. .Sixteen-year-old Phoebe Pope has enrolled at the Campus Below: a spy academy for shape-shifters hidden deep beneath the grounds of a boarding school whose humans unknowingly protect it. There, thanks to a carefully planned schedule, she leads a double life: spy trainee Below and normal teenager Above.As if two course loads, concealing a secret power she alone wields, and coping with her father’s recent death weren’t enough, Phoebe finds herself developing major feelings for actor and teen heartthrob Colten Chase, who attends the Campus Above and appears to be majoring in winning Phoebe’s heart. But when officials learn that Phoebe may be at the center of a startling prophecy, she becomes the target of shape-shifting assassins who will stop at nothing to suppress the truth.Now Phoebe’s lessons about Shaper’s enemies and spycraft take on great importance as a menace stalks the campus, with Phoebe as its target. Meanwhile, what began as an unlikely relationship with Colten, quickly morphs into heartache when she suspects that something sinister lurks beneath this movie star’s glitter and fame. Suddenly, Phoebe’s caught in a mesh of lies, betrayals, and danger where she doesn’t know who to trust, and needs to rely on herself—and her secret power—to get to the truth and to stay alive.

    Her ailing grandmother, who raised her when she was orphaned as a child, has always been a formidable figure in her life, and this is hardly a welcome summons.When Meg arrives at the ramshackle old homestead, she learns that the place is up for sale. She is expected to care for the property with its extensive garden, while packing up the contents of the house. As she begins the arduous work of bringing the grand old homestead back to its former glory, she is forced to examine the question that has plagued her all her life – why nobody loved her as a child.As the house unfolds the history of an earlier age, it also spills out secrets Meg had never imagined – in particular, the discovery of an aunt she never knew, her mother’s twin sister, Iris. The discovery brings horror in its wake, as Meg learns the secrets of the missing girl and the truth behind a wicked heart where love simply never existed. The more she uncovers, the more questions she has. With her grandmother unwilling to share what she knows, Meg must seek out the truth for herself.Set against the stunning backdrop of the Australian bush in summer, with the ever-present threat of bushfire at its back, this is a highly evocative story of secrets and betrayal from the bestselling author of Croc Country.

    The absurdity of both life and death are on full display; in "Zombies," the best and brightest of a high school prep school become tragically addicted to the latest drug craze: electric shocks from cardiac defibrillators. In "Knock, Knock," a son hopes to tell one last off-color joke to a father in his final moments, while in "Tunnel of Love," a massage therapist runs the curious practice of providing 'relief' to dying clients. And in "Expedition," fans will be thrilled to find to see a side of Tyler Durden never seen before in a precursor story to Fight Club.Funny, caustic, bizarre, poignant; these stories represent everything readers have come to love and expect from Chuck Palahniuk. They have all the impact of a sharp blow to the solar plexus, with considerable collateral damage to the funny bone.

    These eleven stories showcase Kyle’s keen eye for character, her humor, and her uncanny grasp of the loneliness, selfishness, and longing that underlie female experience. In "Nine," a young girl given to exaggeration escapes a humiliating ninth birthday celebration with the help of her father’s new girlfriend. The dubious benefits of sleeping with one’s boss are revealed when a bookstore manager defends an employee from an irate customer in the hilarious "Sex Scenes from a Chain Bookstore." A raid on a neighbor’s meth lab strengthens the unlikely friendship between a solitary woman and a Goth teenage girl in "Boys and Girls Like You and Me." And in a notable exception to the rule, "Captain’s Club" features a boy whose devotion to a lonely woman transforms his cruise vacation.In moments electric with sudden harmony or ruthless indifference, the girls and women in this collection provoke, beguile, and entertain. Writing with remarkable tenderness and wisdom, Kyle gives us a collection radiant with bittersweet revelations and startling insights, and secures her reputation as a major young talent.

    But Coco's overbearing mother has other plans and resumes her campaign for Coco to meet and marry the 'right sort of man', preferably Kenneth, son of her best friends Adrian and Yvonne Rosebury, who will be joining them for Christmas.As snow falls softly over the city, and Coco tries to juggle a series of hilarious events, the stage is set for a Christmas lunch like no other.

    Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources, and the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

    Then an enigmatic young nanny named Missy introduces him to a world he never knew existed.

    Broken bowls, belligerent cows, swanky aubergines, trembling moonrises and horrifying sunsets, the physical world depicted in these stories is unsettling yet intimately familiar and soon takes on a life of its own. Captivated by the stellar charms of seclusion but restless with desire, the woman’s relationship with her surroundings becomes boundless and increasingly bewildering. Claire-Louise Bennett’s startlingly original first collection slips effortlessly between worlds and is by turns darkly funny and deeply moving.

    Things get complicated when Skye meets a charming new classmate, Drake. Skye’s job becomes even trickier when she clashes with Jane, an intimidating rival witch.Drake falls for the mysterious Skye, but odd accidents, potion mix-ups, and the occasional brush with death kind of get in the way of romance. Once he discovers Skye is a witch, he goes to war for her, even though his only weapons are a nice set of abs and a sharp sense of humor.Fighting off wicked Jane and the other dark forces hell-bent on seizing the Singularity's immense power, Skye and Drake will risk everything to save the covens.Going on a date has never been harder.

     Harried Dani can't explain why she feels so discontented until she meets a young gallery owner who inspires her to rediscover the art that once made her happy. Dependable Meg faces up to a grief that threatens to swallow her whole and confronts a marriage built on expectations. Flamboyant Charlotte, frustrated with her stagnated life and marriage, pursues a playboy Irish singer and beachside business opportunities. All three of these women thought they would be different. None of them thought they'd be facing down forty and still wondering when life starts. What they do when they realize where they're headed is both inspiring and wildly entertaining. GIRLS' WEEKEND is a fun, yet poignant romp through the universal search of who we are, why we love, and what makes us happy by an author who is quickly emerging as one of our most incisive storytellers. “By page three, I was hooked.  If I could have, I would have read it in one sitting.” – When I Grow Up “Mom lit at its finest!” – Mommy’s New Groove “I really loved this story.” – Country Girl Bookaholic “Had I known I’d still be sitting in my favorite chair at 2am, racing to the finish, I probably would have put on my pajamas before I started. (Sometime before lunch…) Yeppers, it was that good. It was compelling, touching, and a bit soul-searching. Oh, and it was fun, too.” – Momma on the Rocks

    Over time, he brings out the woman that the harsh prairie made her forget she once was, and soon she falls in love with him.But will he stay with her...in her time...or will he return to the future?This book is approximately 20,000 words long and is rated R.

    Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

    And in the title story, a stunning meditation on imagination, memory, and loss, a middle-aged cancer patient walks into the woods to commit suicide, only to encounter a troubled young boy who, over the course of a fateful morning, gives the dying man a final chance to recall who he really is. A hapless, deluded owner of an antique store; two mothers struggling to do the right thing; a teenage girl whose idealism is challenged by a brutal brush with reality; a man tormented by a series of pharmaceutical experiments that force him to lust, to love, to kill—the unforgettable characters that populate the pages of Tenth of December are vividly and lovingly infused with Saunders' signature blend of exuberant prose, deep humanity, and stylistic innovation.Writing brilliantly and profoundly about class, sex, love, loss, work, despair, and war, Saunders cuts to the core of the contemporary experience. These stories take on the big questions and explore the fault lines of our own morality, delving into the questions of what makes us good and what makes us human.Unsettling, insightful, and hilarious, the stories in Tenth of December—through their manic energy, their focus on what is redeemable in human beings, and their generosity of spirit—not only entertain and delight; they fulfill Chekhov's dictum that art should "prepare us for tenderness."

    And it has a pest problem. A very big pest problem.Originally published on Reflection's Edge.com, Vermin is classic horror designed to get under your skin. Read it with the lights on. And a can of Raid.

    For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to the twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected -- and most popular -- of its kind.This year's Best American Short Stories features a rich mix of voices, from both intriguing new writers and established masters of the form like Michael Chabon, Edwidge Danticat, Richard Ford, Jhumpa Lahiri, and Arthur Miller. The 2002 collection includes stories about everything from illicit love affairs to family, the immigrant experience and badly behaved children -- stories varied in subject but unified in their power and humanity. In the words of this year's guest editor, the best-selling author Sue Miller, "The American short story today [is] healthy and strong . . . These stories arrived in the nick of time . . . to teach me once more what we read fiction for."Foreword --Introduction / Sue Miller --Along the frontage road / Michael Chabon --The sugar-tit / Carolyn Cooke --The red ant house / Ann Cummins --Seven / Edwidge Danticat --A house on the plains / E.L. Doctorow --Puppy / Richard Ford --The heifer / Melissa Hardy --Zilkowski's theorem / Karl Iagnemma --Nobody's business / Jhumpa Lahiri --Digging / Beth Lordan --In case we're separated / Alice Mattison --Billy goats / Jill McCorkle --Watermelon days / Tom McNeal --Nachman from Los Angeles / Leonard Michaels --Bulldog / Arthur Miller --The rug / Meg Mullins --Family furnishings / Alice Munro --Surrounded by sleep / Akhil Sharma --Love and hydrogen / Jim Shepard --Aftermath / Mary Yukari Waters --Contributor's notes --100 other distinguished stories of 2001 --Editorial addresses of American and Canadian magazines publishing short stories