He has also written fim scripts and for television.

    Nine parallel lives, interlocked by four infidelities, one missing person and a mysterious stiletto, are woven through a fragmented series of confessionals and interrogations that gradually reveal a darker side of human nature.

    In solidarity, her two roommates got tattoos to match her distinctive ink. The three dropped-out to start over in Montana where she gave birth to a son Zane. The friends conspired never to reveal Zane’s true heritage. Fifteen years later, a stranger recognizes the tattoo. He stalks mother and son, causing the lies to unravel. Was the stranger a witness to the rape or in fact one of the assailants? Beautiful Whitefish, Montana serves as the setting for Fifteen Years of Lies, yet the story could occur anywhere people go to escape and in any family struggling to keep secrets. Parents of teenagers will relate to a mother’s fears for her son as his rebellion leads to violence. Fifteen Years of Lies goes beyond the timely issue of sexual assault on campus to lay bare the aftermath of rape and its effects on the survivor, the child, loved ones, and even the rapist. Experience the raw emotions of past injustice and imminent threat when a suspected rapist believes he has found his victim and his son. How far will the three women go to protect Zane from the truth?

    In this sly critique of contemporary relationships, Reza skillfully picks apart the friendship of three men via a bowl of olives and a white-on-white painting. Now translated into more than 30 languages, Art continues to be performed worldwide, even as Reza's other plays have garnered similar acclaim. Life x 3, Reza's most recent offering, again highlights her satirical wit as two couples face off in three different versions of the dinner from hell. Praised as "compact, cool and clever" by Christopher Isherwood of Variety, Reza uses the acidic exchanges of her characters to illuminate their inner desire for love and acceptance. Also included in this edition are two earlier plays, The Unexpected Man and Conversations After a Burial. Each elucidates the startling difference between public and private life, be it in the confines of a train compartment or a country estate in the aftermath of a loved one's passing.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    Sequel to This Can't Be Life

     Knox Prison is no joke. The food sucks, My roommate snores, And the only thing I have to look forward to is Monroe. My lawyer can look at my briefs anytime. She’s smart, beautiful, and the only way I’m getting out of this hellhole. I didn’t kill Blaze, but when you’re a Dead Soul MC member, no one cares about the truth. And maybe that’s for the best, Because no one can know about Canyon. Monroe is not just getting me out of jail, She’s also getting into my heart. Grave These lawyers can go screw themselves. If they think I’m going to let Everly go into witness protection, they've got another thing coming. They’re right that she is in danger, But I can keep her safe. So she will move in with me. At first, it seems simple, But as the lies unravel, I realize that Everly might be the only good thing in all of this. She’s pure, innocent and everything I’m not. But for her, I would change. Be the man she needs me to be. Forever. Brewer I thought kids were annoying. But after I meet, Ana, the MILF next doors daughter, I change my mind. She has the same sense of humor that I do. She’s a cool person, just on a smaller scale. And hanging out with her means more time with her mom. Makenna is easy on the eyes, But would be better on my bike. Getting close to me is a risk. But I would lay down my life for them. Take a bullet. Girls like battle scars, right? Rock She lied to me. The minute I see Gavin for the first time, I know he is mine. Piper told him his daddy was in jail. I should be angry with her. But with that stethoscope draped around her neck, I know she’s not as bad as I want her to be. She was just trying to protect him. From my life, my club, and the bastards that are trying to kill us. She has every reason to be worried, But no one will touch my son. Or my girl. She may have left before, But this time, I know she’ll stay. Because we both want the same thing. A family. Diesel No one tells me what to do. Except for maybe Dean, The President of the Black Hornets. I need their help in order to defeat the Black Saddles once and for all. But I know that their help is going to come at a cost. I don’t expect the price to be a pretty little thing, named Brynn. His daughter. That I thought was dead. Being in one MC is bad enough. But being a son in law to another MC’s president is going to be hell on earth. That is if she will agree to it. And so far, I can’t even get her to be in the same room with me. She’s feisty, and her good looks are no secret. I love a confident woman, But this one might be too hot to handle. I’m fire and she’s gasoline. Let’s light this sh*t up.

    

    is a series of women's monologues tackling many different aspects of the complex female psyche.

    . . Dying City is a political play and also a psychodrama about what Arthur Miller called the politics of the soul. It’s about public conscience and private grief, and real and symbolic catastrophes.”?The New York Observer “Anyone who doubts that Mr. Shinn is among the most provocative and probing of American playwrights today need only experience the . . . sophisticated welding of form and content that is Dying City.”?The New York Times In Christopher Shinn’s new play Dying City, a young therapist, Kelly, whose husband Craig was killed while on military duty in Iraq, is confronted a year later by his identical twin Peter, who suspects that Craig’s death was not accidental. Set in a spare downtown-Manhattan apartment after dark, scenes shift from the confrontation between Peter and Kelly, to Kelly’s complicated farewell with her husband Craig. Shinn’s creepy, sophisticated drama?infused with references to 9/11 and the war in Iraq?explores how contemporary politics and recent history have transformed the lives of these three characters. Christopher Shinn was born in Hartford, Connecticut, and lives in New York. His plays include Where Do We Live, Other People, What Didn’t Happen, and On the Mountain, which have been widely produced in New York, across the United States, and in London. He is the recipient of an OBIE Award in Playwriting, as well as the Robert S. Chesney Award. He teaches playwriting at The New School for Drama.

    Ayckbourn's series of plays for 4-5 actors typify his black comedies of human behaviour. The plays are alternately naturalistic, stylised and farcical, but underlying each is the problem of loneliness. The Mother Figure shows a mother unable to escape from baby talk; in The Drinking Companion, an absentee husband attempts seduction without success; in Between Mouthfuls, a waiter oversees a fraught dinner encounter. A garden party gets out of hand in Gosforth's Fete, whilst A Talk in the Park is a revue style curtain call piece for the five actors. Whether the comedies concern marital conflict, infidelity or motherhood and take place on a park bench or at a village fete, the characters are familiar and their cries for help instantly recognisable. Principally he is respected as a radical re-inventor of form - Dominic Dromgoole.

    She understands and exploits the unique strengths of her medium: the ability to viscerally connect with an audience.” –The EconomistExperimental Korean American theatre artist Young Jean Lee has been called “one of the best experimental playwrights in America” (Time Out New York). This volume contains two of her recent works:In The Shipment, Lee provides a provocative look at African-American identity in our not-yet post-racial society. The New York Times calls this take on cultural images of black America “a subversive, seriously funny new theater piece… Ms. Lee wields sharp, offbeat humor to point up the clichés, distortions and absurdities” (Charles Isherwood, New York Times).LEAR is Lee’s own version of Shakespeare’s tragedy, focusing on the king’s three daughters. A production in which Lear himself never appears, LEAR is a “wacky blend of ‘To be or not to be,’ Beckett, and Pirandello…full of exhilarating, illuminating moments” (Village Voice).Young Jean Lee has written and directed shows in New York with Young Jean Lee’s Theater Company and toured her work to over twenty cities around the world. Her plays include Straight White Men, We’re Gonna Die, Untitled Feminist Show, The Shipment, Lear and Songs of the Dragons Flying to Heaven. Awards include two Obies, the Festival Prize of the Zuercher Theater Spektakel, a Prize in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship and a Doris Duke Artist Award.

    The dialogue crackles with hilarious, caustic putdowns as the indomitable Maggie deals with her feckless family and unwanted suitors. Everyone wants a part of Big Maggie and her property but she has other ideas.

    A love story between two Vietnam War refugees who meet in an Arkansas relocation camp, the show features a dramatization of the fall of Saigon.Play: 2 acts; 6 scenes; Epilogue

    The first trip involved the last rites of her grandmother. The second involved a wedding, thankfully, but she returned home to her mother's funeral. She has never forgiven her mother for leaving her alone in a house full of men. Is there anyone at home she can share her deepest thoughts with? Anyone who can lend an ear to her endless relationship issues, manic obsessions and simple aspirations? Who's got the time? Kittu might live in a full house, but sometimes, she feels like she's all alone in the world. A House Full of Men is a novel about false starts and failed attempts, love and the importance of being understood.