And a very strange, very English obsession. But where did this fixation develop? And what does it tell us about ourselves?In The Art of the English Murder, Lucy Worsley explores this phenomenon in forensic detail, revisiting notorious crimes like the Ratcliff Highway Murders, which caused a nationwide panic in the early nineteenth century, and the case of Frederick and Maria Manning, the suburban couple who were hanged after killing Maria's lover and burying him under their kitchen floor. Our fascination with crimes like these became a form of national entertainment, inspiring novels and plays, prose and paintings, poetry and true-crime journalism. At a point during the birth of modern England, murder entered our national psyche, and it's been a part of us ever since.The Art of the English Murder is a unique exploration of the art of crime and a riveting investigation into the English criminal soul by one of our finest historians.

    A pictorial excursion into the dark underbelly of Victorian London.

    They were responsible for one of the most evocative legends in English folk history - Jack the Ripper. Best of all - for the myth-makers, that is - he was never caught, and there has never been a convincing identification of this man or, as some suggest, woman, who stabbed and disembowelled a succession of East End prostitutes, and left them bleeding in the gaslit streets of Victorian London. This book now lays out all the known evidence in a sumary of the facts and theories that have been written and spoken about the Ripper.

    They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffee houses, lived on country estates, they breathed ink-dust from printing presses and escaped people-traffickers. What they had in common was the year of their murders: 1888. The person responsible was never identified, but the character created by the press to fill that gap has become far more famous than any of these five women.For more than a century, newspapers have been keen to tell us that ‘the Ripper’ preyed on prostitutes. Not only is this untrue, as historian Hallie Rubenhold has discovered, it has prevented the real stories of these fascinating women from being told. Now, in this devastating narrative of five lives, Rubenhold finally sets the record straight, revealing a world not just of Dickens and Queen Victoria, but of poverty, homelessness and rampant misogyny. They died because they were in the wrong place at the wrong time – but their greatest misfortune was to be born a woman.

    'The Maybrick Mystery' had all the makings of a sensation: a pretty, flirtatious young girl; resentful, gossiping servants; rumours of gambling and debt; and torrid mutual infidelity. The case cracked the varnish of Victorian respectability, shocking and exciting the public in equal measure as they clambered to read the latest revelations of Florence's past and glimpse her likeness in Madame Tussaud's. Florence's fate was fiercely debated in the courtroom, on the front pages of the newspapers and in parlours and backyards across the country. Did she poison her husband? Was her previous infidelity proof of murderous intentions? Was James' own habit of self-medicating to blame for his demise? Historian Kate Colquhoun recounts an utterly absorbing tale of addiction, deception and adultery that keeps you asking to the very last page, did she kill him?

    But where A Mix of Murders covers the Twentieth Century, Gaslight Villainy treats the reader, in exquisite detail, to a selection of fourteen crimes committed during the Victorian period. Founded, as with A Mix of Murders, on meticulous research, Farrell presents these cases with an equally clear, readable and articulate style that demonstrates the author’s fine command of his subject. In one case, Gaslight Villainy educates us in the techniques of execution, and the methods of specific executioners – not, it is clear, an always-professional process performed by ever-adept professionals. In another tale, Farrell shows that lingering abhorrence towards dissection of human cadavers held great sway over resolution of the crimes of the time, and yet shows still how a jury used other lines of reason to find the perpetrator in question guilty. In Voyage of Death, as with the other cases, the reader enjoys excellent characterisation: shipboard existence and the very feel of the vessel itself come to life vividly, thus forming a backdrop to a most intriguing case. Most murders occur on dry land, over which the perpetrator may flee a great distance following their ungodly deed, but murder at sea changes this parameter, and the concomitant effects thus frame this particular case tightly, where one pressing-question is ever to the fore: who exactly was the guilty party? Farrell characterises the times superbly in this book, painting a detailed picture of a culture that relished public executions, where the remoteness of rural murders – counter-intuitively – did not lend a greater chance of escape from the law, and where good-old-fashioned policing was the public’s strongest weapon in the face of malice aforethought. As with A Mix of Murders, the intelligent analyses in Gaslight Villainy give more than enough to satisfy the reader, but the rich context this book gives to its descriptions make it a must-have for true-crime aficionados. If you like your true crime served up with style, clarity and a sense of the times, you owe it to yourself to buy this book post haste. ------------------------------------------------------------------------ Chapter Listing: The Lothario of Portland Town Secret Poisoning A Species of Madness The Stoic's Tale The Fickle Waters of the Arran Unservantlike Behaviour The Two Bakers of St. Luke's Insured for Murder A Drop too Much Drink, Drugs and Doctors The Home Improvements of Frederick Deeming The Late Mrs Anderson Incident at Ardlamont Voyage of Death

     In 1888, between August and November, the women of London’s East End were terrorized by a deranged serial killer. A man was stalking the streets at night, seizing random women who worked those streets and killing them. This man mutilated his victim’s bodies after death, removing body parts, taking organs. Inside you will read about... ✓ The Whitechapel Murderer’s Hunting Ground ✓ Leather Apron ✓ The Double Murder ✓ The Investigation ✓ Letters from Jack the Ripper ✓ Who was Jack the Ripper? And much more! No one has ever been able to identify Jack the Ripper. Despite the best efforts of numerous police officers, media professionals, historians, and amateur detectives over more than a century, we know of dozens of suspects but no definitive perpetrator. What we do know is the identity of Jack the Ripper’s victims, the canonical five women who lost their lives at his hands. This is the story not of Jack the Ripper’s life, about which we know nothing, but the lives of the women he destroyed. For better or worse, after Jack the Ripper, life on the streets of London would never be the same again.

    Spurred by the startling discovery of a letter written by a Scotland Yard inspector, two veteran police investigators have traced the shadowy movements of a self-styled "doctor" from St. Louis who had a criminal record spanning both sides of the Atlantic. Two decades after the Ripper's murderous spree, Inspector John George Littlechild, then retired, laments in his fateful letter: "to my mind a very likely [suspect] . . . was an American quack named Francis Tumblety. . . his feelings toward women were remarkable and bitter in the extreme." Littlechild expresses dismay that Tumblety, who was in custody only briefly, was ever granted bail, enabling him to flee London-just as the murders ended. The Littlechild letter, printed in this book, provides crucial details either overlooked by police officials at the time of the investigation or later suppressed because they would reveal the same officials had allowed their prime suspect to slip through their fingers.Sifting through the entire historical record and their own surprising discoveries, Stewart Evans and Paul Gainey have created a true-life detective story that will fascinate all readers of Arthur Conan Doyle, Wilkie Collins, and Charles Dickens. Vividly evoking the mean streets of Victorian London and the wave of terror that swept the city with the Ripper's grisly crimes, they convincingly paint a portrait of history's most infamous serial killer.

    Peter Manuel has been found guilty of a string of murders and is waiting to die by hanging. But every good crime story has a beginning. Manuel's starts with the murder of William Watt's family. Looking no further that Watt himself, the police are convinced he's guilty. Desperate to clear his name, Watt turns to Manuel, a career criminal who claims to have information that will finger the real killer. As Watt seeks justice with the cagey Manuel's help, everyone the pair meets has blood on their hands as they sell their version of the truth. The Long Drop is an explosive novel about guilt, innocence and the power of a good story to hide the difference.

    On Easter Sunday in 1937, the discovery of a grisly triple homicide at Beekman Place would rock the neighborhood yet again—and enthrall the nation. The young man who committed the murders would come to be known in the annals of American crime as the Mad Sculptor.   Caught up in the Easter Sunday slayings was a bizarre and sensationalistic cast of characters, seemingly cooked up in a tabloid editor’s overheated imagination. The charismatic perpetrator, Robert Irwin, was a brilliant young sculptor who had studied with some of the masters of the era. But with his genius also came a deeply disturbed psyche; Irwin was obsessed with sexual self-mutilation and was frequently overcome by outbursts of violent rage.   Irwin’s primary victim, Veronica Gedeon, was a figure from the world of pulp fantasy—a stunning photographer's model whose scandalous seminude pinups would titillate the public for weeks after her death. Irwin’s defense attorney, Samuel Leibowitz, was a courtroom celebrity with an unmatched record of acquittals and clients ranging from Al Capone to the Scottsboro Boys. And Dr. Fredric Wertham, psychiatrist and forensic scientist, befriended Irwin years before the murders and had predicted them in a public lecture months before the crime.   Based on extensive research and archival records, The Mad Sculptor recounts the chilling story of the Easter Sunday murders—a case that sparked a nationwide manhunt and endures as one of the most engrossing American crime dramas of the twentieth century. Harold Schechter’s masterful prose evokes the faded glory of post-depression New York and the singular madness of a brilliant mind turned against itself. It will keep you riveted until the very last page.

    At the end of the nineteenth century, serial murderer Joseph Vacher, known and feared as "The Killer of Little Shepherds," terrorized the French countryside. He eluded authorities for years--until he ran up against prosecutor Emile Fourquet and Dr. Alexandre Lacassagne, the era's most renowned criminologist. The two men--intelligent and bold--typified the Belle Epoque, a period of immense scientific achievement and fascination with science's promise to reveal the secrets of the human condition. With high drama and stunning detail, Douglas Starr revisits Vacher's infamous crime wave, interweaving the story of how Lacassagne and his colleagues were developing forensic science as we know it. We see one of the earliest uses of criminal profiling, as Fourquet painstakingly collects eyewitness accounts and constructs a map of Vacher's crimes. We follow the tense and exciting events leading to the murderer's arrest. And we witness the twists and turns of the trial, celebrated in its day. In an attempt to disprove Vacher's defense by reason of insanity, Fourquet recruits Lacassagne, who in the previous decades had revolutionized criminal science by refining the use of blood-spatter evidence, systematizing the autopsy, and doing groundbreaking research in psychology. Lacassagne's efforts lead to a gripping courtroom denouement. "The Killer of Little Shepherds" is an important contribution to the history of criminal justice, impressively researched and thrillingly told.

    For any student of the city and its secret life, it is indispensable reading." -Peter Ackroyd, The Times (London)Before his murder in 1831, the "Italian boy" was one of thousands of orphans on the streets of London, begging among the livestock, hawkers, and con men. When his body was sold to a medical college, the suppliers were arrested for murder. Their high-profile trial would unveil a furtive trade in human corpses carried out by "resurrection men" who killed to satisfy the first rule of the cadaver market: the fresher the body, the higher the price. Historian Sarah Wise reconstructs not only the boy's murder but the chaos and squalor of his world. In 1831 London, the poor were desperate and the wealthy petrified, the population swelling so fast that class borders could not hold. All the while, early humanitarians were attempting to protect the disenfranchised, the courts were establishing norms of punishment, and doctors were pioneering the science of anatomy.As vivid and intricate as a novel by Charles Dickens, The Italian Boy restores to history the lives of the very poorest Londoners and offers an unparalleled account of England's great metropolis at the brink of a major transformation.

    Provocative. Shocking. Call them what you will...but don't call them open and shut. Did Lizzie Borden murder her own father and stepmother? Was Jack the Ripper actually the Duke of Clarence? Who killed JonBenet Ramsey?America's foremost expert on criminal profiling and twenty-five-year FBI veteran John Douglas, along with author and filmmaker Mark Olshaker, explores those tantalizing questions and more in this mesmerizing work of detection. With uniquely gripping analysis, the authors reexamine and reinterpret the accepted facts, evidence, and victimology of the most notorious murder cases in the history of crime, including the Lindbergh baby kidnapping, the Zodiac Killer, and the Whitechapel murders.Utilizing techniques developed by Douglas himself, they give detailed profiles and reveal chief suspects in pursuit of what really happened in each case.The Cases That Haunt Us not only offers convincing and controversial conclusions, it deconstructs the evidence and widely held beliefs surrounding each case and rebuilds them -- with fascinating, surprising, and haunting results.

    The case sparked national outrage when the New York Times revealed that dozens of witnesses had seen or heard the attacks on Kitty Genovese and her struggle to reach safety but had failed to come to her aid—or even call police until after the killer had fled. This book cuts through misinformation and conjecture to present a definitive portrait of the crime, the aftermath, and the people. Based on six years of research, Catherine Pelonero’s book presents the facts from the police reports, archival material, court documents, and first-hand interviews. Pelonero offers a personal look at Kitty Genovese, an ambitious young woman viciously struck down in the prime of her life; Winston Moseley, the killer who led a double life as a responsible family man by day and a deadly predator by night; the consequences for a community condemned; and others touched by the tragedy.Beyond just a true crime story, the book embodies much larger themes: the phenomenon of bystander inaction, the evolution of a serial killer, and the fears and injustices spawned by the stark prejudices of an era, many of which linger to this day.

    This astonishing debut explores the terrifying prospect of hunting down one of the world's first serial killers without the advantage of modern forensics or profiling. Sherlock's desire to stop the killer who is terrifying the East End of London is unwavering from the start, and in an effort to do so he hires an "unfortuate" known as Mary Ann Monk, the friend of a fellow streetwalker who was one of the Ripper's earliest victims. However, when Holmes himself is wounded in Whitechapel attempting to catch the villain, and a series of articles in the popular press question his role in the crimes, he must use all his resources in a desperate race to find the man known as "The Knife" before it is too late. Penned as a pastiche by the loyal and courageous Dr. Watson, Dust and Shadow recalls the ideals evinced by Sir Arthur Conan Doyle's most beloved and world-renowned characters, while testing the limits of their strength in a fight to protect the women of London, Scotland Yard, and the peace of the city itself.