Features a teaser chapter from Uris's long-awaited new hardcover novel, A God in Ruins.

    Each chapter takes the title of a traditional tune, and as in a session played by brilliant improvising musicians, each tune leads into another, melodies and variations weaving in and out in a haze of talk and memory. Carson's inspired jumble of recording history, poetry, tall tales, and polemic captures the sound and vigor of a ruthlessly unsentimental music. A leading Irish poet who is also an accomplished flute player, he tells of his Belfast childhood, of learning to play music, of his travels in Ireland and America, of poteen, pub life, and the special pleasure taken in a well-made Fry "the morning after the night before." Loosely interpreted standards, as Carson points out, achieve a special kind of profundity and resonance - a tune can never be played the same way twice - so this is also a book about the poignancy of lost airs, about music as "a way of renegotiating lost time" and recognizing mortality.

    In particular, it is the story of the West Cork Flying column under Tom Barry, commander of genius and national hero.

    This meticulously researched true-crime tale reads like a quintessential Victorian thriller and is perfect for fans of The Suspicions of Mr Whicher.One morning in November 1856 George Little, the chief cashier of the Broadstone railway terminus in Dublin, was found dead, lying in a pool of blood beneath his desk. His head had been almost severed; a knife lay nearby, but strangely the office door was locked, apparently from the inside. This was a deed of almost unheard-of brutality for the peaceful Irish capital: while violent crime was commonplace in Victorian London, the courts of Dublin had not convicted a single murderer in more than thirty years.From the first day of the police investigation it was apparent that this was no ordinary case. Detectives struggled to understand how the killer could have entered and then escaped from a locked room, and why thousands of pounds in gold and silver had been left untouched at the scene of the crime. Three of Scotland Yard’s most celebrated sleuths were summoned to assist the enquiry, but all returned to London baffled. It was left to Superintendent Augustus Guy, the head of Ireland's first detective force, to unravel the mystery.Five suspects were arrested and released, with every step of the salacious case followed by the press, clamouring for answers. Under intense public scrutiny, Superintendent Guy found himself blocked at almost every turn. But then a local woman came forward, claiming to know the murderer….

    Many of Dublin's inhabitants wanted to weaken or terminate London's rule but there remained a vast and conflicting range of visions of that future: far more immediate was the unfolding disaster of the First World War that had put 'home rule' issues on ice for the duration. The devastating events of that Easter changed everything. Both the rising itself and-even more significantly-the ferocious British response ended any sense at all that Dublin could be anything other than the capital of an independent country, as an entire nation turned away in revulsion from the British artillery and executions. As we approach the 90th anniversary of the rebellion it is time for a new account of what really happened over those fateful few days. What did the rebels actually hope to achieve? What did the British think they were doing? And how were the events really interpreted by ordinary people across Ireland? Vivid, authoritative and gripping, Easter 1916 is a major work.

    She also sought to interrogate her own opinions and emotions. As an Irishwoman and traveller who had only ever spent thirty-six hours of her forty-four years over the border to the north, why had she been so reluctant to engage with the issues? Despite her own family connections to the IRA, she travelled north largely unfettered by sectarian loyalties. Armed instead with an indefatigable curiosity, a fine ear for anecdote, an ability to stand her own at the bar and a penetrating intelligence, she navigated her way through horrifying situations, and sometimes found herself among people stiff with hate and grief. But equally, she discovered an unquenchable thirst for life and peace, a spirit that refused to die.

    She has just lost her mother Tess and brother Mikey, her marriage to Joe is coming apart at the seams and her thirty-year friendship with Karen is on the rocks.While clearing out her childhood home, Carmel discovers that her mother gave birth to a baby in an Irish Mother and Baby home when she was sixteen, a place notorious for its mass burial of babies and illegal adoptions.Carmel goes on a quest for the truth about her troubled mother’s past. Her roller-coaster journey takes her from her comfortable Manchester home to the west of Ireland and to London's theatre land. It’s a journey that leads her to ask: Can we ever escape our own family history or is our destiny in our DNA?

    Many of these were Irish citizens who died on board ships carrying them away from Ireland. Promised jobs and a better life in North America, they emigrated, crowding onto aptly named “coffin ships,” whose gruesome conditions rivaled those of slave transports. But on one ship, decency prevailed, and each of the thousands of passengers who went aboard survived. Among these thousands was a baby boy born on the ship’s maiden voyage. That boy, Nicholas—Nicholas Richard James Thomas William John Gabriel Carls Michael John Alexander Trabaret Archibald Cornelius Hugh Arthur Edward Johnston Reilly, so named for the captain, doctor, and crew of the Jeanie Johnston—would go on to make his own remarkable voyage into the heart of America.     All Standing chronicles the life of Nicholas, his fellow passengers, and the heroic crew members who conveyed them to safety. Using personal interviews, newspaper accounts, rare archival documents, and her own sailing experience, Miles takes readers back to another time and place that, for all its extremity, seems strangely familiar—a dire moment in history shaped by home foreclosures and company bailouts, seemingly untreatable pandemics, and the threat of immigrant labor. Against the backdrop of one of history’s greatest atrocities, Miles weaves a thrilling, intimate narrative, chronicling the sea-passage and birth of one Irish-American family.

    Kate Mitchell’s in the process of kicking her heroin addiction—with the help of alcohol—when a letter arrives informing her that her aunt in Ireland has passed away and bequeathed her a home near the ocean. This could be the start of a new and better life for Kate, far away from Brooklyn, where she and her surviving brothers are each struggling with their own dark pasts. But Aunt Mary didn’t die peacefully—quite the opposite. The pair of thugs responsible for her murder had plans for her house: namely, turning it into a lovely seaside meth lab. One of Mary’s killers, however, finds his focus shifting when he spots a photo of the dead woman’s American niece, who bears a striking resemblance to the late opera singer Maria Callas, the beloved object of his obsession. When Kate and her brothers arrive to claim her inheritance, they’re going to find something other than a piece of paradise . . . “Nobody writes like Ken Bruen, with his ear for lilting Irish prose and his taste for the kind of gallows humor heard only at the foot of the gallows.” —The New York Times “Bruen has a rich and mordant writing style, full of offbeat humor.” —Publishers Weekly

    Like many of the Irish, O'Malley was largely indifferent to the attempts to establish an independent Ireland until the Easter Rising of 1916. As the fight progressed his feelings changed and he joined the Irish Republican Army."

    She was a natural orator, and students and scholars of the Irish language came from far and wide to visit her. In this book, as an old lady, she muses and reflects on the days of her youth, recounting tales which evoke characters and an era now dead, and capture the superstitions and hard life of her beloved island.

    One of four innocent people convicted of a terrorist bombing in Guildford, England, tells of the miscarriage of justice that resulted in imprisonment for himself and members of his family, including his father, and describes the struggle to clear his name and gain his freedom.

    But since she left for Dublin seven years earlier, the tomboy has become a refined young lady, engaged to be married to a dashing English gentleman.Cormac McGovern, now a stable hand on the estate, has missed his childhood friend. He and Bridget had once been thick as thieves, running wild around the countryside together.When Bridget and Cormac meet again their friendship begins to rekindle, but it’s different now that they are adults. Bridget’s overbearing mother, determined to enforce the employer-servant boundaries, conspires with Bridget’s fiancé to keep the pair apart.With the odds stacked against them, can Bridget and Cormac’s childhood attachment blossom into something more?A Class Apart is the first book in Susie Murphy's historical fiction series A Matter of Class. The story continues in the second book, A Class Entwined.Praise for A Class Apart:'Susie Murphy writes with intelligence and assurance and has a real talent for capturing an authentic sense of time and place. I look forward to reading more from this bright new voice in historical fiction.' Hazel Gaynor, New York Times bestselling author of The Girl Who Came Home'I am completely blown away by this series...Simply outstanding.' Book Reviews for U, book reviewer'Excellent characters and an interesting plot...The chemistry and romance between the two was well written and believable.' The Lit Bitch, book reviewer'Romance, drama, suspense, and beautiful scenery reign supreme in A Class Apart...The story encompasses the real truths that the people in Ireland had to face in their time, weaving a heartrending tale that's impossible not to read.' Ashley O'Melia, author and freelance writer'A richly detailed, historical tale of love against all odds...As you read this story you will fall deeper and deeper into the history of Ireland at the time, into the characters themselves, and into the emotions that are so vividly described that you cannot help but be caught up in it all too.' Books Of All Kinds, book reviewer'For those of you who like Historical Fiction, you are in for a real treat...I devoured this book.' Coffee, Books and China Cups, book reviewerWhat readers are saying:★★★★★ 'The Irish Downton Abbey! Fabulous.'★★★★★ 'If it was possible to give 100 stars to this book, I would!'★★★★★ 'An absolute page turner.'★★★★★ 'I loved the book from start to finish.'★★★★★ 'A brilliant love story.'★★★★★ 'A hugely satisfying read.'★★★★★ 'Get ready to fall in love!'★★★★★ 'This is going to be a fantastic series of novels.'★★★★★ 'Superbly written.'★★★★★ 'I am already itching to read the next book in the series!'

    Young and beautiful Alainn McCreary, healer in training to the powerful O'Brien Clan, is on the cusp of discovering she possesses vast and unusual supernatural powers, which she hopes will help her unlock the secrets of her past and break the curse on the O'Brien Clan. Alainn is counseled to hide her magical abilities, but how can she when dark forces rise up to threaten not only the O'Brien Clan, but Alainn and the life of the Chieftain's beloved, but forbidden nephew, Killian O’Brien, a man Alainn has loved as long as she can remember? The Witch's Daughter Healer, witch, and commoner Alainn McCreary battles valiantly to control her growing magical powers and to ignore her doomed yearning for noble Killian O’Brien, a man who is far above her station and betrothed to a noble, dark-eyed Scottish beauty. Alone, she continues her quest to break the bitter curse that dooms not only the powerful O’Brien Clan but also Alainn and Killian’s future happiness. Threatened by dark forces, a powerful chieftain, and a suspicious priest, loyal, valiant and handsomely virile Killian vows to fight at his beloved Alainn’s side even as he realizes time is running out for both of them. The Witch’s Daughter, set in the mystical landscape of ancient Ireland, weaves romance, adventure and the supernatural into a sensual tale of love and longing that darkly whispers “What wouldn’t you do for love?” The Chieftain's Daughter Young, pregnant witch, Alainn McCreary, is forced to rely on her mysterious and unpredictable magical powers in an attempt to protect the life of her strong and courageous new husband, Killian O’Brien, and the life of their unborn child, battling against all odds waged by a powerful and corrupt chieftain, a vengeful curse, and malevolent dark forces unleashed by a scheming demon. Set in mystically enchanting, but dark and dangerous 16th Century Ireland where fairies, witches, spirits, and demons dwell among humans, the Chieftain’s Daughter is an enticingly romantic and lustful tale of love, desire, danger, and adventure. The Chieftain's Wife As Alainn and Killian O'Brien begin their married life together, Alainn encounters many new and unexpected challenges. Stricken by the disturbing, reoccurring vision of Killian's death, she desperately seeks a way to prevent it from happening. In hope of providing a normal life for their unborn child Alainn turns from her own magical abilities, but soon realizes that doing so may endanger everyone she cares for. Set in 16th century Ireland, A Chieftain's Wife continues the captivating story of Alainn and Killian's passionate love. Past indiscretions, deep jealousy, a vindictive witch, and tragic hardships all threaten to disrupt Killian and Alainn's happiness and future together.

    or take it. Conor Doyle is a haunted man. In the winter of 1988, he returns from London to his old home town in Western Ireland, hoping to find a reason to stay. What he thought would be a joyful reunion becomes something more, as he's drawn into the fallout surrounding a shocking crime. While the Irish Garda are looking for the prime suspect, Conor's relationships are tested with jealousy and betrayal, and he must look deep inside himself to make the decision that will change his life forever.