The result is a poetry that upends the deeply and dangerously assumed concepts of such a culture—that new knowledge is always better knowledge, that history is a steady progress, that humans are in control of the natural order. Nick Lantz’s poems hurtle through time from ancient theories of physics to the CIA training manual for the practice of torture, from the history of the question mark to the would-be masterpieces left incomplete by the deaths of Leonardo da Vinci, Nikolai Gogol, Bruce Lee, and Jimi Hendrix. Selected by Linda Gregerson for the esteemed Bakeless Prize for Poetry, We Don’t Know We Don’t

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Fortunately; with the help of his good friends, good will and common sense, everything always turns out for the best.

    Instructions: An elimination dance begins with a crowded dance floor. At a signal, the band stops playing and the announcer reads an elimination, say, "Any lover who has gone into a flower shop on Valentine's Day and asked for clitoris when he meant clematis." Any dancer answering this description must sit down, and his partner is also disqualified. The process continues (e.g. "Any person who has burst into tears at the Liquor Control Board") until a single couple remains. And now, the post-Meech Lake edition.

    His lines are so clear and simple."—Michael Dirda,The Washington Post“Readers [of Splitting an Order] will find ‘characters’ both strange and wonderful, animal or human. There is a sense that time is passing quickly and that everything worthy must be captured and savored, from an old couple lovingly sharing a sandwich to another sowing seed potatoes to a tribute to an old dog who waits as age and winter approach… Master of the single-metaphor poem, Kooser offers images that evolve, fluid and unforced.”—Library Journal, starred review"Wisdom, compassion, and dignity continue to mark the poetry of Ted Kooser...Splitting an Order [is] a quiet collection that honors small victories and gives reasons to be hopeful."—Elizabeth Lund, The Christian Science Monitor"Kooser's ability to discover the smallest detail and render it remarkable is a rare gift."—Bloomsbury ReviewPulitzer Prize winner and best selling poet Ted Kooser calls attention to the intimacies of life through commonplace objects and occurrences: an elderly couple sharing a sandwich is a study in transcendent love, while a tattered packet of spinach seeds calls forth innate human potential. This long-awaited collection from the former U.S. Poet Laureate—ten years in the making—is rich with quiet and profound magnificence.From "Splitting an Order":I like to watch an old man cutting a sandwich in half… and then to see him lift halfonto the extra plate that he asked the server to bring,and then to wait, offering the plate to his wifewhile she slowly unrolls her napkin and places her spoon,her knife and her fork in their proper places,then smoothes the starched white napkin over her kneesand meets his eyes and holds out both old hands to him.Ted Kooser is the author of numerous books of poetry and prose, including Delights and Shadows (Copper Canyon Press), which won the Pulitzer Prize. A former US Poet Laureate, Kooser serves as editor for "American Life in Poetry," a nationally syndicated weekly newspaper column.

    Stuck inside a small flat with sole responsibility for his two single-digit children, Tom is plunged into a world of home schooling, supermarket feuds and alfresco workout sessions, not to mention keeping tabs on ageing parents who won’t stay home.Faced with the problems of cash-strapped tooth fairies, buying a rat trap online and an NHS-supporting arms race with an elderly neighbour, Tom realises he must rise to the occasion, but when his girlfriend asks for an erotic photo of his rapidly deteriorating body, it may be one step too far...Join Tom as he navigates lockdown in this hilarious stand-alone novel from the author of The Rebuilding of Tom Cooper.

    The planes break, the regs break, metal gets bent, students are lost at sea, and a Top Gun wannabe student, who has four hundred hours of flight instruction, still hasn’t made his first solo flight. “CFI! The Book” is an over-the-top satirical aviation comedy that’s loosely based on real world experiences of flight instruction, but if the FAA asks, this is all strictly fictional.

    - Five On a Treasure Island- Five Go Adventuring Again- Five Run Away Together- Five Go to Smuggler's Top- Five Go Off in a Caravan- Five On Kirrin Island Again- Five Go off to Camp

    Whether you are a professional artist or designer, a student pursuing a creative career, a person of faith, someone who likes walks on the beach, or a dreamer who sits on the front porch contemplating life, this collection of one- and two-page comics will provide insight into the joys and frustrations of creativity, inspiration, and process—no matter your age or creative background.

    At the time, the Germanic tribes were loosely allied, but they would unite for offensive or defensive warfare if they were threatened. The Roman Governor called Varus had been passing too many judgements upon the Germanic tribesmen, who too often saw their kinsmen and women either impaled or crucified. At an early age, three boys were taken to Rome for instruction in Roman Law, basic engineering, Latin, and learning to become officers serving with the Roman army to repay Rome for their education. After completing their training and at their mid to late teens, the boys were sent to their units. Over time, Arminius became disgusted with how the Romans treated people and resolved to throw them out of his county. In time Arminius met Thusnelda, who married him. Together, they became a thorn in the side of Rome. That resulted in Varus leading three entire legions against them. The legions were ambushed by a handful of Germanic warriors who destroyed all three roman legions and all of their supporting units. That totalled over 20,000 men. At the time, the Germanic woman had full equality with Germanic men. Women even sat on military councils, and often, their advice was sought by the male warriors. The woman would follow their men at a distance from them, but they were always close enough to their men to be able to lend assistance to them if needed. that often turned the tables of the fight and resulted in the Germanic woman being feared as such as the Germanic man by the Romans!

    In this hilarious, romantic comedy, two twenty-something neighbors embark on a zany mission to meet the founder of Starbucks, and in doing so, find each other.

    Where Many Rivers Meet: Poems

    . . short poems so as to draw us into the doubleness and fluency of feelings."—The New York Times Book ReviewQuietly marked by elegy and memory, National Book Award winner Jean Valentine's thirteenth book is empowered by her signature clear music and compassion. Valentine leads us chronologically from childhood drawings and wartime memories to the present, where she addresses aging and the loss of loved ones. These poems of tender grace reflect on the small histories few ever fully see.Shirt in HeavenCome upon a snapshotof secret you, smiling like FDR, leaning on your crutches—come upon letters I thought I'd burned—I suppose you've got a place with lots of stairs.I'm at the end of something, you're at the beginning . . . —dearest, they told me a surgeon sat downin the hospital morgue, next to your body, & cried.He yelled at the aide to get out.His two sons had been your students.—me too, little-knowing—Jean Valentine is the current State Poet of New York and author of twelve books of poetry, including Door in the Mountain, which won the National Book Award. She has taught at Sarah Lawrence College, New York University, and Columbia University, and lives in the Morningside Heights neighborhood of New York City.

    There's an imbalance in the lands of Faélondul. The Zaxson, Draizeyn Vereux, conspires to exterminate the infestation in Nazil. He plans to eradicate the humans.Led by the priestly cast called the Cha, the Xenophobic Nazilians dominating Faélondul justify their brutalities against the humans. But when the First Chosen of the elite guard discovers Brahanu Ravenot lost near the gates of the city, not only his life, but also his entire system of beliefs is forever changed. With the demands of his position and the pressures of his family, can Pentanimir overcome his internal struggles and protect Brahanu, or will war erupt in the lands and consume them both?

    This is their story--ultimately a love story--darkly funny, mournful, testy. It is about a reader who at times presides over the page like a god, and at others follows the leash of the author's voice through the dark streets of the book like a dog, and it is about a writer of determined slipperiness.  As we read, we think that each of us is The Reader, the one who knows the Real Story. But the more we think we understand, the more the story moves away from us—all is not what it seems. This eagerly awaited third volume by the poet whose work The New York Times described as "at once charmed and frightening" is a book of high-spirited subversiveness, a work of argument, seduction, and a relentless devotion to language. Then, Suddenly— bristles with the sound of the author's voice--insistent, vital, hilarious, and iconoclastic--tearing away at the confinement of the page and at the distance between the page and the reader. Emanuel's images are dazzling. She creates a performance that is fearsome and funny in its portrayal of the argument between the work of the text and the world of the body. The Gettsyburg Review has called her a writer of "exquisite craftsmanship" who can "strike from language . . . images chiseled clean as bas-relief." Then, Suddenly— is a book of spectacle and verve, part elegy, part vaudeville.