His is a voice combining humor and pathos with an edginess creating fresh new stories that are being published in great literary journals regularly.A boy acts out at the death of his father and abandonment by his brother through a savage playground beating; a young man confronts his own troubled history when asked to hire on his girlfriend's strung-out brother in an attempt to keep him out of prison; a teenage babysitter works through a scorching-hot summer afternoon that will prove to alter her life forever; a grieving widower finds comfort in the unlikeliest of places, a recently-built casino; an itinerant farm worker visits the same former lover in South Dakota year after year while following the Harvest north; two friends search for excuses and fail to claim responsibility for their own decisions after one loses his father, and the other's house burns to the ground; and a taxidermist falls in love with the ex-wife of his high school bully and tries to convince her to marry him despite her son who seems to share his father's bullying mentality."A brilliant, sometimes heartbreaking debut by this gifted young writer and Columbia writing teacher. Cross captures the angst and tenderness of the young men and women growing up in the rust belt with little hope and less luck. The moments of grace and redemption shine through. I loved every story." —Linda Bubon, Women & Children First Bookstore"There are countless moments like this in Fires of Our Choosing, lines that appear true from the moment they’ve been written and hang in the back of the mind for days afterwards... With Fires of Our Choosing, Cross climbs boldly into the ring with the greats, if only to deliver a decisive knockout punch." —Urban Waite, Fiction Writers Review"Cross offers no apologies for his characters: their poor choices, their lack of moral fortitude, their betrayals of each other and the poverty of their surroundings and, often, themselves; he leaves these things alone. They are who they are, and if dignity has been denied them by the rest of us, including us story-tellers, it is restored by this collection. That he has undertaken to serve as their raconteur should place Cross on the radar of all the big prizes that gift those blessed with talent, compassion and fearlessness, particularly during this present moment in our history." —Ru Freeman, Huffington PostEugene Cross was born and raised in Erie, Pennsylvania and received an MFA from the University of Pittsburgh. His stories have appeared in Narrative Magazine (which named him one of "20 Best New Writers" and his story "Harvester's" a "Top Five Story of 2009-2010"), American Short Fiction, Story Quarterly, TriQuarterly, and Callalloo among other publications. His work was also listed among the 2010 Best American Short Stories' 100 Distinguished Stories. He is the recipient of scholarships from the Bread Loaf Writers' Conference and the Chautauqua Writers' Festival, and the winner of the 2009 Dzanc Prize for Excellence in Literary Fiction and Community Service. He currently lives in Chicago where he teaches in the Fiction Department at Columbia College Chicago.

    Based on a true story where the author incurs many failures in life but believes that failure comes to those who deserve something bigger. He continuously fails in many entrepreneurial ventures but his attitude towards great sayings keeps him going. Despite not having the best of qualifications, he defies the rule and the common notion that only qualified make it large. Common beliefs of the masses have been challenged at every point.The mention of the business ventures he undertakes while in college and the problems solved by his early philosophical knowledge. Despite being discouraged by the non-entrepreneurial environment, he dares to rise against the wind. He has done something worth writing and written something worth reading! "Awesome book. Very well written. I recommend this book to every teenager as it would surely transform their lives and it will help them to create opportunities for themselves. We need young entrepreneurs in India."- Verified Purchase on Amazon.in"Amazing book.. i have no words in praise of this book..everyone should read this.. must read for everyone..i assure you, this will change your life.." Verified Purchase on Amazon.inAbout The AuthorK Sraff is an entrepreneur. He has undertaken various profit, non-profit ventures, most of which have been mentioned in the book. He has highlighted on a philosophy that "When you help others, the universe conspires to help you...!" which also sets the core theme of the book. How an iPhone Made Me the Youngest Billionaairee has sold thousands of copies in India and abroad. Widely appreciated with over 200+ ratings in Goodreads, 100+ reviews on Amazon. The book speaks not just about dreams, change, but urges the readers to implement what they conceive!

    In her deft hands, “relationships and mundane activities take on mythic qualities” (The Wall Street Journal).In this collection, Bender’s unique talents sparkle brilliantly in stories about people searching for connection through love, sex, and family—while navigating the often painful realities of their lives. A traumatic event unfolds when a girl with flowing hair of golden wheat appears in an apple orchard, where a group of people await her. A woman plays out a prostitution fantasy with her husband and finds she cannot go back to her old sex life. An ugly woman marries an ogre and struggles to decide if she should stay with him after he mistakenly eats their children. Two sisters travel deep into Malaysia, where one learns the art of mending tigers who have been ripped to shreds.In these deeply resonant stories—evocative, funny, beautiful, and sad—we see ourselves reflected as if in a funhouse mirror. Aimee Bender has once again proven herself to be among the most imaginative, exciting, and intelligent writers of our time.

    A university professor studying racism by conducting a secret social experiment on his own son. A single mother desperate to buy her first home even as the world hurtles toward catastrophe. Each fighting to survive in America.Tough-minded, vulnerable, and brave, Jocelyn Nicole Johnson’s precisely imagined debut explores burdened inheritances and extraordinary pursuits of belonging. Set in the near future, the eponymous novella, “My Monticello,” tells of a diverse group of Charlottesville neighbors fleeing violent white supremacists. Led by Da’Naisha, a young Black descendant of Thomas Jefferson and Sally Hemings, they seek refuge in Jefferson’s historic plantation home in a desperate attempt to outlive the long-foretold racial and environmental unravelling within the nation.In “Control Negro,” hailed by Roxane Gay as “one hell of story,” a university professor devotes himself to the study of racism and the development of ACMs (average American Caucasian males) by clinically observing his own son from birth in order to “painstakingly mark the route of this Black child too, one whom I could prove was so strikingly decent and true that America could not find fault in him unless we as a nation had projected it there.” Johnson’s characters all seek out home as a place and an internal state, whether in the form of a Nigerian widower who immigrates to a meager existence in the city of Alexandria, finding himself adrift; a young mixed-race woman who adopts a new tongue and name to escape the landscapes of rural Virginia and her family; or a single mother who seeks salvation through “Buying a House Ahead of the Apocalypse.”United by these characters’ relentless struggles against reality and fate, My Monticello is a formidable book that bears witness to this country’s legacies and announces the arrival of a wildly original new voice in American fiction.

    Filled with admiration for his characters and the hope they bring to their day to day dilemmas, Night Swimming has affirmed Pete Fromm's reputation as one of the nation's best writers.

    But small incidents wreak havoc on space and time, driving their wedding date further away. As centuries on Earth pass and the land and climate change, one thing is constant: the desire of the lovers to be together. In two separate yet linked stories, Kim Bo-Young cleverly demonstrate the idea love that is timeless and hope springs eternal, despite seemingly insurmountable challenges and the deepest despair.In “The Prophet of Corruption” and “That One Life,” humanity is viewed through the eyes of its creators: godlike beings for which everything on Earth—from the richest woman to a speck of dirt—is an extension of their will. When one of the creations questions the righteousness of this arrangement, it is deemed a perversion—a disease—that must be excised and cured. Yet the Prophet Naban, whose “child” is rebelling, isn’t sure the rebellion is bad. What if that which is considered criminal is instead the natural order—and those who condemn it corrupt? Exploring the dichotomy between the philosophical and the corporeal, Kim ponders the fate of free-will, as she considers the most basic of questions: who am I?

    Here Mason writes about love with stunning insight and variety.

    . . Will stand by itself as one of our funniest, most telling anatomies of human love and vulnerability.” —The New York Times Book Review, cover).These eight masterly stories reveal Lorrie Moore at her most mature and in a perfect configuration of craft, mind, and bewitched spirit, as she explores the passage of time and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom.In “Debarking,” a newly divorced man tries to keep his wits about him as the United States prepares to invade Iraq, and against this ominous moment, we see—in all its irresistible wit and darkness—the perils of divorce and what can follow in its wake . . .In “Foes,” a political argument goes grotesquely awry as the events of 9/11 unexpectedly manifest themselves at a fund-raising dinner in Georgetown . . . In “The Juniper Tree,” a teacher visited by the ghost of her recently deceased friend is forced to sing “The Star-Spangled Banner” in a kind of nightmare reunion . . . And in “Wings,” we watch the inevitable unraveling of two once-hopeful musicians, neither of whom held fast to their dreams nor struck out along other paths, as Moore deftly depicts the intricacies of dead-ends-ville and the workings of regret . . .Here are people beset, burdened, buoyed; protected by raising teenage children; dating after divorce; facing the serious illness of a longtime friend; setting forth on a romantic assignation abroad, having it interrupted mid-trip, and coming to understand the larger ramifications and the impossibility of the connection . . . stories that show people coping with large dislocation in their lives, with risking a new path to answer the desire to be in relation—to someone . . .Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud—the hallmark of life in Lorrie-Moore-land.--jacket

    Thammavongsa is a master at homing in on moments like this -- moments of exposure, dislocation, and messy feeling that push us right up against the limits of language.The stories that make up How to Pronounce Knife focus on characters struggling to find their bearings in unfamiliar territory, or shuttling between idioms, cultures, and values. A failed boxer discovers what it truly means to be a champion when he starts painting nails at his sister's salon. A young woman tries to discern the invisible but immutable social hierarchies at a chicken processing plant. A mother coaches her daughter in the challenging art of worm harvesting.In a taut, visceral prose style that establishes her as one of the most striking and assured voices of her generation, Thammavongsa interrogates what it means to make a living, to work, and to create meaning.How to pronounce knife --Paris --Slingshot --Randy Travis --Mani pedi --Chick-a-chee! --The universe would be so cruel --Edge of the world --The school bus driver --You are so embarassing --Ewwrrkk --The gas station --A far distant thing --Picking worms

    In her new collection, gifted poet and novelist Kim Addonizio uses her literary powers to bring to life a variety of settings, all connected through the suggestion that things in the known world are not what they seem.In “Beautiful Lady of the Snow,” young Annabelle turns to a host of family pets to combat the alienation she feels caught between her distracted mother and ailing grandfather; in “Night Owls,” a young college student’s crush on her acting partner is complicated by the bloodlust of being half-vampire; in “Cancer Poems,” a dying woman turns to a poetry workshop to make sense of her terminal diagnosis and final days; in “Intuition,” a young girl’s sexual forays bring her closer to her best friend’s father; and in the collection’s title story, a photographer looks back to his youth spent as a young illusionist under the big tent and his obsessive affair with the carnival owner’s wife.The stories in this collection have appeared in journals ranging from Narrative Magazine to The Fairy Tale Review, and include the much loved "Ever After," which was featured on NPR's "Selected Shorts."Distracted parents, first love, the twin forces of alienation and isolation: the characters in The Palace of Illusions all must contend with these challenges, trafficking in the fault lines between the real and the imaginary, often in a world not of their making.

    It also thwarted the young author's designs on the editorship of the Undergrad because of his clear moral unsuitability for such an august position. (This is doubtful, because the Undergrad eventually came to be edited, thirty years later, by PQL publisher Tim Inkster.) `The Box Social' is remarkable, not only that it introduced the theme of date rape to Canadian literature some thirty years before the phrase was coined, but also that it is told from Sylvia's point of view, and yet again that it ends with one of the quietest lines of literary vitriol imaginable ... ` ``I hated you so much, '' she said softly.'If Alice Munro has put the sexually awakening female under glass in Lives of Girls and Women, then The Box Social could just as easily have been titled Lives of Boys and Men.In `The Bully', the brutality of what passes for etiquette in secondary school is contrasted with the simpler life of the farm personified in Noreen who drops grain in the shape of letters to feed her chickens -- `so that when the hens ate the grain they were forced to spell out Noreen's initials or to form a cross and circle. There were just enough hens to make this rather an interesting game. Sometimes, I know, Noreen spelled out whole sentences in this way, a letter or two each night, and I often wondered to whom she was writing up in the sky.' `The Bully' was included in The New Oxford Book of Canadian Short Stories edited by Margaret Atwood and Robert Weaver.The young Margaret Atwood first encountered `The Bully' as an undergraduate. She read the story, oddly enough, in an anthology edited by Robert Weaver, and the experience was apparently seminal to her own development as a writer of fiction ...

    Robert's daily journal will give you a realistic experience from his cockpit. His writings cover the entire spectrum, from the joys of simply receiving mail from home, living in harsh conditions, experiencing frequent enemy attacks, aircraft emergencies and losing a fellow pilot, to making the ultimate decision of pulling the trigger to end one life in order to save another. Robert states, "I never intended to write a book. It took over three years to complete. Some of it was extremely difficult to get through."

    Two sisters quarrel over an inheritance and a new baby; a child awake in the night explores the familiar rooms of her home, strange in the dark; a housekeeper caring for a helpless old man uncovers secrets from his past. The first steps into a turning point and a new life are made so easily and carelessly: the stories focus in on crucial moments of transition, often imperceptible to the protagonists. A girl accepts a lift in a car with some older boys, or a young woman reads the diaries she comes across when she’s housesitting. Small acts have large consequences, and some of them reverberate across decades; things fantasised in private can reach out to affect other people, for better and worse. An older woman recovering from serious illness speaks to a lonely young man on a train; an old friend brings bad news to a dinner party; a schoolteacher in the throes of a painful affair in 1914 has mixed feelings about her pupils’ suffragette craze. The real things that happen to people, the accidents that befall them, are every bit as mysterious as their longings and their dreams.Bad Dreams shows yet again that Tessa Hadley is a master of her art, one of the very finest writers at work in Britain today.

    Spanning several generations and transporting us to exotic locations in Europe, Asia, and America, this wise and exquisite story collection marks the debut of a gifted new voice in literature.

    With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters—a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand.In Eisenberg’s world, the forces of money, sex, and power cannot be escaped, and the force of history, whether confronted or denied, cannot be evaded. No one writes better about time, tragedy and grief, and the indifferent but beautiful universe around us.