, the “boys in the car could just as well have been Gypsies foretelling my future,” she writes. Girls who break the rules in small towns like the one she lived in are expected to pay a very high price for their transgressions--and she did.And yet...this young girl, as scrappy a protagonist as any in our literature, manages to transform her fate. The story of how she came to be in that car, and how she stepped out of it forever altered, to be sure, yet not forever damaged, is the theme of this extraordinary coming-of-age tale.From the Hardcover edition.

    This text uses place names to describe some of these meanings.

    A clever and determined dreamer with a vivid imagination and a flair for the dramatic, “Banana” as his mother endearingly called him, yearned to live in a middle-class house with a swinging kitchen door just like the ones on television, and fell in love with everything French, thanks to his Portuguese and French-Canadian godmother. But David also struggled with the emotional devastation of manic depression. Until he was diagnosed in his mid-thirties, David found relief from his wild mood swings in learning about food, watching Julia Child, and cooking for others.Notes on a Banana is his heartfelt, unflinchingly honest, yet tender memoir of growing up, accepting himself, and turning his love of food into an award-winning career. Reminiscing about the people and events that shaped him, David looks back at the highs and lows of his life: from his rejection of being gay and his attempt to “turn straight” through Aesthetic Realism, a cult in downtown Manhattan, to becoming a writer, cookbook author, and web publisher, to his twenty-four-year relationship with Alan, known to millions of David’s readers as “The One,” which began with (what else?) food. Throughout the journey, David returns to his stoves and tables, and those of his family, as a way of grounding himself.A blend of Kay Redfield Jamison’s An Unquiet Mind, the food memoirs by Ruth Reichl, Anthony Bourdain, and Gabrielle Hamilton, and the character-rich storytelling of Augusten Burroughs, David Sedaris, and Jenny Lawson, Notes on a Banana is a feast that dazzles, delights, and, ultimately, heals.

    This relationship - between young people and the empathetic music that sets them off down a road of self-discovery and self-definition - is emo, a much-maligned, mocked, and misunderstood term that has existed for nearly two decades, but has flourished only recently. In Nothing Feels Good, Andy Greenwald makes the case for emo as more than a genre - it's an essential rite of teenagehood. From the '80s to the '00s, from the basement to the stadium, from tour buses to chat rooms, and from the diary to the computer screen, Nothing Feels Good narrates the story of emo from the inside out and explores the way this movement is taking shape in real time and with real hearts on the line. Nothing Feels Good is the first book to explore this exciting moment in music history and Greenwald has been given unprecedented access to the bands and to their fans. He captures a place in time and a moment on the stage in a way only a true music fan can.

    He told his New York parishioners, "I know not why the term 'Fourfold Gospel' should have been suggested by the Holy Spirit, but it seems to have been taken up all over the land...". It remains today as the watchword for the denomination he founded.

     Marvel at the thief who steals electrical wires without shutting off the current. Gape at the lawnchair jockey who floats to a height of 16,000 feet suspended by helium balloons. Learn from the man who peers into a gasoline can using a cigarette lighter. All three -- and many more -- contend for Darwin Awards when their choices culminate in magnificent misadventures. These tales of trial and awe-inspiring error--verified by the author and endorsed by website readers--illustrate the ongoing saga of survival of the fittest in all its selective glory.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.