The story opens in a taxi in which we meet the five central characters, each seeking something to give life meaning: security, fame, wealth, dignity, recognition, freedom from fear and tradition-sanctioned, dehumanizing practices. Once they reach the capital city of Beirut, on which they've pinned their hopes, they all discover, man and woman alike, that they are victims of forces either partially or completely beyond their control, such as political corruption, class discrimination, economic and sexual exploitation, destruction of the natural environment, and blind allegiance to tradition. Beirut '75 addresses struggles of Arab society, particularly the Lebanese, but the message is one of the universal human condition.

    An advocate of the literature of the imagination, he is the publisher of the Philippine Speculative Fiction anthologies, an annual showcasing Filipino fictionists that he began in 2005.

    Middle Eastern studies. Translated from the French by the author. Reprinted with a new foreward by Jalal Toufic. This book, a masterwork of the dislocations and radiant outcries of the Arab world, reaffirms Etel Adnan, who authored the great poem, Jebu, as among the foremost poets of the French Language. THE ARAB APOCALYPSE is an immersion into a rapture of chaos clawing towards destiny, and nullified hope refusing its zero. Is is also the journey of soul through the cartography of a global immediacy rarely registered by maps, replete with signposts like hieroglyphs in a storm of shrapnel and broken glass. And above all it is a book that, though capable of being read in its orderly sequence, has so surrendered to 'being there, ' it can rivet the sensibility to the Middle Eastern condition at any point in the text--so rapid are its mutations, so becoming its becomingness--like a wisdom book or a book of Changes--Jack Hirschman.It has a power and intensity that few poets today can muster--only Allen Ginsberg's Howl comes to mind.--Alice MolloyThe power of Adnan's language and imagery reminds us that she is indeed one of the most significant post-modern poets in contemporary Arab culture.--Kamal BoullattaTHE ARAB APOCALYPSE is, to date, Adnan's most triumphant battle with the exactness of words.--Douglas PowellThe poem invokes a mythic past of Gilgamesh, Tammouz, and Ishtar to presage a present that resists narration, THE ARAB APOCALYPSE contests an uncritical reflection on the immediate historical past.--Barbara Harlow

    Through the narratives of four cousins at the brink of maturity, Laila Halaby immerses her readers in the lives, friendships, and loves of girls struggling with national, ethnic, and sexual identities. Mawal is the stable one, living steeped in the security of Palestinian traditions in the West Bank. Hala is torn between two worlds-in love in Jordan, drawn back to the world she has come to love in Arizona. Khadija is terrified by the sexual freedom of her American friends, but scarred, both literally and figuratively, by her father's abusive behavior. Soraya is lost in trying to forge an acceptable life in a foreign yet familiar land, in love with her own uncle, and unable to navigate the fast culture of California youth. Interweaving their stories, allowing us to see each cousin from multiple points of view, Halaby creates a compelling and entirely original story, a window into the rich and complicated Arab world.

    In his singular universe, televisions talk (and sometimes sing), animals live in small apartments where their nephews visit from the sea, and men and women and boys and girls fall down wells and fly through space and find love on Ferris wheels. In a voice full of fable, myth, and dream, Stories for Nighttime and Some for the Day draws us into a world of delightfully wicked recognitions, and introduces us to a writer of uncommon talent and imagination.Contains 40 stories, including "The Duck," "The Man and the Moose," and "Death and the Fruits of the Tree," as heard on NPR's This American Life, "The Book," as heard on Selected Shorts, and "The TV," as found in The New Yorker.A selection of the Barnes & Noble Discover Great New Writers Program and the Starbucks Coffee Bookish Reading Club.Winner of the 2011 Nobbie Award for Best Book of the Year."This guy can write!" –Ray Bradbury, author of Fahrenheit 451

    More than 9,000 pages and 30 volumes--here abridged to one volume, and translated into English for the first time--it contains entries on everything from medieval moon-worshiping cults, sexual aphrodisiacs, and the substance of clouds, to how to get the smell of alcohol off one's breath, the deliciousness of cheese made from buffalo milk, and the nesting habits of flamingos.Similar works by Western authors, including Pliny's Natural History, have been available in English for centuries. This ground-breaking translation of a remarkable Arabic text--expertly abridged and annotated--offers a look at the world through the highly literary and impressively knowledgeable societies of the classical Islamic world. Meticulously arranged and delightfully eclectic, it is a compendium to be treasured--a true monument of erudition.

    His celebrated short stories assemble a powerfully unsettling portrait of the superstition, poverty, and complacence that he perceived in late-imperial China, and in the revolutionary Republic that toppled the last dynasty in 1911. This volume presents Lu Xun's complete fiction, including 'The Real Story of Ah-Q,' 'Diary of a Madman,' 'The Divorce,' and 'New Year's Sacrifice,' among others.Julia Lovell's new translation of Lu Xun's short stories is accompanied by an introduction to the writer's political and literary life. This edition also includes suggested further reading, a note on Chinese names and pronunciation, a chronology, and notes.

    

    Both obstacles and support systems change as she actively participates in the struggle for Moroccan independence from France.

    As a young woman in Cairo in the forties and fifties, Ahmed witnessed some of the major transformations of this century—the end of British colonialism, the rise of Arab nationalism, and the breakdown of Egypt's once multireligious society. As today's Egypt continues to undergo revolutionary change, Ahmed's inspirational story remains as poignant and relevant as ever.

    Through her rich and lyrical descriptions, Alia Mamdouh vividly recreates a city of public steam baths, roadside butchers, and childhood games played in the same streets where political demonstrations against British colonialism are beginning to take place.At the heart of the novel is nine-year-old Huda, a girl whose fiery, defiant nature contrasts sharply with her own inherent powerlessness. Through Mamdouh's strikingly inventive use of language, Huda's stream-of-consciousness narrative expands to take in the life not only of a young girl and her family, but of her street, her neighborhood, and her country. Alia Mamdouh, winner of the Naguib Mahfouz Award in Arabic Literature, is a journalist, essayist and novelist living in exile in Paris. Long banned from publishing in Saddam Hussein's Iraq, she is the author of essays, short stories, and four novels, of which Naphtalene is the most widely acclaimed and translated.

    “As soon as you complete a description of what a good story must be, a new example flutters through an open window, lands on your sleeve, and proves your description wrong,” writes Anthony Doerr about the task of selecting The Best American Short Stories 2019. The year’s best stories are a diverse, addictive group exploring everything from America’s rich rural culture to its online teen culture to the fragile nature of the therapist-client relationship. This astonishing collection brings together the realistic and dystopic, humor and terror. For Doerr, “with every new artist, we simultaneously refine and expand our understanding of what the form can be.”  The Best American Short Stories 2019 includes Nana Kwame Adjei-Brenyah, Jamel Brinkley, Jeffrey Eugenides, Ursula K. Le Guin, Manuel Muñoz, Sigrid Nunez, Saïd Sayrafiezadeh, Jim Shepherd, Weike Wang, and others.

    Itshowcases the work of over fifty artists and writers whoare challenging the culture of violence in Syria. Theirliterature, poems and songs, cartoons, political postersand photographs document and interpret the momentouschanges that have shifted the frame of reality so drasticallyin Syria.Moving and inspiring, Syria Speaks is testament to thecourage, creativity and imagination of the Syrian people.A unique anthology providing a window into Syrian art andwriting since the uprising. Contributors includeinternationally renowned artists and writers, such asAli Ferzat, Samar Yazbek, Khaled Khalifa and Robin Yassin-Kassab.The book includes 108 colour illustrations.

    Pure Drivel is a collection of pieces, most of them written for the New Yorker, that demonstrate Martin's playful way with words and his unerring ability to create a feeling of serendipitous improvisation even on the printed page. Here's a passage from a piece that announces a shortage of periods in the Times Roman font: "Most vulnerable are writers who work in short, choppy sentences," said a spokesperson for Times Roman, who continued, "We are trying to remedy the situation and have suggested alternatives, like umlauts, since we have plenty of umlauts--and, in fact, have more umlauts than we could possibly use in a lifetime! Don't forget, umlauts can really spice up a page with their delicate symmetry--resting often midway in a word, letters spilling on either side--and not only indicate the pronunciation of a word but also contribute to a writer's greater glory because they're fancy, not to mention that they even look like periods, indeed, are indistinguishable from periods, and will lead casual readers to believe that the article actually contains periods!" Although some of these pieces flirted with topicality when they first appeared, Martin is most successful when he leaves the real world behind and gives his wit free rein. This collection preserves the best (so far) of his glorious improvisations. --Simon Leake

    Some of the stories are inspired by true events and some are inspired by ideas of my dear readers! Find out which ones inside this scary collection."BABYSITTER"Rachel was just a regular teenager living a normal life, when the new, rich family moved into town. They had 2 children and were looking for a babysitter. She thought it would be a nice way to get some money. What was in store for her, however, was a bloody and shocking night to remember."DARK SIDE"Selene and Damien seemed like a normal couple, but Damien started to act weirdly and spent a lot of time in his price room where he did his job. Damien was an artist and needed his private area. What was Damien actually doing in his private room was more terrifying than Selene could ever have imagined."THE CURSE OF HERNANDEZ"A newly married couple found the perfect home to call their own. While cleaning out the upstairs attic the husband discovers an old suitcase. Upon opening, they find the remains of documents and papers with their last name on them- Hernandez. Strange, but they decided to ignore it and throw the suitcase away. They should have never done this because that is when strange things started to happen.