From the Early Baroque painter Artemisia Gentileschi and the seventeenth-century illustrator Maria Sibylla Merian to Impressionists Mary Cassatt and Berthe Morisot, and to modern icons such as Frida Kahlo, Georgia O'Keefe and Louise Bourgeois, the most important female artists are profiled in this book in chronologically arranged double-page spreads. For each artist there is a timeline highlighting significant events in her life; a succinct biography and information outlining her accomplishments and influence; additional resources to further study of the artist and, best of all, brilliant full-color reproductions of the artist's works. Packed with information, here is a stunning and absorbing book that clearly illustrates the remarkable artistic contributions of women throughout history.

    It consists of 143 paintings of small size, rarely larger than 20 x 30 inches, many of them now considered icons of 20th century art, most of them seIf-portraits. The reasons for this ostensible narcissism were closely bound up with Kahlo's biography, with the country and epoch in which she grew up, and with her decidedly eccentric character. It was no coincidence that the major enigmatic minds of the 16th century, namely Hieronymous Bosch and Pieter Bruegel the Elder, were among her favorite painters. For Frida Kahlo never displayed her wounds directly--be it the physical wounds caused by accidents and illness, or the psychological inner wounds. Hers is a subtly enciphered symbolic language, rich in metaphors drawn from almost all the world's cultures. Aztec myths of creation. Far Eastern and Classical Greek mythology, and popular Catholic beliefs all mingle in Kahlo's pictures with Mexican folklore and the stuff of quotidian life, with Marx and Freud. Andre Breton, one of her many admirers among the European avant-garde, once described Kahlo's art as a "colored ribbon round a bomb." Exotic and explosive, sensuous and fascinatingly vital in terms of artistic statement. Kahlo's paintings shed a complex and often frightening light on her soul, her "inner reality." as she called it. If the incessant commercial marketing of Kahlo's paintings over the past decade had obscured a clear view of her extraordinary oeuvre, this present monograph attempts to make amends "Frida Kahlo: The Painter and Her Work returns to the heart, to 42 select masterpieces, reproduced in full and in detail. The painterly quality, the beauty, and theimmense wealth of details in Kahlo's paintings is laid out before the reader's eyes, as is the abyss in which the artist found herself.

    In the course of a gripping, headlong narrative, Price's unnamed protagonist moves in and out of contemporary non-spaces on a confounding and enigmatic quest, all the while meditating on art in the broadest sense: not simply painting and sculpture but also film, architecture, literature, and poetry. From boutique hotels and highway bridges to PC terminals and off-ramps; from Kanye West and Jeff Koons to George Bush and Patricia Highsmith; from the playground to the internet to the mirror, Price's hybrid of fiction, essay, and memoir gets to the central questions not only of art, but of how we live now

    But when she starts receiving notes, she knows her perfect life is under threat. She thought she’d managed to put the past behind her, but someone seems determined to reveal her secret.Meanwhile, girls are vanishing in the area and Olivia fears for her family’s safety.Has someone discovered the real reason she left Scotland all those years ago?And does her secret have links to the recent disappearances? When someone is out to get you, is there anywhere you can hide? Fractured Winter is a compelling and suspenseful psychosocial mystery it will appeal to fans of authors like LJ Ross, Lesley Kara and Faith Martin.

    Introducing art in its international context, this accessible book explores core issues about how art is made, interpreted, and displayed, without any of the unnecessary terminology. Divided into themes, A Short Book About Art presents new ways of thinking about the relationship between artists and their work, as well as fresh comparisons between works of art from different periods and places. Thought-provoking and stimulating, it is the ideal companion for anyone who wants to learn about art without a dictionary in their hands.

    Focusing on art before 1520, this edition organizes the material chronologically. It now incorporates considerable new material on the history of music and theatre, and updates scholarship on ancient art.

    What is art? Why do we value images of saints, kings, goddesses, battles, landscapes or cities from eras of history utterly remote from ourselves? This history of art shows how painters, sculptors and architects have expressed the belief-systems of their age; religious, political and aesthetic.

     “I climbed into this book and lived its plot. I read it at every spare moment.” Margaret “Beautifully written and engaging.” Ratana 1895, SCOTLAND Emma Greig is almost fourteen when her father announces she will be sent to be a maid at Bonnybrae Farm. She has never left her village so she is terrified of the change, especially when she realises she must learn to milk cows. PERFECT FOR FANS OF NADINE DORRIES, GLENDA YOUNG, DILLY COURT OR SHEILA NEWBERRY. Emma goes to work for the Sinclair family. Maggie Sinclair, the oldest of the Sinclair children, is kind and gentle. Her brothers, Jim and William, are friendly and tease Emma, but their mother offers no welcome. Mrs Sinclair is a proud woman with a secret in her past which has left her bitter and without compassion. She is angry when friendship blossoms between a mere maid and her own family. As the bond between Emma and her son strengthens, she dismisses Emma without notice or a reference. And William is banished from the farm he loves and sent away to Yorkshire to make his own way in the world. WILL THIS DESTROY THEIR LIVES AND BURGEONING ROMANCE? DISCOVER A ROMANTIC AND HEART-WARMING TALE ALSO BY GWEN KIRKWOOD SINCLAIR FAMILY SAGA SERIES Book 1: Moorland Mist Book 2: Moorend Farm

    The love of her life was out of reach, so she walked away and never looked back. Now, visiting the beautiful, snowy village of Glen Avich for Christmas, Viola is shocked to find him here, staying only metres away. Can she risk heartbreak again?Inary Monteith's life is at a turning point - a surprise baby has come to upset her plans and open the door to a whole new world. But as her bump grows, fear trumps over love and Inary feels completely inadequate to her new role. As she and her cousins, Eilidh and Viola, gather for Christmas lunch, no one could expect what lies ahead, least of all the arrival of a mysterious visitor who delivers a gift for them all...

    Sean Shesgreen, a foremost authority on Hogarth, has consistently selected the best states of the plates to be used in this edition and has carefully introduced them, commenting upon the artist's milieu and the importance of plot, character, time, setting, and other dimensions. A most important aspect of this book, found in no other Hogarth edition, is the positioning of the editor's commentary on each plate on a facing page. With the incredible and sometimes overwhelming amount of detail and action going on in these engravings, this is a most helpful feature.

    She endured a catastrophic set of physical calamities as a child and young woman, was an active member of the Communist Party, and survived a tempestuous marriage to the artist Diego Rivera. This book includes many photographs of her life alongside her extraordinary paintings, and presents commentary by leading Mexican art historians, stunning reproductions of her most seminal works -- some never before reproduced, and nine gate-folds allowing the reader to examine in detail aspects of her larger works.

    There she met the legendary couple Frida Kahlo and Diego Rivera. Welcomed into their home, she immersed herself in their private lives and the cultural and artistic diversity of the country, taking hundreds of photographs. These powerful photographs, among the last taken before Kahlo’s death, bear poignant witness to Frida’s beauty and talent. Showcasing more than 100 of these rare images, many of which have never been published before, the book also includes previously unpublished commentary by Gisèle Freund about Frida Kahlo, texts by Kahlo’s biographer Gérard de Cortanze and art historian Lorraine Audric, as well as a link to a previously unreleased color film, shot by Freund, showing Diego Rivera at work.

    Soon McKay and his team start to identify a disturbing pattern behind the killings.Why are candles and roses placed around the bodies?What is this twisted murderer trying to achieve?While the police follow their own leads, a young woman who discovered the first victim begins an investigation of her own.As the case unfolds McKay will be forced to face his own demons.To catch the killer McKay must discover the true motive and untangle the web of truth and lies.Candles and Roses is the first book in the explosive new DI McKay Series.  Death Parts Us: Twenty years ago, Jackie Galloway was a senior cop with a bad reputation. Then he ended up on the wrong side of the wrong people, and his career was ruined. Sacked and with no pension, he ends up eking out his last days on Scotland's Black Isle, his mind lost to dementia, supported only by his long-suffering wife, Bridie. Then Galloway is found dead. The police assume the death to be accidental until Bridie Galloway reveals that her husband has been receiving threatening letters containing only the phrase: 'NOT FORGOTTEN. NOT FORGIVEN.'DI Alec McKay is struggling to come to terms with life without his estranged wife Chrissie, and is living in isolation on the Black Isle. As a junior officer, McKay had been allocated to Galloway's team and has bad memories of the man and his methods. Now he finds himself investigating Galloway's death.But when suspicion falls on him and more police officers are murdered, the pressure is on for McKay to solve the case.Why would the killer seek revenge twenty years after Galloway left the force?As McKay fights to link the events of past and present, he realizes that time is rapidly running out… Their Final Act: Jimmy McGuire, a washed-up comic, is found dead on the streets of Inverness, his body garroted. Back in the 1990s, McGuire had been half of a promising double-act until his partner, Jack Dingwall, was convicted of rape.Soon after, a second corpse is found in an abandoned industrial site on the edge of the Moray Firth. The body has been there for some days and has also been garroted. The victim turns out to be a former musician turned record producer, who had also been the subject of rape allegations.Meanwhile, DI Alec McKay and DCI Helena Grant are still wrestling with the fallout from one of their recent cases following an acquittal.As the body count rises, the police think they have the killer in their sights. But McKay is concerned that the evidence is too neat so when he realises there will be a final victim, he fears that time is running out. The best-selling DI Alec McKay series are gripping serial killer thrillers set in the Scotish Black Isle. They will appeal to fans of authors like Ian Rankin, Helen Fields and Ann Cleeves.