By the time the war ended in May 1945, he was indicted for 'mass murder'. Hunted by the Soviets, the Americans, the Poles and the British, as well as groups of Jews, Wächter went on the run. He spent three years hiding in the Austrian Alps, assisted by his wife Charlotte, before making his way to Rome where he was helped by a Vatican bishop. He remained there for three months. While preparing to travel to Argentina on the 'ratline' he died unexpectedly, in July 1949, a few days after spending a weekend with an 'old comrade'.In The Ratline Philippe Sands offers a unique account of the daily life of a senior Nazi and fugitive, and of his wife. Drawing on a remarkable archive of family letters and diaries, he unveils a fascinating insight into life before and during the war, on the run, in Rome, and into the Cold War. Eventually the door is unlocked to a mystery that haunts Wächter's youngest son, who continues to believe his father was a good man - what happened to Otto Wächter, and how did he die?

    I stroked his cheek, whispered, it’s really you…Dov and Yitzhak live in a small village in the mountains of Hungary, isolated both from the world and from the horrors of the war. But one day in 1944, everything changes. The Nazis storm the homes of the Jewish villagers and inform them they have one hour. One hour before the train will take them to Auschwitz.Six decades later, from the safety of their living rooms at home in Israel, the brothers finally break their silence to a friend who will never let their stories be forgotten.Told in a poetic style reminiscent of Atwood and Salinger, Malka Adler has penned a visceral yet essential read for those who have found strength, solace and above all, hope, in books like The Choice, The Librarian of Auschwitz and The Tattooist of Auschwitz.This paperback includes an exclusive 14-page P.S. section with an author Q, an Author’s Note and a reading group guide.Praise for The Brothers of Auschwitz‘I sat down and read this within a few hours, my wife is now reading it and it is bringing tears to her eyes’ Amazon reviewer‘The story is so incredible and the author writes so beautifully that it is impossible to stay indifferent. I gave the book to my mom and she called me after she finished crying and telling me how much she loved it’ Amazon reviewer‘It is a book we all must read, read in order to know … It is harsh, enthralling, earth-shattering, rattling – but we must. And nothing less’ Aliza Ziegler, Editor-in-Chief at Proza Books, Yedioth Ahronoth Publishing House‘Great courage is needed to write as Adler does – without softening, without beautifying, without leaving any room to imagination’ Yehudith Rotem, Haaretz newspaper‘This is a book we are not allowed not to read’ Leah Roditi, At Magazine

    By turns dreamlike and nightmarish, this heavily illustrated account of determination, courage, family loyalty, and the luck of coincidence is a true publishing event."

    Alter was then a boy of 13. At the age of 15 he was deported to Blechhammer, a Forced Labor Camp for Jews, in Germany. He survived five camps. Upon liberation by the Russian Army on May 9, 1945, Alter weighed 80 lbs as reflected on the book's cover. Alter Wiener is one of the very few Holocaust survivors still living in Portland, Oregon. He moved to Oregon in 2000 and since then he has shared his life story with over 800 audiences (as of April, 2013) in universities, colleges, middle and high schools, Churches, Synagogues, prisons, clubs, etc. He has also been interviewed by radio and TV stations as well as the press. Wiener's autobiography is a testimony to an unfolding tragedy taking place in WWII. Its message illustrates what prejudice may lead to and how tolerance is imperative. This book is not just Wiener's life story but it reveals many responses to his story. Hopefully, it will enable many readers to truly understand such levels of horror and a chance to empathize with the unique plight of the Holocaust victims. Feel free to visit my website www.alterwiener.com for more information including links.

    Though she might well have weathered the oppressive regime, Humbert was stirred to action by the awful atrocities she witnessed. In an act of astonishing bravery, she joined forces with several other colleagues to form an organized resistance—very likely the first such group to fight back against the occupation. (In fact, their newsletter, Résistance, gave the French Resistance its name.) In the throes of their struggle for freedom, the members of Humbert’s group were betrayed to the Gestapo; Humbert herself was imprisoned. In immediate, electrifying detail, Humbert describes her time in prison, her deportation to Germany, where for more than two years she endured a string of brutal labor camps, and the horror of discovering that seven of her friends were executed by a firing squad. But through the direst of conditions, and ill health in the labor camps, Humbert retains hope for herself, for her friends, and for humanity. Originally published in France in 1946, the book was soon forgotten and is now translated into English for the first time. Résistance is more than a firsthand account of wartime France: it is the work of a brave, witty, and forceful woman, a true believer who refused to go quietly.

    The whole is moving, and strange beyond belief." --The Times (London)International acclaim for Solomon Perel's Europa Europa"The wrenching memoir of a young man who survived the Holocaust by concealing his Jewish identity and finding unexpected refuge as a member of the Hitler Youth."It is a Holocaust memoir that is moving, straightforward, and quite completely bizarre, unsettling in all kinds of assumptions about identity, responsibility, and guilt." --Glasgow Herald"Perel bares his soul to readers in this fascinating, unusual personal narrative of the Holocaust." --Book Report"Many of the experiences of Holocaust survivors are incredible. None is more incredible than the story of a Jewish boy, Solomon Perel, who escaped from Germany to Russia, served with the Wehrmacht in Russia, was adopted by his commanding officer, and transferred to an elite Hitler Youth school." --London Jewish News"A most remarkable story . . . extraordinary." --The Australian"This book will move human hearts." --Berliner Morgenpost

    Some of the lessons she imparts are surprising, as when she argues, against other historians, that the female camp guards were far more humane than their male counterparts, and when she admits that she has difficulty today queuing in line, a constant of camp life, "out of revulsion for the bovine activity of simply standing." Her memories of her youth are punctuated by sharp reflections on the meaning of the Shoah, and how it should best be memorialized in a time when ever fewer survivors are left to act as witnesses. Those reflections are often angry -- "Absolutely nothing good came out of the concentration camps," she writes, recalling an argument with a naive German graduate student, "and he expects catharsis, purgation, the sort of thing you go to the theatre for?"But they are constantly provocative, too. Though readers will doubtless take issue with some of her conclusions, Kluger's insistent memoir merits a wide audience. --Gregory McNamee

    To all appearances, she was a strong and dignified survivor, with old-world courtesies, a twinkling sense of humor, and a lilting Austrian syntax. Yet deep within, she'd been scarred by a profound personal trauma.Finally, just before she died at the age of 91, she chose to entrust me with this profound secret, and all at once I understood how it had affected her entire adult life. This is a story of friendship and strength, of courage and betrayal. It is an epic tale set against the backdrop of history.

    Following a terrifying air raid in the blitz, her father revealed the family secret, that her great-great grandmother Emilie was married to a Prussian prince. He then showed her the treasured leather-bound notebook inscribed to Emilie by the prince. Her parents were reluctant to learn more, but later in life, when Eve was married and inherited the diary, she became obsessed with proving this birthright. The Secrets of the Notebook tells how she follows the clues, from experts on European royalty in London to archives in West Germany and then, under threat of being arrested as a spy by the Communist regime, to an archive in East Germany that had never before opened its doors to the West. What she unearths is a love story set against the upheaval of the Napoleonic wars and the antisemitism of the Prussian court, and a ruse that both protected Emilie’s daughter and probably condemned her granddaughter—Eve’s beloved grandmother, Anna—to death in the Nazi camps.When first published in the UK, The Secrets of the Notebook was an Irish Times bestseller. A movie based on the book is in production.

    Zywulska born in 1914 as Sonia Landau. During the German occupation of Poland, she was displaced with her Jewish family to the Warsaw Ghetto in 1941. She escaped from the Ghetto and became active in the Polish resistance movement. Under her new name, Zywulska, she was captured by the Nazis in 1943 and sent to Auschwitz. There is always the danger that we will forget things that are best not forgotten. Certainly, some things should be permanently recorded so that posterity will remember what we would prefer to erase from our memories. This is the story of a woman who was imprisoned for a number of years in Auschwitz, the notorious death camp. What she saw there makes medieval genocides look like child’s play. This is her memoir, and she shows not only her own courage but also her fellow prisoners’ fierce will to live. Half-starved, suffering from lice, scabies and dysentery and mowed down by typhus and pneumonia, they worked in fields of icy slush and mud and registered new arrivals—hundreds of thousands of women from Holland, Greece, Italy and Hungary, who did not know where they were or why they had been seized. That she survived and finally managed to escape to tell the tale is one of many reasons why this book should be published and widely read. Most of her companions were murdered so that they could not bear witness. Written just after the author’s escape and published in 1946, I Survived Auschwitz was the first ever book to emerge about the camp and therefore occupies an important place in Holocaust literature. In certain parts of this book you will notice changes made by Poland’s communist censors after 1945. Due to these interventions, the book has become an unintentional double witness to the 20th century’s two most dreadful totalitarian regimes. I Survived Auschwitz was published in cooperation with the Auschwitz-Birkenau State Museum. With additional footnotes, 26 percent increase in text, and 45 photos taken during war, the new edition is greatly expanded compared to the original 1946 English version. The book was translated from the Polish, Przeżyłam Oświęcim, by Lech Czerski and Sheila Callahan based on an initial translation by Krystyna Cenkalska.

    The SS soon discovered that by putting prisoners in charge of the day-to-day accommodation blocks, they could deflect attention away from themselves. Magda was one such prisoner selected for leadership and put in charge of hundreds of women in the notorious Experimental Block 10. She found herself constantly walking a dangerously fine line: saving lives while avoiding suspicion by the SS and risking execution. Through her inner strength and shrewd survival instincts, she was able to rise above the horror and cruelty of the camps and build pivotal relationships with the women under her watch, and even some of Auschwitz’s most notorious Nazi senior officers. Based on Magda’s personal account and completed by her daughter’s extensive research, this is “an unputdownable account of resilience and the power of compassion” (Booklist) in the face of indescribable evil.

    Dedicated to the American Seventh Army, this work originally appeared in Polish in an edition of 10,000 numbered copies, unspecified numbers of which were bound in material cut from concentration camp stripes and from SS uniforms.The inspiration for writing a book which could tell the truth about Auschwitz came from the conditions in immediately-post-war Munich in which the authors found themselves, and was articulated by Janusz Nel Siedlecki in his 1994 memoir, Beyond Lost Dreams: "As the one common enemy disappeared, so vanished all moral rules and restraints. Individuals, as well as large groups, competed for food, recognition, and a better life. The polish people were divided into innumberable factions .... The survivors carried forth their banners of "martyrdom" and sowed the seeds of future legends. They wanted glory -- I wanted to bear witness for the tortured, gassed, burnt; for all the unknown, unnamed, already forgotten dead."The publication history of We Were in Auschwitz reflects both the physical chaos that followed the end of the war in Europe and the political situation in Poland and in the U.S. Having written the book in their requisitioned apartment in Munich, the authors neededAmerican permission to publish it. "There was no printing without an official permit, and no permit for anything unessential, " Siedlecki wrote in Beyond Lost Dreams, "Cigarettes opened the gates of Bruckmann, the famous printers of Munich. My crude camp-German clinched the deal at pre-war prices."According the Siedlecki, the book immediately met with mixed reaction: "Praise from the Polish Western press, but, for debunking the 'heroes, ' vicious threats from many ex-prisoners." Meanwhile, the group of authors started to disperse. Tadeusz Borowski returned to Poland in May 1946; Krystyn Olszewski also returned to Poland, while Siedlecki emigrated to England. Anatol Girs left Munich for the U.S. in 1947, bringing with him the remaining copies of the book with high hopes of selling them to the Polish-American community. However, this immigrant community was hostile to Borowski's association with the communist regime on his return to Poland. Unable to pay the cost of storing the copies he had brought, Girs was forced to destroy most of them, keeping only a few.

    The film, shot long ago by his grandfather on a sightseeing trip to Europe, includes shaky footage of Paris and the Swiss Alps, with someone inevitably waving at the camera. Astonishingly, David Kurtz also captured on color 16mm film the only known moving images of the thriving, predominantly Jewish town of Nasielsk, Poland, shortly before the community's destruction. "Blissfully unaware of the catastrophe that lay just ahead," he just happened to visit his birthplace in 1938, a year before the Nazi occupation. Of the town's three thousand Jewish inhabitants, fewer than one hundred would survive.Glenn Kurtz quickly recognizes the brief footage as a crucial link in a lost history. "The longer I spent with my grandfather's film," he writes, "the richer and more fragmentary its images became." Every image, every face, was a mystery that might be solved. Soon he is swept up in a remarkable journey to learn everything he can about these people. After restoring the film, which had shrunk and propelled across the United States; to Canada, England, Poland, and Israel; and into archives, basements, cemeteries, and even an irrigation ditch at an abandoned Luftwaffe airfield as he looks for shards of Nasielsk's Jewish history.One day, Kurtz hears from a young woman who had watched the video on the Holocaust Museum's website. As the camera panned across the faces of children, she recognized her grandfather as a thirteen-year-old boy. Moszek Tuchendler of Nasielsk was now eighty-six-year-old Maurice Chandler of Florida, and when Kurtz meets him, the lost history of Nasielsk comes into view. Chandler's laser-sharp recollections create a bridge between two worlds, and he helps Kurtz eventually locate six more survivors, including a ninety-six-year-old woman who also appears in the film, standing next to the man she would later marry.Painstakingly assembled from interviews, photographs, documents, and artifacts, Three Minutes in Poland tells the rich, harrowing, and surprisingly intertwined stories of these seven survivors and their Polish hometown. "I began to catch fleeting glimpses of the living town," Kurtz writes, "a cruelly narrow sample of its relationships, contradictions, scandals." Originally a travel souvenir, David Kurtz's home movie became the most important record of a vibrant town on the brink of extinction. From this brief film, Glenn Kurtz creates a poignant yet unsentimental exploration of memory, loss, and improbable survival--a monument to a lost world.

    One woman’s letters stood out: those from Valy—Valerie Scheftel. Her grandfather’s lover who had remained behind when he fled Europe six months after the Nazis annexed Austria.Valy’s name wasn’t unknown to her—Wildman had once asked her grandmother about a dark-haired young woman whose images she found in an old photo album. “She was your grandfather’s true love,” her grandmother said at the time, and refused any other questions. But now, with the help of the letters, Wildman started to piece together Valy’s story. They revealed a woman desparate to escape and clinging to the memory of a love that defined her years of freedom.Obsessed with Valy’s story, Wildman began a quest that lasted years and spanned continents. She discovered, to her shock, an entire world of other people searching for the same woman. On in the course of discovering Valy’s ultimate fate, she was forced to reexamine the story of her grandfather’s triumphant escape and how this history fit within her own life and in the process, she rescuing a life seemingly lost to history.

    During the second world war Eric Lomax was forced to work on the notorious Burma-Siam Railway and was tortured by the Japanese for making a crude radio.Left emotionally scarred and unable to form normal relationships Lomax suffered for years until, with the help of his wife Patti and the Medical Foundation for the Care of Victims of Torture, he came to terms with what had happened and, fifty years after the terrible events, was able to meet one of his tormentors.The Railway Man is an incredible story of innocence betrayed, and of survival and courage in the face of horror.