A TERRIFYING BRIDEGROOM. THE GAME THAT WILL DETERMINE THEIR FATES.No one told her the most important law of the court - the Law of Greeting.If they had, maybe she wouldn't have greeted Bluebeard when he arrived to claim a mortal wife. And if she hadn't greeted him, she wouldn't have become his sixteenth wife or been swept away to the lands of the Wittenhame.But if none of that had happened, then she wouldn't have been an integral part of the game that takes place every two hundred years - a game that determines the fates of nations .For not all is as it seems, not in her homeland of Pensmoore, not in the Wittenhame, and certainly not in her new marriage.

    A whole lot of Brooklyn is like that now—but not Vassa’s working-class neighborhood.In Vassa’s neighborhood, where she lives with her stepmother and bickering stepsisters, one might stumble onto magic, but stumbling away again could become an issue. Babs Yagg, the owner of the local convenience store, has a policy of beheading shoplifters—and sometimes innocent shoppers as well. So when Vassa’s stepsister sends her out for light bulbs in the middle of night, she knows it could easily become a suicide mission.But Vassa has a bit of luck hidden in her pocket, a gift from her dead mother. Erg is a tough-talking wooden doll with sticky fingers, a bottomless stomach, and a ferocious cunning. With Erg’s help, Vassa just might be able to break the witch’s curse and free her Brooklyn neighborhood. But Babs won’t be playing fair…

    But in the Five Hundred Kingdoms, nothing's ever simple—and the wrong blonde goddess is stolen by mistake, leaving Prince Leopold without his new bride. At least until he braves the realm of the dead to get her back...A Tale of the Five Hundred Kingdoms novella. Previously published in the Harvest Moon anthology.

     An old tale tells the story of how a little man named Rumpelstiltskin spun straw into gold and tricked a desperate girl into trading away her baby. But that’s not exactly how it happened. The real story began with a drunken father who kept throwing money away on alcohol and women, while his daughter, Aoife, ran the family farm on her own. When he gambled away everything they owned to the Duke, it was up to her to spin straw into gold to win it all back. With her wits and the help of a magical guardian, she outsmarted the Duke and saved the day. Well almost… Her guardian suddenly turned on Aoife and sent her on a quest to find his name, the clues to which were hidden deep in the woods, a moldy dungeon, and a dead woman’s chamber. Her feelings for one of the men who tricked her from the start threaten to complicate everything. Not the tale of a damsel in distress, this is the story of a tenacious, young woman who solved a mystery so great that not even the enchanted man who spun straw into gold could figure it out. Not until Aoife came along.

     Neil Gaiman, “Orange”   Aimee Bender, “The Color Master”   Joyce Carol Oates, “Blue-bearded Lover”   Michael Cunningham, “The Wild Swans”   These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party.   Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico.   Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.

    In the center of the collection is the title poem, "Voyage of the Sable Venus," an amazing narrative made up entirely of titles of artworks from ancient times to the present--titles that feature or in some way comment on the black female figure in Western art.Bracketed by Lewis's own autobiographical poems, Voyage is a tender and shocking meditation on the fragmentary mysteries of stereotype, juxtaposing our names for things with what we actually see and know. A new understanding of biography and the self, this collection questions just where, historically, do ideas about the black female figure truly begin--five hundred years ago, five thousand, or even longer? And what role did art play in this ancient, often heinous story?Here we meet a poet who adores her culture and the beauty to be found within it. Yet she is also a cultural critic alert to the nuances of race and desire--how they define us all, including her own sometimes painful history. Lewis's book is a thrilling aesthetic anthem to the complexity of race--a full embrace of its pleasure and horror, in equal parts.From the Hardcover edition.

    Despite a few variations from telling to telling, the story remains the same—the Queen was jealous of the girl’s beauty, and this jealousy culminated in the Queen’s attempt on the sweet, naive girl’s life. Another tale far less often spoken of is the one that explains what caused the Queen to become so contemptuously vile. Still, some have attempted to guess at the reason. Perhaps the Queen’s true nature was that of a wicked hag and her beautiful, regal appearance a disguise used to fool the King. Others claim that the Queen might have hated the girl for her resemblance to the King’s first wife. Mostly, the Queen is painted as a morally abhorrent woman who never loved another being during the course of her miserable life.In fact, the theories about exactly what cause the Queen’s obsessive vanity and jealous rage are too numerous to catalog. This book recounts a version of the story that has remained untold until now. It is a tragic tale of love and loss, and it contains a bit of magic. It is a tale of the Wicked Queen…

    Most blame their misfortune on industrialization or the fey, but some curse Snow White, the princess who was born poisoned.As the only person who can survive entering the poisoned woods without a gas mask, Snow White has dedicated her life to studying the poison and finding a cure. This obsession draws her deeper into the woods and its secrets, where nothing is as it seems. When Snow White saves a man who should never have been saved, she unleashes an evil more horrifying and destructive than the poison.28,000 words, or approx 120 pages***Volumes 1-3 of Snow White were originally published under the name POISONED. If you bought POISONED, then you already own this book.***

    His is a meditation on delight that takes a clear-eyed view of the complexities, even the terrors, in his life, including living in America as a black man; the ecological and psychic violence of our consumer culture; the loss of those he loves. Among Gay’s funny, poetic, philosophical delights: the way Botan Rice Candy wrappers melt in your mouth, the volunteer crossing guard with a pronounced tremor whom he imagines as a kind of boat-woman escorting pedestrians across the River Styx, a friend’s unabashed use of air quotes, pickup basketball games, the silent nod of acknowledgment between black people. And more than any other subject, Gay celebrates the beauty of the natural world—his garden, the flowers in the sidewalk, the birds, the bees, the mushrooms, the trees.This is not a book of how-to or inspiration, though it could be read that way. Fans of Roxane Gay, Maggie Nelson, and Kiese Laymon will revel in Gay’s voice, and his insights. The Book of Delights is about our connection to the world, to each other, and the rewards that come from a life closely observed. Gay’s pieces serve as a powerful and necessary reminder that we can, and should, stake out a space in our lives for delight.

    A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. These familiar components of the epic poem are seen with a novelist’s eye toward gender, genre, and history. Beowulf has always been a tale of entitlement and encroachment — of powerful men seeking to become more powerful and one woman seeking justice for her child — but this version brings new context to an old story. While crafting her contemporary adaptation, Headley unearthed significant shifts lost over centuries of translation; her Beowulf is one for the twenty-first century.

    Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own. Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it—and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea’s demise, but success could make her dreams come true.In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey from the jungles of Yucatán to the bright lights of Mexico City—and deep into the darkness of the Mayan underworld.Alternate cover edition of ISBN 9780525620754

    She has a husband and a young daughter called Jane, a life in London. But on night, after all these years, Peter Pan returns. Wendy finds him outside her daughter's window, looking to claim a new mother for his Lost Boys. But instead of Wendy, he takes Jane.Now a grown woman, a mother, a patient and a survivor, Wendy must follow Peter back to Neverland to rescue her daughter and finally face the darkness at the heart of the island...

    Dr. Martina McGowan is a retired MD, a mother, grandmother, and a poet. Her poetry provides insights that no think piece on racism can; putting readers in the uncomfortable position of feeling, reflecting, and facing what it means to be a Black American.This entire collection was created during 2020, many shortly after the deaths of Breonna Taylor and George Floyd, to name but a few.

    When her fiancé and family don’t believe her, she flees her home in India to Canada, where she plans to raise the child as a single mother. For Kiran, living undocumented means constant anxiety over finances, work, safety, and whether she’ll be deported back to the dangers that await her in Punjab.Eighteen years later, Kiran’s daughter, Sahaara, is desperate to help her mother, who has been arrested and is facing deportation. In the aftermath, Kiran reveals the truth about Sahaara’s conception. Horrified, Sahaara encourages Kiran to speak out against the man who raped her—who’s now a popular political figure in Punjab. Sahaara must find the best way to support her mother while also dealing with the revelation about her parents.

    Now, he’s on the run from the authorities and his former employer. But when Yassen seeks refuge with an old friend, he’s offered an irresistible deal: defend the heir of Ravence from the Arohassin, and earn his freedom. Elena Ravence prepares to ascend the throne. Trained since birth in statecraft, warfare, and the desert ways, Elena knows she is ready. She only lacks one thing: the ability to hold Fire. With the coronation only weeks away, she must learn quickly or lose her kingdom.Leo Ravence is not ready to give up the crown. There’s still too much work to be done, too many battles to be won. But when an ancient prophecy threatens to undo his lifetime of work, Leo wages war on the heavens themselves to protect his legacy.The first of The Ravence Trilogy, The Boy with Fire is the tale of a world teetering on the edge of war and prophecy, of fate and betrayal, of man’s irrevocable greed for power — and the sacrifices that must come with it.