Tyrannized by Bloody Mary and the Virgin Queen, the sisters feared love was unthinkable —and the scaffold all but unavoidable...Raised to fear her royal blood and what it might lead men to do in her name, Mary Grey dreads what will become of herself and her elder sisters under the reigns of Mary Tudor and Elizabeth I. On their honor, they have no designs on the crown, yet are condemned to solitude, forbidden to wed. Though Mary, accustomed to dwelling in the shadows, the subject of whispers, may never catch the eye of a gentleman, her beautiful and brilliant sisters long for freedoms that would surely cost their lives. And so, wizened for her years, Mary can only hope for divine providence amid a bleak present and a future at the whim of the throne — unless destiny gains the upper hand.A gripping and bittersweet tale of broken families and broken hearts, courage and conviction, The Queen's Rivals recounts an astonishing chapter in the hard-won battle for the Tudor throne.

    With More as her affectionate guardian, Honor grows to womanhood, when the glitter of the royal court lures her to attend Her Majesty, Queen Catherine of Aragon. But life at Henry VIII’s court holds more than artifice for an intelligent observer, and Honor knows how to watch—and when to act. . . .Angered by the humiliation heaped upon her mistress as Henry cavorts with Anne Boleyn and presses Rome for a divorce, Honor volunteers to carry letters to the Queen’s allies. It’s a risky game, but Honor is sure she’s playing it well—until she’s proved wrong. Richard Thornleigh may cut a dashing figure at court, but Honor isn’t taken in by his reckless charm. Only later does Honor realize that Richard has awakened something within her—and that he, too, has something to hide. . . For the King’s actions are merely one knot in a twisted web that stretches across Europe, ensnaring everyone from the lowliest of peasants to the most powerful of nobles. Swept away in a tide of intrigue and danger, the Queen’s lady is about to learn everything: about pride, passion, greed—and the conscience of the King. . . .

    Daughter of a well-bred lady and a strolling player, she lived her early years in peaceful obscurity. But then her father died-and her new stepfather wanted none of her. So she was sent to her aunt, Kat Ashley-governess to the young Elizabeth Tudor.In the tumultuous household of the princess in exile, Eloise finds her destiny- best friend, confidante, lady-in-waiting, and favored seamstress of the fiery girl who would become the greatest monarch of all time.Through a decade of plots and counter-plots, tragedies and triumphs, Eloise, like her aunt, is a constant in Elizabeth's life. Risking her heart- and her head-in service to the cause of seeing Elizabeth on the throne, Eloise is a bright, brave, sprightly witness to history. This is her story.

    It is never certain when one might rise, or precariously fall, out of royal favor. When her distant father, Henry VIII, dies, the future brightens for Elizabeth. She is able to set up a home with Henry's last wife, Katherine Parr who now has a new husband, Tom Seymour. Tom, however, is playing a risky game. Marrying a widowed queen is one thing, flirting with the King's daughter and second in line to the throne is another. As the adolescent Elizabeth finds herself dangerously attracted to him, danger encroaches upon herself and the kingdom...

    Abandoned by the Romans, rebuilt by the Saxons, occupied by the Vikings and reconstructed by the Normans, London would become the largest trade and financial center, dominating the world in later centuries. London has always been a brilliant, vibrant and eclectic place Henry V was given a triumphal procession after his return from Agincourt and the Lord Mayor s river pageant was a medieval annual spectacular. William the Conqueror built the Tower, Thomas Becket was born in Cheapside, Wat Tyler led the peasants in revolt across London Bridge, Chaucer made a living and a name for himself, and a century later his Canterbury Tales was the first book produced on Caxton s new printing press in Westminster.But beneath the color and pageantry lay dirt, discomfort and disease, the daily grind for ordinary folk. Like us, they had family problems, work worries, health concerns and wondered about the weather.

    Think of Hamlet, trapped in indecision, or Macbeth’s merciless and ultimately self-destructive ambition, or the Machiavellian rise and short reign of Richard III. They are so vital, so alive and real that we can see aspects of ourselves in them. But their world was at once familiar and nothing like our own. In this brilliant work of historical reconstruction Neil MacGregor and his team at the British Museum, working together in a landmark collaboration with the Royal Shakespeare Company and the BBC, bring us twenty objects that capture the essence of Shakespeare’s universe. A perfect complement to A History of the World in 100 Objects, MacGregor’s landmark New York Times bestseller, Shakespeare’s Restless World highlights a turning point in human history. This magnificent book, illustrated throughout with more than one hundred vibrant color photographs, invites you to travel back in history and to touch, smell, and feel what life was like at that pivotal moment, when humankind leaped into the modern age. This was an exhilarating time when discoveries in science and technology altered the parameters of the known world. Sir Francis Drake’s circumnavigation map allows us to imagine the age of exploration from the point of view of one of its most ambitious navigators. A bishop’s cup captures the most sacred and divisive act in Christendom. With A History of the World in 100 Objects, MacGregor pioneered a new way of telling history through artifacts. Now he trains his eye closer to home, on a subject that has mesmerized him since childhood, and lets us see Shakespeare and his world in a whole new light.

    As Season 3 of the award-winning TV series opens, it is 1920 and Downton Abbey is waking up to a world changed forever by World War I. New characters arrive and new intrigues thrive as the old social order is challenged by new expectations.In this new era, different family members abound (including Cora's American mother, played by Shirley MacLaine) and changed dynamics need to be resolved: Which branch of the family tree will Lord Grantham's first grandchild belong to? What will become of the servants, both old and new?The Chronicles of Downton Abbey, carefully pieced together at the heart and hearth of the ancestral home of the Crawleys, takes us deeper into the story of every important member of the Downton estate.This lavish, entirely new book from Jessica Fellowes focuses on each character individually, examining their motivations, their actions, and the inspirations behind them. An evocative combination of story, history, and behind-the-scenes drama, it will bring fans even closer to the secret, beating heart of the house.

    Above all, the burning alive of more than 280 men and women for their religious beliefs seared the rule of “Bloody Mary” into the protestant imagination as an alien aberration in the onward and upward march of the English-speaking peoples.In this controversial reassessment, the renowned reformation historian Eamon Duffy argues that Mary's regime was neither inept nor backward looking. Led by the queen's cousin, Cardinal Reginald Pole, Mary’s church dramatically reversed the religious revolution imposed under the child king Edward VI. Inspired by the values of the European Counter-Reformation, the cardinal and the queen reinstated the papacy and launched an effective propaganda campaign through pulpit and press.Even the most notorious aspect of the regime, the burnings, proved devastatingly effective. Only the death of the childless queen and her cardinal on the same day in November 1558 brought the protestant Elizabeth to the throne, thereby changing the course of English history.

    This book explores the court of Henry VIII, offering you a unique glimpse into the life of England's most famous king and his six queens, while also describing the lives of the men and women who carved out successful careers serving at court. • What was the difference between the Privy Chamber and Privy Council?• What tasks and responsibilities did Ladies-in-Waiting have?• What did the household of a royal infant look like?

    The latest in the best-selling Isms series, which includes Isms: Understanding Art, Isms: Understanding Architectural Styles and Isms: Understanding Religion, is Isms: Understanding Fashion. Concisely written, this book packs loads of detail into a handy small format, tracing the evolution of costume history and fashion through a series of interconnected trends and movements (a.k.a. "isms") from the Greco-Roman toga and the antebellum hoop skirt to the latest from the runway. This guide is organized chronologically and covers the evolution of costume, the beginning of haute couture, and the rise of fashion as we know it— documented throughout with a combination of line drawings, costume illustration, and fashion photography. It includes an overview of designers from the classic—Coco Chanel, Dior—to the contemporary design greats, such as Tom Ford and Marc Jacobs. While the book traces the influences and links between designers, it also includes patrons, from Marie-Antoinette to Jackie Kennedy and Princess Diana, as well as fashion muses from Sarah Bernhardt to Sarah Jessica Parker. Related topics such as accessories and accoutrements are included as well. Anyone interested in costume and fashion will delight in this book.

    As seen in her two previous, highly acclaimed books-Restoration London and Dr. Johnson's London-she has immersed herself in contemporary sources of every kind. She begins with the River Thames, the lifeblood of Elizabethan London. The city, on the north bank of the river, was still largely confined within old Roman walls. Upriver at Westminster were the royal palaces, and between them and the crowded city the mansions of the great and the good commanded the river frontage. She shows us the interior décor of the rich and the not-so-rich, and what they were likely to be growing in their gardens. Then the Londoners of the time take the stage, in all their amazing finery. Plague, small-pox, and other diseases afflicted them. But food and drink, sex and marriage and family life provided comfort, a good education was always useful, and cares could be forgotten in a playhouse or the bear-baiting rings, or watching a good cockfight. Liza Picard's wonderfully skillful and vivid evocation of the London of four hundred years ago enables us to share the delights, as well as the horrors, of the everyday lives of sixteenth century Britain.

    It will appeal to everyone with an interest in fashion as well as students Over 400 photographs and illustrations, many published for the first time, tell the stylish story of a fashion revolution.

    She was as aspirational as her brothers and craved the power and influence which could only be attained as the wife of England’s most powerful man. The fact that he already had a Queen did not deter her; she was focused, she was ruthless and she would let nothing stand in her way.This is the story of Jane Seymour and her rise from obscure country gentlewoman to royal consort.

    Mary Tudor watches her elder brother become King of England and wonders what the future holds for her. Born into great privilege, Mary has beauty and intelligence beyond her years and is the most marriageable princess in Europe. Henry plans to use her marriage to build a powerful alliance against his enemies. Will she dare risk his anger by marrying for love?Meticulously researched and based on actual events, this 'sequel' follows Mary's story from book three of the Tudor Trilogy and is set during the reign of King Henry VIII.

    In fact, right up to the Industrial Revolution the fiber arts were an enormous economic force, belonging primarily to women.Despite the great toil required in making cloth and clothing, most books on ancient history and economics have no information on them. Much of this gap results from the extreme perishability of what women produced, but it seems clear that until now descriptions of prehistoric and early historic cultures have omitted virtually half the picture.Elizabeth Wayland Barber has drawn from data gathered by the most sophisticated new archaeological methods—methods she herself helped to fashion.