Prayer, among other things, has become a private practice for those of us who don't congregate for spiritual purposes. Our language for connection to something greater than ourselves has become truncated to basic iterations and generalized affirmations. Perhaps this is so that no one will be offended by our approach, or so our spiritual personalities- who we are when we talk to and reach for God- can remain under a cloak of mystery and intrigue. Maybe it has something to do with our collective intolerance for vulnerability.Prayers of Honoring is an expression of creative, environmental, energetic and spiritual possibilities. When we're open to receive the heart's intelligence, we offer acceptance to ourselves and others and shift our patterns of isolation and loneliness. The challenge is to share ourselves and our words without fearing we're doing it wrong.Prayer is very much still a sullied concept. To some ears, the word "prayer" results in triggersome memories whether personal or cultural/collective. The bitter taste of yesterday's experiences of over-organized religions, forced practice, penance, rigid disciplines bearing harsh consequences, and heavy-handed authorities on the laws of God, leave little room for welcoming prayer back into the heart, home and psyche.Prayers of Honoring can help an individual overcome prayer trauma and begin to speak the words of spirit from the heart out loud again.

    The extraordinary sequence at the heart of this book taps into the radical power of the sonnet form, bending it into a kind of metaphysical and psychological outcry. Beginning in the cramped space of selfhood―in the bedroom, cluttered with doubts, and in the throes of marital loss―these poems edge toward the clarity of “what I can know and admit to knowing.” In song and in silence, Ford inhabits the rooms of anguish and redemption with scouring exactness. This is poetry that “can break open, // it can break your life, it will break you // until you remain.” If You Have to Go is Ford’s most luminous and moving collection.

    

    It can happen anywhere and to anyone, if you are caught in a cycle where you simply exist, react to life and never really ‘feel’ life’s amazing vibrancy.In this book, Dancing with The Field: Bringing Joy, Passion and Play into Everyday Life, a new concept is explored around the conscious field that responds to us as we interact with it, with chapters that examine: - The relational field - Creating with this field - Seeing our bodies as doorways to the field - The field in relationships - And much more…Through practical spirituality and firm underpinnings in science and personal experience, Dancing with The Field introduces a framework for life to help people recognize when they are in a state of connection and play with this field and when they are not.If you are on a spiritual path and feel like you need some additional guidance to bring more joy into your life, then this is the book you simply must read now!

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    . . Kipner writes beautifully, is emotionally intelligent and has a keen eye for detail - the more absurd the better. The result is a different, occasionally deranged and always very clever read. I loved every minute.' Daily MailMeet Tabitha Gray, a delusional girl from Topanga, California, who redefines what it means to be a truly hopeless romantic. Tabby suffers from an aggressive strain of cock-eyed optimism – no amount of failure, embarrassment or humiliation can dent her fierce belief that real, true, lasting love is just around the corner.Where most people think, fantasize and dream, Tabby says, feels and does. Whether waiting in her lingerie for Harrison Ford to open the door of his hotel room; declaring her love, aged nine, for Ernesto the gardener; encountering Al Pacino in a Russian bathhouse; seeking passion with a blind man on the advice of a wise old woman with dementia at her grandmother’s home for the elderly; or sending intimate photos to a random sexter with an apparently charming dick, Tabby refuses to be crushed by her many misadventures. She has to keep believing, because if she gives up, what then? Ill-advisedly armed with the words of Dorothy Parker, Tabby knows that her own ferocious optimism is the only thing keeping her heart-sore, wine-swilling mother and cynical, single-mum sister from giving up on love altogether. She is their only hope. If Tabby can find love, then they too will believe…In this warmly witty debut novel, Sophie Kipner takes a satirical look at the extremity of romantic desperation, and pays wry tribute to the deep human need to keep on heroically searching for love despite our manifold absurdities.

    Her voice came back, whispering at first, then screaming. Ceremony for the Choking Ghost contains the sound of that voice returning, bringing poems about grief and its effect on the body, the body politic, memory and, of course, poems about love. From the intensely personal, "How My Family Grieved," to the political, "What Lot's Wife Would Have Said (If She Wasn't a Pillar of Salt)," Finneyfrock engages the reader with the chiseled images of a precise storyteller.

    From Heartsongs, to Vietnam War Memorial, to Prayer for a Journey, Mattie has written movingly and courageously about life and death, love and loss, faith and hope, innocence and joy. His struggle with a rare form of muscular dystrophy has given him wisdom and insight, and his life, work, and message have been recognized by Oprah, National Public Radio, The Washington Post, ABC TV's Good Morning America, People, NBC TV's the Today show, and C- PAN's BookTV.

    It’s all right here in these words. Everything you ever need to know. That’s because I use all twenty-six letters, and you can make anything out of those twenty-six letters. So, you see, this book encompasses everything." — PleaseHelpMeRumored to be penned by the brother of the best-selling author of “I Wrote This For You,” this new tour de force in poetry is sure to stab at your heart, or, at least, make you want to.If you loved the international best-selling collection of poetry, “I Wrote This For You,” you’ll probably hate this. But even those admirers of the free-verse artistry of that work will get a laugh from this classic parody. Author and screenwriter Edward Savio put together a spot-on send up of the poetry best-seller with “I Wrote This Crap For You.”It’s a quick, fun read that we hope you enjoy.“It touched my heart and moved me to tears.”“It’s as if he knew my inner thoughts and fears, and—come to think of it my diary is missing.”

    And like his best work to date, these poems create new experiences with language owed to Jackson’s willingness to once again seek a rhythmic sound that expresses the unique realities of the twenty-first century with humor and understanding. Whether set in Nairobi, Madrid, or Greece, the poems are sensuously evocative and unapologetically with-it, in their effort to build community across borders of language and style.From Urban Renewal, “The Dadaab Suite”:I have come to Dadaab like an actoron a press release, unprepared for the drained facesof famine-fleeing refugees, my craft’s glamourdimmed by hundreds of infant graves, childrenwhose lolling heads’ final drop landed on their mothers’backs like soft stones. What beauty can I spell inthis swelter of dust?

    On the run, he holes up in a sheltered barrio on a bluff above the Pacific Ocean owned by his wealthy but unsympathetic father. Here he meets Sweets, the telepathic dog, laments the loss of Sofia, his madhouse lover, and plays the horses at the Del Mar Racetrack. Eventually he meets up with an old friend, Shelly Hubbard, a fellow horseplayer, record collector/dealer, and hardcore loner, who tells him about his brother, Donny, dead at the age of eighteen from a tragic dive off a thirty-foot La Jolla sea cliff known as the Clam. Eddie discovers a family secret and wants to help, but by then he's already embroiled in the psychotic incident with the Tijuana prostitutes, the madhouse lover, and the police, who are hot on his tail. Mr. Toad's Wild Ride has nothing on Whirlaway, a hilarious novel of escaped mental patients, horseplayers, and record collectors.

    

    Taking time, and specifically the months of the year as an overarching structure, Dimitrov elevates the every day and speaks directly to the reader as if the poem were a phone call or a text message. From the personal to the cosmos, the moon to New York City, NASA’s golden record to the Ouija board, the speaker is convinced that love is “our best invention.” While he navigates darkness and fear, loneliness and guilt, Dimitrov doesn’t resist joy even in despair. There is a determined curiosity about who we are as people and a shameless interest in the idea of hope. These poems are obsessed with everything around us, even the terrible and fraught.

    Examining our teenage rites of passage: those dilemmas and traumas that shape us – eating disorders, masturbation, loss of virginity – the poet examines how we use bodies, both our own and other people’s, to chart our progress towards selfhood.McMillan’s award-winning debut collection, physical, was praised for a poetry that was tight and powerful, raw and tender, and playtime expands that narrative frame and widens the gaze. Alongside poems in praise of the naivety of youth, there are those that explore the troubling intersections of violence, masculinity, class and sexuality, always taking the reader with them towards a better understanding of our own physicality. ‘isn’t this what human kind was made for’, McMillan asks in one poem, ‘telling stories learning where the skin/is most in need of touch’. These humane and vital poems are confessions, both in the spiritual and personal sense; they tell us stories that some of us, perhaps, have never found the courage to read before.

    So when snooty young Nancy Carrington-Chambers flees her hardworking, but "not fabulous enough" husband for a chic San Francisco apartment and starts an event planning company, Froth, everyone is hoping for her to fail.She hires the perfect assistant--Derek is gorgeous, British, and gay. He listens attentively to her opinions on fashion and people. Together they know they can turn society's dreariest gala into the most exciting party of the year. Nancy's quest for a perfectly stylish life is derailed by her growing attraction to Derek and the arrival of her irresponsible cousin's child on her doorstep. The child insists on wearing capes and can't understand basic fashion rules such as "Less is more."Nancy's life begins to change in ways she'd never imagined. But she discovers too late that her husband isn't as complacent as he seemed and her carefully constructed world crashes down all at once. Nancy learns that real style takes risks, but is she willing to give up everything she values for those she's come to love?