There's a bonus, a story not seen for more than 70 years!'My name is Hercule Poirot and I am probably the greatest detective in the world.' The dapper, moustache-twirling little Belgian with the egg-shaped head, curious mannerisms and inordinate respect for his own 'little grey cells' has solved some of the most puzzling fictional crimes of the century. Appearing in Agatha Christie's very first novel in 1920 and her very last in 1975, Hercule Poirot became the most celebrated detective since Sherlock Holmes, appearing in 33 novels, a play, and these 51 short stories. These short stories provide a feast for hardened Agatha Christie addicts as well as those who have grown to love the detective through his many film and television appearances. This edition also includes Poirot in "The Regatta Mystery, "an early version of an Agatha Christie story not published since 1936!Some may dispute whether "all" is the correct word. Several Poirot short stories have earlier, alternate, or expanded versions, and we shouldn't forget the dozen or so not here; they were re-purposed into the 1927 novel "The Big Four." Others appeared under different titles. Most importantly, "Hercule Poirot The Complete Short Stories" will delight newcomers to Christie's famous detective, as well as those who just want to remember how good their read was the first time around.The stories in order are: (1) The Affair at the Victory Ball, (2) The Jewel Robbery at the Grand Metropolitan, (3) The King of Clubs, (4) The Disappearance of Mr. Davenheim, (5) The Plymouth Express, (6) The Adventure of The Western Star, (7) The Tragedy at Marsdon Manor, (8) The Kidnapped Prime Minister, (9) The Million Dollar Bond Robbery, (10) The Adventure of the Cheap Flat, (11) The Mystery of Hunter's Lodge, (12) The Chocolate Box, (13) The Adventure of the Egyptian Tomb, (14) The Veiled Lady, (15) The Adventure of Johnnie Waverly, (16) The Market Basing Mystery, (17) The Adventure of the Italian Nobleman, (18) The Case of the Missing Will, (19) The Incredible Theft, (20) The Adventure of the Clapham Cook, (21) The Lost Mine, (22) The Cornish Mystery, (23) The Double Clue, (24) The Adventure of the Christmas Pudding, (25) The Lemesurier Inheritance, (26) The Under Dog, (27) Double Sin, (28) Wasps' Nest, (29) The Third-Floor Flat, (30) The Mystery of the Spanish Chest, (31) Dead Man's Mirror, (32) How Does Your Garden Grow? (33) Problem at Sea, (34) Triangle at Rhodes, (35) Murder in the Mews, (36) Yellow Iris, (37) The Dream, (38) The Labours of Hercules, the Foreword, (39) The Nemean Lion, (40) The Lernean Hydra, (41) The Arcadian Deer, (42) The Erymanthian Boar, (43) The Augean Stables, (44) The Stymphalean Birds, (45) The Cretan Bull, (46) The Horses of Diomedes, (47) The Girdle of Hyppolita, (48) The Flock of Geryon, (49) The Apples of the Hesperides, (50) The Capture of Cerberus, and (51) Four-and-Twenty Blackbirds.Librarian's note: this entry is for the collection, "Hercule Poirot The Complete Short Stories." Entries for each of the individual stories can be found elsewhere on Goodreads.

    "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" -- "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor. O'Connor had a shrewd insight to the darker side of man's nature and a mild appearance to go with it--and together those came together to become Chesterton's unassuming Father Brown. Chesterton loved the character, and the magazines he wrote for loved the stories. The Innocence of Father Brown was the first collection of them, and it's a great lot of fun.

    Thrust into the closed society that is seventeenth-century Japan, a land where the line between life and death is razor-thin, Blackthorne must negotiate not only a foreign people, with unknown customs and language, but also his own definitions of morality, truth, and freedom. As internal political strife and a clash of cultures lead to seemingly inevitable conflict, Blackthorne's loyalty and strength of character are tested by both passion and loss, and he is torn between two worlds that will each be forever changed.Powerful and engrossing, capturing both the rich pageantry and stark realities of life in feudal Japan, Shōgun is a critically acclaimed powerhouse of a book. Heart-stopping, edge-of-your-seat action melds seamlessly with intricate historical detail and raw human emotion. Endlessly compelling, this sweeping saga captivated the world to become not only one of the best-selling novels of all time but also one of the highest-rated television miniseries, as well as inspiring a nationwide surge of interest in the culture of Japan. Shakespearean in both scope and depth, Shōgun is, as the New York Times put it, "...not only something you read--you live it." Provocative, absorbing, and endlessly fascinating, there is only one: Shōgun.

    Disinherited by law and brutally ousted from Combe-Raven, the idyllic country estate which has been their peaceful home since childhood, the two young women are left to fend for themselves. While the submissive Norah follows a path of duty and hardship as a governess, her high-spirited and rebellious younger sister has made other decisions. Determined to regain her rightful inheritance at any cost, Magdalen uses her unconventional beauty and dramatic talent in recklessly pursuing her revenge. Aided by the audacious swindler Captain Wragge, she braves a series of trials leading up to the climactic test: can she trade herself in marriage to the man she loathes?Written in the early 1860s, between The Woman in White and The Moonstone, No Name was rejected as immoral by critics of its time, but is today regarded as a novel of outstanding social insight, showing Collins at the height of his powers.

    If I sit still and don't do anything, the world goes on beating like a slack drum, without meaning. We must be moving, working, making dreams to run toward; the poverty of life without dreams is too horrible to imagine."-- Sylvia Plath, from "Notebooks, February 1956"Renowned for her poetry, Sylvia Plath was also a brilliant writer of prose. This collection of short stories, essays, and diary excerpts highlights her fierce concentration on craft, the vitality of her intelligence, and the yearnings of her imaginaton. Featuring an introduction by Plath's husband, the late British poet Ted Hughes, these writings also reflect themes and images she would fully realize in her poetry. "Jonny Panic and the Bible of Dreams" truly showcases the talent and genius of Sylvia Plath.

    The most popular and beloved American historical novel ever written, Margaret Mitchell's Gone With the Wind is unparalleled in its portrayal of men and women at once larger than life but as real as ourselves. Now bestselling writer Alexandra Ripley brings us back to Tara and reintroduces us to the characters we remember so well: Rhett, Ashley, Mammy, Suellen, Aunt Pittypat, and, of course, Scarlett. As the classic story, first told over half a century ago, moves forward, the greatest love affair in all fiction is reignited; amidst heartbreak and joy, the endless, consuming passion between Scarlett O'Hara and Rhett Butler reaches its startling culmination. Rich with surprises at every turn and new emotional, breathtaking adventures, Scarlett satisfies our longing to reenter the world of Gone With the Wind, and like its predecessor, Scarlett will find an eternal place in our hearts.

    The Knight, the Miller, the Friar, the Squire, the Prioress, the Wife of Bath, and others who make up the cast of characters -- including Chaucer himself -- are real people, with human emotions and weaknesses. When it is remembered that Chaucer wrote in English at a time when Latin was the standard literary language across western Europe, the magnitude of his achievement is even more remarkable. But Chaucer's genius needs no historical introduction; it bursts forth from every page of The Canterbury Tales.If we trust the General Prologue, Chaucer intended that each pilgrim should tell two tales on the way to Canterbury and two tales on the way back. He never finished his enormous project and even the completed tales were not finally revised. Scholars are uncertain about the order of the tales. As the printing press had yet to be invented when Chaucer wrote his works, The Canterbury Tales has been passed down in several handwritten manuscripts.

    

    In A Typical Irish Christmas, a grieving widower heads for a holiday in Ireland and finds an unexpected destination not just for himself, but for a father and daughter in crisis. . . . In Pulling Together, a teacher not yet out of her twenties sees her affair with a married man at a turning point as Christmas Eve approaches. . . . And in the title story, This Year It Will Be Different, a woman with a complacent husband and grown children enters a season that will forever alter her life, and theirs. . .

    However much the reader may sympathize with Hetty Sorrel and identify with Arthur Donnithorne, her seducer, and with Adam Bede, the man Hetty betrays,it is George Eliots's creation of the distant aesthetic whole - the complex, multifarious life of Hayslope - which so grips the reader's imagination. As Stephen Gill comments: 'Reading the novel is a process of learning simultaneously about the world of Adam Bede and the world of Adam Bede.'

    A squeaky collar round the neck of a man is a comment, not upon the collar, but upon the man. That man is unlucky. Things are against him. Nature may have done all for him that she could, have given him a handsome outside and a noble inside, but the world of inanimate objects is against him.

    On the Massachusetts coast north of Boston, a controlling manager, Mark, discovers his wife's infidelity after twenty-five years of marriage. An overweight young woman, Marla, gains a romantic partner but loses her innocence. A philandering bartender/aspiring poet, Robert, betrays his pregnant wife. And in the stunning title novella, a teenage girl named Devon, fleeing a dirty image of her posted online, seeks respect in the eyes of her widowed great-uncle Francis and of an Iraq vet she’s met surfing the Web.Slivered by happiness and discontent, aging and death, but also persistent hope and forgiveness, these beautifully wrought narratives express extraordinary tenderness toward human beings, our vulnerable hearts and bodies, our fulfilling and unfulfilling lives alone and with others.

    By birth a native of Georgia and a Roman Catholic, O'Connor depicts, in all its comic and horrendous incongruity, the limits of worldly wisdom and the mysteries of divine grace in the "Christ-haunted" Protestant South. This Library of America collection, the most comprehensive ever published, contains all of her novels and short-story collections, as well as nine other stories, eight of her most important essays, and a selection of 259 witty, spirited, and revealing letters, twenty-one published here for the first time.Her fiction brilliantly explores the human obsession with seemingly banal things. It might be a new hat or clean hogs or, for Hazel Motes, hero of Wise Blood (1952), an automobile. "Nobody with a good car needs to be justified," Hazel assures himself while using its hood for a pulpit to preach his "Church Without Christ." As in O'Connor's subsequent work, the characters in this novel are driven to violence, even murder, and their strong vernacular endows them with the discomforting reality of next-door neighbors. "In order to recognize a freak," she remarks in one of her essays, "you have to have a conception of the whole man."In the title story of her first, dazzling collection of stories, A Good Man Is Hard to Find (1955), the old grandmother discovers the comic irrelevance of good manners when she and her family meet up with the sinister Misfit, who claims there is "no pleasure but meanness." The terror of urban dislocation in "The Artificial Nigger," the bizarre baptism in "The River," or one-legged Hulga Hopewell's encounter with a Bible salesman in "Good Country People"--these startling events give readers the uneasy sense of mysteries about to be revealed.Her second novel, The Violent Bear It Away (1960), casts the shadow of the Old Testament across a landscape of backwoods shacks, modern towns, and empty highways. Caught between the prophetic fury of his great-uncle and the unrelenting rationalism of his uncle, fourteen-year-old Francis Tarwater undergoes a terrifying trial of faith when he is commanded to baptize his idiot cousin.The nine stories in Everything That Rises Must Converge (1965) show O'Connor's powers at their height. The title story is a terrifying, heart-rending drama of familial and racial misunderstanding. "Revelation" and "The Enduring Chill" probe further into conflicts between parental figures and recalcitrant offspring, where as much tension is generated from quiet conversation as from the physical violence of gangsters and fanatics.

    In this brilliant new collection she takes mainly the lives of women - unruly, ungovernable, unpredictable, unexpected, funny, sexy and completely recognisable - and brings their hidden desires bubbling to the surface. The love of a good woman is not as pure and virtuous as it seems: as in her title story it can be needy and murderous. Here are women behaving badly, leaving husbands and children, running off with unsuitable lovers, pushing everyday life to the limits, and if they don't behave badly, they think surprising and disturbing thoughts.

    For the Fourth Edition, the editor has collated the 1847 text with several modern editions and has corrected a number of variants, including accidentals. The text is accompanied by entirely new explanatory annotations.New to the fourth Edition are twelve of Emily Bronte's letters regarding the publication of the 1847 edition of Wuthering Heights as well as the evolution of the 1850 edition, prose and poetry selections by the author, four reviews of the novel, and poetry selections by the author, four reviews of the novel, and Edward Chitham's insightful and informative chronology of the creative process behind the beloved work.Five major critical interpretations of Wuthering Heights are included, three of them new to the Fourth Edition. A Stuart Daley considers the importance of chronology in the novel. J. Hillis Miller examines Wuthering Heights's problems of genre and critical reputation. Sandra M. Gilbert assesses the role of Victorian Christianity plays in the novel, while Martha Nussbaum traces the novel's romanticism. Finally, Lin Haire-Sargeant scrutinizes the role of Heathcliff in film adaptations of Wuthering Heights. A Chronology and updated Selected Bibliography are also included.