Anti-Gerasone halts the aging process and prevents people from dying of old age as long as they keep taking it; as a result, America now suffers from severe overpopulation and shortages of food and resources. With the exception of the very wealthy, most of the population appears to survive on a diet of foods made from processed seaweed and sawdust. Gramps Ford, his chin resting on his hands, his hands on the crook of his cane, was staring irascibly at the five-foot television screen that dominated the room. On the screen, a news commentator was summarizing the day's happenings. Every thirty seconds or so, Gramps would jab the floor with his cane-tip and shout, "Hell, we did that a hundred years ago!" Emerald and Lou, coming in from the balcony, where they had been seeking that 2185 A.D. rarity--privacy--were obliged to take seats in the back row, behind about a dozen relatives with whom they shared the house. All save Gramps, who was somewhat withered and bent, seemed, by pre-anti-gerasone standards, to be about the same age--somewhere in their late twenties or early thirties. Gramps looked older because he had already reached 70 when anti-gerasone was invented. He had not aged in the 102 years since. "Next one shoots off his big bazoo while the TV's on is gonna find hisself cut off without a dollar--" his voice suddenly softened and sweetened--"when they wave that checkered flag at the Indianapolis Speedway, and old Gramps gets ready for the Big Trip Up Yonder." He sniffed sentimentally, while his heirs concentrated desperately on not making the slightest sound. For them, the poignancy of the prospective Big Trip had been dulled somewhat, through having been mentioned by Gramps about once a day for fifty years.

    Seeking his fortune, he stumbles into a centuries-old feud when he travels to Mitherhome, the city of the water mages. He accepts a servant's position in the household of the sole stone mage permitted within the city walls, and there his untapped magical talents and his fascination with his master's abilities are a predictably dangerous combination. Soon, without meaning to, he complicates and endangers the lives of everyone he has come to know and care about, for when it comes to magic, there are rules and laws, and the untrained mage-to-be must be careful not to tap into deep forces and ancient enmities. Otherwise, other people might end up paying the price for his mistakes.

    Who guides our fate? And can we ever hope to wrest control for ourselves? In this novella, "The Loom of Thessaly" , classical mythology merges with impudent modern spirit into a science fiction legend that speculates upon the nature of reality.

    "It'll be great.""No, it won't," I said, although I'd lost this fight hours ago, and I knew it."It'll be brilliant," said Vic, for the hundredth time. "Girls! Girls! Girls!" He grinned with white teeth.

    They've lived there so long, there are only legends about people living anywhere else. Such a life requires rules. Strict rules. There are things that must not be discussed. Like going outside. Never mention you might like going outside.Or you'll get what you wish for.

    featured in whatever manner he chose.") Though Man has disappeared, his robotic creations (and their creations in turn) continue to function.Along the way, the story explores the differences between Man and Machine, the former experiencing the world qualitatively, while the latter do so quantitatively. "A machine is a Man turned inside-out, because it can describe all the details of a process, which a Man cannot, but it cannot experience that process itself as a Man can." This is illustrated by a conversation Frost has with another machine named Mordel.

    Reeling from a painful break-up, English instructor and avid book lover Wesley Smith is haunted by his ex-girlfriend's parting shot: "Why can't you just read off the computer like everyone else?" He buys an e-book reader out of spite, but soon finds he can use the device to glimpse realities he had never before imagined, discovering literary riches beyond his wildest dreams...and all-too-human tragedies that surpass his most terrible nightmares.

    Written may 1948.First published in Saturn, October 1957 as The Elephant Circuit.First collected into The Unpleasant Profession of Jonathan Hoag, 1959.

    There is no better anthology that captures the birth of science fiction as a literary field.Published in 1973 to honor stories that had come before the institution of the Nebula Awards, The Science Fiction Hall of Fame introduced tens of thousands of young readers to the wonders of science fiction and was a favorite of libraries across the country.Eleven more classic novellas by the most honored authors of science fiction. Companion to Volume IIA.Introduction · Ben BovaThe Martian Way · Isaac Asimov · na Galaxy Nov ’52 Earthman, Come Home [Okie] · James Blish · nv Astounding Nov ’53 Rogue Moon · Algis Budrys · na F&SF Dec ’60 The Specter General · Theodore R. Cogswell · na Astounding Jun ’52 The Machine Stops · E. M. Forster · nv Oxford and Cambridge Review Nov ’09 The Midas Plague · Frederik Pohl · na Galaxy Apr ’54 The Witches of Karres · James H. Schmitz · nv Astounding Dec ’49 E for Effort · T. L. Sherred · nv Astounding May ’47 In Hiding · Wilmar H. Shiras · nv Astounding Nov ’48 The Big Front Yard · Clifford D. Simak · na Astounding Oct ’58 The Moon Moth · Jack Vance · na Galaxy Aug ’61

    Rarely do they even leave their own rooms, in which all of their needs are met by the Machine. The Machine allows the humans to communicate "ideas" with one another, which is essentially their only activity. It doesn't stop them from leaving their rooms, but they have little desire to do so anyway. They've started to believe the Machine is omnipotent and omniscient, not to be questioned. And when it begins to malfunction, they trust that it knows what it's doing--forgetting they invented it in the first place . . .From the author of A Passage to India, A Room with a View, and other classic novels, and a sixteen-time nominee for the Nobel Prize in Literature, this remarkable science fiction story, which was included in a Science Fiction Hall of Fame anthology, was published in 1909--yet becomes more relevant and thought-provoking with each passing day of the twenty-first century.

    The Incrementalists are an ancient conspiracy to make the world better -- just a little bit at a time. "Fireworks in the Rain" tells a story not found in the novel, and serves as an equally beguiling introduction to the Incrementalists and how they work...At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

    Lovecraft was perhaps the greatest twentieth century practitioner of the horror story, introducing to the genre a new evil, monstrous, pervasive and unconquerable. At the heart of these three stories are terrors unthinkable and strange: a crash-landing meteorite, the wretched inhabitant of an ancient castle and a grave-robber's curse. This book includes "The Colour Out Of Space", "The Outsider" and "The Hound".

    It tells of Keevan, a boy who is a candidate for Ramoth's latest clutch in Benden Weyr. Keevan is shorter than the other candidates, and is teased about this by Beterli, a boy who has stood for eight Impressions and has not been chosen. Keevan works hard but his size leads most to underestimate his abilities. When he overhears some of the senior dragonriders talking about dropping some of the younger candidates from the Impression, Keevan automatically thinks he will be dropped.Was included in Get off The Unicorn collection.

    And when one had been in the vicinity small valuable objects disappeared. A robot's idea of order was to stack everything into one pile. Nonetheless, Bibleman had to order lunch from robots, since vending ranked too low on the wage scale to attract humans.

    But his reason for choosing this career was even less common, perhaps even unique. This story was first published in BEDLAM'S EDGE, Aug 2005.