From a powerful new voice in international fiction, this prize-winning collection of stories crosses the world—from Africa, London, the West Indies, and Australia—and expresses the global experience.Maxine Beneba Clarke gives voice to the disenfranchised, the lost, and the mistreated in this stunning collection of provocative and gorgeously wrought stories that will challenge you, move you, and change the way you view this complex world we inhabit.Within these pages, a desperate asylum seeker is pacing the hallways of Sydney’s notorious Villawood detention centre; a seven-year-old Sudanese boy has found solace in a patchwork bike; an enraged black militant is on the war-path through the rebel squats of 1960s Brixton; a Mississippi housewife decides to make the ultimate sacrifice to save her son from small-town ignorance; a young woman leaves rural Jamaica in search of her destiny; and an Australian schoolgirl loses her way.In the bestselling tradition of novelists such as Chimamanda Ngozi Adichie and Marlon James, this urgent, poetic, and essential work is the perfect introduction to a fresh and talented voice in international fiction.

    The fifteen stories featured, many of them set in her native New Zealand, vary in length and tone from the opening story, "At the Bay, " a vivid impressionistic evocation of family life, to the short, sharp sketch "Mrs. Brill, " in which a lonely woman's precarious sense of self is brutally destroyed when she overhears two young lovers mocking her. Sensitive revelations of human behaviour, these stories reveal Mansfield's supreme talent as an innovator who freed the story from its conventions and gave it a new strength and prestige.

    His first client was a transient who just learned that he was the sole beneficiary of his estranged brother’s multi-million dollar estate. His brother was brutally murdered and the alleged killer was on trial in what appeared to be an open and shut case. Zach observed the riveting courtroom drama as the case unfolded and in the process, discovered a dark, deadly secret left by the murder victim. He soon learned that he was way over his head in his new practice and that his first case could cost him not only his career but his life.

    Michael Black’s world has seen a lot of changes over the past year, and falling for a witch who chats with his animal patients has been the best one by far. He’s decided to make it official, so the men associated with the coven insist on helping him celebrate. Michael is popping the question to the woman he loves, the coven has only two trials to go before the prophecy is fulfilled, and the guys want to throw him a bachelor party. Sounds like a plan. And no demon is going to stand in his way.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    As tiny and inconspicuous as it may seem, That-Which-Had-Been exhibits an unexpected and varied gift for survival, as it journeys implacably toward its ultimate destination. Along the way, it meets a rich array of ordinary human beings, some of whom assist it along its way, others who impede its progress, none of whom have any idea of its existence.From whence comes the strange, but universal, experience of deja vu? Why do some people exhibit a wisdom far beyond their age and experience - persons reincarnationists refer to as 'old souls'? Joseph Wurtenbaugh in this short story offers a fascinating and tantalizingly plausible explanation for these phenomena, presented in a natural setting that brims with adventure and exhilarating possibility. Not to be missed by anyone who enjoys science fiction or thinking outside the box.

    Self-Sacrifice. Unconditional Love. These are the qualities of the heroic animals in this collection.The Walking Dead meets The Incredible Journey in 14 amazing tales by today’s most talented independent authors. Seven stories set in all-new dystopian landscapes. Seven stories set in the bestselling post-apocalyptic worlds of David Adams’s Symphony of War, Michael Bunker’s Pennsylvania, Nick Cole’s Wasteland Saga, Hank Garner’s Weston Files, E.E. Giorgi’s Mayake Chronicles, Deirdre Gould’s After the Cure, and Edward W. Robertson’s Breakers.When the world ends, the humans who survive will learn an old lesson anew—that friendship with animals can make the difference between a lonely death among the debris and a life well lived, with hope for the future.

    These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel

    In Ninety-Nine Stories of God, she takes on one of mankind’s most confounding preoccupations: the Supreme Being.This series of short, fictional vignettes explores our day-to-day interactions with an ever-elusive and arbitrary God. It’s the Book of Common Prayer as seen through a looking glass—a powerfully vivid collection of seemingly random life moments. The figures that haunt these stories range from Kafka (talking to a fish) to the Aztecs, Tolstoy to Abraham and Sarah, O. J. Simpson to a pack of wolves. Most of Williams’s characters, however, are like the rest of us: anonymous strivers and bumblers who brush up against God in the least expected places or go searching for Him when He’s standing right there. The Lord shows up at a hot-dog-eating contest, a demolition derby, a formal gala, and a drugstore, where he’s in line to get a shingles vaccination. At turns comic and yearning, lyric and aphoristic, Ninety-Nine Stories of God serves as a pure distillation of one of our great artists.

    Outpost - A prelude to Blood on the Snow with Jack Hallam. The Emerald Graves - Lorn Mullone at the Battle of Vinegar Hill. Pipe and Drum - A tale of the Battle of Assaye seen through the eyes of a Highlander of the 78th Foot. Plains Wolf - Rifleman Arthur Cadoc impresses a certain Spanish Guerrillero. Summer is Coming - There is nothing more horrific than the horrors of the French retreat in icy Russia, 1812. The Diabolical Circumstance of Captain Bartholomew Chivers - A funny story in the vein of Harry Flashman. Flowers of Toulouse - A chilling story. Lamentation - A redcoat looks back on his life after the Battle of New Orleans. Enemy at the Gates - The bloody defence of Hougoumont. The Bravest of the Brave - Ney's final moments at Waterloo.

    These stories all deal with the common theme of the awakening of love at unpremeditated time and place, catching the victims off-guard. For the essential flavor of the tales, read Sunstroke, the story of a chance encounter on board ship; and A Night at Sea, perhaps the most unusual story of the group. Russian -- some about cultured people, some about peasants. The market is:- all who like exceptional short stories; all who are interested in getting the feel of one of the most famous writers.

    He is a former MP, unseated by the expenses scandal, who is now spending time abroad to recover from a major illness. The other purpose of his stay is to write his memoirs in order to demonstrate that he was unfairly pilloried for 'a minor accounting error', having valiantly served his country for 30 years. He settles into his new surroundings but soon it becomes clear that all is not as it seems. For a start Bobby seems to have no memory of the immediate past. Each time he sits down to continue his memoirs he finds only a blank page. Every morning as he comes downstairs the same scene replays itself in front of him: a young woman and her son pass him on the stairs. And what has become of his wife?

    His stories have been called “beautifully crafted” (The New York Times), “unforgettable” (San Francisco Chronicle), and “diverse and expansive” (The Washington Post). His 1989 collection, Nebraska, was widely praised, and he has published stories in literary magazines nationwide—The Atlantic, Esquire, Harper’s, Tin House, The Paris Review, and many others. In this new volume, comprising twelve new stories and seven pieces selected from Nebraska, the subjects of Hansen’s scrutiny range from Oscar Wilde to murder to dementia to romance, and display Hansen at his storytelling best: the craftsman described as “part Hemingway and part García Márquez . . . an all-American magic realist in other words, a fabulist in the native grain.” Readers will thrill to Hansen’s masterful attention to the smallest and most telling details, even as he plunges straight into the deepest recesses of desire, love, fury, and loss. Magisterial in its scope and surprising in its variety, She Loves Me Not shows an author at the height of his powers and confirms Hansen’s place as a major American writer.

    The stories range from both urban and rural settings. All the stories included in the book are different from each other with a range of diverse characters. Some of the stories in this selection are Mukti, Kuch Yun hona Uska, Cigarette Ka Aakhri Kash, and Bisesar Bo Ki Premika. This book will make for a riveting and engaging read for those who enjoy Hindi short stories.

    Throughout the collection, women become insects, men turn to stone, a city becomes insomniac and bodies are picked apart to make up better ones. The mundane worlds of schools and sea side towns are invaded and transformed by the physical, creating a landscape which is constantly shifting to hold on to the bodies of its inhabitants. Blending the mythic and the fantastic, the collection considers characters in motion – turning away, turning back or simply turning into something new.From the winner of The White Review Short Story Prize 2018, salt slow is an extraordinary collection of short stories that are sure to dazzle and shock.