Ellen Datlow and Terri Windling continue their critically acclaimed and award-winning tradition with another stunning collection of stories. The fiction and poetry here is culled from an exhaustive survey of the field, nearly four dozen stories ranging from fairy tales to gothic horror, from magical realism to dark tales in the Grand Guignol style. Rounding out the volume are the editors' invaluable overviews of the year in fantasy and horror, a new Year's Best section, on comics, by Charles Vess, and on anime and manga, by Joan D. Vinge, and a long list of Honorable Mentions, making this an indispensable reference as well as the best reading available in fantasy and horror.

    These include films: The Irony of Fate, Moscow Does Not Believe in Tears, White Sun of the Desert, Sherlock Holmes and Dr Watson; a novel: The Twelve Chairs; animated cartoons: Hedgehog in the Mist and The Prostokvashino Three; the writer Mikhail Bulgakov; the singer-songwriter Vladimir Vysotsky; stand-up comedians Mikhail Zhvanestky and Mikhail Zadornov; and a character from a fairy tale, Yemelya the Simpleton. The subjects of the chapters were selected for their influence on Russian language and thinking, and also because they reflect Russian attitudes and perceptions. The author brings them to life through her own experiences of, and responses to, these modern icons. This book, though invaluable for students of Russian, is for everyone interested in Russian language and culture, and explains why certain references and attitudes continue to permeate everyday life. Olga Fedina grew up in Moscow in the turbulent late-Soviet and immediately post-Soviet years, graduating from the Department of Journalism of Moscow State University. She subsequently lived for a decade in London and is currently based in Valencia, Spain. She sometimes misses her homeland, and this book expresses some of the unique aspects of Russia and the Russians that she always carries with her.

    Get Andrius and Violet's story in one set, with the added bonus of Justina's story in The Rescue.Violet: I saw a possible threat; he saw a victim in waitingAndrius: I’m the man they all fear. King of the murky world in which I live. A Bratva hitman with no mercy. Then she comes along, courtesy of a mob boss with no morals. She’s given to me. A gift... mine. To own, to keep. To do with as I please. With blonde hair, and violet eyes, and an innocence begging to be tarnished, she torments me. But she's so much more than a temptation sent to ruin me. More than I ever imagined. As our secrets unravel, I vow to get to the bottom of this...This beautiful, mysterious, and broken gift. Because now she belongs to me. Please be aware this is a dark romance.

    This is such a story. Brian Grover was a brilliant, young engineer who seemed to have everything. His parents wanted him to join the army and settle down, but he had other ideas. In 1931, in a move that was to dramatically change the course of his life, he fled to Russia seeking fortune and adventure. Set against a background of political and social turmoil, this heart-warming and exquisitely written true story of one man's courage, bravery, and unswerving determination to be with the woman he loved is an inspiration and a delight.

    An illustrated collection of poems for very young children, including works by Robert Louis Stevenson, Edward Lear, Shel Silverstein, and Jack Prelutsky.

    Originating in the wild imagination of French poet and playwright Alfred Jarry and his schoolmates, resisting clear definition, purposefully useless, and almost impossible to understand, 'pataphysics nevertheless lies around the roots of Absurdism, Dada, futurism, surrealism, situationism, and other key cultural developments of the twentieth century. In this account of the evolution and influence of 'pataphysics, Andrew Hugill offers an informed exposition of a rich and difficult territory, staying aloft on a tightrope stretched between the twin dangers of oversimplifying a serious subject and taking a joke too seriously. Drawing on more than twenty-five years' research, Hugill maps the 'pataphysical presence (partly conscious and acknowledged but largely unconscious and unacknowledged) in literature, theater, music, the visual arts, and the culture at large, and even detects 'pataphysical influence in the social sciences and the sciences. He offers many substantial excerpts (in English translation) from primary sources, intercalated with a thorough explication of key themes and events of 'pataphysical history. In a Jarryesque touch, he provides these in reverse chronological order, beginning with a survey of 'pataphysics in the digital age and working backward to Jarry and beyond. He looks specifically at the work of Jean Baudrillard, Georges Perec, Italo Calvino, J. G. Ballard, Asger Jorn, Gilles Deleuze, Roger Shattuck, Jacques Pr?vert, Antonin Artaud, Ren? Clair, the Marx Brothers, Joan Mir?, Max Ernst, Marcel Duchamp, James Joyce, Flann O'Brien, Raymond Roussel, Jean-Pierre Brisset, and many others.

    Poems: Rilke contains poems from The Book of Images; New Poems; Requiem for a Friend; Poems, 1906-1926; French Poems; The Life of Mary; Sonnets to Orpheus; The Duino Elegies; Letters to a Young Poet; and an index of first lines.

    

    Katya Ivanova is a young pilot in a far-flung military academy in the Ural Mountains. From childhood, she’s dreamed of taking to the skies to escape her bleak mountain life. With the Nazis on the march across Europe, she is called on to use her wings to serve her country in its darkest hour. Not even the entreaties of her new husband—a sensitive artist who fears for her safety—can dissuade her from doing her part as a proud daughter of Russia.After years of arduous training, Katya is assigned to the 588th Night Bomber Regiment—one of the only Soviet air units composed entirely of women. The Germans quickly learn to fear nocturnal raids by the daring fliers they call “Night Witches.” But the brutal campaign will exact a bitter toll on Katya and her sisters-in-arms. When the smoke of war clears, nothing will ever be the same—and one of Russia’s most decorated military heroines will face the most agonizing choice of all.

    To find each work in the anthology, you must go to the "Go To" section of your Nook, and then select "Chapter." It might get a blank screen--if it does, then hit the page forward button and the work will appear. Nikolai Gogol is considered the fathern of modern Russian realism; collected here are his best known works.Works include:Dead SoulsThe Inspector-GeneralTaras Bulba, et. al

    Readers and critics were enchanted; as NPR commented, “Towles writes with grace and verve about the mores and manners of a society on the cusp of radical change.”A Gentleman in Moscow immerses us in another elegantly drawn era with the story of Count Alexander Rostov. When, in 1922, he is deemed an unrepentant aristocrat by a Bolshevik tribunal, the count is sentenced to house arrest in the Metropol, a grand hotel across the street from the Kremlin. Rostov, an indomitable man of erudition and wit, has never worked a day in his life, and must now live in an attic room while some of the most tumultuous decades in Russian history are unfolding outside the hotel’s doors. Unexpectedly, his reduced circumstances provide him a doorway into a much larger world of emotional discovery.Brimming with humour, a glittering cast of characters, and one beautifully rendered scene after another, this singular novel casts a spell as it relates the count’s endeavour to gain a deeper understanding of what it means to be a man of purpose.

    The critically acclaimed and award-winning tradition continues with another stunning collection, including stories by Jack Cady, Ramsey Campbell, Susanna Clarke, Jack Dann, Terry Dowling, Dennis Etchison, Greer Gilman, Nalo Hopkinson, Kelly Link, Kathe Koja, Paul J. McAuley, Delia Sherman. Rounding out the volume are the editors' invaluable overviews of the year in fantasy and horror, and a long list of Honorable Mentions, making this an indispensable reference as well as the best reading available in fantasy and horror.

    Tsvetaeva's poetry was often of a very passionate and almost obsessive nature. She writes of unrequited love and heartbreak, of her admiration for other writers, of the devastation of war, and of her generally troubled life. Nonetheless, she is always able to contain this raw emotion in an extremely rigorous and disciplined form, unique only to her. Especially in her later poetry, frequent enjambments, inner rhymes, short lines, word play, and numerous allusions dominate her work. In this dual-language selection, Andrey Kneller offers his attempts to capture this distinctive style of Marina Tsvetaeva's poetry by preserving both the message and the music of the originals.

    Code samples are mainly in VisualBasic.NET but, where appropriate, there are examples in C#. A special reference section covers the .NET framework.

    It is the first book-length collection by an accomplished, original voice. Sunday mornings are never going to be the same again."The voice is laconic and composed but its images come off these pages resonant (more than resonant, shaking) with their own newness." -- Don Coles