While some of these narratives are loosely based in fact, they are written with a large dollop of literary license. The characters are not "politically correct" in today's parlance and speak in the vernacular of their time and culture. Some of them you will like ...others you may not. No disrespect or offense is intended in the telling. These are their stories.The lead story "Fat of The Land" was a past runner-up in the national Raymond Carver short story awards.

    Driving through the Chihuahua Desert, they retrace the route of 19th century American writer Ambrose Bierce (who disappeared during the Mexican Revolution) and try to piece together their lives after a devastating incident involving their adolescent son. With tenderness and precision, Gander explores the intimacies of the couple's relationship as they travel through Mexican towns, through picturesque canyons, and desert capes, on a journey through the heart of the Mexican landscape. Taking a shortcut through the brutally hot desert home, their car overheats miles from nowhere, the story spinning out of control, with devastating consequences.

    As his friends look on, they watch something awful unfold: Otto lands with an odd smack and knocks himself unconscious, blood spilling from his nose and mouth. Georgie arrives on the scene first and sees a small turtle, its shell cracked, floating just below the water's surface. Otto and the turtle survive the collision, though both need help, and Georgie finds his compassions torn. This title story sets the tone for the rest of Arthur Bradford's Turtleface and Beyond, a strangely funny collection featuring prosthetically limbed lovers, a snakebitten hitchhiker turned wedding crasher, a lawyer at the end of his rope, a ménage à trois at Thailand's Resort Tik Tok, and a whole host of near disasters, narrow escapes, and complicated victories, all narrated by Georgie, who struggles with his poor decisions but finds redemption in the telling of each of his tales. Big-hearted and hilariously high-fueled, Turtleface and Beyond marks the return of a beloved and unforgettable voice in fiction.

    But the work there is exacting and dangerous—with men’s worth measured in ledger columns. Whispers of a union strike pass from bunk to bunk. Against the rasp of the misery whip and the crash of felled hemlock and red spruce, Cur encounters a cast of characters who will challenge his loyalties: a minister grasping after his dwindling congregation, a Syrian peddler who longs to put down his pack and open a store, a slighted Slovenian wife turned activist, and a trio of reckless land barons. Cur must accept or betray the call to lead a rebellion—and finally reconcile a forbidden love.Manuel Muñoz says of reading Matthew Neill Null’s image-rich prose, “The real pleasure—and certainly not the only one—is in the sentences, as complex, deliberately assured, and lethal as Flannery O’Connor’s.” A startling elegy that establishes its author as a tremendous new literary voice, Honey from the Lion evokes the ecological devastation and human tragedy behind the Gilded Age, and sings both the land and ordinary lives in all their extraordinary resilience.

    As he questions God's existence in one of the darkest corners of the world, Gabriel creates a file where he stores any evidence of the divine--no matter how unseemly.

    Families, homes, lovers, marriages -- the safe havens they have been taught to depend on no longer guarantee shelter or stability.ONE WAY OR ANOTHER introduces Peter Cameron as an extraordinary writer, one distinguished not only by his prose, which is always abundantly witty and pitch-perfect, but also by a rare generosity of heart.Included in this book are two stories that were selected for the O. HENRY PRIZE STORIES: "Homework," first published in The New Yorker, and "Excerpts from Swan Lake," first published in The Kenyon Review.

    He is grieving for the loss of his wife when the tunnel collapses and traps the bus inside. In the darkness that follows, he manages to fumble out of the bus with the only other survivor, an astute and gentle woman who reminds him of his late wife. Without any light to guide them and with only each other to depend on, they try to escape the stifling darkness and along the way find themselves confronted by their pasts and given their last chance at intimacy, and ultimately, absolution.A realist story that plays with surreal elements, the tale poses a simple question: what is the meaning of hope?

    She owns a small motor-inn motel on a major highway in South Georgia. The summer heat is still strong in the waning days of October, and she is tired from a long summer season. As the evening progresses, Ginny’s motel begins to fill-up. There is Johnny Benton, a strange motel guest who insists on parking his car behind the motel, a would-be suitor named Don Ferris, a guest that is the catalyst for a long and frightening night, and then there is the dead husband whose long shadow is cast across Ginny’s life like a long heavy rain...

    As a poet who has achieved success in the realms of both grassroots popularity and national critical attention, Kocot is poised to claim her place as America’s boldest new poetic voice.

    Though accomplished at managing risk professionally, Jeanne realizes her skills don’t extend to her personal life, where she has allowed the professional and the personal to become intertwined. She’s not even sure which of two men in her life is the father. Worse yet, a previously undisclosed family secret reveals that she may carry a rare hereditary gene for early-onset Alzheimer’s―and it’s too late to get genetic tests. This leaves Jeanne to cope with her intense fear of risk without the aid of the mountain of data she’s accustomed to relying upon. Wrestling with the question of whether her own needs, or those of her child, should prevail takes Jeanne on an intensely emotional journey―one that ultimately leads to growth and enlightenment.

    She wanted this old Victorian for herself. The rumors the house was haunted didn’t bother Jennifer, who is a skeptic by nature. But her skepticism turns to intrigue when she finds a letter dated 1909 in the attic tucked into the folds of a wedding dress. The letter mentions a murder, but no name of the victim and is signed with only initials. Jennifer's challenge is to track down the identity of the victim, as well as the killer. However, her research brings forth two spirits, one of which is evil.

    Five other tales describe folk in Britain's lowest professional class between the late-1950s and 60s.

    No Art is an exhilarating argument both with America and with poetry itself, in which online slang is juxtaposed with academic idiom, philosophy collides with advertising, and the language of medicine and the military is overlaid with echoes of Whitman and Keats. Here, clichés are cracked open and made new, made strange, and formal experiments disclose new possibilities of thought and feeling. No Art confirms Ben Lerner as one of the most searching and ambitious poets working today.

    Chronicles of her strategies for surviving civilization's decline -- herbal remedies, macrobiotics, a bit of Xanax -- have established her as one of the most captivating and eagerly read voices in modern literature. In this new collection of stories, Julie Hecht reclaims the darkly funny, existential territory for which she is known: "People say 'Good morning,' but don't believe them. It's just something to say." The uniquely eccentric narrator reappears in Happy Trails to You and recounts her perplexed engagements with our society and the larger world -- whether she's attempting to withdraw money from a bank machine, worrying about Paul McCartney, or seeking a nonexistent place of calm on Nantucket, where nail guns and chain saws have replaced the sounds of birds singing. Appalled by life in our times, the narrator recounts innumerable artifacts from a now vanished America (civility, idealism, Elvis Presley, well-made appliances). She is also exquisitely attuned to the absurdities of our culture; her acute observations illuminate every subject, from the dangers of microwave ovens to the disappearing ozone layer. With deadpan wit, the author reveals the truths of a new century. Happy Trails to You is a radically distinctive work of American fiction.

    Now, collected together for the first time in a single volume, are three of his finest tales of the West. The texts have been restored to their original appearances in magazines.In “The Lion Hunter and the Lady,” Cat Morgan is plying his trade—trying to bag a mountain lion alive in order to sell it to a circus or zoo. As he and Long John William try to lure the cat from a tree, they’re interrupted by a lynch posse, the leader of which accuses Cat and Long John of running off his horse herd—and they intend to hang them right where they stand!“The Trail to Peach Meadow Cañon” tells of Mike Bastian, who has been raised by an outlaw chief, Ben Curry, and trained in frontier skills by Curry’s most trusted associates.Jed Ashbury was stripped and forced to run the gauntlet by the Indians in “Riding for the Brand.” Able to outfit himself from the contents of a covered wagon that had been attacked and left behind, Jed also learns what the mission of those killed in the attack was and determines to push forward with it—regardless of the consequences.Skyhorse Publishing is proud to publish a broad range of books for readers interested in fiction that takes place in the old West. Westerns—books about outlaws, sheriffs, chiefs and warriors, cowboys and Indians—are a genre in which we publish regularly. Our list includes international bestselling authors like Zane Gray and Louis L’Amour, and many more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.