In her deft hands, “relationships and mundane activities take on mythic qualities” (The Wall Street Journal).In this collection, Bender’s unique talents sparkle brilliantly in stories about people searching for connection through love, sex, and family—while navigating the often painful realities of their lives. A traumatic event unfolds when a girl with flowing hair of golden wheat appears in an apple orchard, where a group of people await her. A woman plays out a prostitution fantasy with her husband and finds she cannot go back to her old sex life. An ugly woman marries an ogre and struggles to decide if she should stay with him after he mistakenly eats their children. Two sisters travel deep into Malaysia, where one learns the art of mending tigers who have been ripped to shreds.In these deeply resonant stories—evocative, funny, beautiful, and sad—we see ourselves reflected as if in a funhouse mirror. Aimee Bender has once again proven herself to be among the most imaginative, exciting, and intelligent writers of our time.

    Frederick Barthelme creates an unforgettably wistful cast of characters, ordinary people moving carefully and curiously through a gently painful world.

    An illicit visit to the Grand Canyon reveals a vastness even more profound. A couple weekending in Maine try to recapture the ardor that has disappeared from their life together. And on a spring evening, a young wife tells her husband of her affair with the host of the dinner party they’re about to join. The rigorous intensity Ford brings to these vivid, unforgettable dramas marks this as his most powerfully arresting book to date–confirming the judgment of the New York Times Book Review that “nobody now writing looks more like an American classic.”

    Her bags are packed and she is all set for the new life. But she wants to pamper herself and enjoy, coz it’s her last day in Delhi, where she has spent some really good times. She is out exploring when she bumps into a stranger; he sweeps her off her feet with his magnetic charm, way with words and a well-chiseled body.What’s the harm of having a good time, she wonders! After all, she’d be gone the next day – no strings attached. While she gets adventurous, she barely knows what life is planning to throw at her. Will the chance meeting turn into something more? Will she find out about The Stranger in my Bed.

    This selection includes almost all of his short stories, including "The Canterville Ghost," "The Fisherman and his Soul," and "The Remarkable Rocket." Alongside THE MODEL MILLIONAIRE, Harper Perennial will publish the short fiction of Fyodor Dostoevsky, Herman Melville, Willa Cather, Leo Tolstoy, and Stephen Crane to be packaged in a beautifully designed, boldly colorful boxset in the aim to attract contemporary fans of short fiction to these revered masters of the form. Also, in each of these selections will appear a story from one of the new collections being published in the "Summer of the Short Story." A story from Simon Van Booy's forthcoming collection, LOVE BEGINS IN WINTER, will be printed at the back of this volume.

    Somerset Maugham; Ring Lardner; Ivan Bunin; Saki (H.H. Munro); W.W. Jacobs; O. Henry; Anton P. Chekhov; Robert Louis Stevenson; Guy de Maupassant; Anatole France; Mark Twain; Bret Harte; Leo N. Tolstoi; Edgar Allan Poe; Honoré de Balzac

    MacDonald, the beloved author of Cape Fear and the Travis McGee series, is now available as an eBook.   As prolific a novelist as John D. MacDonald was in his time, his output as a short-story writer is simply astonishing. All told, just a fraction of the five hundred pieces he produced as a working writer were anthologized, and End of the Tiger and Other Stories is the first of just a few such collections. Although renowned primarily as a noir author, these fifteen handpicked gems showcase MacDonald’s tremendous range. Written between 1947 and 1966, during the golden age of short fiction in America, and appearing in such national magazines as Cosmopolitan, The Saturday Evening Post, Collier’s, and Ladies’ Home Journal, these stories are a timeless testament to a writer at the top of his craft.   This collection includes “Hangover,” “The Big Blue,” “The Trouble with Erica,” “Long Shot,” “Looie Follows Me,” “Blurred View,” “The Loveliest Girl in the World,” “Triangle,” “The Bear Trap,” “A Romantic Courtesy,” “The Fast Loose Money,” “The Straw Witch,” “End of the Tiger,” “The Trap of Solid Gold,” and “Afternoon of the Hero.”   Features a new Introduction by Dean Koontz   Praise for John D. MacDonald   “The great entertainer of our age, and a mesmerizing storyteller.”—Stephen King   “My favorite novelist of all time.”—Dean Koontz   “To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut   “A master storyteller, a masterful suspense writer . . . John D. MacDonald is a shining example for all of us in the field. Talk about the best.”—Mary Higgins Clark

    Bingham's strange sense of morbid fancy collides with a gutsy realism; the result is splendid wreckage: a young man is seduced by his first cousin (or maybe it's the other way around) at her brother's wake ("The Other Family"); a bored couple plot to kill a man during their ski-resort honeymoon ("Marriage Is Murder"); a yuppie banker risks his whole perfect life for an affair with a junkie ("The Fixers"); an insurance-company bounty hunter tracks down walk-aways from drug and alcohol rehab ("Preexisting Condition"); and in the title story, an eleven-year-old boy is caught at the exquisitely uneasy intersection of the safety of childhood play and the pain of grown-up love and longing.These lean, potent stories are utterly original, and yet by turns recall Salinger, in their intellectual acuity, emotional depth, and wicked, dark humor; Fitzgerald, in their vivid chronicling of a new, restless social elite; and the work of "transgressive" writers, in their pervasive sense of the imminent possibility of danger and violence, even in the most civilized surroundings. Above all, the stories in Pure Slaughter Value mark the debut of a striking new literary voice--unsparing, bold, ironic, and true--that will haunt us for a long time to come.

    She always worked Fridays, but if things had gone according to plan on that particular Friday, she would have had the night off. One rainy Tokyo night, a waitress’s uneventful twentieth birthday takes a strange and fateful turn when she’s asked to deliver dinner to the restaurant’s reclusive owner. Birthday Girl is a beguiling, exquisitely satisfying taste of master storytelling, published to celebrate Murakami’s 70th birthday.

    The stories in Fresh Complaint explore equally rich­­—and intriguing—territory. Ranging from the bitingly reproductive antics of “Baster” to the dreamy, moving account of a young traveler’s search for enlightenment in “Air Mail” (selected by Annie Proulx for Best American Short Stories), this collection presents characters in the midst of personal and national emergencies. We meet a failed poet who, envious of other people’s wealth during the real-estate bubble, becomes an embezzler; a clavichordist whose dreams of art founder under the obligations of marriage and fatherhood; and, in “Fresh Complaint,” a high school student whose wish to escape the strictures of her immigrant family lead her to a drastic decision that upends the life of a middle-aged British physicist. Narratively compelling, beautifully written, and packed with a density of ideas despite their fluid grace, these stories chart the development and maturation of a major American writer.Complainers --Air mail --Baster --Early music --Timeshare --Find the bad guy --The oracular vulva --Capricious gardens --Great experiment --Fresh complaint

    Full of loneliness and hope, heartbreak and humor, Rothbart's tales blaze their way from midwestern farm fields to state prisons and border-town brothels. Much like the lost, tossed, and forgotten items Rothbart collected in his acclaimed book, Found, the stories in The Lone Surfer of Montana, Kansas capture the oddity, poetry, and dignity of everyday life.

    Eggers’ irreverent approach included a pioneering design that incorporated chapbooks, drawings, and all manner of cultural confetti previously unseen in the lit-mag format. McSweeney’s became an instant hit, showcasing the work of major new voices as well as literary luminaries such as William T. Vollman and Joyce Carol Oates. Long out of print and available only in the pricey collectors’ market, the first three issues appear in this omnibus, reproduced precisely as they first appeared. Longtime fans can revisit some of the best of the early McSweeney’s, while those new to the journal will see what all the fuss was about. A bracing range of topics include John Hodgman writing on the topic of cavemen, Jon Langford on Lester Bangs, Gary Greenberg on the Unabomber, and much more.

    Ansel Easter was a favored minister until he rescued a grotesque creature from a carnival sideshow. His sons, C and Sam, suffer in the shadow of their outcast father until his violent death. C and Sam leave the home their father built for a new beginning, and find fortune building a lucrative business called the Associates — but when a rash of deaths has the townspeople looking at C and Sam as suspects, they find their father's legacy reaches further than they expect. Taut, dark, and engrossing, The Easter House holds up as a brilliant work of fiction some 30 years after its initial publication.

    Louis to Worcester, Massachusetts. A man frantically swats at the blaze that his girlfriend has ignited in his trousers, while her family tries to figure out whether his agonized sign language means "Under the Volcano" or "No Time for Sergeants." Charo, Marianne Faithfull, and Napoleon's sister swap glittering witticisms and pornographic come-ons with languid aesthetes and unhinged suburbanites.Such scenarios are just par for the course in this gloriously disorienting volume by Mark Leyner, author of My Cousin, My Gastroenterologist and Et Tu, Babe, and a writer who plays the English language the way Jimi Hendrix played the guitar: at blinding speed, dangerous volume, and with a perfect mixture of lyricism and sheer menace.

    She had to do it-she could no longer live with herself. But how is she going to explain the sudden appearance of a baby in Hollybrook? How will she answer the probing questions sure to come? Tessa is tired of lies. Tired of deception. But her mother refuses to destroy their chance for a new life, a new beginning. So, the sham continues. When Tessa's affection for Levi Riehl grows into something unexpected, she knows it will never work. She struggles to stifle their growing love, but Levi isn't so easily deterred. But how can Tessa hold any hope for a relationship when she can't reveal the truth? And even worse, how can she hold any hope for peace or a normal life when she can't forgive herself? "In the tradition of the works of Beverly Lewis, Cindy Woodsmall, and Wanda Brunstetter, Brenda Maxfield continues to bring you gripping Amish tales of love, struggle, and restoration." Enjoy this inspirational Christian romance today!