The only thing he fears is missing the action. Soon, however, the vaunted “war to end all wars” seems like a war that will never end: whether mired in the trenches or going over the top, Jean finds himself caught in the midst of an unimaginable, unceasing slaughter. After he is wounded, he returns from the front to discover a world where no one knows or wants to know any of this. Both the public and the authorities go on talking about heroes — and sending more men to their graves. But Jean refuses to keep silent. He will speak the forbidden word. He will tell them about fear.

    Vividly alive, fond of cities, music, theater, and books, Sido devoted herself to her village, Saint-Saveur; to her garden, with its inhabitants and its animals; and, especially, to her children, particularly her youngest, whom she called Minet-Chéri. Unlike Gigi and Chéri, which focus largely on sexual love and its repercussions, My Mother's House and Sido center on the compelling figure of a powerful, nurturing woman in late-nineteenth-century rural France, conveying the impact she had on her community and on her daughter -- who grew up to be a great writer.

    Two brothers find a country under the earth whose citizens are segregated by weight.

    This culinary memoir features original recipes and exuberant drawings by Toulouse-Lautrec, plus a Preface by Alexandra Leaf describing the French culinary scene of the time. 15 four- and 17 two-color illustrations.

    His narrative gives a superb insight into the outbreak of war and his regiment's mobilisation, followed by the advance through Belgium and France, including the author's participation at the battles of Mons, Le Cateau, the Marne and the Aisne. His account of what it was like to face Britain's 'Old Contemptibles' at Mons is particularly valuable.Before the war, the author was a novelist, and The Advance from Mons clearly shows this - it is written with a great eye for detail, careful yet vivid descriptions abound and importantly, from a historical perspective, the book was penned whilst Herr Bloem convalesced from a wound he received at the battle of the Aisne. Such was the quality of his writing, that J.E. Edmonds, the British official historian of the Great War commented: "Some of the scenes ... are so truly and vividly depicted that I gave translations of them in the Official History, feeling that they could not be bettered."