At its outset, the Bishop of Iceland dispatches a young emissary to investigate certain charges against the pastor at Sn?fells Glacier, who, among other things, appears to have given up burying the dead. But once he arrives, the emissary discovers that this dereliction counts only as a mild eccentricity in a community that regards itself as the center of the world and where Creation itself is a work in progress.What is the emissary to make, for example, of the boarded-up church? What about the mysterious building that has sprung up alongside it? Or the fact that Pastor Primus spends most of his time shoeing horses? Or that his wife, Ua (pronounced “ooh-a,” which is what men invariably sputter upon seeing her), is rumored never to have bathed, eaten, or slept? Piling improbability on top of improbability, Under the Glacier overflows with comedy both wild and deadpan as it conjures a phantasmagoria as beguiling as it is profound.

    Psychiatry, anthropology, theology--and literature--will never be the same.

    He is simply seeking knowledge; 'it is only after you have come to know the surface of things that you can venture to seek what is underneath'. Whether contemplating a fine cheese, a hungry gecko, a woman sunbathing topless or a flight of migrant starlings, Mr Palomar's observations render the world afresh.

    Stories he’d heard as a child had led Hertmans to suspect that their contents might be disturbing, and for years he didn’t dare to open them.When he finally did, he discovered unexpected secrets. His grandfather’s life was marked by years of childhood poverty in late-nineteenth-century Belgium, by horrific experiences on the frontlines during the First World War and by the loss of the young love of his life. He sublimated his grief in the silence of painting.Drawing on these diary entries, his childhood memories and the stories told within Urbain’s paintings, Hertmans has produced a poetic novelisation of his grandfather’s story, brought to life with great imaginative power and vivid detail.War and Turpentine is an enthralling search for a life that coincided with the tragedy of a century—and a posthumous, almost mythical attempt to give that life a voice at last.

    An outsider in his own country—adrift between two worlds divided by class, race, and culture—he’s always been searching for home. Alongside a flock of other streetwise young men, each looking for direction and each easily susceptible, Tariq finds his cause in the Muslim revival.Idealistic, driven by faith, and empowered with purpose, he’s drawn to radical Islam—his last resort for achieving a sense of belonging, for embracing and being embraced. It’s only when he enlists in the war against Assad that Tariq’s eyes are truly opened. Dispirited with the violence, faced with the consequences of his choices, and increasingly distanced from the brutalities of jihad, Tariq’s spiritual struggle is now his alone. So are the stories he will tell to make sense of his life.In this daring and unprecedented work of literary fiction, Demian Vitanza explores the power of memory, the lure of rebellion, the search for meaning amid chaos—and the toll that such a journey can take before finally finding one’s way home.

    Ibuse began serializing Black Rain in the magazine Shincho in January 1965. The novel is based on historical records of the devastation caused by the atomic bombing of Hiroshima.

    Winner of top literary prizes in Sweden and France, Enquist's epic of power, love, and madness in 1760s Denmark is an extraordinarily elegant and gorgeous novel.

    Three marriages on which to build his empire.But Swietoslawa refuses to be simply a pawn in her father's schemes; she seeks a throne of her own, with no husband by her side.The gods may grant her wish, but crowns sit heavy, and power is a sword that cuts both ways.

    The novel follows Bolívar as he takes his final journey in 1830 down the Magdalena River toward the sea, revisiting the scenes of his former glory and lamenting his lost dream of an alliance of American nations. Forced from power, dogged by assassins, and prematurely aged and wasted by a fatal illness, the General is still a remarkably vital and mercurial man. He seems to remain alive by the sheer force of will that led him to so many victories in the battlefields and love affairs of his past. As he wanders in the labyrinth of his failing powers-and still-powerful memories-he defies his impending death until the last.The General in His Labyrinth is an unforgettable portrait of a visionary from one of the greatest writers of our time.

    He's seen an 11-year-old boy shot off his bicycle and brought a bartender back to life on top of his own bar while Irish music played. Frank is an EMS medic in New York's Hell's Kitchen, a profession that subjects him to endless, careening nights tending to the cities most desperate and neglected patients, but has him hooked on the addictive thrill of saving lives. Increasingly, it seems to be Frank who needs saving.Abandoned by his wife, haunted by the ghost of the girl he helped kill and the protracted agony of a man he should have let die, Frank Pierce is an authentically wounded hero. In his riveting first novel, Joe Connelly, himself a New York City medic, straps us into Frank's ambulance and stomps down on the gas. And Bringing Out the Dead is a work of gripping verisimilitude and breakneck speed.

    With his research completed, all he has left to do is sit down and write. Unfortunately, he can't decide how to refer to his subject—Titian, le Titien, Vecellio, Titian Vecellio—so instead he starts watching TV continuously, until one day he decides to renounce the most addictive of twentieth-century inventions.As he spends his summer still not writing his book, he is haunted by television, from the video surveillance screens in a museum to a moment when it seems everyone in Berlin is tuned in to Baywatch.One of Toussaint's funniest antiheroes, the protagonist of Television turns daily occurrences into an entertaining reflection on society and the influence of television on our lives.

    However, Life and Fate is only the second half of a two-part work, the first half of which was published in 1952. Grossman wanted to call this earlier work Stalingrad—as it will be in this first English translation—but it was published as For a Just Cause. The characters in both novels are largely the same and so is the story line; Life and Fate picks up where Stalingrad ends, in late September 1942. The first novel is in no way inferior to Life and Fate; the chapters about the Shaposhnikov family are both tender and witty, and the battle scenes are vivid and moving. One of the most memorable chapters of Life and Fate is the last letter written from a Jewish ghetto by Viktor Shtrum’s mother—a powerful lament for East European Jewry. The words of this letter do not appear in Stalingrad, yet the letter’s presence makes itself powerfully felt and it is mentioned many times. We learn who carries it across the front lines, who passes it on to whom, and how it eventually reaches Viktor. Grossman describes the difficulty Viktor experiences in reading it and his inability to talk about it even to his family. The absence of the letter itself is eloquent—as if its contents are too awful for anyone to take in.

    The prospect of a summer job as a tour guide at the Pushkin Hills Preserve offers him hope of regaining some balance in life as his wife makes plans to emigrate to the West with their daughter Masha, but during Alikhanov’s stay in the rural estate of Mikhaylovskoye, his life continues to unravel.Populated with unforgettable characters—including Alikhanov’s fellow guides Mitrofanov and Pototsky, and the KGB officer Belyaev—Pushkin Hills ranks among Dovlatov’s renowned works The Suitcase and The Zone as his most personal and poignant portrayal of the Russian attitude towards life and art.

    Set in an unnamed German-occupied ghetto, the story centers on an unlikely hero, Jakob Heym, who accidentally overhears news of vital importance: the Russians are advancing on a city three hundred miles away. As Jakob's tidings rekindle hope and the promise of liberation, he feels compelled to elaborate. Forming a protective bond with a young orphan girl, Jakob becomes caught in his own web of optimistic lies. Awarded Germany's prestigious Heinrich Mann Prize for fiction and in a new translation by Leila Vennewitz, Jakob the Liar is a masterpiece of Kafkaesque comedy which unfolds with the impact of a timeless folk legend.

    Fleeing from an America he sees as mired in materialism and conformity, he hopes to rediscover a purer life. But his utopian experiment takes a dark turn when his obsessions lead the family toward unimaginable danger.