Their guns are drawn on the bank manager. She nervously recites the alarm code, and the tumblers within the huge vault fall. The timing and execution are brilliant. It could be the perfect heist. But as the huge sum of cash is stolen, so too is one man's heart -- and that man is the Prince of Thieves...Charlestown, a blue-collar Boston neighborhood, produces more bank robbers and armored car thieves than any square mile in the world. In this gripping, intricately plotted thriller, Claire Keesey, the branch manager for a Boston bank and one of an influx of young professionals chipping away at the neighborhood's insularity, is taken hostage during a robbery. She is released, but Doug MacRay, the brains behind the tough, tight-knit crew of thieves, can't get her out of his mind. Tracking her down without his mask and gun, Doug introduces himself, and as soon as he and Claire meet, their mutual attraction is undeniable -- as are the risks of a relationship. Meanwhile, Doug's crew pulls off another audacious, meticulously planned job. Frustrated by their ingenuity and brazen ambition, FBI Agent Adam Frawley begins to zero in on Doug and his pals -- and against his own better judgment, he, too, develops more than a professional interest in Claire.Under pressure from Frawley's ever-closer investigation, Doug imagines a life for himself away from bank robberies and Charlestown. But before that can happen, the crew learns that there may be a way to rob Boston's venerable baseball stadium, Fenway Park. It's a magnificently dangerous and utterly irresistible opportunity -- yet for Doug, pursuing his former hostage may be the most dangerous act of all... Chuck Hogan's brash tale of four men -- thieves, rivals, friends -- being hunted through the streets of Boston by a tenacious FBI agent, and the woman who may destroy them all, is a spectacular, stylish, heart-pounding thriller.

    Number one New York Times bestselling author, Janet Evanovich, is moving into the fast lane with Metro Girl, a thrilling, high-octane misadventure with high stakes, hot nights, cold-blooded murder, sunken treasure, a woman with a chassis built for speed, and one very good, very sexy NASCAR driver who’s along for the ride."Wild" Bill Barnaby's dropped off the face of the earth and big sister Alex heads for Miami, Bill's last known sighting, on a harrowing hunt to save her brother ... and maybe the world. Truth is, Alex has been bailing her brother out of trouble since they were kids. Not that Bill's a bad sort. More that he acts first and thinks later. Unfortunately, this time around, Wild Bill will be Dead Bill if Alex doesn't find him in time.Alex blasts through the bars of South Beach and points her search to Key West and Cuba, laying waste to Miami hit men, dodging Palmetto bugs big enough to eat her alive, and putting the pedal to the metal with NASCAR driver Sam Hooker.Engaged in a deadly race, Wild Bill's "borrowed" Hooker's sixty-five foot Hatteras and sailed off into the sunset ... just when Hooker has plans for the boat. Hooker figures he'll attach himself to Alex and maybe run into Bill. Maybe Hooker can salvage what's left of his vacation. And maybe Hooker'll get lucky in love with Bill's sweetie pie sister. After all, Hooker is NASCAR Guy. And NASCAR Guy is good at revving a woman’s engine.The race to the finish is hot and hard, taking Alex and Hooker into international waters, exposing a plot to grab Cuban gold and a sinister relic of the Cuban missile crises.Creative cussing and sexual innuendo included.

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

    Betrayed, his money stolen and his battered carcass left for dead, Lennon is on a one-way mission to find out who is responsible--and to get back his loot. But the robbery has sent a violent ripple effect through the streets of Philadelphia. And now a dirty cop, the Russian and Italian mobs, the mayor's hired gun, and a keyboard player in a college rock band maneuver for position as this adrenaline-fueled novel twists and turns its way toward its explosive conclusion.One thing's for sure: This cast of characters wakes up in a much different world by novel's end--if they wake up at all, in Duane Swierczynski's The Wheelman.

    In Thank You for Smoking it was big tobacco and earnest reformers; in God Is My Broker it was business and religion; and in No Way to Treat a First Lady, it's the entire legal profession, not to mention the Washington establishment. The novel opens with the President of the United States returning to the conjugal bed after an illicit Lincoln Bedroom romp with the Streisandesque Babette Van Anka. His wife, the long-suffering Beth McMann, promptly clocks him with a Paul Revere spittoon. Several hours later he dies. "Lady Bethmac," as the First Lady is immediately dubbed by the media, is put on trial, and the resulting media circus gives Buckley lots of opportunity for nicely observed skewerings of legal culture. "Judge Dutch creaked forward in his chair. This is the source of the aura of judges: they have bigger chairs than anyone else. That and the fact that they can sentence people to sit in electrified ones. It's all about chairs." He gets in some neat neologisms--a lawyer performs a "credibilobotomy" on a witness--and sends up the pretensions of law TV: at a roundtable discussion, the guest from Harvard Law is invited "to provide gravitas and to shift uneasily in his seat when the other guests said something provocative." Buckley's Trial of the Millennium is so far-fetched that it seems entirely possible. --Claire Dederer

    His ex-fiancee is deader than a door nail and everyone thinks he dun did it. His house is haunted. His mother is running an illegal gambling ring. His dog likes to bite people too much. And he's got to find out who really did it before the sheriff throws him in jail...again.

    A bloody, brilliant and brutal story of murder, kidnap and revenge.Detective Constable Ash Henderson has a dark secret…Five years ago his daughter, Rebecca, went missing on the eve of her thirteenth birthday. A year later the first card arrived: homemade, with a Polaroid picture stuck to the front – Rebecca, strapped to a chair, gagged and terrified. Every year another card: each one worse than the last.The tabloids call him ‘The Birthday Boy’. He’s been snatching girls for twelve years, always just before their thirteenth birthday, sending the families his homemade cards showing their daughters being slowly tortured to death.But Ash hasn’t told anyone about Rebecca’s birthday cards – they all think she’s just run away from home – because if anyone finds out, he’ll be taken off the investigation. And he’s sacrificed too much to give up before his daughter’s killer gets what he deserves…

    Reluctantly traveling to Berdache to claim her new property, Alanis decides to stay and pick up her mother's tarot business in an attempt to find out how she died.With help from a hunky cop and her mother's live-in teenage apprentice, Alanis begins faking her way through tarot readings in order to win the confidence of her mother's clients. But the more she uses the tarot deck, the more Alanis begins to find real meaning in the cards ... and the secrets surrounding her mother's demise.Praise:2015 IPPY Award Bronze Medal Winner in Mystery/Cozy/Noir2014 ForeWord IndieFab Gold Winner for Mystery"Cozy readers with a taste for humor will welcome this hilarious series debut . . . [and] will eagerly await the next installment." --PUBLISHERS WEEKLY (STARRED REVIEW)"Hockensmith...and coauthor Falco deliver a charming comic mystery, which one hopes is the beginning of a series."--BOOKLIST"[A] clever and compelling tale filled with colorful and engaging characters and a whodunit plot." --FOREWORD REVIEWS"From the unique title to the cool cover, this book has it all . . . A+ across the board!"--SUSPENSE MAGAZINE"Fun and light."--ELLERY QUEEN'S MYSTERY MAGAZINE

    He's just passing through Margrave, Georgia, and in less than an hour, he's arrested for murder. Not much of a welcome. All Jack knows is that he didn't kill anybody. At least not here. Not lately. But he doesn't stand a chance of convincing anyone. not in Margrave, Georgia. Not a chance in hell.