How easy was it to know what was actually going on, to grasp the essence of National Socialism, to remain untouched by the propaganda or predict the Holocaust?Travellers in the Third Reich is an extraordinary history of the rise of the Nazis based on fascinating first-hand accounts, drawing together a multitude of voices and stories, including students, politicians, musicians, diplomats, schoolchildren, communists, scholars, athletes, poets, journalists, fascists, artists, tourists, even celebrities like Charles Lindbergh and Samuel Beckett. Their experiences create a remarkable three-dimensional picture of Germany under Hitler – one so palpable that the reader will feel, hear, even breathe the atmosphere.These are the accidental eyewitnesses to history. Disturbing, absurd, moving, and ranging from the deeply trivial to the deeply tragic, their tales give a fresh insight into the complexities of the Third Reich, its paradoxes and its ultimate destruction.

    An indispensable and handy resource for anyone who wants to take better pictures in Yosemite and elsewhere.

    In Belgium, three resisters ambush a train, allowing scores of Jews to flee from the cattle cars. In Poland, four brothers lead more than 1,200 ghetto refugees into the forest to build a guerilla force and self-sufficient village. And twelve-year-old Motele Shlayan entertains German officers with his violin moments before setting off a bomb. Through twenty-one meticulously researched accounts — some chronicled in book form for the first time — Doreen Rappaport illuminates the defiance of tens of thousands of Jews across eleven Nazi-occupied countries during World War II. In answer to the genocidal madness that was Hitler’s Holocaust, the only response they could abide was resistance, and their greatest weapons were courage, ingenuity, the will to survive, and the resolve to save others or to die trying. Extensive end matter includes: - timeline of important events - index - pronunciation guide - source notes - maps integrated throughout text

    In 1930s Berlin, choked by the tightening of Hitler's fist, the Klein family are gradually losing everything that is precious to them. Their fifteen-year-old daughter, Rosa, slips out of Germany on a Kindertransport train to begin a new life in England. Charged with the task of securing a safe passage for her family, she vows that she will not rest until they are safe. But as war breaks out and she loses contact with her parents, Rosa finds herself wondering if there are some vows that can't be kept ...A sweeping tale of love and loss, with the poignant story of the Kindertransport at its heart, this is an exceptional accomplishment from one of Britain's bravest and most vibrant young writers.

    It was the same piece and the same pianist, when broadcasting was resumed six years later. The Pianist is Szpilman's account of the years inbetween, of the death and cruelty inflicted on the Jews of Warsaw and on Warsaw itself, related with a dispassionate restraint borne of shock. Szpilman, now 88, has not looked at his description since he wrote it in 1946 (the same time as Primo Levi's If This Is A Man?; it is too personally painful. The rest of us have no such excuse. Szpilman's family were deported to Treblinka, where they were exterminated; he survived only because a music-loving policeman recognised him. This was only the first in a series of fatefully lucky escapes that littered his life as he hid among the rubble and corpses of the Warsaw Ghetto, growing thinner and hungrier, yet condemned to live. Ironically it was a German officer, Wilm Hosenfeld, who saved Szpilman's life by bringing food and an eiderdown to the derelict ruin where he discovered him. Hosenfeld died seven years later in a Stalingrad labour camp, but portions of his diary, reprinted here, tell of his outraged incomprehension of the madness and evil he witnessed, thereby establishing an effective counterpoint to ground the nightmarish vision of the pianist in a desperate reality. Szpilman originally published his account in Poland in 1946, but it was almost immediately withdrawn by Stalin's Polish minions as it unashamedly described collaborations by Lithuanians, Ukrainians, Poles and Jews with the Nazis. In 1997 it was published in Germany after Szpilman's son found it on his father's bookcase. This admirably robust translation by Anthea Bell is the first in the English language. There were 3,500,000 Jews in Poland before the Nazi occupation; after it there were 240,000. Wladyslaw Szpilman's extraordinary account of his own miraculous survival offers a voice across the years for the faceless millions who lost their lives. --David Vincent

    Chaired by Reinhard Heydrich and organised and minuted by Adolf Eichmann, it brought together representatives of all the principal Nazi agencies in eastern Europe. Pooling the expertise of those present, Heydrich created the plan that would let Europe 'be combed through from west to east' for Jews and which would put the Final Solution on a rational and industrial footing.

    But where Hollywood’s depiction fades to black, another incredible story begins . . .Not long after the escape, fifty of the recaptured airmen were taken to desolate killing fields throughout Germany and shot on the direct orders of Hitler. When the nature of these killings came to light, Churchill’s government swore to pursue justice at any cost. A revolving team of military police, led by squadron leader Francis P. McKenna, was dispatched to Germany seventeen months after the killings to pick up a trail long gone cold.Amid the chaos of postwar Germany, divided between American, British, French, and Russian occupiers, McKenna and his men brought twenty-one Gestapo killers to justice in a hunt that spanned three years and took them into the darkest realms of Nazi fanaticism.In Human Game, Simon Read tells this harrowing story as never before. Beginning inside Stalag Luft III and the Nazi High Command, through the grueling three-year manhunt, and into the final close of the case more than two decades later, Read delivers a clear-eyed and meticulously researched account of this often-overlooked saga of hard-won justice.

    With the clouds gathering, they realized they had no means to leave and therefore must ride out the storm. Their hopes faded as stricter restrictions were placed on them and the bullying and hatred of Jews intensified. Suddenly, Kristallnacht erupted and the numbers of killings and deportations surged. The family was repeatedly pushed deeper into the neglected ghettos, and the father was forced into slave labor. The Nazi SS was assigned the task of making Berlin the center of Hitler s growing evil empire Judenfrei (Jewish free). The mother and children had no choice but to flee the terror when it finally arrived at their door; it was already too late for the father. Running into the night, with no other options, the mother made a phone call to a woman who might be either a friend or an enemy. A plan was quickly hatched. "There is no good place to hide; you can only hide amongst your enemy and pray that your secret is not discovered." And what a train ride it was....

    In 1944, the United States finally acted. That year, Franklin D. Roosevelt created the War Refugee Board, and put a young Treasury lawyer named John Pehle in charge.Over the next twenty months, Pehle pulled together a team of D.C. pencil pushers, international relief workers, smugglers, diplomats, millionaires, and rabble-rousers to run operations across four continents and a dozen countries. Together, they tricked the Nazis, forged identity papers, maneuvered food and medicine into concentration camps, recruited spies, leaked news stories, laundered money, negotiated ransoms, and funneled millions of dollars into Europe. They bought weapons for the French Resistance and sliced red tape to allow Jewish refugees to escape to Palestine. In this remarkable work of historical reclamation, Holocaust historian Rebecca Erbelding pieces together years of research and newly uncovered archival materials to tell the dramatic story of America's little-known efforts to save the Jews of Europe.

    Finkelstein moves from an interrogation of the place the Holocaust has come to occupy in American culture to a disturbing examination of recent Holocaust compensation agreements. It was not until the Arab-Israeli War of 1967, when Israel's evident strength brought it into line with US foreign policy, that memory of the Holocaust began to acquire the exceptional prominence it enjoys today. Leaders of America's Jewish community were delighted that Israel was now deemed a major strategic asset and, Finkelstein contends, exploited the Holocaust to enhance this newfound status. Their subsequent interpretations of the tragedy are often at variance with actual historical events and are employed to deflect any criticism of Israel and its supporters. Recalling Holocaust fraudsters such as Jerzy Kosinski and Binjamin Wilkomirski, as well as the demagogic constructions of writers like Daniel Goldhagen, Finkelstein contends that the main danger posed to the memory of Nazism's victims comes not from the distortions of Holocaust deniers but from prominent, self-proclaimed guardians of Holocaust memory. Drawing on a wealth of untapped sources, he exposes the double shakedown of European countries as well as legitimate Jewish claimants, and concludes that the Holocaust industry has become an outright extortion racket. Thoroughly researched and closely argued, The Holocaust Industry is all the more disturbing and powerful because the issues it deals with are so rarely discussed.In a devastating new postscript to this best-selling book, Norman G. Finkelstein documents the Holocaust industry's scandalous cover-up of the blackmail of Swiss banks, and in a new appendix demolishes an influential apologia for the Holocaust industry.

    Combining the expertise of Eric A. Johnson, an American historian, and Karl-Heinz Reuband, a German sociologist, What We Knew is the most startling oral history yet of everyday life in theThird Reich.

    Somehow he managed, in the midst of the chaos, to snap photographs that are works of art..." --Michael Azerrad, Screaming Life

    Devising their own PSYOPS campaign, they slipped their notes into soldier’s pockets or tucked them inside newsstand magazines.Hunted by the secret field police, Lucy and Suzanne were finally betrayed in 1944, when the Germans imprisoned them, and tried them in a court martial, sentencing them to death for their actions. Ultimately they survived, but even in jail, they continued to fight the Nazis by reaching out to other prisoners and spreading a message of hope.Better remembered today by their artist names, Claude Cahun and Marcel Moore, the couple’s actions were even more courageous because of who they were: lesbian partners known for cross-dressing and creating the kind of gender-bending work that the Nazis would come to call “degenerate art.” In addition, Lucy was half Jewish, and they had communist affiliations in Paris, where they attended political rallies with Surrealists and socialized with artists like Gertrude Stein.Paper Bullets is a compelling World War II story that has not been told before, about the galvanizing power of art, and of resistance.

    There were three brothers, Gebhart, Heinrich, and Ernst. Heinrich grew up to become the head of Hitler’s SS, mastermind of the concentration camp system, and chief perpetrator of the Holocaust. When Katrin Himmler, Heinrich’s great-niece, was 15, one of her schoolmates asked during a history lesson if she was related to the Himmler. "Yes," she stammered, at which there was a deathly hush in the classroom and the teacher, embarrassed and unsure, quickly moved the lesson on. As she grew older, Katrin gave her family history a wide berth, but married to an Israeli whose family was confined to the Warsaw Ghetto and with a young, half-Jewish son, she realizes that she cannot evade the past so easily. Katrin Himmler’s cool but meticulous examination of the Himmler story reveals—in all its dark complexity—the gulf between the "normality" of bourgeois family life and the horrors perpetrated by one member and a more nuanced portrait of Heinrich himself emerges—not a lone evil executioner, but a middle-class family man, loved and fully supported by his respectable German family.

    Told through their son Lawrence, the memoir brings to life the reality of months spent hidden in a dank underground bunker unaware of the outside world. However, this is not just an account of stark survival. It is also the tale of an impossible love affair that has lasted more than 50 years, and an eloquent reminder that history is made up of the often deeply moving details of individual lives.