From midnight meetings in secluded forests, to evading capture by military and police forces, this is the story of the brave players whose passion of the game trumped all.Featuring exclusive interviews with the legends of the ice who put everything on the line just for the chance to play on the world's greatest stage, many of them speaking about their experiences for the very first time, the book looks at how Peter Stastny, Igor Larionov, Petr Klima, Petr Nedved, Sergei Fedorov, Slava Fetisov, Alexander Mogilny, and other hockey superstars captured the imaginations of fans around the world.The remarkable true story of some of the true pioneers of hockey, told for the very first time, often in the players' own wordsA fascinating look behind the Iron Curtain and the trials these brave men endured for a taste of freedom, through their love of the gameLooks at how some of the NHL's greatest players made it onto North American iceAs much a tale of espionage and social history as a gripping hockey chronicle, "Breakaway" sheds light on the untold stories of some of the sports' most inspiring heroes.

    President Franklin Roosevelt, British Prime Minister Winston Churchill, and Soviet Premier Joseph Stalin--the so-called "Big Three"--met from February 4-11, 1945, in the Crimean resort town of Yalta. Over eight days of bargaining, bombast, and intermittent bonhomie, while Soviet soldiers and NKVD men patrolled the grounds of the three palaces occupied by their delegations, they decided, among other things, on the endgame of the war against Nazi Germany and how a defeated and occupied Germany should be governed, on the constitution of the nascent United Nations, on the price of Soviet entry into the war against Japan, on the new borders of Poland, and on spheres of influence elsewhere in Eastern Europe, the Balkans, and Greece. With the deep insight of a skilled historian, drawing on the memorable accounts of those who were there--from the leaders and high level advisors such as Averell Harriman, Anthony Eden, and Andrei Gromyko, to Churchill's clear-eyed secretary Marian Holmes and FDR's insightful daughter Anna Boettiger--Diana Preston has, on the 75th anniversary of this historic event, crafted a masterful and vivid chronicle of the conference that created the post-war world, out of which came decisions that still resonate loudly today.Ever since, who "won" Yalta has been debated. Three months after the conference, Roosevelt was dead, and right after Germany's surrender, Churchill wrote to the new president, Harry Truman, of "an iron curtain" that was now "drawn upon [the Soviets'] front." Knowing his troops controlled eastern Europe, Stalin's judgment in April 1945 thus speaks volumes: "Whoever occupies a territory also imposes on it his own social system."

    This is the true story of one of those families-Carl and Elisabeth Werner and their young daughter Margaret-and their terrifying life in Russia under brutal dictator Joseph Stalin. Margaret was seventeen when her father was arrested on trumped-up charges of treason. Heartbroken and afraid, she and her mother were left to withstand the hardships of life under the oppressive Soviet state, an existence marked by poverty, starvation, and fear. Refusing to comply with the Socialist agenda, Margaret was ultimately sentenced to ten years of hard labor in Stalin's Gulag. Filth, malnutrition, and despair accompanied merciless physical labor. Yet in the midst of inhumane conditions came glimpses of hope and love as Margaret came to realize her dependence upon "the grace, favor, and protection of an unseen God."In all, it would be thirty long years before Margaret returned to kiss the ground of home. Of all the Americans who made this virtually unknown journey-ultimately spending years in Siberian death camps-Margaret Werner was the only woman who lived to tell about it. Written by her son, Karl Tobien, Dancing Under the Red Star is Margaret's unforgettable true story: an inspiring chronicle of faith, defiance, and personal triumph

    Michael, married to a double divorcee, Natasha, the daughter of a Moscow lawyer, was the first Romanov murdered by the Bolsheviks, five weeks before the other mass killings, and because he was the Romanov who posed the greatest threat to them. However, they never admitted responsibility for his murder, pretending instead that he had escaped. This book, based chiefly on original contemporary sources in Russia, tells you what the Soviet Union intended that you should never know. Does that matter now? Very much so, for unlike his brother Nicholas, Michael can serve as the bridge between today's Russia and Tsarist Russia, a gap which has yet to be closed. As Viktor Yevtukhov, appointed deputy Russian Minister of Justice in February 2011, has said: 'We should know more about this man and remember him, because this memory can give our society the ethical foundation we need'. This book will tell you why, after almost a century, that should be so. From the tragedy of the past, a hope for the future...

    On Stalin's orders, purged rivals were airbrushed from group portraits, and crowd scenes were altered to depict even greater legions of the faithful. In one famous image, several Party members disappeared from an official photograph, to be replaced by a sylvan glade. For the past three decades, author and photohistorian David King has assembled the world's largest archive of photographs, posters, and paintings from the Soviet era. His collection has grown to more than a quarter of a million images, the best of which have been selected for The Commissar Vanishes. The efforts of the Kremlin airbrushers were often unintentionally hilarious. A 1919 photograph showing a large crowd of Bolsheviks clustered around Lenin, for example, became, with the aid of the retoucher, an intimate portrait of Lenin and Stalin sitting alone, and then, in a later version, of Stalin by himself. The Commissar Vanishes is nothing less than the history of the Soviet Union, as retold through falsified images, many of them published here for the first time outside Russia. In each case, the juxtaposition of the original and the doctored images yields a terrifying - and often tragically funny - insight into one of the darkest chapters of modern history.

    In The New Great Game, Lutz Kleveman gives us a fearless, insightful, and exacting portrait of a new battleground in the violent politics and passion of oil: Central Asia, known as the “black hole of the earth” for much of the last century. The Caspian Sea contains the world’s largest amount of untapped oil and gas resources. It is estimated that there might be as much as 100 billion barrels of crude oil in the former Soviet republics of Kazakhstan and Azerbaijan alone.Using the concept of the “Great Game” that Rudyard Kipling immortalized in his novel Kim, Kleveman argues that now a New Great Game rages in the region, a modern variant of the nineteenth-century clash of imperial ambitions of Great Britain and Tsarist Russia. Only this time the stakes are raised. Desperate to wean itself from dependence on the powerful OPEC cartel, the United States is now pitted in this struggle against Russia, China, and Iran, all competing for dominance of the Caspian region, its resources and pipeline routes.Complicating the playing field are transnational energy corporations with their own agendas and the brash new, Wild West–style entrepreneurs who have taken control after the collapse of the Soviet Union. Traveling thousands of miles, from the Caucasus peaks across the central Asian plains down to the Afghan Hindu Kush, Kleveman met with the principal Great Game actors between Kabul and Moscow: oil barons, generals, diplomats, and warlords.Based on extensive research and travel in the Caucasus, the Caspian, and Central Asia, The New Great Game is a gripping narrative and a savvy and incisive analysis of the power struggle for the world’s remaining energy resources.

    The hit-and-run bloodletting across the war's decade tallied more than 25,000 dead Soviet soldiers plus a great many more casualties and further demoralized a USSR on the verge of disintegration.In The Soviet-Afghan War the Russian general staff takes a close critical look at the Soviet military's disappointing performance in that war in an effort to better understand what happened and why and what lessons should be taken from it. Lester Grau and Michael Gress's expert English translation of the general staff's study offers the very first publication in any language of this important and illuminating work.Surprisingly, this was a study the general staff never intended to write, initially viewing the war in Afghanistan as a dismal aberration in Russian military history. The history of the 1990s has, of course, completely demolished that belief, as evidenced by the Russian Army's subsequent engagements with guerrilla forces in Chechnya, Azerbaijan, Tadjikistan, Turkmenistan, and elsewhere. As a result, Russian officers decided to take a much closer look at the Red Army's experiences in the Afghan War.Their study presents the Russian view of how the war started, how it progressed, and how it ended; shows how a modern mechanized army organized and conducted a counter-guerrilla war; chronicles the major battles and operations; and provides valuable insights into Soviet tactics, strategy, doctrine, and organization across a wide array of military branches. The editors' incisive preface and commentary help contextualize the Russian view and alert the reader to blind spots in the general staff's thinking about the war.This one-of-a-kind document provides a powerful case study on how yet another modern mechanized army imprudently relied upon the false promise of technology to defeat a determined guerrilla foe. Along the way, it vividly reveals the increasing disillusionment of Soviet soldiers, how that disillusion seeped back into Soviet society, and how it contributed to the collapse of the Soviet Union. The Red Army had fought their war to a military draw but that was not enough to stave off political defeat at home. The Soviet-Afghan War helps clarify how such a surprising demise could have materialized in the backyard of the Cold War's other great superpower.

    The NKVD officer carefully designed it. He measured my size with a stick, made lines on the forest floor, and told me to dig. He wanted to make sure I'd fit well inside."In 1941 Janusz Bardach's death sentence was commuted to ten years' hard labor and he was sent to Kolyma—the harshest, coldest, and most deadly prison in Joseph Stalin's labor camp system—the Siberia of Siberias. The only English-language memoir since the fall of communism to chronicle the atrocities committed during the Stalinist regime, Bardach's gripping testimony explores the darkest corners of the human condition at the same time that it documents the tyranny of Stalin's reign, equal only to that of Hitler. With breathtaking immediacy, a riveting eye for detail, and a humanity that permeates the events and landscapes he describes, Bardach recounts the extraordinary story of this nearly inconceivable world.The story begins with the Nazi occupation when Bardach, a young Polish Jew inspired by Soviet Communism, crosses the border of Poland to join the ranks of the Red Army. His ideals are quickly shattered when he is arrested, court-martialed, and sentenced to death. How Bardach survives an endless barrage of brutality—from a near-fatal beating to the harsh conditions and slow starvation of the gulag existence—is a testament to human endurance under the most oppressive circumstances. Besides being of great historical significance, Bardach's narrative is a celebration of life and a vital affirmation of what it means to be human.

    Over the next three decades, this mosaic of cultures was modernized and homogenized out of existence by the ruling might of the Soviet Union, then Nazi Germany, and finally, Polish and Ukrainian nationalism. By the 1950s, this no place emerged as a Ukrainian heartland, and the fertile mix of peoples that defined the region was destroyed.Brown's study is grounded in the life of the village and shtetl, in the personalities and small histories of everyday life in this area. In impressive detail, she documents how these regimes, bureaucratically and then violently, separated, named, and regimented this intricate community into distinct ethnic groups.Drawing on recently opened archives, ethnography, and oral interviews that were unavailable a decade ago, A Biography of No Place reveals Stalinist and Nazi history from the perspective of the remote borderlands, thus bringing the periphery to the center of history.We are given, in short, an intimate portrait of the ethnic purification that has marked all of Europe, as well as a glimpse at the margins of twentieth-century progress.

    a rich portrait of daily life under Stalin." --New York Times Book ReviewGeneral readers, students, and specialists alike will find much of relevance for understanding today's Soviet Union in this new edition of John Scott's vivid exploration of daily life in the formative days of Stalinism.

    Spanning four decades and many worlds, from the horrors of the Second World War to the wild abandon of New York in the eighties, Dancer is peopled by a large cast of characters, obscure and famous: doormen and shoemakers, nurses and translators, Margot Fonteyn, Eric Bruhn and John Lennon. And at the heart of the spectacle stands the artist himself, willful, lustful, and driven by a never-to-be-met need for perfection.

    Lenin was the leader of the communist Bolshevik party during the October 1917 revolution in Russia, and he subsequently headed the Soviet state until 1924, bringing stability to the region and establishing a socialist economic and political system.In Lenin, Lars T. Lih presents a striking new interpretation of Lenin’s political beliefs and strategies. Until now, Lenin has been portrayed as a pessimist with a dismissive view of the revolutionary potential of the workers. However, Lih reveals that underneath the sharp polemics, Lenin was actually a romantic enthusiast rather than a sour pragmatist, one who imposed meaning on the whirlwind of events going on around him. This concise and unique biography is based on wide-ranging new research that puts Lenin into the context both of Russian society and of the international socialist movement of the early twentieth century. It also sets the development of Lenin’s political outlook firmly within the framework of his family background and private life. In addition, the book’s images, which are taken from contemporary photographs, posters, and drawings, illustrate the features of Lenin’s world and time.A vivid, non-ideological portrait, Lenin is an essential look at one of the key figures of modern history.

    Yet in the intervening years —as America and the world’s other leading powers have continued to appease him — Putin has grown not only into a dictator but an international threat. With his vast resources and nuclear arsenal, Putin is at the center of a worldwide assault on political liberty and the modern world order.For Garry Kasparov, none of this is news. He has been a vocal critic of Putin for over a decade, even leading the pro-democracy opposition to him in the farcical 2008 presidential election. Yet years of seeing his Cassandra-like prophecies about Putin’s intentions fulfilled have left Kasparov with a darker truth: Putin’s Russia, like ISIS or Al Qaeda, defines itself in opposition to the free countries of the world.As Putin has grown ever more powerful, the threat he poses has grown from local to regional and finally to global. In this urgent book, Kasparov shows that the collapse of the Soviet Union was not an endpoint — only a change of seasons, as the Cold War melted into a new spring. But now, after years of complacency and poor judgment, winter is once again upon us.Argued with the force of Kasparov’s world-class intelligence, conviction, and hopes for his home country, Winter Is Coming reveals Putin for what he is: an existential danger hiding in plain sight.

    It is a world erupting with new money and new power, changing so fast it breaks all sense of reality, home to a form of dictatorship-far subtler than twentieth-century strains-that is rapidly rising to challenge the West.When British producer Peter Pomerantsev plunges into the booming Russian TV industry, he gains access to every nook and corrupt cranny of the country. He is brought to smoky rooms for meetings with propaganda gurus running the nerve-center of the Russian media machine, and visits Siberian mafia-towns and the salons of the international super-rich in London and the US. As the Putin regime becomes more aggressive, Pomerantsev finds himself drawn further into the system.Dazzling yet piercingly insightful, Nothing Is True and Everything Is Possible is an unforgettable voyage into a country spinning from decadence into madness.

    Every summer he visits his grandmother in a dusty village overlooking the vast steppes. Here, during the warm evenings, they sit on Charlotte's narrow, flower-covered bacony and listen to tales from another time, another place: Paris at the turn of the century. She who used to see Proust playing tennis in Neuilly captivates the children with stories of Tsar Nicholas's visit to Paris in 1896, of the great Paris flood of 1910, of the death of French president Felix Faure in the arms of his mistress. But from Charlotte the boy also learns of a Russia he has never known, of famine and misery, of brutal injustice, of the hopeless chaos of war. He follows her as she travels by foot from Moscow half the way to Siberia; suffers with her as she tells of her husband - his grandfather - a victim of Stalin's purges; shudders as she describes her own capture by bandits, who brutalize her and left her for dead. Could all this pain and suffering really have happened to his gentle, beloved Charlotte? Mesmerized, the boy weaves Charlotte's stories into his own secret universe of memory and dream. Yet, despite all the deprivations and injustices of the Soviet world, he like many Russians still feels a strong affinity with and "an indestructible love" for his homeland.