A disused London Underground lift goes way beyond the bottom floor.A psychic boy discovers what terrors are buried in the fallow field.A handshake seals a midnight fate in an old farming dispute.A corpse must be buried by dawn.BLACK GATE TALES: Fourteen short stories of dread, hope, death and wonder.

    Vividly alive, fond of cities, music, theater, and books, Sido devoted herself to her village, Saint-Saveur; to her garden, with its inhabitants and its animals; and, especially, to her children, particularly her youngest, whom she called Minet-Chéri. Unlike Gigi and Chéri, which focus largely on sexual love and its repercussions, My Mother's House and Sido center on the compelling figure of a powerful, nurturing woman in late-nineteenth-century rural France, conveying the impact she had on her community and on her daughter -- who grew up to be a great writer.

    One of Bataille’s overtly political works, it explores the ambiguity of sex as a subversive force, bringing violence, power, and death together in a terrifying unity.

    He is nothing if not unremarkable. Meet his secretary, his nieces, his fiancée and her parents, his neighbor whose scientific reports Monsieur unwittingly types out. What will happen? This and that. Monsieur will attend a party. He will babysit. But most of all, Monsieur will muse, and so will you muse, on everything from the night sky to a Rotring pen. And it will be very funny. Here Toussaint turns the ordinary into the extraordinary, an unremarkable anti-hero into a deadpan wit.

    Exceptional for their range in mood and situation, these four novels are unparalleled exhibitions of a poetic beauty that is uniquely Duras.

    He was a man obsessed, like many great writers, and his obsessions are still present here: his hatred of all things pretentious, his loathing of a corrupt judicial system, his damning of hypocrisy and false piety. One of the great anarchists of all time, he was nevertheless far from mad (as many pretended) and these works of fiction shed another light on this most feverish of minds. But however heavy the subject, The Mystified Magistrate is infused with a light touch; it is revealing but never offensive.

    Yet along with the full-length fiction within The Human Comedy stand many shorter works, among the most brilliant and forceful of his fictions. Drawn always to the tradition of oral storytelling—to the human voice telling of experience—and to the kinds of reactions produced in the listeners to stories, Balzac repeatedly dramatizes both telling and listening, and the interactions of men and women around the story told. It’s in the short fiction that we get some of his most daring explorations of crime, sexuality, and artistic creation. As Marcel Proust noted, it is in these tales that we detect, under the surface, the mysterious circulation of blood and desire. Included here are tales of artists, of the moneylender who controls the lives of others, of passion in the desert sands and in the drawing rooms of Parisian duchesses, episodes of madness and psychotherapy, the uncovering of fortunes derived from crime and from castration. And stories about the creation of story, the need to transmit experience. All are newly translated by three outstanding translators who restore the freshness of Balzac’s vivid and highly colored prose.SARRASINEGOBSECKADIEUZ. MARCASA PASSION IN THE DESERTTHE DUCHESS OF LANGEAISTHE RED INNFACINO CANEANOTHER STUDY OF WOMANKIND

    One is the widow herself, Tati. Still young, she’s never had an easy time of it, but she’s not the kind to complain. Tati lives with her father-in-law on the family farm, putting up with his sexual attentions, working her fingers to the bone, improving the property and knowing all the time that her late husband’s sister is scheming to kick her out and take the house back. The other is a killer. Just out of prison and in search of a new life, Jean meets up with Tati, who hires him as a handyman and then takes him to bed. Things are looking up, at least until Jean falls hard for the girl next door.The Widow was published in the same year as Camus’ The Stranger, and André Gide judged it the superior book. It is Georges Simenon’s most powerful and disturbing exploration of the bond between death and desire.

    A pioneer of the nouveau roman (or new novel), a literary movement that sought to free the novel from the confines of plot, characterization, and time, she was recently honored by the presentation of her complete works in the prestigious Pleiade series (other authors in the series include Honore de Balzac, Ernest Hemingway, and Franz Kafka).George Braziller is delighted to have been publishing all of Sarraute's work in America since 1958.

     It's a painless way to improve your French vocabulary and your confidence at reading and listening.(including Free MP3). No dictionary necessary-Each story is broken down with French and English Glossary. See example below; “Même si Laura est trop mauvaise cuisinière, et qu’elle est habituée à se nourrir uniquement de surgelés. Elle ne souhaite pas rater l’occasion de revoir toute sa famille. Elle réfléchit beaucoup mais ne trouve pas de solution. • est habitué = get used • se nourrir = feed • uniquement = only • surgelés = frozen food • rater l’occasion = miss the opportunity • réfléchit = think “ Never forget the vocabulary again: Vocabulary recap at the end of the book and each chapter. Practice your writing: Try to make your own summary. Compare it with an example for each chapter; Variety of situations: 7 stories about Travelling, Cooking, Shopping, Love, School, Relationship, Movie... Diverse Grammar structure and vocab: A good mix of dialogue and description. Improve your reading comprehension for newspaper articles, but also French spoken in the street. Practice your pronunciation and your listening with the free MP3!

    Discovered by Colette, who arranged for the publication of his first novel, My Friends, Bove enjoyed a busy literary career, until the German occupation silenced him. During his lifetime, Bove’s novels and stories were admired by Rainer Maria Rilke, the surrealists, Albert Camus, and Samuel Beckett, who said of him that “more than anyone else he has an instinct for the essential detail.”Henry Duchemin and His Shadows is the perfect introduction to Bove’s world, with its cast of stubborn isolatoes who call to mind Herman Melville’s Bartleby, Robert Walser’s “little men,” and Jean Rhys’s lost women. The poet of the flophouse and the dive, the park bench and the pigeon’s crumb, Bove is also a deeply empathetic writer for whom no defeat is so great as to silence desire.[Source: http://www.nybooks.com/books/imprints...]

    "Murder Most Serene" offers a cruel portrait of a beautiful but corrupt city-state and its equally extravagant and corrupt inhabitants. Redolent of darkness, death, poison and transgression, it is also an over-the-top, tongue-in-cheek Venetian romp. Rich in historical detail and bursting with bejeweled putrescence, Gabrielle Wittkop's chilling memento mori eschews the murder mystery in which it is garbed for a scintillating depiction of physical, moral, societal and institutional corruption, in which the author plays the role of puppeteer--"present, masked as convention dictates, while in a Venice on the brink of downfall, women gorged with venom burst like wineskins."Self-styled heir to the Marquis de Sade, Gabrielle Wittkop (1920-2002) was a French author who wrote a remarkable series of novels and travelogues, all laced with sardonic humor and dark sexuality, with recurrent themes of death, disease and decrepitude. After meeting Justus Wittkop, a German deserter, in Paris under the Occupation, she hid him from the Nazis and then married him after the war, in what she described as an "intellectual alliance," given he was homosexual. He would commit suicide in 1986, with her approval, after being diagnosed with Parkinson's. Her first novel, "The Necrophiliac," appeared in 1972, but a number of her books have only been made available since her own suicide in 2002, after she was diagnosed with lung cancer.

    The hero, the semi-autobiographical Ferdinand, moves through the nightmare of London's underworld during the years of World War I. In this distressing setting, he meets pimps and prostitutes, pawnbrokers and magicians, policemen and arsonists. He sees social and physiological decomposition as these processes unfold along parallel lines of development. The illusions of existence are nakedly exposed. The narrative erupts in Céline's characteristic elliptical style. His splintered sentences and scatology reflect his fury at the fragmentation of experience and at his own impotence in the face of it. Out of his rage, he forces the meaninglessness back on itself, and the exuberance of his struggle triumphs in the comic exaggeration of satire. Ultimately, his subject is not death but life, and he responds to it by a strengthened commitment to the sensual and concrete. His hallucinatory world is so vividly realized that it does, indeed, challenge the reality of the reader's more conventional world.

    Translated from the French by Brian Evenson. With the calm strangeness of dreams, and humor deepened by a hint of melancholy, these wonderful stories fool around on the frontiers of the imagination. All musical dogs, woolly crabs, children and other detectives of the not-yet-invented should own this book.--Shelley JacksonHumane, impossible, homely and alien, Draeger's extraordinary stories are as close to dreams as fiction can be.--China Mi�ville

    Born in Paris in 1947, Redonnet taught for a number of years in a suburban lycée before deciding to pursue a writing career full time. Since her volume of poetry Le Mort & Cie appeared in 1985, she has published four novels, a novella, numerous short stories, and three dramatic works.In translator Jordan Stump's words, these three novels, "unmistakably fit together, although they have neither characters nor setting in common. Redonnet sees the three novels as a triptych: each panel stands alone, and yet all coalesce to form a whole." Each is narrated by a different woman. Hôtel Splendid recounts the daily life of three sisters who live in a decrepit hotel on the edge of a swamp; Forever Valley is about a sixteen-year-old girl who works in a dance-hall and looks for the dead; Rose Mellie Rose is the story of another adolescent girl who assembles a photographic and written record of her life in the dying town of Ôat.Redonnet's novels have been compared to those of Annie Ernaux, Alain Robbe-Grillet, and Samuel Beckett. She has since acknowledged the crucial influence which Beckett's work has had upon her literary work. And yet she is also notably different from the great master of modern literature. "Where Beckett's characters slide almost inevitably toward extinction, resignation, and silence," Stump points out, "Redonnet's display a force for life and creation that borders on the triumphant. . . . [They] retain even in the darkest situations a remarkable persistence, openness, and above all hope, a hope that may well be, however unspectacularly, repaid in the end."