Drawing on four decades of work and including new poems published here for the first time, this selection of Mei-mei Berssenbrugge’s poetry displays the extraordinary luminosity characteristic of her style—its delicate, meticulous observation, great scenic imagination, and unusual degree of comfort with states of indetermination, contingency, and flux.

    Have you ever felt likeyou’re floating in space?Have you ever felt likeyour body suddenly loses its weightand your mind wanders aroundto a place where infinity seems possible?Have you ever been in love?

    Linda Pastan writes, "the art that mattered / was the life led fully / stanza by swollen stanza." That life is portrayed here, from memories of the poet's earliest childhood and the ambiguities of marriage and love to the surprises that come with age, always with a consciousness of what is happening in the larger world.

    BIG everywhere and in every way. A young and inexperienced college student, assigned to interview him for the university newspaper. Sparks fly when all-star Stone Jacobs meets his sweet Olivia. Stone… “I know I should leave her alone. It’s best to just walk away. I have a hundred and sixty-eight games to play all over the country. I’m under contract. I can’t get distracted by some little college girl. But Olivia isn’t just any girl. She’s the prettiest, sweetest, most innocent and submissive girl I’ve ever met. Something about her awakens all of my daddy instincts. I can’t resist. She shreds all my defenses. I have to be careful, though. She needs to focus on school. She’s worked hard to get where she’s at. She doesn’t need some athlete to derail her plans. Besides, I’m not sure she can handle me. She’s never been with a man. If I’m her first…well, poor girl. I can’t just decimate her and then leave her. I have to stay strong. I must resist.” Olivia… “Stone is the most gorgeous man I’ve ever seen. The way he looks in that baseball uniform. The way those muscles ripple just beneath the fabric. Yes, please. Yummy. Surely he doesn’t want me, though. I’m the poor girl from the wrong-side-of-the-tracks. A Plain Jane that all the guys overlook. But there seems to be something to this. He’s protective toward me. Almost paternal. If I didn’t know any better, I’d say loving! One thing I know—Stone is the man of my dreams. I want him to be my first. Even if he has to leave me afterward and we go on with our separate lives, I need Stone Jacobs to take me, to break me in. I need to experience him.” Spring Training is a fast moving, Insta-love romance. It is a standalone story with a guaranteed HEA and a hot, caring yet stern Alpha Daddy and a sweet, inexperienced, never-been-touched young woman. It features consenting adults and contains DDlg themes and light spanking (but is NOT an Age Play, ABDL tale). With plenty of steamy scenes, this one is strictly for ADULTS ONLY.

    Blinded in the accident, she hires a "seeing-eye guy" as her assistant. On her first day back she gets emails from "Dad," asking her to find and upload computer files. But the emailer isn't the only one who wants whatever's in those files, and suddenly people around her start dying violently. Tess wonders how much her Uncle Travis, a former assassin for the Army Special Forces, knows about the files. He returned from a mission a year earlier to guard the family from a potential threat. And since he was on watch at the time, she also wonders what he knows about the accident that took both her sight and her parents' lives. In a race against time, Tess and her companion Oliver must learn the secret of the mysterious computer files before the killers stalking her get their hands on technology that could change the balance of world power.

    Yet all she wants is to get into Yale, far away from everyone, the incidents, the heartbreaker and the bullies. Four popular boys, suspicious about Lana, reignite an old bet that her 'true' self will be exposed as time goes on.One night in Lana's life changes everything. The only people to help her are her tormentors. This causes the boys to have more questions, fights, and arguments more frequently. The more people involved, the more questions arise, secrets reveal themselves, trust is shattered, feelings become blurred and friendship is ripped apart. While Lana sees, the good and forgives easily, others search for the bad to try and defeat it. People cross our path for a reason but for a second chance, it does not always mean to have a happy ending.

    Ada Limon's first full-length poetry book--startling and funny--Limon is a poet to keep your eye on.

    With one foot firmly grounded in the everyday and the other hovering in the air, his poems braid dream and reality into a poetry that is both dark and buoyant. Cultural icons as diverse as Fela Kuti, Harriet Tubman, and Wallace Stevens appear with meditations on desire and history. We see Hayes testing the line between story and song in a series of stunning poems inspired by the Pecha Kucha, a Japanese presenta­tion format. This innovative collection presents the light- headedness of a mind trying to pull against gravity and time. Fueled by an imagination that enlightens, delights, and ignites, Lighthead leaves us illuminated and scorched.

    This wonderful work starts with "As virtuous men pass mildly away" and ends with "And makes me end where I begun."

    Here the Irish experience is refracted through images drawn from different parts of the Northern European experience, and the idea of the north allows the poet to contemplate the violence on his home ground in relation to memories of the Scandinavian and English invasions which have marked Irish history so indelibly.

    Take Me With You, illustrated throughout with evocative line drawings by Sarah J. Coleman, is small enough to fit in your bag, with messages that are big enough to wake even the sleepiest heart. Divided into three sections (love, the world, and becoming) of one liners, couplets, greatest hits phrases, and longer form poems, it has something for everyone, and will be placed in stockings, lockers, and the hands of anyone who could use its wisdom.

    They ring with the unmistakable clarity of genius, with majesty of language, splendor and wealth of detail, and with the deep conviction of a powerful mind. Milton's masterpieces reflect the light of a many-faceted tradition; the intellectual freedom of Greek classicism, the moral passion of Hebrew prophets, the Protestant sense of an abiding religious belief.Here is the ageless art, vital throughout the centuries, of the Puritan who undertook to "explain the ways of God to man."The new annotations for this Mentor edition include the more interesting textual variations of the poems; and record, for the first time in any edition, the far-flung repetitions of phrases, and the scattered fixed epithets, within (and between) Paradise Lost and Samson Agonistes.

    Grit, trial, and song thrum through tight syntax and deft prosody. From the resilient pulse of an abandoned machine to the sinuous lament of origami animals, here is the ever-changing hum that vibrates through us all, connecting one mind to the next.

    With passion and wit, Mary Oliver skillfully imparts expertise from her long, celebrated career as a disguised poet. She walks readers through exactly how a poem is built, from meter and rhyme, to form and diction, to sound and sense, drawing on poems by Robert Frost, Elizabeth Bishop, and others. This handbook is an invaluable glimpse into Oliver’s prolific mind??—??a must-have for all poetry-lovers.

    A great woman poet in second half of American century, she broke barriers of race-class identity, delivered a major body of verse brilliant in its particularity." – Allen Ginsberg"With di Prima's selected poems, Pieces of a Song . . . we have a chance to examine the powerful gifts this deeply imaginative poet has to offer us . . . ." —Jack Foley, Poetry Previews (website)"A prolific writer generally associated with the Beat Generation, di Prima deserves wider recognition." —Library Journal"She is not about to be regarded merely as a literary figurehead, but as an ongoing contributor to the arts—a presence whose voice continues to positively impact those who listen, as it has for the last half-century." —Verbicide MagazineFeminist Beat poet Diane di Prima was born in Brooklyn, New York. She attended Swarthmore College for two years before moving to Greenwich Village in Manhattan and becoming a writer in the emerging Beat movement. There, she developed friendships with poets Amiri Baraka, Allen Ginsberg, Jack Kerouac, Frank O'Hara, and Audre Lorde. After joining Timothy Leary's intentional community in upstate New York, she moved to San Francisco in 1968. One of her collections of poetry, The Poetry Deal, is also published by City Lights Publishers. Di Prima was named Poet Laureate of San Francisco in 2009. She has been awarded the National Poetry Association’s Lifetime Service Award and the Fred Cody Award for Lifetime Achievement and has also received grants from the National Endowment for the Arts, the Committee on Poetry, the Lapis Foundation, and the Institute for Aesthetic Development. St. Lawrence University granted her an honorary doctorate.