Just like a "real boy." Until he learns that to become truly real, he must open his heart and think of others.

    Its special story within a story is an irresistible invitation for readers to become part of the book itself. The story begins with a lonely boy named Bastian and the strange book that draws him into the beautiful but doomed world of Fantastica. Only a human can save this enchanted place by giving its ruler, the Childlike Empress, a new name. But the journey to her tower leads through lands of dragons, giants, monsters, and magic, and once Bastian begins his quest, he may never return. As he is drawn deeper into Fantastica, he must find the courage to face unspeakable foes and the mysteries of his own heart. Readers, too, can travel to the wondrous, unforgettable world of Fantastica if they will just turn the page...

    A princess doomed by a witch to lose her “gravity” results in a silly heroine that has neither physical nor spiritual weight. George MacDonald’s masterful teaching on the subject of sacrificial love is delivered eloquently in the events and characters of this engaging story.

    Including sections on Greek and Roman Gods, Minor Deities, Heroes and the practices of the time, it also includes a large number of illustrations. This version has been specially formatted for today's e-readers, and is a fantastic addition to any eBook collection. Whether you are a student of ancient history, or just want to know more about Zeus, Saturn, Icarus and the

    Lady Gregory tells about Ireland's gods and her fighting men from the old Irish sagas.

      Here are Paul Bunyan, that king-sized lumberjack who could fell “ten white pines with a single swing”; John Henry, with his mighty hammer; Mose, old New York’s biggest, bravest fireman; Sally Ann Thunder Ann Whirlwind, who could “outgrin, outsnort, outrun, outlift, outsneeze, outsleep, outlie any varmint”; and other uniquely American characters, together in one superb collection.   In the tradition of the original nineteenth-century storytellers, Mary Pope Osborne compiles, edits, and adds her own two cents’ worth—and also supplies fascinating historical headnotes. Michael McCurdy’s robust colored wood engravings recall an earlier time, perfectly capturing all the vitality of the men and women who carved a new country out of the North American wilderness.

    A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. These familiar components of the epic poem are seen with a novelist’s eye toward gender, genre, and history. Beowulf has always been a tale of entitlement and encroachment — of powerful men seeking to become more powerful and one woman seeking justice for her child — but this version brings new context to an old story. While crafting her contemporary adaptation, Headley unearthed significant shifts lost over centuries of translation; her Beowulf is one for the twenty-first century.

    Over 150 tales are compiled from Iceland to Syria, Cuba to Papua.Part of the Pantheon Fairy Tale and Folklore Library

    The owls, hen, larks, and their nests in his beard, are among the fey fauna and peculiar persons inhabiting the uniquely inspired nonsense rhymes and drawings of Lear (20th child of a London stockbroker), whose Book of Nonsense, first published in 1846, stands alone as the ultimate and most loved expression in English of freewheeling, benign, and unconstricted merriment.

    Drawn from The History Press’ popular Folk Tales series, herein lies a treasure trove of tales from a wealth of talented storytellers. From the Spaeman’s peculiar advice and a laird who is transformed into a frog, to a fugitive hiding in a dark cave and the stoor worm battling with Assipattle, this book celebrates the distinct character of Scotland's different customs, beliefs, and dialects, and is a treat for all who enjoy a well-told story.

    These were among the earliest versions of some of our most familiar fairy tales ("Cinderella," "Sleeping Beauty," "Little Red Riding Hood," "Puss in Boots," and "Tom Thumb") and are still among the few classic re-tellings of these perennial stories.In addition to the five well-known tales listed above, Perrault tells three others that are sure to delight any child or adult: "The Fairies," a short and very simple tale of two sisters, one sweet and one spiteful; "Ricky of the Tuft," a very unusual story of a brilliant but ugly prince and a beautiful but stupid princess; and "Blue Beard," a suspense story perhaps more famous as a classic thriller than as a fairy tale. The witty verse morals that Perrault included in the original edition (often omitted in later reprintings) are retained here in verse translations.This edition also includes 34 extraordinary full-page engravings by Gustave Doré that show clearly why this artist became the foremost illustrator of his time. These illustrations have long been considered the ideal accompaniment to Perrault's fairy tales. In many cases they created the pictorial image that we associate with the stories.Along with the collections of Andersen, Lang, and the Brothers Grimm, this volume is among the great books of European fairy tales. These stories have been enjoyed by generation after generation of children in many countries, and are here, with magnificent Doré illustrations, waiting to be enjoyed again.

    Twelve-year-old Marco knows he is being trained for something, but he isn't sure what. All his life he has traveled with his father in secrecy, learning many languages and the ways of a gentleman, but forbidden to speak about their country of origin, Samavia. Samavia has been fraught with war for the last 500 years, ever since the prince mysteriously disappeared. But now, there is hope that peace may come at last, as it has been rumored that a descendant of the lost prince may have been found.

    Rich with magic and achingly beautiful, they speak of a land of heroic battles, intense love and warrior ideals, in which the otherworld is explored and men mingle freely with the gods. From the vivid adventures of the great Celtic hero Cu Chulaind, to the stunning 'Exile of the Sons of Uisliu' - a tale of treachery, honour and romance - these are masterpieces of passion and vitality, and form the foundation for the Irish literary tradition: a mythic legacy that was a powerful influence on the work of Yeats, Synge and Joyce.

    Hawthorne wrote these stories for children based on Greek myth and legend. They are incomparable retellings of themes which the Greek dramatists used in creating their immortal plays and literature. Contents: The Gorgon's Head; The Golden Touch; The Paradise of Children; The Three Golden Apples; The Miraculous Pitcher; The Chimaera; The Wayside; The Minotaur; The Pygmies; The Dragon's Teeth; Circe's Palace; The Pomegranate Seeds; and The Golden Fleece.

    At first the island seems a paradise, with its plentiful foods and wealth of natural wonders. But then a party of cannibals arrives, and after that a pirate ship...what is to become of them?