The detailed mass e-mail to Mike’s family, friends, and clients blows up in her face, and before one can say "instant urban legend," Lacey has become the pariah of her small Kentucky town, a media punch line, and the defendant in Mike’s defamation lawsuit. Her seemingly perfect life up in flames, Lacey retreats to her family’s lakeside cabin, only to encounter an aggravating neighbor named Monroe. A hunky crime novelist with a low tolerance for drama, Monroe is not thrilled about a newly divorced woman moving in next door. But with time, beer, and a screen door to the nose, a cautious friendship develops into something infinitely more satisfying. Lacey has to make a decision about her long-term living arrangements, though. Should she take a job writing caustic divorce newsletters for paying clients, or move on with her own life, pursuing more literary aspirations? Can she find happiness with a man who tells her what he thinks and not what she wants to hear? And will she ever be able to resist saying one . . . last . . . thing?

    He misses the routine of the academic year and has lost his appetite for research. His wife Winifred’s late-flowering career goes from strength to strength, reducing his role to that of escort, while the rejuvenation of her appearance makes him uneasily conscious of the age gap between them. The monotony of his days is relieved only by wearisome journeys to London to check on his aged father who stubbornly refuses to leave the house he is patently unable to live in with safety.But these discontents are nothing compared to the affliction of hearing loss — a constant source of domestic friction and social embarrassment, leading Desmond into mistakes, misunderstandings and follies. It might be comic for others, but for the deaf person himself, it is no joke. It is his deafness which inadvertently involves Desmond with a young woman whose wayward behaviour threatens to destabilize his life completely.

    It is doubtful that Bennett could have made up the eccentric Miss Shepherd if he tried, but his poignant, funny but unsentimental account of their strange relationship is akin to his best fictional screen writing.Bennett concedes that "One seldom was able to do her a good turn without some thoughts of strangulation", but as the plastic bags build up, the years pass by and Miss Shepherd moves into Bennett's driveway, a relationship is established which defines a certain moment in late 20th-century London life which has probably gone forever. The dissenting, liberal, middle-class world of Bennett and his peers comes into hilarious but also telling collision with the world of Miss Shepherd: "there was a gap between our social position and our social obligations. It was in this gap that Miss Shepherd (in her van) was able to live". Bennett recounts Miss Shepherd's bizarre escapades in his inimitable style, from her letter to the Argentinean Embassy at the height of the Falklands War, to her attempts to stand for Parliament and wangle an electric wheelchair out of the Social Services. Beautifully observed, The Lady in the Van is as notable for Bennett's attempts to uncover the enigmatic history of Miss Shepherd, as it is for its amusing account of her eccentric escapades. --Jerry Brotton

    Even if he is gorgeous and successful Calvin Morrisey. Cal knows commitment is impossible, especially with a woman as cranky as Min Dobbs. Even if she does wear great shoes and keeps him on his toes. When they say good-bye at the end of their evening, they cut their losses and agree never to see each other again.But Fate has other plans, and it's not long before Min and Cal meet again. Soon, they're dealing with a jealous ex-boyfriend, Krispy Kreme donuts, a determined psychologist, chaos theory, a freakishly intelligent cat, Chicken Marsala, and more risky propositions than either of them ever dreamed of. Including the biggest gamble of all—true love.

    the phenomenon of false entries within dictionaries and works of reference. Often used as a safeguard against copyright infringement.Peter Winceworth, Victorian lexicographer, is toiling away at the letter S for Swansby's multivolume Encyclopaedic Dictionary. His disaffection compels him to insert unauthorized fictitious entries into the dictionary in an attempt to assert some sense of individual purpose and artistic freedom.In the present day, Mallory, a young intern employed by the publisher, is tasked with uncovering these mountweazels before the work is digitized. She also has to contend with threatening phone calls from an anonymous caller. Is the change in the definition of marriage really that upsetting? And does the caller really intend for the Swansby's staff to 'burn in hell'?As these two narratives combine, both Winceworth and Mallory discover how they might negotiate the complexities of the often nonsensical, relentless, untrustworthy, hoax-strewn, and undefinable path we call life. An exhilarating debut novel from a formidably brilliant young writer, The Liar's Dictionary celebrates the rigidity, fragility, absurdity, and joy of language.

    After unceremoniously dumping everything in her bag in front of the most attractive man she's ever seen in real life, she arrives at her hotel only to realize she's grabbed the wrong suitcase from the airport. Her only consolation? The irresistibly appealing contents of the case: a copy of her favorite book; piano music; and a rugged, heavy knit fisherman sweater only a Ryan Gosling lookalike could pull off. The owner of this suitcase is Laura's dream man--she's sure of it. Now, all she has to do is find him.The mix-up seems written in the stars. After all, what are the odds that she'd find The One on the same remote island where her mom and dad had first fallen in love, especially as she sets out to write an article about their epic romance? Commissioning surly cab driver Ted to ferry her around seems like her best bet in both tracking down the mystery suitcase owner and retracing her parents' footsteps. And if beneath Ted's gruffness lies a wit that makes their cab rides strangely entertaining, so much the better. But as Laura's long-lost luggage soulmate proves difficult to find--and as she realizes that the love story she's held on a pedestal all her life might not have been that perfect--she'll have to rethink her whole outlook on love to discover what she really wants.

    Ted Wallace is an old, sour, womanising, cantankerous, whisky-sodden beast of a failed poet and drama critic, but he has his faults too.Fired from his newspaper, months behind on his alimony payments and disgusted with a world that undervalues him, Ted seeks a few months repose and free drink at Swafford Hall, the country mansion of his old friend Lord Logan.But strange things have been going on at Swafford.  Miracles, Healings, Phenomena beyond the comprehension of a mud-caked hippopotamus like Ted...

    Now I have your attention it would be rude if I didn't tell you a little about my literary feast. So, here is the thing: is it just me or does anyone else find that adulthood offers no refuge from the unexpected horrors, peculiar lack of physical coordination and sometimes unexplained nudity, that accompanied childhood and adolescence? Does everybody struggle with the hazards that accompany, say, sitting elegantly on a bar stool; using chopsticks; pretending to understand the bank crisis; pedicures - surely it's plain wrong for a stranger to fondle your feet? Or is it just me? I am proud to say I have a wealth of awkward experiences - from school days to life as an office temp - and here I offer my 18-year-old self (and I hope you too dear reader) some much needed caution and guidance on how to navigate life's rocky path. Because frankly where is the manual? The much needed manual to life. Well, fret not, for this is my attempt at one and let's call it, because it's fun, a Miran-ual. I thank you.

    Sophie's pretty, she's funny, she has lots of friends and she clearly loves her job as a photographer, despite the sometimes tricky clients. There's just one problem: Sophie has very firmly turned her back on love. It's nothing personal, she tells Josh, but she just doesn't do dates. And no one - even Sophie's scatty best friend Tula - will tell him why. Josh is sure Sophie likes him, though, and he's just got to find out what's put her off romance. And then put things right...

    Despite what David Miliband might think

    Alfred Jones, life is a quiet mixture of civil service at the National Centre for Fisheries Excellence and marriage to Mary—an ambitious, no-nonsense financier. But a strange turn of fate from an unexpected direction forces Jones to upend his existence and spend all of his time in pursuit of another man’s ludicrous dream. Can there be salmon in the Yemen? Science says no. But if resources are limitless and the visionary is inspired, maybe salmon fishing in the Yemen isn’t impossible. Then again, maybe nothing is.

    My Man Jeeves is sure to please anyone with a taste for pithy buffoonery, moronic misunderstandings, gaffes, and aristocratic slapstick.Contents:"Leave It to Jeeves""Jeeves and the Unbidden Guest" "Jeeves and the Hard-boiled Egg" "Absent Treatment""Helping Freddie""Rallying Round Old George""Doing Clarence a Bit of Good""The Aunt and the Sluggard"Of the eight stories in the collection, half feature the popular characters Jeeves and Bertie Wooster, while the others concern Reggie Pepper, an early prototype for Bertie Wooster.Revised versions of all the Jeeves stories in this collection were later published in the 1925 short story collection Carry On, Jeeves. One of the Reggie Pepper stories in this collection was later rewritten as a Jeeves story, which was also included in Carry On, Jeeves.

    After a dairy disaster implodes her carefully crafted career in one fell ploop, she finds herself back home in upstate New York, bailing out her hippie mother and running the family diner.When gorgeous local farmer Leo Maxwell delivers her a lovely bunch of organic walnuts, Roxie wonders if a summer back home isn’t such a bad idea after all. Leo is heavily involved in the sustainable slow food movement, and he likes to take his time. In all things. Roxie is determined to head back to the west coast as soon as summer ends, but will the pull of lazy fireflies and her very own Almanzo Wilder be enough to keep her home for good?Salty. Spicy. Sweet. Nuts. Go on, grab a handful.

    Now, almost three decades after their relationship first blossomed in London, they live more or less happily in the suburbs with their moody seventeen-year-old son, Albie; then Connie tells him she thinks she wants a divorce.The timing couldn’t be worse. Hoping to encourage her son’s artistic interests, Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead with the original plan is for the best anyway. Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage and might even help him bond with Albie.Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves and learning how to get closer to a son who’s always felt like a stranger.

    Jamie, the love of her life, has announced he’s leaving, out of the blue. Jamie is gorgeous, loving, intelligent and perfect for Sam in every way but one – he’s a free spirit. And after six years in one place, doing a job he hates, he is compelled to do something that will destroy his relationship with Sam: book a one way flight to South America. Only Sam isn’t giving up without a fight. With Jamie clearly still in love with her, she hatches a plan to make him realise what he’s giving up. A plan that involves dirty tricks, plotting and a single aim – to win him back. Only, by the time the tortured Jamie finally wakes up to what he’s lost, a gorgeous new pretender has entered Sam’s life. Which begs the question . . . will she still want him back?