When the outside world comes calling, intent on manipulation for political and economic reasons, the islanders find their own world blown apart from the inside as well as beyond. Further Than The Furthest Thing is a beautifully drawn story evoking the sadness and beauty of a civilisation in crisis.Further Than The Furthest Thing premiered at the Traverse Theatre, Edinburgh in August, 2000.

    

    The furthest thing from Yatta’s mind is love and relationships. He’s focused on providing for his family, hitting licks with his day one niggas, Alaric and Zamir, and staying out of the way of the law. But, as fate has it, he meets the alluring Erin Hughes and his perception of love shifts in a new direction. Erin is a born and raised Detroit city girl with dreams as big as her heart. Her love for drawing and painting made her a bit of an out cast. But with the support of her cousin Dreka, her best friend Cassidy and her father, she has never known the feeling of not being loved, despite the lack of it it she received from her distant mother. Erin doesn’t let anything discourage her from living life and being happy. Lately, the one thing that would truly make her happy is being with Yatta. But its easier said than done as many things get on the way of them being together. One of them being Yatta’s baby mama, Cleo. Things slowly unravel and before you know it love, secrets, and deadly decisions causes great turmoil in their lives. Will Erin regret the day she gave her heart to a bad boy? Or will Yatta sweep her off her feet, showing her that bad boys fall in love, too?

    Use these fully illustrated classic and contemporary plays for reading practice or performance.Each script offers performance notes, character lists, exercises, and glossaries.

    She's just 17, hates her parents, skives college and prefers life in the chatrooms. What she's looking for is someone honest and direct. Instead she finds Tim, a man twice her age, who thinks she is 11 and a boy.What seems at first to be a case of crossed wires, ends up as an unlikely, and unsettling friendship between the two, which culminates in a shocking, and morally challenging revelation.

    With a nod to his mentor, Harold Pinter, Mamet once again employs his signature verbal jousting in this battle of two women over freedom, power, money, religion—and the lack thereof. Broadway premiere, under the direction of the playwright, in fall 2012 starring Patti LuPone and Debra Winger.David Mamet is a playwright, director, author, essayist, screenwriter, and film director. His plays include Glengarry Glen Ross, Speed-the-Plow, American Buffalo, A Life in the Theatre, Oleanna, The Cryptogram, and Race.

    While she’s holdin’ it down, is her man really grindin’ or cheatin’? Yahria aka Yah-Yah was a hood chick that didn’t mind fighting for what she loved. Growing up without both of her parents, she was a product her environment. She was raised by her grandmother and was the girlfriend to the newest up and coming dopeboy. Putting her life on hold, Yahria made sure her man’s needs came first while she lagged behind with his promises to make sure she was straight. After one drunken night, she discovers her intuition was right all along. Subashtian aka Bash isn’t your average dude. He dresses different, he acts different, and he spends his money different. To the human eye, he’s not a boss but the people close to him know what and who he is. Bash took a big loss, and it made him hide in a shell. He promised to never open up to anyone else besides his family. He thought he had everything planned out until destiny linked him with his opposite. Bash likes his women calm and lady-like until he meets Yah-Yah. Can opposites attract or will they clash because they are from two different worlds?

    He is the son a now deceased drug lord and an ex-heroin user as a mother. Because of that, he had sworn off the drug life. He made his living stealing cars. The money was okay, but it wasn’t enough to keep the mother of his children happy. When his manhood is tested because of his decision to stay away from the drug life, Brandon decides to give the streets a shot. He loved the money that his best friend from childhood was paying him to be his right hand man. After learning the ends and outs of that lifestyle, Brandon began to build his own empire. What he didn’t know was that the street life comes with a price tag. He had more than enough money to pay, but the price was his life. He was only in it to make money, but he had to learn the hard way that he wasn’t the only one looking for a come up. Can Brandon survive this lifestyle?

    

    The dialogue crackles with hilarious, caustic putdowns as the indomitable Maggie deals with her feckless family and unwanted suitors. Everyone wants a part of Big Maggie and her property but she has other ideas.

    It is time to rewrite the stories. We are no longer the hero’s love interest. Neither do we believe in happily ever after. We do not wish to dance to anybody else’s tunes. We choose our path. We make mistakes. We learn from them. We love. We lose. We age. We evolve. These are stories of women. Different women. For we cannot and should not stereotype women. These stories are of relationships. These stories touch upon social issues. These stories may inspire you. These stories make you feel like you are not alone. These stories may surprise you. These stories may entertain you. I hope everybody would be able to pick something they like.

    GOOD GRIEF follows Nkechi, or N- a med-school dropout, a first generation Nigerian, a would-be goddess- as she navigates first loves and losses, and tries to find answers in her parents, the boy next door, and the stars.

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    It is a portrait of a ghetto saint - an ordinary man selected by the universe to bring enlightenment to poor belittled people.

    Eddie Carbone is a Brooklyn longshoreman, a hard-working man whose life has been soothingly predictable. He hasn't counted on the arrival of two of his wife's relatives, illegal immigrants from Italy; nor has he recognized his true feelings for his beautiful niece, Catherine. And in due course, what Eddie doesn't know?about her, about life, about his own heart?will have devastating consequences.