By turns subtle and intense, disturbing and elusive, the stories in this collection are ultimately connected by themes of memory and loss, reality and fabrication, and by a richless of language that rests lightly on its carefully foundation.

    The stories in Thomas Pierce’s Hall of Small Mammals take place at the confluence of the commonplace and the cosmic, the intimate and the infinite. A fossil-hunter, a comedian, a hot- air balloon pilot, parents and children, believers and nonbelievers, the people in these stories are struggling to understand the absurdity and the magnitude of what it means to exist in a family, to exist in the world. In “Shirley Temple Three,” a mother must shoulder her son’s burden—a cloned and resurrected wooly mammoth who wreaks havoc on her house, sanity, and faith. In “The Real Alan Gass,” a physicist in search of a mysterious particle called the “daisy” spends her days with her boyfriend, Walker, and her nights with the husband who only exists in the world of her dreams, Alan Gass.  Like the daisy particle itself—“forever locked in a curious state of existence and nonexistence, sliding back and forth between the two”—the stories in Thomas Pierce’s Hall of Small Mammals are exquisite, mysterious, and inextricably connected. From this enchanting primordial soup, Pierce’s voice emerges—a distinct and charming testament of the New South, melding contemporary concerns with their prehistoric roots to create a hilarious, deeply moving symphony of stories.

    

     Eve is an 18,000 word novella originally published as an ongoing story on Reddit's Writing Prompts forum by user /u/psycho_alpaca.

    The humor is ridden with pathos, and yet is quite sharp. This collection has 36 stories including: "The Gentleman is Cold," "Everything is Wild," "Mr. Preble Gets Rid of His Wife," "Hell Only Breaks Loose Once," "If Grant Had Been Drinking at Appomattox," and "How to See a Bad Play." The London Times said, "There may be greater humorists writing in America today than James Thurber, but none with quite his individual touch and his flavor."

    

    Each emotionally involving story illuminates a different kind of love: star-crossed, intense, needy, eternal, unrequited, even comical. Wilder’s protagonists will be instantly recognizable to his fans: men and women who stumble into relationships that can fulfill them or knock them out cold. Which one it will be depends, often, on the smallest of gestures or reactions. Wilder’s stories include:• “In Love for the First Time,” about a lover so shy and studious that he’s a “funny duck” who has to be led by the hand by his equally inexperienced girlfriend• “About Being in Love,” featuring coarse but charming Buddy Silverman, who yearns for connection but looks for it in exactly the wrong kind of woman• “The Woman in the Red Hat,” who shows a writer who has only explored love in his books what the real thing feels like.

    A Czech immigrant who finds a paradoxical contentment on the harsh expanse of the Nebraska prairie. A solitary young painter spying raptly and guiltily on his exquisite neighbor. These are some of the lives that Willa Cather renders, with a fine balance of compassion and detachment, in these nineteen stories. Here are the great themes that Cather staked out like tracts of land: the plight of people hungry for beauty in a country that has no room for it; the mysterious arc of human lives; the ways in which the American frontier transformed the strangers who came to it, turning them imperceptibly into Americans. In these fictions, Cather displays her vast moral vision, her unerring sense of place, and her ability to find the one detail or episode that makes a closed life open wide in a single exhilarating moment.

    Rowling (the HARRY POTTER series), Darren Shan (CIRQUE DU FREAK), R.L. Stine (the GOOSEBUMPS series), and Stephen King (IT)! Volume Three in the PETER AND THE MONSTERS series! Follow the adventures started in PETER AND THE VAMPIRES (Volume One) and PETER AND THE WEREWOLVES (Volume Two)!Tragedy has struck Peter’s best friend Dill. In his effort to help, Grandfather might have actually made things worse. But help is on the way in the form of a new ally, and important information surfaces that might explain the Curse now haunting Peter and his family. In this volume, Peter battles more supernatural mayhem, including:A scientist who pieces together a family of monstrous creations…A pack of small creatures that kill the local baker, and plan to make Peter their next victim…Peter’s own dark side, which rears its ugly head in a violent rampage…A mysterious ‘snow demon’ out of Native American legend that menaces Peter on a ski trip…And a couple of ‘walking dead’ who try to put Peter in the morgue during a visit to the hospital. The PETER AND THE VAMPIRES series is for teens and adults who, when they were kids, were looking for stories that kicked butt. The protagonist might be young, but the stories are dark, funny, and edge-of-your-seat suspenseful.PETER AND THE FRANKENSTEIN is the third in an ongoing series that includes PETER AND THE VAMPIRES (Volume 1) and PETER AND THE WEREWOLVES (Volume 2). This book is 150,000 words (450+ pages) and contains some mild language, violence, and scary situations.

    A new coach of a small-town Oklahoma high school football team installs an offense comprised of only one, very special, play. A man explains to the police why he told the employee of his local bodega that his colleague looked like the lead singer of Depeche Mode, a statement that may or may not have led in some way to a violent crime. A college professor discusses with his friend his difficulties with the new generation of students. An obscure power pop band wrestles with its new-found fame when its song "Blizzard of Summer" becomes an anthem for white supremacists. A couple considers getting a medical procedure that will transfer the pain of childbirth from the woman to her husband. A woman interviews a hit man about killing her husband but is shocked by the method he proposes. A man is recruited to join a secret government research team investigating why coin flips are no longer exactly 50/50. A man sees a whale struck by lightning, and knows that everything about his life has to change. A lawyer grapples with the unintended side effects of a veterinarian's rabies vaccination.Fair warning: Raised in Captivity does not slot into a smooth preexisting groove. If Saul Steinberg and Italo Calvino had adopted a child from a Romanian orphanage and raised him on Gary Larsen and Thomas Bernhard, he would still be nothing like Chuck Klosterman. They might be good company, though. Funny, wise and weird in equal measure, Raised in Captivity bids fair to be one of the most original and exciting story collections in recent memory, a fever graph of our deepest unvoiced hopes, fears and preoccupations. Ceaselessly inventive, hostile to corniness in all its forms, and mean only to the things that really deserve it, it marks a cosmic leap forward for one of our most consistently interesting writers.

    More than 300,000 listeners tune in to this offering weekly to hear some of their favorite tales read aloud by distinguished actors.From a couple's rocky, college love affair that lasts a lifetime and a mother who nervously chaperones her retarded daughter's honeymoon to a supernatural tale of marriage and transformation and a grieving man who buries his young wife and makes amends with her family—this anthology captures the powerful and complicated lives of married couples. Among the stories are Sherman Alexie's "Do You Know Where I Am?" read by Keir Dullea; Karen E. Bender's "Eternal Love," read by Joanne Woodward; Ursula K. LeGuin's "The Wife's Story," read by Joanna Gleason; Shahrnush Parsipur's "Mrs. Farrokhlaqa Sadraldivan Golchehreh," translated by Kamran Talattof and Jocelyn Sharlet and read by Frances Sternhagen; and Luis Alberto Urrea's "Bid Farewell to Her Many Horses," read by Robert Sean Leonard.

    In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren't ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers. Gwen E. Kirby experiments with found structures--a Yelp review, a WikiHow article--which her fierce, irreverent narrators push against, showing how creativity within an enclosed space undermines and deconstructs the constraints themselves. When these women tell the stories of their triumphs as well as their pain, they emerge as funny, angry, loud, horny, lonely, strong protagonists who refuse be secondary characters a moment longer. From "The Best and Only Whore of Cym Hyfryd, 1886" to the "Midwestern Girl [who] is Tired of Appearing in Your Short Stories," Kirby is playing and laughing with the women who have come before her and they are telling her, we have always been this way. You just had to know where to look.

    Where men stood tall and lived rough. But that West is no more. In its place Shann Ray finds washedup basketball players, businessmen hiding addictions, and women fighting the inexplicable violence that wells up in these men. A son struggles to accept his father’s apologies after surviving a childhood of beatings. Two men seek empty basketball hoops on a snowy night, hoping to relive past glory. A bull rider skips town and rides herd on an unruly mob of passengers as he searches for a thief on a train threading through Montana’s Rocky Mountains. In these stories, Ray grapples with the terrible hurt we inflict on those we love, and finds that reconciliation, if far off, is at least possible. The debut of a writer who is out to redefine the contours of the American West, American Masculine is a deeply felt and fiercely written ode to the country we left behind.

    Her characters—young women struggling to find happiness, love, success, security, and adventure—wait tables, run away from home, fall for married men, betray their friends, and find themselves betrayed as well.In "Hungry Self," a young waitress descends into the basement of a seemingly ordinary Chinese restaurant; in "Twenty Grand," a young wife tries to recover her lost fortune; in "Monsters," one family's paranoia leads to a sacrifice; and in "The Witches," an innocent swim on prom night proves more dangerous than anyone could have imagined. With elegant prose and a wicked sense of humor, these stories reveal Curtis's provocative and uncompromising view of life, one that makes her writing so poignant and irresistible.

    In "Family Business," a young chimpanzee offends his working class father by choosing to become a research animal instead of joining the family grub-hunting business. In "Proud Mom," a young mother is so besotted she doesn't realize her child is actually, truly a monster. And in "Animals," the fate of a terrified classroom hamster hangs in the balance when a notorious kid is picked for hamster care duty.