But the Campaign for Real Cats sets out to change all that by helping us to recognise a true, unadulterated cat when we see one.For example: real cats have ears that look like they've been trimmed with pinking shears; real cats never wear flea collars . . . or appear on Christmas cards . . . or chase anything with a bell in it; real cats do eat quiche. And giblets. And butter. And anything else left on the table, if they think they can get away with it. Real cats can hear a fridge door opening two rooms away . . .

    The Erasers, his first novel, reads like a detective story but is primarily concerned with weaving and then probing a complete mixture of fact and fantasy. The narrative spans the twenty-four-hour period following a series of eight murders in eight days, presumably the work of a terrorist group. After the ninth murder, the investigation is then turned over to a police agent, who may in fact be the assassin.Both an engrossing mystery and a sinister deconstruction of reality, The Erasers intrigues and unnerves with equal force as it pull us along to its ominous conclusion.

    He is one of the symp-toms of our times—from the little man who shoves you out of the way on the street to the go-getter who shoves you out of a job in the office to the Fuehrer who shoves you out of the world. And all of us have stopped to wonder, at some time or another, what it is that makes these people tick. What makes them run?This is the question Schulberg has asked himself, and the answer is the first novel written with the indignation that only a young writer with talent and ideals could concentrate into a manuscript. It is the story of Sammy Glick, the man with a positive genius for being a heel, who runs through New York’s East Side, through newspaper ranks and finally through Hollywood, leaving in his wake the wrecked careers of his associates; for this is his tragedy and his chief characteristic—his congenital incapacity for friendship.An older and more experienced novelist might have tempered his story and, in so doing, destroyed one of its outstanding qualities. Compromise would mar the portrait of Sammy Glick. Schulberg has etched it in pure vitriol, and dissected his victim with a precision that is almost frightening.When a fragment of this book appeared as a short story in a national magazine, Schulberg was surprised at the number of letters he received from people convinced they knew Sammy Glick’s real name. But speculation as to his real identity would be utterly fruitless, for Sammy is a composite picture of a loud and spectacular minority bitterly resented by the many decent and sincere artists who are trying honestly to realize the measureless potentialities of motion pictures. To this group belongs Schulberg himself, who has not only worked as a screen writer since his graduation from Dartmouth College in 1936, but has spent his life, literally, in the heart of the motion-picture colony. In the course of finding out what makes Sammy run (an operation in which the reader is spared none of the grue-some details) Schulberg has poured out everything he has felt about that place. The result is a book which the publishers not only believe to be the most honest ever written about Hollywood, but a penetrating study of one kind of twentieth-century success that is peculiar to no single race of people or walk of life.

    Dawn’s Early Light is the first novel in the series.            In it, Colonial Williamsburg comes alive. Thane centers her novel around four major characters: the Aristrocratic St. John Sprague, who becomes George Washington’s aide; Regina Greensleeves, a Virginia beauty spoiled by a season in London; Julian Day, a young schoolmaster who arrives from England on the eve of the war and initially thinks of himself as a Tory; and Tibby Mawes, one of his less fortunate pupils, saddled with an alcoholic father and an indigent mother.            But we also see Washington, Jefferson, Lafayette, Greene, Patrick Henry, Francis Marion, and the rest of that brilliant galaxy playing their roles not as historical figures but as men. We see de Kalb’s gallant death under a cavalry charge at Camden. We penetrate to the swamp-encircled camp which was Marion’s stronghold on the Peedee. We watch the cat-and-mouse game between Cornwallis and Lafayette, which ended in Cornwallis’s unlucky stand at Yorktown.            Dawn’s Early Light is the human story behind our first war for liberty, and of the men and women loving and laughing through it to the dawn of a better world.

    Here in this exciting and totally original book of poems the narrator corresponds with L. about her hidden passions, her relationship with her husband and adolescent daughters, lost loves, and erotic fantasies. Kimiko Hahn's collection takes shape as a series of wide-ranging correspondences that are in turn precocious and wise, angry and wistful. Borrowing from both Japanese and Chinese traditions, Hahn offers us an authentic and complex narrator struggling with the sorrows and pleasures of being a woman against the backdrop of her Japanese-American roots.

    Published at the beginning of his career as a leading Russian author of his generation, Childhood is the first in a trilogy of semi-autobiographical novels tracing Nikolenka’s journey from innocence to experience. As a record of the past, a nostalgic reminder of a lost world, Childhood is one of Tolstoy’s most personal works

    The novel is full of esoteric references to the Kabbalah. The title of the book refers to an actual pendulum designed by the French physicist Léon Foucault to demonstrate the rotation of the earth, which has symbolic significance within the novel.Bored with their work, and after reading too many manuscripts about occult conspiracy theories, three vanity publisher employees (Belbo, Diotallevi and Casaubon) invent their own conspiracy for fun. They call this satirical intellectual game "The Plan," a hoax that connects the medieval Knights Templar with other occult groups from ancient to modern times. This produces a map indicating the geographical point from which all the powers of the earth can be controlled—a point located in Paris, France, at Foucault’s Pendulum. But in a fateful turn the joke becomes all too real.The three become increasingly obsessed with The Plan, and sometimes forget that it's just a game. Worse still, other conspiracy theorists learn about The Plan, and take it seriously. Belbo finds himself the target of a real secret society that believes he possesses the key to the lost treasure of the Knights Templar.Orchestrating these and other diverse characters into his multilayered semioticadventure, Eco has created a superb cerebral entertainment.

    Selected by the Book-of-the-Month Club, The Magician has sold over one million copies."A shark-like bite that won't be easily forgotten. Fast moving, incisive, angry, fine, and dramatic!" (Library Journal) "I cannot recall a novel of this type with greater pleasure. Beautiful and gripping." (The New York Times Book Review) Author Bio: Sol Stein is a prize-winning playwright produced on Broadway, an anthologized poet, the author of nine novels, and an award-winning teacher of writers. Stein has edited some of the most successful writers of the century, and is the author of Stein on Writing and the creator of the computer programs WritePro, FictionMaster, and FirstAid for Writers.

     In the hilarious, lacerating “I Can Say Many Nice Things,” a washed-up writer toying with infidelity leads a creative writing workshop on board a cruise ship. In the dystopian “Rollingwood,” a divorced father struggles to take care of his ill infant, as his ex-wife and colleagues try to render him irrelevant. In “Watching Mysteries with My Mother,” a son meditates on his mother’s mortality, hoping to stave off her death for as long as he sits by her side. And in the title story, told in a single breathtaking sentence, we watch as the narrator’s marriage and his sanity unravel, drawing him to the brink of suicide. As the collection progresses, we move from more traditional narratives into the experimental work that has made Ben Marcus a groundbreaking master of the short form. In these otherworldly landscapes, characters resort to extreme survival strategies to navigate the terrors of adulthood, one opting to live in a lightless cave and another methodically setting out to recover total childhood innocence; an automaton discovers love and has to reinvent language to accommodate it; filial loyalty is seen as a dangerous weakness that must be drilled away; and the distance from a cubicle to the office coffee cart is refigured as an existential wasteland, requiring heroic effort. In these piercing, brilliantly observed investigations into human vulnerability and failure, it is often the most absurd and alien predicaments that capture the deepest truths. Surreal and tender, terrifying and life-affirming, Leaving the Sea is the work of an utterly unique writer at the height of his powers.What have you done? --I can say many nice things --The dark arts --Rollingwood --On not growing up --My views on the darkness --Watching mysteries with my mother --The loyalty protocol --The father costume --First love --Fear the morning --Origins of the family --Against attachment --Leaving the sea --The moors

    Binstead’s Safari unfolds the fractured fairy tale of the rebirth of a drab, insecure woman as a fiercely alive, fearless beauty. “Life was too short to waste time trying to find excuses for not doing the things you really wanted to do,” Millie realizes, helping herself to love and joy. The husband is astonished—everyone adores the new Millie. She can’t put a foot wrong, and as they move deeper into Africa in search of lion myths for his book, “excitement and pleasure carried her upwards as on a tide.” Mysteries abound, but in the hands of Rachel Ingalls, the ultimate master of the curveball, Millie’s resurrection seems perfectly natural: caterpillar to butterfly.“Only now had she found her life”—and also her destiny, which may, this being Ingalls, take the form of a Lion God.

    This powerful novel explores the dynamics of the financial world during the Civil War and after the stock-market panic caused by the Great Chicago Fire. The first in a ''trilogy of desire,'' The Financier tells the story of the ruthlessly dominating broker Frank Cowperwood as he climbs the ladder of success, his adoring mistress championing his every move. Based on the life of financier C. T. Yerkes, Dreiser's cutting portrayal of the corrupt magnate Cowperwood illustrates the idea that wealth is often obtained by less than reputable means.

    Or so they prove for Clio, who marries a well-known Hollywood actor--providing her with the promise of escape from the entanglements of island life.

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    When plague breaks out, the villagers flee, blocking the boys inside the deserted town. Their brief attempt to build autonomous lives of self-respect, love, and tribal valor is doomed in the face of death and the adult nightmare of war.

    Trying to escape his misery, he begins a story about a sombrero that falls out of the sky and lands in a small town. Unable to concentrate he throws the pages in the bin, and that's when it starts to take on a life of its own.