If you were a boy named Henri Matisse who lived in a dreary town in northern France, what would your life be like? Would it be full of color and art? Full of lines and dancing figures?Find out in this beautiful, unusual picture book about one of the world's most famous and influential artists by acclaimed author and Newbery Medal-winning Patricia MacLachlan and innovative illustrator Hadley Hooper.A Neal Porter Book

    As a child she roamed the prairie with a sketch pad in her hand, struggling to capture on paper what she saw all around her. At art school she learned to speak in paint on canvas.But Georgia felt confined by city life. She longed for vast expanses of space, and she found it in the red hills and silent deserts of New Mexico.

    Accompanied by stunning original illustrations from the award winning Sandra Dieckmann.  ★★★★★ - absolutely stunning ★★★★★ - perfect for budding artists ★★★★★ - A wonderful resource for parents and teachers. ★★★★★ - the perfect amount of girl power Frida Kahlo was a Mexican painter and today is one of the world's favourite artists. As a child, she was badly affected by polio, and later suffered a terrible accident that left her disabled and in pain. Shortly after this accident, Kahlo took up painting, and through her surreal, symbolic self portraits described the pain she suffered, as well as the treatment of women, and her sadness at not being able to have a child. This book tells the story of Frida Kahlo's life through her own artworks, and shows how she came to create some of the most famous paintings in the world. Learn about her difficult childhood, her love affair with fellow painter Diego Rivera, and the lasting impact her surreal work had on the history of art in this book that brings her life to work.'A thoughtful and colourful biography of one of Mexico’s most prolific artists.' - Kirkus

    She sang before she talked and learned to play piano at a very young age. With the support of her family and community, she received music lessons that introduced her to classical composers like Bach who remained with her and influenced her music throughout her life. She loved the way his music began softly and then tumbled to thunder, like her mother's preaching, and in much the same way as her career. During her first performances under the name of Nina Simone her voice was rich and sweet but as the Civil Rights Movement gained steam, Nina's voice soon became a thunderous roar as she raised her voice in powerful protest in the fight against racial inequality and discrimination.

    He intertwines Nicky’s efforts with the story of one of the children he saved—a young girl named Vera, whose family enlisted Nicky’s aid when the Germans occupied their country. As the war passes and Vera grows up, she must find balance in her dual identities—one her birthright, the other her choice.

    He loved music and became a musical explorer. Defying convention, he created music that made people laugh and planted images in their minds. Juan’s space-age lounge music—popular in the fifties and sixties—has found a new generation of listeners. And Duncan Tonatiuh’s fresh and quirky illustrations bring Esquivel’s spirit to life.

    It was filled with insects and brook trout that ate them, frogs that chirruped and birds watching for bugs and fish. This is a true story about a man named Mike who went looking for that creek long after it was buried under fields of corn. It is the story of how a creek can be brought back to life, and with it a whole world of nature. In the words of award-winning author Jacqueline Briggs Martin and the enchanting illustrations by Claudia McGehee, this heartening tale of an ecosystem restored in the Driftless Area of northeast Iowa unfolds in a way that will charm and inform young readers who are drawn to a good mystery, the wonders of nature—and, of course, big earth-moving machines.

    Now he gives birth to a cast of gruesomely sympathetic children – misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and the tragedy of these dark yet simple beings – hopeful, hapless heroes who appeal to the ugly outsider in all of us, and let us laugh at a world we have long left behind (mostly anyway).

    I have tried not to falter... I have taken a moment to rest, but I can only rest for a moment, for with freedom come responsibilities." Nelson Mandela"If you are tired, keep going. If you are scared, keep going. If you are hungry, keep going. If you want to taste freedom, keep going." Harriet TubmanThis inspirational book, following We Are All Born Free, contains 17 quotations about many different aspects of freedom, from the freedom to have an education to that not to be hurt or tortured, the freedom to have a home and the freedom to be yourself. All the chosen quotations are in simple words that can be understood by young children.Authors of the quotations include: Nelson Mandela, Martin Luther King, Harriet Tubman, Anne Frank, the Dalai Lama, Aung San Suu Kyi and Malala Yousafzai. The book is illustrated by internationally acclaimed and award-winning illustrators, including Alexis Deacon, Chris Riddell, Ros Asquith, Jackie Morris and Shirin Adl from the UK, Barroux from France, Roger Mello from Brazil, Birgitta Sif from Iceland, aboriginal artist Sally Morgan from Australia and Mordicai Gerstein from the USA. The cover is illustrated by best-selling author/illustrator Oliver Jeffers.

    From tiny bee hummingbird nests to orangutan nests high in the rainforest canopy, an incredible variety of nests are showcased here in all their splendor. Poetic in voice and elegant in design, this carefully researched book introduces children to a captivating array of nest facts and will spark the imaginations of children whether in a classroom reading circle or on a parent's lap.

    Paula grew up in the deep south, in a world where whites had and blacks did not. With an activist father and a community of leaders surrounding her, including Uncle Martin (Martin Luther King), Paula watched and listened to the struggles, eventually joining with her family--and thousands of others--in the historic march from Selma to Montgomery.Poignant, moving, and hopeful, this is an intimate look at the birth of the Civil Rights Movement.

    Most of the pictures, even those that seem unprepossessing at first glance, are made riveting by Sister Wendy's quirky, personal narratives, in which the simplest of images is suddenly rendered a dramatic focal point. A perfectly ordinary Dutch scene by Hendrick Avercamp--Frozen River, 1620--shows people going about their business on a lively patch of ice where children play hockey and adults chat and work. Sister Wendy seizes on a fishing hole cut into the ice through which a circle of cold, black water is apparent. "The hole that has been cut in the ice can frighten us when our eye falls into it, and this is the only hint of the inherent danger of the scene," she writes ominously. In Anthony Van Dyck's magnificent portrait of Charles I of England, she observes of his regal hauteur, "In hindsight we can see the tragedy: that a man so remote from common humanity, so superb in his conceit, must be heading for a fall." There are bound to be some infelicitous matches in a book that is arranged alphabetically, such as the pages shared by Robert Mangold's hot, geometric Four Color Frame Painting No. 1, 1983, and Andrea Mantegna's profoundly reverent Dead Christ, 1480. And Rosalba Carriera's portraits look decidedly meretricious across from those of the masterful Mary Cassatt. But all in all, this is a page-turner with brief captions that offer guidance to any reader in search of the telling note that draws one to a work of art, whatever its era, style, size, or subject. --Martha Hardin

    Her "floating abstractions," in which lines and free bands of color emerge almost imperceptibly, can be reproduced only with difficulty. Her writings, on the other hand--although certainly not intended as programmatic statements--offer valuable clarity regarding her own works and poetic insight about art in general. Since its original publication in 1991, this volume of Martin's writings has been a fundamental document for libraries of artists, collectors, and critics. Rather than identifying herself with her Minimalist peers, Martin has aligned herself with the ancient Greeks, Egyptians, and Chinese, asserting that "the function of art work is . . . the renewal of memories of moments of perfection." In combination with illustrations of her works, these texts--including lectures, stories recorded by critic Ann Wilson, passages ostensibly arranged in associative sequences, and "fragmentary ideas"--form an eloquent artist's statement by the creator of "silent paintings."

    Eliot for his godchildren and friends in the thirties. They have delighted generations of children since, and inspired Andrew Lloyd Webber's brilliant musical Cats.

    Filled from cover to cover with sumptuous full color illustrations by Eun-Kyung Kung, This Little Piggy Went to Prada presents classic nursery rhymes with a thoroughly modern and charmingly ironic spin that will make the most sleepless fashionista mom smile, even when she's knee-deep in diapers.