But as the study moves from the exam room to the real world, the line between what is real and what is one of Dr. Shields’s experiments blurs.Dr. Shields seems to know what Jess is thinking… and what she’s hiding.Jessica’s behavior will not only be monitored, but manipulated.Caught in a web of attraction, deceit and jealousy, Jess quickly learns that some obsessions can be deadly.From the authors of the blockbuster bestseller The Wife Between Us, Greer Hendricks and Sarah Pekkanen, An Anonymous Girl will keep you riveted through the last shocking twist.

    Coming of age in Detroit, she can’t imagine settling for a 9-to-5 job—despite her unusual looks, Opal believes she can be a star. So when the aspiring British singer/songwriter Neville Charles discovers her at a bar’s amateur night, she takes him up on his offer to make rock music together for the fledgling Rivington Records.In early seventies New York City, just as she’s finding her niche as part of a flamboyant and funky creative scene, a rival band signed to her label brandishes a Confederate flag at a promotional concert. Opal’s bold protest and the violence that ensues set off a chain of events that will not only change the lives of those she loves, but also be a deadly reminder that repercussions are always harsher for women, especially black women, who dare to speak their truth.Decades later, as Opal considers a 2016 reunion with Nev, music journalist S. Sunny Shelton seizes the chance to curate an oral history about her idols. Sunny thought she knew most of the stories leading up to the cult duo’s most politicized chapter. But as her interviews dig deeper, a nasty new allegation from an unexpected source threatens to blow up everything.Provocative and chilling, The Final Revival of Opal & Nev features a backup chorus of unforgettable voices, a heroine the likes of which we’ve not seen in storytelling, and a daring structure, and introduces a bold new voice in contemporary fiction.

    . .Kerris Moreton knows how to make things work. Bounced from foster home to foster home as a kid, she adapted; when opportunity arose, she thrived. Now, about to open her own business and accept a marriage proposal, Kerris is ready to build the life she's always wanted. The only thing missing? A passionate connection with her would-be fiancé, Cam. Kerris wants to believe that sparks are overrated-until Walsh Bennett lights her up like the Fourth of July.. . . but what about love?As one of the East Coast's most eligible bachelors, Walsh enjoys financial independence, fulfilling work with his family's nonprofit, and plenty of female attention. But lately he's been distracted by the one woman he can't have. Lovely to look at and even sweeter to know, Kerris is the soul mate Walsh never thought he would find. The problem is, his best friend found her first . . .Approx: 50K words.

    But when he meets Callie, he can't help being drawn to her. In Callie, he sees a second chance at life. And in Joel, Callie discovers the kind of love she'd always hoped was real. They challenge one another to take chances, to laugh, and to trust that no matter how hard each falls, the other will be there to catch them.But Joel has a secret. He dreams about the people he loves, and these dreams always come true. One night, Joel has the dream of Callie he's feared the most, and each must decide: Can Callie stay, knowing her fate? And if her days must be numbered, is there a life she is meant to live?Told in Joel and Callie's voices, The Sight of You is a sweeping, romantic, and unforgettable American debut, about the bravery it takes to love, especially when we think we know how the story will end.

    For Rose Enright, enrolling in a prestigious New England boarding school is the opportunity of a lifetime. But for Rose’s vulnerable twin sister Bel, Odell Academy is a place of temptation and danger. When Bel falls in with a crowd of wild rich kids who pressure her into hazing Rose, the sisters’ relationship is shattered. Rose turns to her dorm mother, Sarah Donovan, for advice. But Bel turns to Sarah’s husband Heath, a charismatic and ambitious teacher. Is Heath trying to help Bel or take advantage of her? In a world of privilege, seduction, and manipulation, only one sister will live to tell the truth.In a novel full of twists, turns, and dark secrets, Michele Campbell once again proves her skill at crafting intricately spun and completely compelling plots.Praise for She Was the Quiet One:"Campbell’s skillful characterization and her shocking final twist make this follow-up to It’s Always the Husband well worthwhile. Readers who enjoyed Simone St. James’ boarding-school mystery, The Broken Girls, should give this a try." —Booklist

    But after finding her fiancé in bed with her best friend, she now spends her days performing at children's birthday parties in a ball gown that makes her look like a walking bottle of Pepto Bismol. Willa dreams of starting fresh, where no one knows who she used to be, but first she needs to save up enough money to make it happen.Maisie Mitchell needs something too: another bridesmaid for her wedding. After a chance encounter at a coffee shop, Maisie offers to pay Willa to be in her bridal party. Willa wants nothing to do with weddings--or Maisie--but the money will give her the freedom to start the new life she so badly desires.Willa's bridesmaid duties thrust her into Maisie's high-energy world and into the path of hotshot doctor Liam Rafferty. But as Willa and Maisie form a real friendship, and Liam's annoyingly irresistible smile makes her reconsider her mantra that all men are trash, Willa's exit strategy becomes way more complicated. And when a secret from Maisie's past threatens to derail the wedding, Willa must consider whether friendship--and romance--are worth sticking around for.

    She also knows there's just one other resident her age, Luke. What she does not expect is the love that blossoms between her and Luke even as she resists her new life at Rosalind House. As her disease steals more and more of her memory, Anna fights to hold on to what she knows, including her relationship with Luke.When Eve Bennett is suddenly thrust into the role of single mother she finds herself putting her culinary training to use at Rosalind house. When she meets Anna and Luke she is moved by the bond the pair has forged. But when a tragic incident leads Anna's and Luke's families to separate them, Eve finds herself questioning what she is willing to risk to help them.

    Using her training as a librarian and archivist, Geller collects her mother's documents, diaries, and photographs into a single suitcase and begins on a journey of confronting her family's history and the decisions she's been forced to make, a journey that will end at her mother's home: the Navajo reservation. Geller masterfully intertwines wrenching prose with archival documents to create a deeply moving narrative of loss and inheritance that pays homage to our pasts, traditions, heritage, the family we are given, and the family we choose.

    His shop may be struggling, his only employee is a menace, and his plumbing is one creaky pipe away from disaster, but he can handle it. Maybe. He cannot, however, handle the film company that’s thrown his Soho street into chaos. And he definitely can’t handle the charismatic American actor Blake Sinclair. Which is why he’s extremely reluctant to lease out his shop as a set for Blake's film, but it’s his one opportunity to save his business. Now he can’t get away from the distractingly hot actor. Then Aubrey finds himself alone with Blake in a trailer, and what happens next turns London’s heat wave into an inferno that leaves him breathless.Aubrey is not cut out for the high-profile life of dating a celebrity, especially an American actor who’s not even out yet. Good thing their tryst is absolutely not going anywhere. Of course, when you expect nothing, that’s exactly when it starts to mean everything.

    J. Finn) No Exit—a riveting new psychological page-turner featuring a fierce and unforgettable heroine.Three months ago, Lena Nguyen’s estranged twin sister, Cambry, drove to a remote bridge sixty miles outside of Missoula, Montana, and jumped two hundred feet to her death. At least, that is the official police version.But Lena isn’t buying it.Now she’s come to that very bridge, driving her dead twin’s car and armed with a cassette recorder, determined to find out what really happened by interviewing the highway patrolman who allegedly discovered her sister’s body.Corporal Raymond Raycevic has agreed to meet Lena at the scene. He is sympathetic, forthright, and professional. But his story doesn’t seem to add up. For one thing, he stopped Cambry for speeding a full hour before she supposedly leapt to her death. Then there are the sixteen attempted 911 calls from her cell phone, made in what was unfortunately a dead zone.But perhaps most troubling of all, the state trooper is referred to by name in Cambry’s final enigmatic text to her sister: Please Forgive Me. I couldn’t live with it. Hopefully you can, Officer Raycevic.Lena will do anything to uncover the truth. But as her twin’s final hours come into focus, Lena’s search turns into a harrowing, tooth-and-nail fight for her own survival—one that will test everything she thought she knew about her sister and herself...

    In Shit, Actually, Lindy returns to those roots, re-examining beloved and iconic movies from the past 40 years with an eye toward the big questions of our time: Is Twilight the horniest movie in history? Why do the zebras in The Lion King trust Mufasa-WHO IS A LION-to look out for their best interests? Why did anyone bother making any more movies after The Fugitive achieved perfection? And, my god, why don't any of the women in Love, Actually ever fucking talk?!?!From Forrest Gump, Honey I Shrunk the Kids, and Bad Boys II, to Face/Off, Top Gun, and The Notebook, Lindy combines her razor-sharp wit and trademark humor with a genuine adoration for nostalgic trash to shed new critical light on some of our defining cultural touchstones-the stories we've long been telling ourselves about who we are. At once outrageously funny and piercingly incisive, Shit, Actually reminds us to pause and ask, "How does this movie hold up?", all while teaching us how to laugh at the things we love without ever letting them or ourselves off the hook.Shit, Actually is a love letter and a break-up note all in one: to the films that shaped us and the ones that ruined us. More often than not, Lindy finds, they're one and the same.

    Now conflicting versions of the story may make bringing the truth to light nearly impossible—especially when reputations, relationships, and whole futures are riding on the verdict.

    She feels lost in social situations, saying the wrong thing or acting the wrong way. She just can't read people. She prefers the quiet solitude of books or playing chess to being around others. Apart from Jonathan. She liked being around him, but she hasn't seen him for ten years. Until now that is. And she's not sure he'll want to see her again after what happened all those years ago. Annika Rose likes being alone.Except that, actually, she doesn't like being alone at all.The Girl He Used to Know is an uplifting novel full of surprising revelations that keep you turning the page. Perfect for fans of Jojo Moyes, Gail Honeyman, Jill Santopolo and Sliding Doors.

    Her hilarious and deeply relatable look at the challenges of womanhood in a changing world became a cultural touchstone for women everywhere. Now Guisewite returns with her signature wit and warmth in this debut essay collection about another time of big transition, when everything starts changing and disappearing without permission: aging parents, aging children, aging self stuck in the middle.With her uniquely wry and funny admissions and insights, Guisewite unearths the humor and horror of everything from the mundane (trying to introduce her parents to TiVo and facing four decades' worth of unorganized photos) to the profound (finding a purpose post-retirement, helping parents downsize their lives, and declaring freedrom from all those things that hold us back). No longer confined to the limits of four comic panels, Guisewite holds out her hand in prose form and becomes a reassuring companion for those on the threshold of "what happens next." Heartfelt and humane and always cathartic, Fifty Things That Aren't My Fault is ideal reading for mothers, daughters, and anyone who is caught somewhere in between.

    . . four ways to find true loveCesca Shakespeare has hit rock bottom. Six years after the play she wrote bombed at the box office, she's unable to hold down a job, keep an apartment, and worst of all her family have no idea how far she's fallen. So when her fairy Godfather offers her the use of his friend's Italian villa for the summer, she grudgingly agrees to try writing a new play. That's before she finds out the house belongs to her arch-nemesis, Sam Carlton.When Hollywood heart-throb Sam Carlton sees his name splashed across a gossip rag, all he wants to do is hide. That's how he finds himself traveling to Italy, deciding to spend the summer in his family's empty villa on Lake Como. Except when he arrives it isn't as empty as he'd hoped.Over the course of the hot Italian summer, Cesca and Sam have to come to terms with their pasts. What begins as a tentative friendship quickly grows into an intense attraction - and then a scorching fling. But they can't hide from reality forever . . . as their different worlds collide, Sam and Cesca face a choice: is this just a summer romance, or could their love weather even the coldest winds?A brand new series from the bestselling author of Fix You and the Love in London series.