As weeks turned to years, the disappearance became the most "extraordinary unsolved mystery" of its time. Everything about the sensational case would be called into question in the decades to come, including the motivations of his inner circle, his enemies, and the police who followed the trail across the continent, looking for answers in asylums, theatres, and the Pacific Northwest. In The Missing Millionaire, Katie Daubs tells the story of the Small mystery, weaving together a gripping narrative with the social and cultural history of a city undergoing immense change. Daubs examines the characters who were connected to the case as the century carried on: Ambrose's religious wife, Theresa; his long-time secretary, Jack Doughty; his two unmarried sisters, Florence and Gertrude; Patrick Sullivan, a lawless ex-policeman; and Austin Mitchell, an overwhelmed detective. A series of trials exposed Small’s tumultuous business and personal relationships, while allegations and confessions swirled. But as the main players in the Small mystery died, they took their secrets to the grave, and Ambrose Small would be forever missing. Drawing on extensive research, newly discovered archival material, and her own interviews with the descendants of key figures, Katie Daubs offers a rich portrait of life in an evolving city in the early twentieth century. Delving into a crime story about the power of the elite, she vividly recounts the page-turning tale of a cold case that is truly stranger than fiction.

    With masterful economy worthy of Charles Schultz, Lat recounts the life of Mat, a Muslim boy growing up in rural Malaysia in the 1950s: his adventures and mischief-making, fishing trips, religious study, and work on his family's rubber plantation. Meanwhile, the traditional way of life in his village (or kampung) is steadily disappearing, with tin mines and factory jobs gradually replacing family farms and rubber small-holders. When Mat himself leaves for boarding school, he can only hope that his familiar kampung will still be there when he returns. Kampung Boy is hilarious and affectionate, with brilliant, super-expressive artwork that opens a window into a world that has now nearly vanished.

    In the process, King refashions old stories about historical events and figures, takes a sideways look at film and pop culture, relates his own complex experiences with activism, and articulates a deep and revolutionary understanding of the cumulative effects of ever-shifting laws and treaties on Native peoples and lands.This is a book both timeless and timely, burnished with anger but tempered by wit, and ultimately a hard-won offering of hope—a sometimes inconvenient, but nonetheless indispensable account for all of us, Indian and non-Indian alike, seeking to understand how we might tell a new story for the future.

     Featuring all-new original recipes prepared by Bourdain, plus a guide to the ghostly legendary spirits behind these horrifying tales. This horror anthology is sure to please--and scare! On a dark, haunted night, a Russian Oligarch dares a circle of international chefs to play the samurai game of 100 Candles--where each storyteller tells a terrifying tale of ghosts, demons and unspeakable beings--and prays to survive the challenge.Inspired by the Japanese Edo period game of Hyakumonogatari Kaidankai, Hungry Ghosts reimagines the classic stories of yokai, yorei, and obake, all tainted with the common thread of food.Including stellar artists Sebastian Cabrol, Vanesa Del Rey, Francesco Francavilla, Irene Koh, Leo Manco, Alberto Ponticelli, Paul Pope, and Mateus Santolouco as well as amazing color by Jose Villarrubia, a drop-dead cover by Paul Pope.

    Uses rabbits, a species introduced to Australia, to represent an allegory of the arrival of Europeans in Australia and the widespread environmental destruction caused by man throughout the continent.

    1953. Ghosts abound. In particular, the ghost of Detective Sam Hannigan—murdered in Bay City twenty-two years earlier by Addie Perl, the hired assassin who then bought a Hollywood nightclub with her blood money. Among the nightclub’s favored clientele is Sam’s widow, Elsie. Blinded by a Japanese bullet while on a USO tour in the South Pacific, Elsie has been reinvented into “Miss Know-It-All,” a Hollywood gossip columnist. But blind Elsie is haunted by the ghost of her husband, Sam, who asks her accusingly: “If Miss Know-It-All knows so much, why can’t she find Cousin Joseph, the man who had me killed?”Hollywood is haunted. Spooks abound. Agents Shoen and Kline, investigators for the House Un-American Activities Committee, manipulate the blacklisted, buxom, over-the-hill starlet-turned-hooker Lola Burns into working for them and naming the names she had once refused to betray.Hollywood is haunted. Communist screenwriters Oz McCay and Faye Bloom are noisily plotting, boozing, and laughing their way toward their impending disaster.Hollywood is haunted. As an inside joke, writer-director Annie Hannigan—Sam and Elsie’s daughter—comes up with the idea of a “Ghost Script” that may or may not exist but is rumored to expose the inside story of the Hollywood blacklist and the names of its undercover masterminds, most notably the reclusive philanthropist Lyman Murchison, a superpatriot with a dirty secret.Hollywood is haunted. Stumbling his way through this maze is private eye Archie Goldman, a tough-talking, nebbishy good guy who’s never been in a fight he didn’t lose. Archie’s single aim is to live up to the memory of the ghost who haunts him: Detective Sam Hannigan. Trail along with Archie into the middle of this muddle, as he tracks the arc of history and finds that it has rounded itself off into a circular firing squad.In this antic and brilliant assault on our past and present, Jules Feiffer shows us, once and for all, that if there’s one thing Americans hate, it’s learning from past mistakes. Every twenty years or so, a new generation must address new biases and injustices that are virtually identical to past biases and injustices. But who remembers? Exposing the tragically cyclical path of American history, Jules Feiffer pens the final installment to a noir masterpiece.

    We're in the most extreme and utter region of the human mind. A dim, subconscious underworld. A radiant abyss where men meet themselves. Hell, Netley. We're in Hell." Having proved himself peerless in the arena of reinterpreting superheroes, Alan Moore turned his ever-incisive eye to the squalid, enigmatic world of Jack the Ripper and the Whitechapel murders of 1888. Weighing in at 576 pages, From Hell is certainly the most epic of Moore's works and remarkably and is possibly his finest effort yet in a career punctuated by such glorious highlights as Watchmen and V for Vendetta. Going beyond the myriad existing theories, which range from the sublime to the ridiculous, Moore presents an ingenious take on the slaughter. His Ripper's brutal activities are the epicentre of a conspiracy involving the very heart of the British Establishment, including the Freemasons and The Royal Family. A popular claim, which is transformed through Moore's exquisite and thoroughly gripping vision, of the Ripper crimes being the womb from which the 20th century, so enmeshed in the celebrity culture of violence, received its shocking, visceral birth. Bolstered by meticulous research that encompasses a wide spectrum of Ripper studies and myths and coupled with his ability to evoke sympathies in such monstrous characters, Moore has created perhaps the finest examination of the Ripper legacy, observing far beyond society's obsessive need to expose Evil's visage. Ultimately, as Moore observes, Jack's identity and his actions are inconsequential to the manner in which society embraced the Fear: "It's about us. It's about our minds and how they dance. Jack mirrors our hysterias. Faceless, he is the receptacle for each new social panic." Eddie Campbell's stunning black and white artwork, replete with a scratchy, dirty sheen, is perfectly matched to the often-unshakeable intensity of Moore's writing. Between them, each murder is rendered in horrifying detail, providing the book's most unnerving scenes, made more so in uncomfortable, yet lyrical moments as when the villain embraces an eviscerated corpse, craving understanding; pleading that they "are wed in legend, inextricable within eternity". Though technically a comic, the term hardly begins to describe From Hell's inimitable grandeur and finesse, as it takes the medium to fresh heights of ingenuity and craftsmanship. Moore and Campbell's autopsy on the emaciated corpse of the Ripper myth has divulged a deeply disturbing yet undeniably captivating masterpiece. —Danny Graydon

    On the other side of the country, Mitsue Sakamoto and her family felt their pleasant life in Vancouver starting to fade away after the Japanese attack on Pearl Harbor.Ralph found himself one of the many Canadians captured by the Japanese in December 1941. He would live out his war in a prison camp, enduring beatings, starvation, electric feet and a journey on a hell ship to Japan, watching his friends and countrymen die all around him. Mitsue and her family were ordered out of their home and were packed off to a work farm in rural Alberta, leaving many of their possessions behind. By the end of the war, Ralph was broken but had survived. The Sakamotos lost everything when the community centre housing their possessions was burned to the ground, and the $25 compensation from the government meant they had no choice but to start again.Forgiveness intertwines the compelling stories of Ralph MacLean and the Sakamotos as the war rips their lives and their humanity out of their grasp. But somehow, despite facing such enormous transgressions against them, the two families learned to forgive. Without the depth of their forgiveness, this book's author, Mark Sakamoto, would never have existed.

    Parvana’s father — a history teacher until his school was bombed and his health destroyed — works from a blanket on the ground in the marketplace, reading letters for people who cannot read or write. One day, he is arrested for having forbidden books, and the family is left without someone who can earn money or even shop for food.As conditions for the family grow desperate, only one solution emerges. Forbidden to earn money as a girl, Parvana must transform herself into a boy, and become the breadwinner.Readers will want to linger over this powerful graphic novel with its striking art and inspiring story.

    If Bagge had not already had a New York Times bestseller with his biography of Margaret Sanger, his newest biography, Fire!!: The Zora Neale Hurston Story, would seem to be an unfathomable pairing of author and subject. Yet through Bagge’s skilled cartooning, he turns what could be a rote biography into a bold and dazzling graphic novel, creating a story as brilliant as the life itself.Hurston challenged the norms of what was expected of an African American woman in early 20th century society. The fifth of eight kids from a Baptist family in Alabama, Hurston’s writing prowess blossomed at Howard University, and then Barnard College, where she was the sole black student. She arrived in NYC at the height of the Harlem Renaissance and quickly found herself surrounded by peers such as Langston Hughes and Wallace Thurman.Hurston went on to become a noted folklorist and critically acclaimed novelist, including her most provocative work Their Eyes Were Watching God. Despite these landmark achievements, personal tragedies and shifting political winds in the midcentury rendered her almost forgotten by the end of her life. With admiration and respect, Bagge reconstructs her vivid life in resounding full-color.

    Without her Papa, her music, or even her true identity, she must move past the task of surviving and onto living her life. In the displaced persons camp where she is staying, Gerta meets Lev, a fellow teen survivor who she just might be falling for, despite her feelings for someone else. With a newfound Jewish identity she never knew she had, and a return to the life of music she thought she lost forever, Gerta must choose how to build a new future.

    From Eoin Colfer, previously Irish Children's Laureate, and the team behind his bestselling Artemis Fowl graphic novels. Ebo: alone.His sister left months ago. Now his brother has disappeared too, and Ebo knows it can only be to make the hazardous journey to Europe. Ebo's epic journey takes him across the Sahara Desert to the dangerous streets of Tripoli, and finally out to the merciless sea. But with every step he holds on to his hope for a new life, and a reunion with his sister. *Winner of the Judges' Special Award at the Children's Books Ireland Book of the Year Awards* 'Beautifully realised and punchily told.' Alex O'Connell, The Times Children's Book of the Week 'A powerful, compelling work, evocatively illustrated ... It would take a hard heart not to be moved by this book.' Financial Times

    How To Survive in the North is an unforgettable journey of love and loss, showing the strength it takes to survive in the harshest conditions.Luke Healy was born and raised in Dublin, Ireland. He received an MFA in Cartooning from The Center for Cartoon Studies in Vermont. His comics work has been published in several anthologies and he has also worked as a coloring assistant with Lucy Knisley on her book Something New.

    Brings us a stark tale of revenge, as retired CIA killer Paul Moses finds himself forced back into the game to gain revenge on the agency that trained him.

     In 1961, when Lila was five, she and her family emigrated from Buenos Aires, Argentina, to Marion, Alabama, in the heart of Alabama’s Black Belt. As educated, middle-class Latino immigrants in a region that was defined by segregation, the Quinteros occupied a privileged vantage from which to view the racially charged culture they inhabited. Weaver and her family were firsthand witnesses to key moments in the civil rights movement.  But Darkroom is her personal story as well: chronicling what it was like being a Latina girl in the Jim Crow South, struggling to understand both a foreign country and the horrors of our nation’s race relations. Weaver, who was neither black nor white, observed very early on the inequalities in the American culture, with its blonde and blue-eyed feminine ideal. Throughout her life, Lila has struggled to find her place in this society and fought against the discrimination around her.