Edvardsson's A Nearly Normal Family and lauds it as a "page-turner" that forces the reader to confront "the compromises we make with ourselves to be the people we believe our beloveds expect." (NYTimes Book Review Summer Reading Issue)When the teenage daughter of responsible, upstanding parents is accused of murder, a family realizes that it isn't love that will keep them together: it's lies.Eighteen-year-old Stella Sandell stands accused of the brutal murder of a man almost fifteen years her senior. She is an ordinary teenager from a respectable local family. What reason could she have to know a shady businessman, let alone to kill him?Told in an unusual three-part structure, this gripping, domestic drama pushes a family to its limits. The father, a pastor, believes his daughter can only be innocent, despite mounting evidence. The mother, a defense attorney, believes no one is telling the truth. And the daughter, desperate for her dreams of the future, believes no one understands how far she is willing to go.In this complex, multi-layered novel, every character's loyalty and morality is tested. Are we duty-bound to defend our family, even with the evidence against them? Is anyone who they seem on the surface? And what are we willing to compromise to keep our lives, as we know them, intact?

    Run by celebrity power couple Drs. Miles and Grace Markell, the "last resort" offers a chance for partners to repair their relationships in a luxurious setting on the gorgeous Mayan Riviera. Johanna and Ben have a marriage that looks perfect on the surface, but in reality, they don’t know each other at all. Shell and Colin fight constantly: after all, Colin is a workaholic, and Shell always comes second to his job as an executive at a powerful mining company. But what has really torn them apart is too devastating to talk about. When both couples begin Harmony's intensive therapy program, it becomes clear that Harmony is not all it seems—and neither are Miles and Grace themselves. What are they hiding, and what price will these couples pay for finding out? As a deadly tropical storm descends on the coast, trapping the hosts and the guests on the resort, secrets are revealed, loyalties are tested and not one single person—or their marriage—will remain unchanged by what follows.

    One warm, West Texas November night, a shy boy named Oliver Loving joins his classmates at Bliss County Day School’s annual dance, hoping for a glimpse of the object of his unrequited affections, an enigmatic Junior named Rebekkah Sterling. But as the music plays, a troubled young man sneaks in through the school’s back door. The dire choices this man makes that evening —and the unspoken story he carries— will tear the town of Bliss, Texas apart.Nearly ten years later, Oliver Loving still lies wordless and paralyzed at Crockett State Assisted Care Facility, the fate of his mind unclear. Orbiting the still point of Oliver’s hospital bed is a family transformed: Oliver’s mother, Eve, who keeps desperate vigil; Oliver’s brother, Charlie, who has fled for New York City only to discover he cannot escape the gravity of his shattered family; Oliver’s father, Jed, who tries to erase his memories with bourbon. And then there is Rebekkah Sterling, Oliver’s teenage love, who left Texas long ago and still refuses to speak about her own part in that tragic night. When a new medical test promises a key to unlock Oliver’s trapped mind, the town’s unanswered questions resurface with new urgency, as Oliver’s doctors and his family fight for a way for Oliver to finally communicate — and so also to tell the truth of what really happened that fateful night.A moving meditation on the transformative power of grief and love, a slyly affectionate look at the idiosyncrasies of family, and an emotionally-charged page-turner, Oliver Loving is an extraordinarily original novel that ventures into the unknowable and returns with the most fundamental truths.​

    Jenny, the mother, is in charge of lopping any small limbs off the logs with a hatchet. Wade, the father, does the stacking. The two daughters, June and May, aged nine and six, drink lemonade, swat away horseflies, bicker, and sing snatches of songs as they while away the time.But then something unimaginably shocking happens, an act so extreme it will scatter the family in every different direction.In a story told from multiple perspectives and in razor-sharp prose, we gradually learn more about this act, and the way its violence, love and memory reverberate through the life of every character in Idaho.

    But she also has a secret: she is the product of an abduction. Her mother was kidnapped as a teenager by her father and kept in a remote cabin in the marshlands of Michigan’s Upper Peninsula. Helena, born two years after the abduction, loved her home in nature, and despite her father’s sometimes brutal behavior, she loved him, too…until she learned precisely how savage he could be.More than twenty years later, she has buried her past so soundly that even her husband doesn’t know the truth. But now her father has killed two guards, escaped from prison, and disappeared into the marsh. The police begin a manhunt, but Helena knows they don’t stand a chance. Knows that only one person has the skills to find the survivalist the world calls the Marsh King–because only one person was ever trained by him: his daughter.

    She’s flying to Crete to reunite with friends she met there five years ago and relive an idyllic vacation. Basking in the warmth of the sun, the azure sea, and the aura of antiquity, she can once again pretend—for a little while—that she belongs. Her ex-boyfriend Marcus will be among them, but even he doesn’t know the secrets she keeps hidden behind a veil of lies. None of them really know her, and that’s only part of the problem.Then again, how well does she know them?When Jan awakens in utter darkness, chained to a wall, a manacle around her wrist, her echoing screams only give her a sense of how small her cell is. As she desperately tries to reconstruct what happened and determine who is holding her prisoner, dread covers despair like a hand clamped over her mouth. Because, like the Minotaur in the labyrinth in Greek myth, her captor will be coming back for her, and all the lies will catch up to her…

    All of his prodigious gifts of language, character, and setting in these eleven exquisite stories transport the reader to an Ireland both timeless and recognizably modern. Shot through with dark humor and the uncanny power of the primal and unchanging Irish landscape, the stories in That Old Country Music represent some of the finest fiction being written today.

    She intends to renovate the ruinous house into a hotel, but the shocking discovery of human remains brings her ambitious restoration plans to an abrupt halt before they even begin. Few physical clues are left to identify the body, but one thing is certain: this person did not die a natural death.Hungry for answers, Hetty discovers that Muirlan was once the refuge of her distant relative Theo Blake, the acclaimed painter and naturalist who brought his new bride, Beatrice, there in 1910. Yet ancient gossip and a handful of leads reveal that their marriage was far from perfect; Beatrice eventually vanished from the island, never to return, and Theo withdrew from society, his paintings becoming increasingly dark and disturbing.What happened between them has remained a mystery, but as Hetty listens to the locals and studies the masterful paintings produced by Theo during his short-lived marriage, she uncovers secrets that still reverberate through the small island community—and will lead her to the identity of the long-hidden body.

    Together they must untangle the threads of this ever-more-complicated case—and stay ahead of whoever’s trying to slash their progress. The old man’s failing memory adds urgency: wherever he is, he’s no doubt lost, confused, and in extreme danger.What started as a traffic stop gone wrong quickly unfolds into one of the darkest cases of Susan’s career, and it all leads to a sick, desperate killer. Susan and Liam must work fast to save the old man’s life and keep future victims from the killer’s grasp.

    Six years later—worn down by a tedious job, childcare, and an aching absence in her life—Fiona’s mundane existence is blown apart by the revelation that Rona had been working as a prostitute before she vanished. Driven to discover the truth, Fiona embarks on an obsessive quest to investigate the sex industry that claimed her sister. However, as she is drawn into this complex world, Fiona finds herself seduced by the power it offers women in a society determined to see them only as victims. In bold, unflinching prose, Fishnet offers a clear-eyed look at the lives of sex workers, questioning our perception of contemporary femininity and challenging assumptions about power, vulnerability, and choice.

    In short order, they establish a link between the victim, Julie Stender, and her landlady, Esther de Laurenti, who’s a bit too fond of drink and the host of raucous dinner parties with her artist friends. Esther also turns out to be a budding novelist—and when Julie turns up as a murder victim in the still-unfinished mystery she’s writing, the link between fiction and real life grows both more urgent and more dangerous. But Esther’s role in this twisted scenario is not quite as clear as it first seems. Is she the culprit—or just another victim, trapped in a twisted game of vengeance? Anette and Jeppe must dig more deeply into the two women’s pasts to discover the identity of the brutal puppet-master pulling the strings in this electrifying literary thriller.

    When she's pulled over by an unsettling local sheriff, things soon go awry and she is taken into custody. Only when she gets to the station, her kids are gone. And then the cops start saying they never saw any kids with her, that if they're gone than she must have done something with them... Meanwhile, halfway across the country a man hears the frenzied news reports about the missing kids, which are eerily similar to events in his own past. As the clock ticks down on the search for the lost children, he too is drawn into the desperate fight for their return.

    By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day. These stories tackle urgent instances of racism and cultural unrest and explore the many ways we fight for humanity in an unforgiving world.

    Alice, once a singer in a well-known rock band, is now a successful lawyer. Jake is a partner in an up-and-coming psychology practice. Their life together holds endless possibilities. After receiving an enticing wedding gift from one of Alice’s prominent clients, they decide to join an exclusive and mysterious group known only as The Pact.The goal of The Pact seems simple: to keep marriages happy and intact, and most of its rules make sense: Always answer the phone when your spouse calls. Exchange thoughtful gifts monthly. Plan a trip together once per quarter. . . .Never mention The Pact to anyone.Alice and Jake are initially seduced by the glamorous parties, the sense of community, their widening social circle of like-minded couples--and then one of them breaks the rules. The young lovers are about to discover that for adherents to The Pact, membership, like marriage, is for life, and The Pact will go to any lengths to enforce that rule. For Jake and Alice, the marriage of their dreams is about to become their worst nightmare.

    Whether the stories are familiar to readers or discovered for the first time, readers will revel in Edgar Allan Poe’s classic tales, and how they’ve been brought to life in 13 unique and unforgettable ways.Contributors include Kendare Blake (reimagining “Metzengerstein”), Rin Chupeco (“The Murders in the Rue Morge”), Lamar Giles (“The Oval Portrait”), Tessa Gratton (“Annabel Lee”), Tiffany D. Jackson (“The Cask of Amontillado”), Stephanie Kuehn (“The Tell-Tale Heart”), Emily Lloyd-Jones (“The Purloined Letter”), Hillary Monahan (“The Masque of the Red Death”), Marieke Nijkamp (“Hop-Frog”), Caleb Roehrig (“The Pit and the Pendulum”), and Fran Wilde (“The Fall of the House of Usher”).