Sheriff Travis Keagan is enjoying a beer at the local roadhouse when a blood-soaked girl enters the bar. Terrified and trembling, Abigail Blackwood claims her entire family was massacred at the nearby hippy commune in the woods. But when Sheriff Keagan and his deputies investigate the Blevins House, they discover there’s more to Abigail’s story than she’s told them. Much more.

    Now his sudden death allows her to return to New York to make a fresh start, restoring Liefdehuis, a dilapidated Hyde Park mansion, and hopefully her reputation at the same time. However, fresh starts aren't as easy as they seem, as Alva discovers when stories of a haunting at Liefdehuis begin to reach her. But Alva doesn't believe in ghosts. So when the eccentric and brilliant professor, Samuel Moore, appears and informs her that he can get to the bottom of the mystery that surrounds Liefdehuis, she turns him down flat. She doesn't need any more complications in her life―especially not a handsome, convention-flouting, scandal-raising one like Sam. Unfortunately, though Alva is loath to admit it, Sam, a pioneer in electric lighting and a member of the nationally-adored Moore family of scientists, is the only one who can help. Together, the two delve into the tragic secrets wreathing Alva's new home while Sam attempts to unlock Alva's history―and her heart. Set during the Gilded Age in New York City, The Widow of Rose House is a gorgeous debut by Diana Biller, with a darkly Victorian Gothic flair and an intrepid and resilient American heroine guaranteed to delight readers.

    . . both human and otherwise.Twelve-year-old Crispin has lived on the streets since he was nine—with only his wits and his daring to sustain him, and only his silent dog, Harley, to call his friend. He is always on the move, never lingering in any one place long enough to risk being discovered. Still, there are certain places he returns to. In the midst of the tumultuous city, they are havens of solitude: like the hushed environs of St. Mary Salome Cemetery, a place where Crispin can feel at peace—safe, at least for a while, from the fearsome memories that plague him . . . and seep into his darkest nightmares. But not only his dreams are haunted. The city he roams with Harley has secrets and mysteries, things unexplainable and maybe unimaginable. Crispin has seen ghosts in the dead of night, and sensed dimensions beyond reason in broad daylight. Hints of things disturbing and strange nibble at the edges of his existence, even as dangers wholly natural and earthbound cast their shadows across his path. Alone, drifting, and scavenging to survive is no life for a boy. But the life Crispin has left behind, and is still running scared from, is an unspeakable alternative . . . that may yet catch up with him.There is more to this world, and its darkest corners yet to be encountered, in this eBook’s special bonus: a spine-tingling excerpt from Dean Koontz’s forthcoming novel, 77 Shadow Street.

    In the apartment of Oliver's old professor at Cambridge, there is a painting on the wall, a mysterious depiction of masked revelers at the Venice carnival. On this cold winter's night, the old professor has decided to reveal the painting's eerie secret. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty.By the renowned storyteller Susan Hill--whose first ghost story, The Woman in Black, has run for eighteen years as a play in London's West End--here is a new take on a form that is fully classical and, in Hill's able hands, newly vital. The Man in the Picture is a haunting tale of loss, love, and the very basest fear of our beings.

    Army, is implicated in a tragic explosion on the army base while spearheading a top-secret weapons project. During the aftermath, both his parents are labeled as traitors, and he’s haunted by visions he can’t understand.Brandon struggles through adolescence and college, still troubled by hallucinations that are also witnessed by others, leading him to believe that someone—or something—is deliberately laying clues in his path. Doggedly pursuing one clue at a time, Brandon seeks the answers.

    He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his skin that attracts the eye of wealthy white folks and their cops. But when he delivers an occult tome to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic, and earns the attention of things best left sleeping.A storm that might swallow the world is building in Brooklyn. Will Black Tom live to see it break?

    Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls... But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them.

    His childhood friend and perpetual source of mischief, Jay Lightsey, pushes them to explore what's beneath. When the door slams shut above them, Paul and Jay are trapped in a between-worlds place of Escher-like rooms and horror story monsters, all with a mysterious connection to a command-line, dungeon explorer computer game from the early '80s called The Between.Paul and Jay find themselves filling roles in a story that seems to play out over and over again. But in this world, where their roles warp their minds, the biggest threat to survival may not be the Koŝmaro, risen from the Between's depths to hunt them; the biggest danger may be each other.

    Tourists travel miles to marvel at its miracle crops, including the shimmering, iridescent wheat of Wren’s family farm. Until five months ago.That’s when the quicksilver mercury blight first surfaced, poisoning the farms of Hollow’s End one by one. It began by consuming the crops--thick, silver sludge bleeding from the earth. Next were the animals. Infected livestock and wild creatures alike staggered off into the woods by day—only to return at night, their eyes, fogged white, leering from the trees.Then, the blight came for the neighbors.Wren is among the last locals standing. And the blight has finally come for her, too. Now, the only one she can turn to is the last person she wants to call: her ex, Derek. They haven’t spoken in months, but Wren and Derek still have one thing in common—Hollow’s End means everything to them. Only there’s much they don’t know about their hometown and its renowned miracle crops. And they’re about to discover that miracles aren’t free.Their ancestors have an awful lot to pay for, and Wren and Derek are the only ones left to settle old debts.

    The one condition of the inheritance is that they keep the uncle's beloved pet cormorant. They soon discover, however, that the cormorant is no mere bird, but a foul and malignant creature that may exact a greater price than they are willing to pay. Produced by the BBC as a TV film starring Ralph Fiennes.

    The Eldreds feed on the negative emotions of humans, creating nightmarish realms within their house to entrap their prey. Neighbors are lured into the Eldreds' home and faced with challenges designed to heighten their darkest emotions so their inhuman captors can feed and feed well. If the humans are to have any hope of survival, they'll have to learn to overcome their prejudices and resentments toward one another and work together. But which will prove more deadly in the end, the Eldreds . . . or each other?

    A travelling carnival, making its debut on Halloween.Anticipation builds, and the mysterious 'Halloween Land' carnival is the talk of the town; the calliope music, bright lights, and sweet and savoury smells from the pop-up carnival lure in the crowds flocking to the pier. The two teenage friends Zak and Wendy are eager to be among the first.Revelations unfold, mysteries peek from the outer limits. The kids have to think and act fast to defeat the evil that's come to town and it’s nothing like in the movies!This tale is full of mystery, fun, magic, tension and dread.Step up for the ride, give your ticket to the clown, she'll show you a good time; no one can say where you will end up, but it'll be a wicked ride!

    He’ll follow you home, and he won’t let you sleep.Who are the Sawkill Girls?Marion: the new girl. Awkward and plain, steady and dependable. Weighed down by tragedy and hungry for love she’s sure she’ll never find.Zoey: the pariah. Luckless and lonely, hurting but hiding it. Aching with grief and dreaming of vanished girls. Maybe she’s broken—or maybe everyone else is.Val: the queen bee. Gorgeous and privileged, ruthless and regal. Words like silk and eyes like knives, a heart made of secrets and a mouth full of lies.Their stories come together on the island of Sawkill Rock, where gleaming horses graze in rolling pastures and cold waves crash against black cliffs. Where kids whisper the legend of an insidious monster at parties and around campfires.Where girls have been disappearing for decades, stolen away by a ravenous evil no one has dared to fight… until now.

    Ada and her father, touched by the power to heal illness, live on the edge of a village where they help sick locals—or “Cures”—by cracking open their damaged bodies or temporarily burying them in the reviving, dangerous Ground nearby. Ada, a being both more and less than human, is mostly uninterested in the Cures, until she meets a man named Samson. When they strike up an affair, to the displeasure of her father and Samson’s widowed, pregnant sister, Ada is torn between her old way of life and new possibilities with her lover—and eventually comes to a decision that will forever change Samson, the town, and the Ground itself.Follow Me to Ground is fascinating and frightening, urgent and propulsive. In Ada, award-winning author Sue Rainsford has created an utterly bewitching heroine, one who challenges conventional ideas of womanhood and the secrets of the body. Slim but authoritative, Follow Me to Ground lingers long after its final page, pulling the reader into a dream between fairytale and nightmare, desire and delusion, folktale and warning.

    Something is wrong in Snakebite, Oregon. Teenagers are disappearing, some turning up dead, the weather isn’t normal, and all fingers seem to point to TV’s most popular ghost hunters who have just returned to town. Logan Ortiz-Woodley, daughter of TV's ParaSpectors, has never been to Snakebite before, but the moment she and her dads arrive, she starts to get the feeling that there's more secrets buried here than they originally let on.Ashley Barton’s boyfriend was the first teen to go missing, and she’s felt his presence ever since. But now that the Ortiz-Woodleys are in town, his ghost is following her and the only person Ashley can trust is the mysterious Logan. When Ashley and Logan team up to figure out who—or what—is haunting Snakebite, their investigation reveals truths about the town, their families, and themselves that neither of them are ready for. As the danger intensifies, they realize that their growing feelings for each other could be a light in the darkness.