The scarred veteran Mr. Tiller, left disfigured by an impossible accident on the battlefields of France, brings with him a message: part prophecy, part warning.As Shirley's village prepares for the annual May Day celebrations, where a new queen will be crowned and the future reborn, she must choose between change and renewal - will the missives Mr. Tiller brings prevent her mastering her destiny?Exploring complex ideas of fate and power, and questioning the authority of those who write our cultural narratives, The Arrival of Missives is a unique work, deftly marrying literary and genre influences. It heralds the arrival of a major new voice in speculative fiction.

    Days later, when tests confirmed what Alicia already knew--that Chloe had Down syndrome--she didn't falter. Her ex-husband wanted a child who would grow to be a scholar. For Alicia, it's enough that Chloe just is.Now twenty-five, Chloe is sweet, funny, and content. Alicia brings her to adult daycare while she teaches at a local college. One day Chloe arrives home thrumming with excitement, and says the words Alicia never anticipated. She has met someone--a young man named Thomas. Within days, Chloe and Thomas, also mentally challenged, declare themselves in love.Alicia strives to see past her misgivings to the new possibilities opening up for her daughter. Shouldn't Chloe have the same right to love as anyone else? But there is no way to prepare for the relationship unfolding, or for the moments of heartbreak and joy ahead.With grace and warmth, Colleen Faulkner tells an unflinching yet heartrending story of mothers and daughters, and of the risks we all take, both in loving and in letting go.

    Think Cold Feet meets David Nicholls, with a dash of the joy of Jill Mansell added for good measure.It doesn't look like much from the outside, but Cherry Blossom Mews is a miraculous place. It's somewhere that finds you, rather than the other way around. Sadie McQueen has leased a double fronted space in this small cul de sac in a culturally diverse corner of central London. The cobbles muffle the noise of double-deckers roaring past the arched gates. Turn right and you are in a futuristic maze of corporate glass monoliths. Turn left and you see a wide street with many different houses. Towering above the mews are the degenerating tower blocks of an infamous estate. The old folks home and the nearby school are both in need of TLC; the private members' club that set up shop in a listed Georgian building has been discreetly refurbished at huge expense.   Into this confusion comes Sadie. She fell in love with the street the moment she first twisted her ankle on its cobbles. Her double-fronted unit is now a spa. She has sunk all her money into the lease and refurbishment. She's sunk all her hope into the carefully designed treatment rooms, the calm white reception space, the bijou flat carved out of the floor above.   Sadie has a mission to connect. To heal herself from tragedy. Sadie has wrapped the mews around her like a warm blanket, after unimaginable loss and unimaginable guilt. Her hard-won peace is threatened, not only by the prospect of the mews going under but by a man aptly named Hero who wakes up her comatose heart.  Sadie has a lot to give, and a lot to learn, not least that some ghosts aren't ghosts at all.Praise for Juliet Ashton's novels:   ‘A warming testament to the elasticity and enduring love of true family bonds. I adored this book' Penny Parkes 'Fresh, funny and utterly fabulous’  Heat ‘A joy from start to finish. The relationships within the family ring so true. And the twists kept me guessing. A beautiful book’ Laura Kemp

    Stress makes her stutter, and her life is one of stress. She can only speak clearly on stage, freed by the words of the character she plays. Then, when Aleksandra befriends her new neighbour Megan, and through her meets charming, handsome Ruben, it seems she has discovered a doorway into a different world, and a different Alek. But Ruben wants Aleksandra to play a particular role for him, and it is one that will come close to destroying her.

    A native of Haiti, Dimitry Elias Léger makes his remarkable debut with this story of romance, politics, and religion that traces the fates of three lovers in Port-au-Prince, Haiti, and the challenges they face readjusting to life after an earthquake devastates their city.Reflecting the chaos of disaster and its aftermath, God Loves Haiti switches between time periods and locations, yet always moves closer to solving the driving mystery at its center: Will the artist Natasha Robert reunite with her one true love, the injured Alain Destiné, and live happily ever after? Warm and constantly surprising, told in the incandescent style of José Saramago and Roberto Bolaño, and reminiscent of Gabriel García Márquez’s hauntingly beautiful Love in The Time of Cholera, God Loves Haiti is an homage to a lost time and city, and the people who embody it.

    Meet Ove. He's a curmudgeon, the kind of man who points at people he dislikes as if they were burglars caught outside his bedroom window. He has staunch principles, strict routines, and a short fuse. People call him the bitter neighbor from hell, but must Ove be bitter just because he doesn't walk around with a smile plastered to his face all the time?Behind the cranky exterior there is a story and a sadness. So when one November morning a chatty young couple with two chatty young daughters move in next door and accidentally flatten Ove's mailbox, it is the lead-in to a comical and heartwarming tale of unkempt cats, unexpected friendship, and the ancient art of backing up a U-Haul. All of which will change one cranky old man and a local residents' association to their very foundations.

    She evokes a home no longer accessible and a body at times uninhabitable, often mirrored by a hybrid Eve/Caliban figure. Blooming with intense lyricism and fertile imagery, these full-blooded poems are elegant, mythic, and intricately woven. Here the female body is a dark landscape; the female body is cannibal. Sinclair shocks and delights her readers with her willingness to disorient and provoke, creating a multitextured collage of beautiful and explosive poems.

    As Nnenna approaches womanhood she starts trying to connect with her Igbo-Nigerian culture. Her once close and tender relationship with her mother becomes strained as she asks probing questions about her father who she's never met and whom her mother who refuses to discuss. Each chapter begins with a biblical quote which harks back to the beginning of Maurice and Joanie's relationship - meeting in a church group in a café in Cambridge - but is really Nnenna's diary headings which she is trying to hide from her mother's prying eyes. Nnenna is asking big questions of how to 'be' when she doesn't know who she is as Joanie wonders how to truly love when she has never been loved.

    A work outing offers promise for Freda, and terror for Brenda, passions run high on that chilly day of freedom, and life after the outing never returns to normal.

    And she's beyond thrilled when they announce their engagement. Robert is an up-and-comer running for the North Carolina senate. Chante is a partner at a prestigious law firm. They're a power couple made in heaven--until Liza discovers Robert in a compromising position--with another woman. . .Liza can't possibly continue to support Robert's campaign, much less let him marry Chante. But when she tries to reveal the truth, Robert pulls out every corrupt trick in the book--including turning Chante against her. Her only choice is to seek out his opponent, Jackson Franklin, and help him take Robert down. But to Liza's great surprise, Jackson won't play dirty--and Liza finds him irresistible. As sparks fly, personally and politically, Liza and Jackson may become a winning team in more ways than one. . .

    At first glance one might be disposed to dismiss Miss Towers as an imitation Jane Austen, but it would be a mistaken judgment, for her cool detachment and ironic eye are directed more often than not against the sensible breeze that blasts and withers, the forthright candour that kills the soul. Miss Towers flashes and shines now this way, now that, like a darting sunfish.' 'At her best her prose style is a shimmering marvel,' wrote the Independent on Sunday, 'and few writers can so deftly and economically delineate not only the outside but the inside of a character…There's always more going on than you can possibly fathom.' And the Guardian said: 'Her social range may not be wide, but her descriptions are exquisite and her tone poised between the wry and the romantic.' Five of the stories were read on BBC Radio 4.

    A short story by the Orange Prize-winning author Chimamanda Ngozi Adichie

    Winner of Britain's James Tait Black Memorial Prize and the 1999 IMPAC Award. "Astoundingly good" (New York Times Book Review).

    Pan, The Half-Orphan's Handbook by Joan F. Smith is a coming-of-age story and an empathetic, authentic exploration of grief with a sharp sense of humor and a big heart.It’s been three months since Lila lost her father to suicide. Since then, she’s learned to protect herself from pain by following two unbreakable rules:1. The only people who can truly hurt you are the ones you love. Therefore, love no one.2. Stay away from liars. Liars are the worst.But when Lila’s mother sends her to a summer-long grief camp, it’s suddenly harder for Lila to follow these rules. Potential new friends and an unexpected crush threaten to drag her back into life for the first time since her dad’s death.On top of everything, there’s more about what happened that Lila doesn’t know, and facing the truth about her family will be the hardest part of learning how a broken heart can love again.

    But as they come of age and venture into a world of underground activists beyond the confines of their tight-knit East Asian community and closely guarded, gated compound, they start to see a country divided by deep ethnic allegiances and on the brink of something very sinister. Soon Leena and Jai find themselves entangled in a shady world of crooked policemen, seedy salesmen, prostitutes, and bohemian artists. As the city tightens its grip, so begins a dangerous game of corruption and conspiracy, where rebellions simmer, and a tangled web of power unravels as dark forces collide and disturbing revelations surface. A powerful tale of love and politics in contemporary Nairobi, Who Will Catch Us As We Fall depicts a Kenya on the cusp of change in all its complexity. Through two of the most memorable and remarkable characters in contemporary African fiction, Iman Verjee has penned a moving portrait of a family torn apart by national politics and prejudice, yet still painfully tethered together.