Mother. Breadwinner. Penelope Ruiz-Kar is doing it all—and barely keeping it together. Meanwhile, her best friend, Jenny Sweet, appears to be sailing through life. As close as the two women are, Jenny’s passionate marriage, pristine house, and ultra-polite child stand in stark contrast to Penelope’s underemployed husband, Sanjay, their unruly brood, and the daily grind she calls a career.Then a shocking tragedy reveals that Jenny’s life is far from perfect. Reeling, Penelope vows to stop keeping the peace and finally deal with the issues in her relationship. So she and Sanjay agree to a radical proposal: both will write a list of changes they want each other to make—then commit to complete and total honesty.What seems like a smart idea quickly spirals out of control, revealing new rifts and even deeper secrets. As Penelope stares down the possible implosion of her marriage, she must ask herself: When it comes to love, is honesty really the best policy?

    I didn’t want to leave you... Luke Richardson has returned home after burying Natalie, his beloved wife of sixteen years, ready to face the hard job of raising their three children alone. But there’s something he’s not prepared for—a blue envelope with his name scrawled across the front in Natalie’s handwriting, waiting for him on the floor of their suburban Michigan home.The letter inside, written on the first day of Natalie’s cancer treatment a year ago, turns out to be the first of many. Luke is convinced they’re genuine, but who is delivering them? As his obsession with the letters grows, Luke uncovers long-buried secrets that make him question everything he knew about his wife and their family. But the revelations also point the way toward a future where love goes on—in written words, in memories, and in the promises it’s never too late to keep.

    Where clumps of evergreens meet wild ponies, oyster-shell roads, tumble-down houses, unwanted pregnancies, murder, storm-making and dark magic in the marshes. . . Situated off the coast of Virginia's Chesapeake Bay, the group of islands known as the Shore has been home to generations of fierce and resilient women. Sanctuary to some but nightmare to others, it's a place they've inhabited, fled, and returned to for hundreds of years. From a half-Shawnee Indian's bold choice to flee an abusive home only to find herself with a man who will one day try to kill her to a brave young girl's determination to protect her younger sister as methamphetamine ravages their family, to a lesson in summoning storm clouds to help end a drought, these women struggle against domestic violence, savage wilderness, and the corrosive effects of poverty and addiction to secure a sense of well-being for themselves and for those they love.Together their stories form a deeply affecting legacy of two barrier island families, illuminating 150 years of their many freedoms and constraints, heartbreaks, and pleasures. Conjuring a wisdom and beauty all its own, The Shore is a richly unique, stunning novel that will resonate with readers long after turning its final pages, establishing Sara Taylor as a promising new voice in fiction.

    Moving between Lev's and Josephine's points of view, the first part of the novel focuses on Lev's experiences on the Eastern Front — both in war and in love — which render his life at home a pale aftermath by comparison. The second part of the novel takes us to Berlin, 1927–28. Now young adults, the Perlmutter children grapple with their own questions: Franz, drawn into the Nazi brown shirt movement, struggles with his unexpressed homosexuality; Vicki, seduced by the Jazz Age and everything new, bobs her hair and falls in love with a young man who wants to take her to Palestine.Unlike many historical novels of its kind, The Empire of the Senses is not about the Holocaust but about the juxtaposition of events that led to it, and about why it was unimaginable to ordinary people like Lev and his wife. Plotted with meticulous precision and populated with characters who feel and dream to the fullest, it holds us rapt as the tides of cultural loss and ethnic hatred come to coexist with those of love, passion, and the power of the human spirit.

    Linked through bloodlines and grocery lines, they respond to life's bruises by grabbing power, sex, or the family silver. As they atone and forgive, they unmask the love and truth that hop white picket fences. Michelle Brafman is the author of the novel Washing the Dead. Her short fiction and essays have appeared in Slate, Tablet, the Washington Post, Lilith, the the minnesota review, and elsewhere. She teaches fiction writing at the Johns Hopkins University MA in Writing Program and lives with her family in Glen Echo, Maryland.

    She's never even been on a romantic weekend away--to anywhere--before. Traveling abroad isn't really her thing. But when Nell's boyfriend fails to show up for their mini-vacation, she has the opportunity to prove everyone--including herself--wrong. Alone in Paris, Nell finds a version of herself she never knew existed: independent and intrepid. Could this turn out to be the most adventurous weekend of her life? Funny, charming, and irresistible, Paris for One is quintessential Jojo Moyes--as are the other stories that round out the collection.

    As Suzanne rushes her to the hospital, she never imagines how the encounter will change her—a change she both fears and desperately needs.Suzanne has the perfect house, a successful husband, and a thriving family. But beneath the veneer of an ideal life, her daughter is rebelling, her son is withdrawing, her husband is oblivious to it all, and Suzanne is increasingly unsure of her place in the world. After her discovery of the ethereal sixteen-year-old who has never experienced civilization, Suzanne is compelled to invite Iris into her family’s life and all its apparent privileges.But Iris has an independence, a love of solitude, and a discomfort with materialism that contrasts with everything the Blakemores stand for—qualities that awaken in Suzanne first a fascination, then a longing. Now Suzanne can’t help but wonder: Is she destined to save Iris, or is Iris the one who will save her?

    In this haunting novel, distinctions are eroded between oppressor and oppressed, perpetrator and victim, narcissism and anonymity. Kosinski portrays men and women both aroused and desensitized by an environment that disdains the individual and seeks control over the imagination in his unforgettable and immensely provocative work.

    Alex takes a job at a Pupil Referral Unit, which accepts the students excluded from other schools in the city. These are troubled, difficult kids and Alex is terrified of what she's taken on.There is one class - a group of five teenagers - who intimidate Alex and every other teacher on The Unit. But with the help of the Greek tragedies she teaches, Alex gradually develops a rapport with them. Finding them enthralled by tales of cruel fate and bloody revenge, she even begins to worry that they are taking her lessons to heart, and that a whole new tragedy is being performed, right in front of her...

    As Charlie locks eyes with Stella across the platform, a brief, powerful spark of recognition flashes between them. But they are strangers … aren’t they?Plunging back thirty years we watch as, unknown to them all, the lives of Stella and John, and Charlie and his girlfriend Beth, are pulled ever closer, an invisible thread connecting them across the decades and through London’s busy streets.For Stella, becoming a young mother in the 1970s puts an end to her bright academic career in a way John can’t seem to understand. Meanwhile Charlie gambles all future happiness with Beth when his inner demons threaten to defeat him.In rhythmic and captivating prose, Katy Mahood effortlessly interweaves the stories of these two families who increasingly come to define one another in the most vital and astounding ways. With this soaring debut, she explores the choices and encounters that make up a lifetime, reminding us just how closely we are all connected.

    Taking advantage of the absolute latest advances in wood pulp technology, Building Stories is a book with no deliberate beginning nor end, the scope, ambition, artistry and emotional prevarication beyond anything yet seen from this artist or in this medium, probably for good reason.

    At its core, the world of Tomorrowland is our own, though reflected off a funhouse mirror--revealing our hopes and deepest fears to comic, heartbreaking effect.

    She knows that her real name is Purity, that she's saddled with $130,000 in student debt, that she's squatting with anarchists in Oakland, and that her relationship with her mother - her only family - is hazardous. But she doesn't have a clue who her father is, why her mother chose to live as a recluse with an invented name, or how she'll ever have a normal life. Enter the Germans. A glancing encounter with a German peace activist leads Pip to an internship in South America with The Sunlight Project, an organization that traffics in all the secrets of the world--including, Pip hopes, the secret of her origins. TSP is the brainchild of Andreas Wolf, a charismatic provocateur who rose to fame in the chaos following the fall of the Berlin Wall. Now on the lam in Bolivia, Andreas is drawn to Pip for reasons she doesn't understand, and the intensity of her response to him upends her conventional ideas of right and wrong. Purity is a grand story of youthful idealism, extreme fidelity, and murder. The author of The Corrections and Freedom has imagined a world of vividly original characters - Californians and East Germans, good parents and bad parents, journalists and leakers - and he follows their intertwining paths through landscapes as contemporary as the omnipresent Internet and as ancient as the war between the sexes. Purity is the most daring and penetrating book yet by one of the major writers of our time.

    Using a range of approaches from bitter realism to demented fantasy, Irvine Welsh is able to evoke the essential humanity, well hidden as it is, of his generally depraved, lazy, manipulative, and vicious characters. He specializes particularly in cosmic reversals--God turns a hapless footballer into a fly; an acid head and a newborn infant exchange consciousnesses with sardonically unexpected results--always displaying a corrosive wit and a telling accuracy of language and detail. Irvine Welsh is one hilariously dangerous writer and he is bound to create a sensation. Includes the following stories: "The Shooter""Eurotrash""Stoke Newington Blues""Vat '96""A Soft Touch""The Last Resort on the Adriatic""Sexual Disaster Quartet""Snuff""A Blockage in the System""Wayne Foster""Where the Debris Meets the Sea""Granny's Old Junk""The House of John Deaf""Across the Hall""Lisa's Mum Meets the Queen Mum""The Two Philosophers""Disnae Matter""The Granton Star Cause""Snowman Building Parts for Rico the Squirrel""Sport for All""The Acid House"A Smart Cunt: a novella

    Expelled from three Jewish day-schools for acts of violence and messianic tendencies, Gurion ends up in the Cage, a special lockdown program for the most hopeless cases of Aptakisic Junior High. Separated from his scholarly followers, Gurion becomes a leader of a very different sort, with righteous aims building to a revolution of troubling intensity.The Instructions is an absolutely singular work of fiction by an important new talent. Combining the crackling voice of Philip Roth with the encyclopedic mind of David Foster Wallace, Adam Levin has shaped a world driven equally by moral fervor and slapstick comedy—a novel that is muscular and exuberant, troubling and empathetic, monumental, breakneck, romantic, and unforgettable.