When he remarries, a new step-sister enters Molly's quiet life – loveable, but worldly and troubling, Cynthia. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford.Wives and Daughters is far more than a nostalgic evocation of village life; it offers an ironic critique of mid-Victorian society. 'No nineteenth-century novel contains a more devastating rejection than this of the Victorian male assumption of moral authority', writes Pam Morris in her introduction to this new edition, in which she explores the novel's main themes – the role of women, Darwinism and the concept of Englishness – and its literary and social context.

    As Philip Roth follows Kapesh from the domesticity of childhood out into the vast wilderness of erotic possibility, from a ménage à trois in London to the depths of loneliness in New York, Kapesh confronts the central dilemma of pleasure: how to make a truce between dignity and desire; and how to survive the ordeal of an unhallowed existence.

    A playful romp, it is at the same time a serious look at the forces that midwife art, the effects of time and place, and the ordinariness that is found side by side with the extraordinariness of genius.

    It is one of those great unclassifiable masterpieces that appear once every twenty years or so.'It will make you cleverer, maybe even a better lover. Not many novels can do that.' Nicholas Lezard, GQ

    Naturally, she takes their daughters and son with her. The children, however, only make it as far as the train station - and even after returning home remain unaffected by their brief exile. "They ought either to be quieter or more noisy than before," their father thinks, "and it was disconcerting that they seemed to be exactly the same." Frank's routines, however, drift into disorder as he tries desperately to take charge of life at home and work. Even his printing plant is suddenly confronted by the specters of modernization and utter instability. In Penelope Fitzgerald's fiction, affection and remorse are all too often allied, and desire and design seem never to meet. Frank wants little more than a quiet, confident life - something for which he is deeply unsuited, and which Russia certainly will not go out of her way to provide. 'The Beginning of Spring' is filled with echoes of past wrongs and whispers of the revolution to come, even if the author evokes these with abrupt comic brio. (In one disturbance, "A great many shots had hit people for whom they were not intended.") As ever, Fitzgerald makes us care for - and want to know ever more about - her characters, even the minor players. Her two-page description of Frank's chief type compositor, for instance, is a miracle of precision and humor, sympathy and mystery. And the accountant Selwyn Crane - a Tolstoy devotée, self-published poet, and expert at making others feel guilty -is a sublime creation. His appetite for do-gooding is insatiable. After one fit of apparent altriusm, "Selwyn subsided. Now that he saw everything was going well, his mind was turning to his next charitable enterprise. With the terrible aimlessness of the benevolent, he was casting round for a new misfortune." As she evokes her household of tears and laughter, Fitzgerald's prose is as witty as ever, rendering the past present and the modern timeless. - Kerry Fried

    Here, in the dizzying heat of August 1939, five cousins have gathered at their aunt's house for their annual ritual of a holiday. For most of them it is the last summer of their youth, with the heady exhilarations and freedoms of lost innocence, as well as the fears of the coming war.The Camomile Lawn moves from Cornwall to London and back again, over the years, telling the stories of the cousins, their family and their friends, united by shared losses and lovers, by family ties and the absurd conditions imposed by war as their paths cross and recross over the years. Mary Wesley presents an extraordinarily vivid and lively picture of wartime London: the rationing, imaginatively circumvented; the fallen houses; the parties, the new-found comforts of sex, the desperate humour of survival - all of it evoked with warmth, clarity and stunning wit. And through it all, the cousins and their friends try to hold on to the part of themselves that laughed and played dangerous games on that camomile lawn.

    This short novel about a wedding was written in 1932 by a niece of Lytton Strachey and first published by The Hogarth Press.

    Elisabeth, born in 1984, has her eye on the future. The United Kingdom is in pieces, divided by a historic once-in-a-generation summer.Love is won, love is lost. Hope is hand in hand with hopelessness. The seasons roll round, as ever...

    For almost all of those years she has been the clandestine lover to Paul Sheringham, young heir of a neighboring house. The two now meet on an unseasonably warm March day—Mothering Sunday—a day that will change Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, remembers—expands with every vividly captured moment. Her story is one of profound self-discovery, and through her, Graham Swift has created an emotionally soaring, deeply affecting work of fiction.

    He can have his tawdry mistress. She intends to devote herself to the serious business of raising her two children in proper Tory fashion. Then tragedy strikes: the children die, and Sophia, in despair, finds her way to Paris, arriving just in time for the revolution of 1848. Before long she has formed the unlikeliest of close relations with Minna, her husband’s sometime mistress, whose dramatic recitations, based on her hair-raising childhood in czarist Russia, electrify audiences in drawing rooms and on the street alike. Minna, “magnanimous and unscrupulous, fickle, ardent, and interfering,” leads Sophia on a wild adventure through bohemian and revolutionary Paris, in a story that reaches an unforgettable conclusion amidst the bullets, bloodshed, and hope of the barricades.Sylvia Townsend Warner was one of the most original and inventive of twentieth-century English novelists. At once an adventure story, a love story, and a novel of ideas, Summer Will Show is a brilliant reimagining of the possibilities of historical fiction.

    Set in France between 1910 and 1940 and first published in France in 1947, five years after the author’s death, All Our Worldly Goods is a gripping story of war, family life and star-crossed lovers. Pierre and Agnes marry for love against the wishes of his parents and his grandfather, the tyrannical family patriarch. Their marriage provokes a family feud that cascades down the generations. This brilliant novel is full of drama, heartbreak, and the telling observations that have made Némirovsky’s work so beloved and admired.

    Its owner is the mercurial, charismatic Mark Winters, whose rackety trust-fund upbringing has left him as troubled and unpredictable as he is wildly promiscuous. Mark gathers around him an impressionable group of students: glamorous Emmanuella, who always has a new boyfriend in tow; Franny and Simon, best friends and occasional lovers; musician Jess, whose calm exterior hides passionate depths. And James, already damaged by Oxford and looking for a group to belong to. For a time they live in a charmed world of learning and parties and love affairs. But university is no grounding for adult life, and when, years later, tragedy strikes they are entirely unprepared. Universal in its themes of ambition, desire and betrayal, this spellbinding novel reflects the truth that the lessons life teaches often come too late.

    AND HE NEVER ONCE THOUGHT HE'D BE ON HIS OWN. Harry had it all: a beautiful wife, an adorable four-year-old son, and a high-paying media job. But on the eve of his thirtieth birthday, with one irresponsible act, he threw it all away. Suddenly he finds himself an unemployed single father trying to figure out how to wash his son's hair the way Mommy did and whether green spaghetti is proper breakfast food. This brilliantly engaging novel will tug at your heart as Harry learns to become a father to his son and a son to his aging father, takes stabs at finding new love, and makes the hardest decision of his life.

    Blurring the lines between fact and fiction, an unnamed narrator attempts to plot the emotional and physical course of her two-year relationship with a married foreigner where every word, event, and person either provides a connection with her beloved, or is subject to her cold indifference. With courage and exactitude, she seeks the truth behind an existence lived entirely for someone else, and, in the pieces of its aftermath, she is able to find it.

    Sent to the state university to study agronomy, he instead falls in love with English literature and embraces a scholar’s life, so different from the hardscrabble existence he has known. And yet as the years pass, Stoner encounters a succession of disappointments: marriage into a “proper” family estranges him from his parents; his career is stymied; his wife and daughter turn coldly away from him; a transforming experience of new love ends under threat of scandal. Driven ever deeper within himself, Stoner rediscovers the stoic silence of his forebears and confronts an essential solitude.John Williams’s luminous and deeply moving novel is a work of quiet perfection. William Stoner emerges from it not only as an archetypal American, but as an unlikely existential hero, standing, like a figure in a painting by Edward Hopper, in stark relief against an unforgiving world.