An artist's quest for growth from one of the world's greatest stylists. Nakagi, an ex-con painter who has sequestered hismself in a mountain cabin, is trying to elevate his art. The only thing breakin his solitude are the visits of two women: an art dealer who wants him to produce the sort of paintings that she would like to buy from him, and a young aspiring, and soulful apprentice. When Nakagi welcomes an escaped felon into the emotionally fraught fold, and begins to teach him to pain well. Winter Sleep awakens to a literally incendiary climax.

    An intricate fusion of music, dance, mask, costume and language, the dramas address many subjects, but the idea of form is more central than meaning and their structure is always ritualized. Selected for their literary merit, the twenty-four plays in this volume dramatize such ideas as the relationship between men and the gods, brother and sister, parent and child, lover and beloved, and the power of greed and desire. Revered in Japan as a cultural treasure, the spiritual and sensuous beauty of these works has been a profound influence for English-speaking artists including W. B. Yeats, Ezra Pound and Benjamin Britten.

    Two years ago he achieved brief notoriety for rescuing a local actress from a robbery attempt while making a delivery to her apartment. Now he is back in the spotlight - this time as the main suspect in the assassination of a newly elected prime minster who had come to Sendai for a hometown victory parade. Set in a near-future Japan modeled on the United States, Remote Control follows Aoyagi on a forty-eight-hour chase, in a dramatic retelling of the Kennedy killing with Aoyagi in the role of a framed Lee Harvey Oswald. A massive manhunt is underway. As Aoyagi runs, he must negotiate trigger-happy law enforcement and Security Pods set up throughout the city to monitor cell-phone and email transmissions and keep a photo record of street traffic. Can he discover why he has been set up and who is responsible? Can he find the real assassin and prove to the world his innocence - amidst media pronouncements of his guilt - before the conspirators take him out? Isaka's style and worldview are such that he is often compared to Haruki Murakami; but he defies an easy label as a writer, with a voice, a sense of humor, and an imagination that are truly unique. Now, with this excellent translation by Stephen Snyder, readers everywhere can enjoy one of Japan's finest literary talents. Winner of the Shugoro Yamamoto Prize and the Japan Booksellers' Prize No. 1 in Japan's 2009 "This Mystery is Amazing " rankings

    These journeys were part of his religious training as a Buddhist monk as well as literary inspiration for his memorable and often painfully moving poems. The works he wrote during this time comprise a record of his quest for spiritual enlightenment.Although Santoka was master of conventional-style haiku, which he wrote in his youth, the vast majority of his works, and those for which he is most admired, are in free-verse form. He also left a number of diaries in which he frequently recorded the circumstances that had led to the composition of a particular poem or group of poems. In "For All My Walking, " master translator Burton Watson makes Santoka's life story and literary journeys available to English-speaking readers and students of haiku and Zen Buddhism. He allows us to meet Santoka directly, not by withholding his own opinions but by leaving room for us to form our own. Watson's translations bring across not only the poetry but also the emotional force at the core of the poems.This volume includes 245 of Santoka's poems and of excerpts from his prose diary, along with a chronology of his life and a compelling introduction that provides historical and biographical context to Taneda Santoka's work.

    Oe was ten when American jeeps first drove into the mountain village where he lived, and his literary work reveals the tension and ambiguity forged by the collapse of values of his childhood on the one hand and the confrontation with American writers on the other. The earliest of his novels included here, Prize Stock, reveals the strange relationship between a Japanese boy and a captured black American pilot in a Japanese village. Teach Us to Outgrow Our Madness tells of the close relationship between an outlandishly fat father and his mentally defective son, Eeyore. Aghwee the Sky Monster is about a young man’s first job — chaperoning a banker’s son who is haunted by the ghost of a baby in a white nightgown. The Day He Himself Shall Wipe My Tears Away is the longest piece in this collection and Oe’s most disturbing work to date. The narrator lies in a hospital bed waiting to die of a liver cancer that he has probably imagined, wearing a pair of underwater goggles covered with dark cellophane.

    The community described is the author's native place, and the characters whose lives are described in vivid detail over a period of years are drawn from life.

    973 c. 1020), author of The Tale of Genji, is an intimate picture of her life as tutor and companion to the young Empress Shoshi. Told in a series of vignettes, it offers revealing glimpses of the Japanese imperial palace the auspicious birth of a prince, rivalries between the Emperor's consorts, with sharp criticism of Murasaki's fellow ladies-in-waiting and drunken courtiers, and telling remarks about the timid Empress and her powerful father, Michinaga. The Diary is also a work of great subtlety and intense personal reflection, as Murasaki makes penetrating insights into human psychology her pragmatic observations always balanced by an exquisite and pensive melancholy.In his illuminating introduction, Richard Bowing discusses what is known of Murasaki's life, and the religion, ceremonies, costumes, architecture and politics of her time, to explain the cultural background to her vivid evocation of court life. This edition also includes an explanation of Japanese names and dates, appendices and updated further reading.Translated and introduced by RICHARD BOWRING

    Gothic Tales makes available for the first time a collection of stories by this highly influential writer, whose decadent romanticism led him to envision an idiosyncratic world--a fictive purgatory --precious and bizarre though always genuine despite its melodramatic formality.The four stories presented here are among Kyoka's best-known works. They are drawn from four stages of the author's development, from the conceptual novels of 1895 to the fragmented romanticism of his mature work. In the way of introduction, Inouye presents a clear analysis of Kyoka's problematic stature as a great gothic writer and emphasizes the importance of Kyoka's work to the present reevaluation of literary history in general and modern Japanese literature in particular. The extensive notes that follow the translation serve as an intelligent guide for the reader, supplying details about each of the stories and how they fit into the pattern of mythic development that allowed Kyoka to deal with his fears in a way that sustained his life and, as Mishima Yukio put it, pushed the Japanese language to its highest potential.

    Mount Fuji has been a source of spiritual inspiration since it was first ascended by a monk over a millennium ago.“Blue Summit” introduces a former cult member struggling to maintain his escape from a mountain monastery, seeking solace in the fluorescent lights of the convenience store he manages. In “Sea of Trees,” three teenage boys who share a fascination with the metaphysical confront the startling realities of death and despair on their final adventure together before parting ways for different schools. “Jamila” chronicles a privileged young man’s descent into disillusionment as he works with a compulsive hoarder to clear her mess. And in “Child of Light,” a nurse struggles as she comes to terms with her role in the oft-brutal cycle of birth, life, and death.Throughout the stories, Mount Fuji stands sentinel even as it fades in and out of view—watching and remembering as it always has.

    He not only helped give new vitality and direction to the old conventions of court poetry, but created works that, because of their depth of feeling, continue to attract readers to the present day.

    The shocking and blisteringly memorable stories of The Cake Tree in the Ruins are based on his own experiences as a child in Japan during the Second World War.They are stories of a lonely whale searching the oceans for a mate, who sacrifices himself for love; of a mother desperately trying to save her son with her tears; of a huge, magnificent tree which grows amid the ruins of a burnt-out town, its branches made from the sweetest cake imaginable.Profound, heartbreaking and aglow with a piercing beauty, they express the chaos and terror of conflict, yet also how love can illuminate even the darkest moment.

    Yet, when she gets a job as a live-in maid, she is inevitably drawn into the lives, thoughts and desires of her employers, with dangerous and, at times, hilarious consequences. From the sexual rapaciousness of her first boss, to the grime and stench of the house where she works next and her third employer's inability to accept she's no longer young, Nanase's adventures are a picaresque journey into the inner sanctum of the lives and psyches of ordinary Japanese people.

    Now considered the standard canon of modern Japanese writing translated into English, Modern Japanese Literature includes concise introductions to the writers, as well as a historical introduction by Professor Keene. Includes: Growing Up by Ichiyo, a lyrical story of pre-adolescence in the 90s; Natsume’s story of Botchan, an illustarred and ineffectual Huck Finn; Nagai’s The Sumida River; Kokomitsu’s Kafkaesque Time; Kawabata’s The Mole; Firefly Hunt; a glimpse into Tanizaki’s masterpiece Thin Snow; and the postwar work of such writers as Dazai and Mishima.

    Playing games with the basic units of both life and fiction—the solid certainties of the self, the world around us, and the words we use to describe these things to one another—Mieko Kanai creates a reality where nothing is certain, and where a little boy going out to run errands for his mother might find that he’s an adult, and his mother long dead, at the end of a single train ride. Using precise language to describe dreamlike plots owing as much to Kafka and Barthelme as to Kenzaburō Ōe and the long tradition of the Japanese folktale of the macabre, The Word Book is an unforgettable voyage to absurd, hilarious, and terrifying locales, and is the English-language debut for one of the greatest and most interesting Japanese writers working today.

    Legendary cartoonist Yoshihiro Tatsumi is the grandfather of alternative manga for the adult reader. Predating the advent of the literary graphic novel movement in the United States by thirty years, Tatsumi created a library of literary comics that draws parallels with modern prose fiction and today's alternative comics. Designed and edited by one of today's most popular cartoonists, Adrian Tomine, The Push Man and Other Stories is the debut volume in a groundbreaking new series that collects Tatsumi's short stories about Japanese urban life. Tatsumi's stories are simultaneously haunting, disturbing, and darkly humorous, commenting on the interplay between an overwhelming, bustling, crowded modern society and the troubled emotional and sexual life of the individual.