As the COVID-19 pandemic raged around the world, and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure. Expanding on her original New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year; about the familial and cultural dimensions of grief and also about the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the page--and never without touches of rich, honest humor--Adichie weaves together her own experience of her father’s death with threads of his life story, from his remarkable survival during the Biafran war, through a long career as a statistics professor, into the days of the pandemic in which he’d stay connected with his children and grandchildren over video chat from the family home in Abba, Nigeria. In the compact format of We Should All Be Feminists and Dear Ijeawele, Adichie delivers a gem of a book--a book that fundamentally connects us to one another as it probes one of the most universal human experiences. Notes on Grief is a book for this moment—a work readers will treasure and share now more than ever--and yet will prove durable and timeless, an indispensable addition to Adichie's canon.

    After much time, therapy, and wine, Elissa is at last in a healthy place, still orbiting around her mother but keeping far enough away to preserve the stable, independent world she has built as a writer and editor. Then Elissa is confronted with the unthinkable: Rita, whose days are spent as a fl�neur, traversing Manhattan from the Clinique counters at Bergdorf to Bloomingdale's and back again, suffers an incapacitating fall, leaving her completely dependent upon her daughter.Now Elissa is forced to finally confront their profound differences, Rita's yearning for beauty and glamour, her view of the world through her days in the spotlight, and the money that has mysteriously disappeared in the name of preserving youth. To sustain their fragile mother-daughter bond, Elissa must navigate the turbulent waters of their shared lives, the practical challenges of caregiving for someone who refuses to accept it, the tentacles of narcissism, and the mutual, frenetic obsession that has defined their relationship.Motherland is a story that touches every home and every life, mapping the ferocity of maternal love, moral obligation, the choices women make about motherhood, and the possibility of healing. Filled with tenderness, wry irreverence, and unforgettable characters, it is an exploration of what it means to escape from the shackles of the past only to have to face them all over again.Praise for Motherland"Rarely has a mother-daughter relationship been excavated with such honesty. Elissa Altman is a beautiful, big-hearted writer who mines her most central subject: her gorgeous, tempestuous, difficult mother, and the terrain of their shared life. The result is a testament to the power of love and family."--Dani Shapiro, author of Inheritance

    In this ode to bold, brash, and sometimes just plain dangerous women, Barbara Holland reanimates those rebels who defied convention and challenged authority on a truly grand scale: they traveled the world, commanded pirate ships, spied on the enemy, established foreign countries, scaled 19,000-foot passes, and lobbied to change the Constitution. Some were merry and flamboyant; others depressive and solitary. Some dressed up as men; others cherished their Victorian gowns. Many were ambivalent or absentminded mothers. But every one of them was fearless, eccentric, and fiercely independent. Barbara Holland evokes their energy in this unconventional book that will acquaint you with the likes of Grace O’Malley, a blazing terror of the Irish seas in the 1500s, and surprise you with a fresh perspective on legends like Bonnie Parker of “Bonnie and Clyde” fame. With wit, wisdom, and irreverent flair, They Went Whistling makes a compelling case for the virtue of getting into trouble.

    Women need this kind of honest excavation of the process of living.” —Meryl StreepAn astonishingly frank, funny, poignant book for any woman who wishes they had someone who would say to them, “This happened to me, learn from my mistakes and my successes. Because you don’t get smarter as you get older, you get braver.”Sheila Nevins is the best friend you never knew you had. She is your discreet confidante you can tell any secret to, your sage mentor at work who helps you navigate the often uneven playing field, your wise sister who has “been there, done that,” your hysterical girlfriend whose stories about men will make laugh until you cry. Sheila Nevins is the one person who always tells it like it is. In You Don’t Look Your Age, the famed documentary producer (as President of HBO Documentary Films for over 30 years, Nevins has rightfully been credited with creating the documentary rebirth) finally steps out from behind the camera and takes her place front and center.In these pages you will read about the real life challenges of being a woman in a man's world, what it means to be a working mother, what it’s like to be an older woman in a youth-obsessed culture, the sometimes changing, often sweet truth about marriages, what being a feminist really means, and that you are in good company if your adult children don’t return your phone calls.So come, sit down, make yourself comfortable, (and for some of you, don’t forget the damn reading glasses). You’re in for a treat.

    Hoffman pierced this alternate society, welcomed in and initiated into its rights and upside-down beliefs, and finally ushered to its inner sanctum. Equally freewheeling and profound, Liar’s Circus tracks the MAGA faithful across five thousand miles of the American heartland during a crucial arc of the Trump presidency stretching from the impeachment saga to the dawn of the coronavirus pandemic that ended the rallies as we know it.Trump’s rallies are a singular and defining force in American history—a kind of Rosetta stone to understanding the Age of Trump. Yet while much remarked upon, they are, in fact, little examined, with the focus almost always on Trump’s latest outrageous statement. But who are the tens of thousands of people who fill these arenas? What do they see in Trump? And what curious alchemy—between president and adoring crowd—happens there that might explain Trump’s rise and powerful hold over both his base and the GOP?To those on the left, the rallies are a Black Mass of American politics at which Trump plays high priest, recklessly summoning the darkest forces within the nation. To the MAGA faithful, the rallies are a form of pilgrimage, a joyous ceremony that like all rituals binds people together and makes them feel a part of something bigger than themselves. Both sides would acknowledge that this traveling roadshow is the pressurized, combustible core of Trump’s political power, a meeting of the faithful where Trump is unshackled and his rhetoric reaches its most extreme, with downstream consequences for the rest of the nation.To date, no reporter has sought to understand the rallies as a sociological phenomenon examined from the bottom up. Hoffman has done just this. He has stood in line for more than 170 hours with Trump's most ardent superfans and joined them at the very front row; he has traveled from Minnesota to Texas, Louisiana, Mississippi, and New Hampshire immersing himself in their culture. Publishing in the heart of the 2020 election cycle, Liar’s Circus is a fresh and revelatory portrait of Trump’s America, from one of our most talented journalists.

    Katie Davis left over Christmas break her senior year for a short mission trip to Uganda and her life was turned completely inside out. She found herself so moved, so broken by the people and the children of Uganda that she knew her calling was to return and care for them. Her story is like Mother Teresa’s in that she has given up everything—at such a young age—to care for the less fortunate of this world. Katie, a charismatic and articulate young woman, has gone on to adopt 14 children during her time in Uganda, and she completely trusts God for daily provision for her and her family, which includes children with special needs. To further her reach into the needs of Ugandans, Katie established Amazima Ministries. The ministry matches orphaned children with sponors worldwide. Each sponsor's $300/year provides schooling, school supplies, three hot meals a day, minor medical care, and spiritual encouragement. Katie expected to have forty children in the program; she had signed up 150 by January 2008; today it sponsors over 400. Another aspect of the ministry is a feeding program created for the displaced Karamojong people—Uganda's poorest citizens. The program feeds lunch to over 1200 children Monday-Friday and sends them home with a plate for food; it also offers basic medical care, Bible study, and general health training.Katie Davis, now 21, is more than fascinating, she's inspiring, as she has wholeheartedly answered the call to serve.

    She called him Dad . . .“We were always worried. Always looking over our shoulders . . .”Linda Scarpa had the best toys, the nicest clothes, and a close-knit family. Yet classmates avoided her; boys wouldn’t date her. Eventually she learned why: they were afraid of her father.A made man in the Colombo crime family, Gregory Scarpa, Sr. was a stone-cold killer nicknamed the “Grim Reaper.” But to Linda, he was also a loving, devoted father who played video games with her for hours. In riveting detail, she reveals what it was like to grow up in the violent world of the mob and to come to grips with the truth about her father and the devastation he wrought.

    Wells’s great-granddaughter, Michelle Duster.Winner of a 2020 Pulitzer Prize Special Citation, Ida B. Wells was born enslaved in Holly Springs, Mississippi, in 1862. In this inspiring and accessible biography, Duster tells the incredible story of Wells’s life, including stories from her childhood in Mississippi, her famous refusal to give up her seat on a ladies’ train car in Memphis, and her later work as a pioneering journalist and anti-lynching crusader. Overlooked and underestimated, Wells would single-handedly change the course of American history and come to inspire millions. Ida B. the Queen shines a bright light on one of the most extraordinary women in history.

    But when she found herself on the floor of her apartment wailing into the phone, 'but I don’t want to be sick,' her entire world came crashing down.A doctor had just revealed that she had Multiple Sclerosis, a potentially debilitating disease, her good friend was getting married that weekend and the only people she wanted to call were her parents. In a time when she was supposed to be coming into her own as an adult, all she could think was who's going to want to marry me now?As she embarked on a medical quest, subjecting herself to countless MRIs and a painful spinal tap that landed her in the ER, Cory simultaneously threw herself head first into dating. She was determined to find love before the disease took over her body. But no matter how many doctors she saw or men she met there would never be a cure for MS. And if you think it's hard to get the guy you’re dating to give you a ride to the airport, try getting him to drive you to the hospital. Add to that an unfortunate incident with a blue thong and a cute young doctor, and Cory quickly realized that learning to deal with MS would take a whole lot more strength than a ring on her finger could ever provide.Love Sick is a smart and witty account of dating while navigating a life of uncertain health. Writing from a place of strength and vulnerability, Cory Martin faces her fears head on with humor and grace. Her tales are real life. There is no magical ending and no grand epiphany. Instead it is her desire to be loved and feel normal that makes her journey so poignant.

    She was a bride of six weeks, married to a blue-eyed boy from the Netherlands. Amidst international crises and famine, she gave birth to two children, bridged a cultural divide with her Dutch husband, and was devastated by a car accident that took the life of a twelve-year-old Zambian child. She stayed six years. After returning home, Kandel struggled to find her voice and herself. This is the story of how she found her way home. For more information, or to buy a signed copy directly from the author visit her website: jillkandel (dot) com.

    "They become home to us, tell us who we are, who we want to be. Over the years, they take on more and more embellishments and adornments until they eclipse the actual memory. They become our past just as a snapshot will, at first, enhance a memory, then replace it."As she remembers it now, Goldman's was an idyllic childhood, charmed even, filled with parental love and sisterly confidences. Growing up in Rock Hill, South Carolina, Judy and her older sister, Brenda, did everything together. Though it was clear from an early age that their personalities were very different (Judy was the "sweet" one, Brenda, the "strong" one), they continued to be fairly inseparable into adulthood.But the love between sisters is complex. Though Judy and Brenda remained close, Goldman recalls struggling to break free of her prescribed role as the agreeable little sister and to assert herself even as she built her own life and started a family.The sisters' relationship became further strained by the illnesses and deaths of their parents, and later, by the discovery that each had tumors in their breasts Judy's benign, Brenda's malignant. The two sisters came back together shortly before the possibility of permanent loss became very real. In her uniquely lyrical and poignant style, Goldman deftly navigates past events and present emotions, drawing readers in as she explores the joys and sorrows of family, friendship, and sisterhood.

    But when her sons bring along two friends who upset the family balance, rogue waves and large sharks threaten the family’s safety. When Tina begins to deal with a mysterious health problem, the perils of life at sea become very real.The book begins with an adventurous safari through Africa, during which Tina reflects on the challenges that a life lived differently can bring. Half running from an early adulthood fraught with sexual trauma, and half running towards a dream, Tina met her husband and the two of them decided to live a life at sea.This story is candid, moving, heartfelt and beautifully written. What sets it aside from other sailing memoirs is that it is about so much more than the journey. Tina writes about topics such as mental illness, sexual assault, the loss of a child, and the challenges of motherhood. These are naturally woven into the narrative, creating a layer of complexity and strength, making it enjoyable to those who have been to sea and those who haven’t.

    When Ron returned to his home in Botswana, Caitlin joined him in Maun, the 'Place of Reeds', and the two began their lives together. Eager to absorb all that Setswana culture had to offer, Caitlin found herself becoming part of Ron's extended family, falling in love with both the country and its people. Eventually, with the birth of their daughter, Caitlin's happiness seemed complete.But the Botswana of the 1990s was changing. AIDS and urbanization had taken their toll, violence was on the increase. When, with her child in her arms, Caitlin was brutally attacked, Ron's family closed ranks and Caitlin found herself ostracized by the very people she had grown to love.Passionate, hilarious, dramatic and heartbreaking in turn, PLACE OF REEDS is a story of the clash of cultures, the inflexibility of belief and traditions. It's a story about women - about Caitlin and her daughter, about Eliah and Madintwa, Ron's formidable mother and grandmother. Most of all, it's a story about one woman's courage, resilience - and ultimately, survival.

    In those days cowboys didn't know they were picturesque, horse rustlers were to be handled as seemed best on the occasion, and young ladies thought nothing of punching cows and hunting grizzlies in between school terms.

    The question was: Who did it? Fewer than twelve hours after her body was found and without any evidence, police decided a married couple from Denver had killed her. Within a few days, they arrested and charged Nancy Styler, a friend of Pfister’s who’d had a falling out with her after a business deal went sour, and Dr. Trey Styler, Nancy’s disabled husband, who recently lost the family home, his medical practice, and any hope of a peaceful retirement for himself and his wife. Eleven days later, police also arrested and charged Kathy Carpenter, Pfister’s underpaid and overworked personal assistant and closest friend.Months later, Trey Styler, who was slowly losing his grip on reality as he battled with mental illness, confessed to the crime. Rampant speculation spread about whether he was involved at all—or if his confession was that of a man on his deathbed—because a medical condition appeared to have left him barely able to walk, much less carry out such a heinous crime.In Guilt by Matrimony, Styler’s widow, Nancy, reveals the answers to the biggest mysteries of this case and recounts the trauma of being falsely accused and imprisoned for a first-degree murder she had no knowledge of. And, in the only interview before his death, Trey gives his account of that fateful day.New York Times bestselling author Daleen Berry covers this compelling story from the inside, following the Stylers from their fairy-tale life in Denver to the morning of their simultaneous arrest to Nancy’s release from jail and her attempts to rebuild her shattered life. Filled with details from exclusive interviews, a close look at the botched small-town police work, and first-person accounts of what really happened, Guilt by Matrimony is the definitive look at a shocking murder that rocked Aspen.