A beautiful slave girl. A missing royal daughter. A carefully wrought revenge.Iceland in the 10th century. There is nothing unusual in a wealthy farmer returning home with a slave girl, even if she is a mute. But she conceals a secret that will echo across the oceans.Based on an episode from the great Icelandic Sagas, The Tale of Melkorka will grip you with an unfolding mystery of loss, triumph, and the rough justice of revenge. Melkorka's world awaits you...

    For as long as students have been studying her fiction as literature, writers have been looking to her to answer the profound questions of what makes a story good, a novel successful, a writer an artist. On Writing presents the answers in seven concise chapters discussing the subjects most important to the narrative craft, and which every fiction writer should know, such as place, voice, memory, and language. But even more important is what Welty calls “the mystery” of fiction writing—how the writer assembles language and ideas to create a work of art.Originally part of her larger work The Eye of the Story but never before published in a stand-alone volume, On Writing is a handbook every fiction writer, whether novice or master, should keep within arm's reach. Like The Elements of Style, On Writing is concise and fundamental, authoritative and timeless—as was Eudora Welty herself.

    Bands of renegade soldiers and broken men roam the countryside, looting, burning and raping. In Parliament, former allies are torn apart after six years of bloody conflict. Will there be peace instead of war, or a military take-over of the country? John Swynfen, a rising young MP and one of the leaders of the moderate party, is working for peace, but only if safeguards can be established to protect Parliament and control the powers of the king. Ranged against him and his friends are Oliver Cromwell and his son-in-law Henry Ireton, intent on seizing power by the sword and destroying not only the monarchy but the elected government. Within a few weeks, London is occupied by Cromwell's army, parliamentary government is in ruins, the king is executed. And John Swynfen is a prisoner. Anne Swynfen travels home from Westminster to Staffordshire with her young children through a desperate winter. There, uncertain whether she will ever see her husband again, she takes charge of the large estate, where starvation looms due to bad harvests, and violent danger threatens from outlaws and the armies of both sides. While she struggles against prejudice to do a man's job, John is shot, beaten, shackled, humiliated and tortured. Tempted by golden promises if he recants, threatened with death if he does not, he tries to cling to his sanity and his beliefs. When he finally escapes, he begins a terrible journey home across war-torn England to find his wife. This is a story about keeping faith – many kinds of faith – in the face of terror, anguish and despair.

    A woman runs away to a cottage in the English moors to escape a love affair; shards of glass reconcile a middle-aged wife to her husband’s estrangement; a grandmother makes a startling confession from her youth; a young woman discovers herself through the life of an Italian saint; and, in a spellbinding story of artistic jealousy, we enter the mind of poet Robert Browning at the end of his life. In these beautifully crafted stories, ordinary objects brim with meaning and memories radiate with significance as Jane Urquhart illuminates the things that lie just beneath the surface of our lives.

    Emma Donoghue brings to bear all her knowledge and grasp to examine how desire between women in English literature has been portrayed, from schoolgirls and vampires to runaway wives, from cross-dressing knights to contemporary murder stories. Donoghue looks at the work of those writers who have addressed the “unspeakable subject,” examining whether such desire between women is freakish or omnipresent, holy or evil, heartwarming or ridiculous as she excavates a long-obscured tradition of (inseparable) friendship between women, one that is surprisingly central to our cultural history.Donoghue writes about the half-dozen contrasting girl-girl plots that have been told and retold over the centuries, metamorphosing from generation to generation. What interests the author are the twists and turns of the plots themselves and how these stories have changed—or haven’t—over the centuries, rather than how they reflect their time and society. Donoghue explores the writing of Sade, Diderot, Balzac, Thomas Hardy, H. Rider Haggard, Elizabeth Bowen, and others and the ways in which the woman who desires women has been cast as not quite human, as ghost or vampire.She writes about the ever-present triangle, found in novels and plays from the last three centuries, in which a woman and man compete for the heroine’s love . . . about how—and why—same-sex attraction is surprisingly ubiquitous in crime fiction, from the work of Wilkie Collins and Dorothy L. Sayers to P. D. James.Finally, Donoghue looks at the plotline that has dominated writings about desire between women since the late nineteenth century: how a woman’s life is turned upside down by the realization that she desires another woman, whether she comes to terms with this discovery privately, “comes out of the closet,” or is publicly “outed.”She shows how this narrative pattern has remained popular and how it has taken many forms, in the works of George Moore, Radclyffe Hall, Patricia Highsmith, and Rita Mae Brown, from case-history-style stories and dramas, in and out of the courtroom, to schoolgirl love stories and rebellious picaresques. A revelation of a centuries-old literary tradition—brilliant, amusing, and until now, deliberately overlooked.

    On August 1, 1933, two young women, the famous aviatrix Grace O'Gorman and the inexperienced Willa Briggs, take off in a tiny moth biplane to break the world flight-endurance record. Their plan is to circle above the city of Toronto for twenty-five days. With each passing day, the women's ties to humanity fall away and the intensity of their connection becomes as gripping as the perils that besiege them: fatigue, weather, mechanical breakdown, and the lethal efforts of a saboteur. In this extraordinary debut, Humphreys exhibits rare control, restraint, and poetry as she develops the relationship of two unusual women through the magical passage of flight.

    Collects the best of Anne Sexton's memoirs and prose reflections on her development as a poet

    Kec’s dream tells her that her clan is in jeopardy, and Mother Earth expects her to do something to save her people. A magic child will be sent to help her.Far away, Strong Branch, a powerful Shaman of his people, has his own dream. The Great Spirit sends him a warning about a future of conflict and killing.Kec’s people are very simple, but they are strong and powerful enough to have survived the ice ages of Pleistocene Europe, by force, for over one-hundred-thousand years. Strong Branch’s people are late comers from an alien world far to the South. They bring an advanced technology that allows them to utilize the environment to ways Kec’s people never could.As the population of the aliens has grown over a period of more than twenty-thousand years, the stress on the environment has become critical. Kec and Strong Branch must play their parts in a microcosm of the greater struggle for survival. The conclusion of their struggle will establish a new story and a new history for each of their peoples.

    See why readers rave about the writing, the plot twists, and the characters. NELL LILLINGTON is a spoiled, headstrong 16-year-old when she finds herself pregnant after letting a flirtation with handsome Cousin Jack get out of hand. More willing to bear the consequences of an illegitimate pregnancy than marry, she refuses to name the father and agrees to give birth in a Poor Farm and give the baby up for adoption. At the Poor Farm she meets Tess O’Dugan, a woman the world calls an imbecile but who soon becomes the sister Nell never had. MARTIN RUTHERFORD, Nell’s childhood friend, only learns of baby Sarah when Nell seeks to escape from the Poor Farm—with the child. His own aversion to marriage stems from his dark, unhappy childhood, and despite his attachment to Nell he makes no objection to her plan to move to Kansas, away from prying eyes, with Tess and Sarah. Martin, now free of family ties, has his own plans—he wishes to build a grand department store in Chicago and become one of that growing city’s merchant princes. But Nell and Martin’s plans are steered off course by the secrets and lies of other people, and their paths to happiness are strewn with murder. Nell’s story will take you from the Illinois prairie, to frontier Kansas, and back to a Chicago teeming with opportunistic new Americans and ruthless hardmen.

    The Normandy coastal village of Caillons is under German occupation, its villagers struggling to survive. With her husband forced into compulsory service for the German Reich, Jeanne Dupré, mother of two adolescent daughters, risks everything to lead the local Resistance cell.Life becomes even more dangerous with the arrival of British agent Daniel Benedict. He needs Jeanne's help to complete his mission, vital to Operation Overlord, the D-Day landings. But Jeanne is suspicious that they are not fighting for the same outcome. Their joint foe is Jürgen Graf, a Nazi oberleutnant set on wiping out the local Resistance. Aware that a spy is at large, Graf is on a ruthless mission to hunt Benedict down. With the help of a network of Catholic priests, Benedict penetrates the heart of the Nazis’ defences against Allied invasion, the Atlantic Wall. As the lives of Jeanne and Benedict become increasingly intertwined can they stay true to themselves? Will they have to sacrifice all in their fight for freedom..? ‘Villa Normandie’ is a moving historical novel, presenting an accurate picture of life under Nazi occupation. It is thoroughly detailed, meticulously researched and vividly authentic - depicting the turbulent world of the French resistance and the struggle of the French people for freedom.

    Each novel will transport you across oceans and back in time. A Greater World takes you to the beautiful Blue Mountains of Australia in the 1920s. Kurinji Flowers to the tea plantations of Southern India in the 1930s and 40s - the last years of British colonial rule. Letters from a Patchwork Quilt to the ugly industrial north of Victorian England and to St Louis, Missouri. None of the characters went where they had to go by choice, and all faced life–changing challenges. Can love make the difference? Will it stand the course? Warning – once you start reading you will be up all night.

    A tale of bitterness and division with the main plot focusing on the divisions and boundaries that Apartheid and international capitalism create within South African society.

    Showalter is one of the few scholars who can make her readers rush to their bookshelves to refute her point, or simply to experience again Jane Eyre, The Mill on the Floss, or the bitterly illuminating stories of Katherine Mansfield. Her chief innovation is to place the works of famous women writers beside those of the minor or forgotten, building a continuity of influence and inspiration as well as a more complete picture of the social conditions in which women's books have been produced. She has added a new introduction recounting, with justifiable pleasure, how daring and controversial her study seemed when it first appeared in 1977 (and how many enemies it made her). In an afterword, she touches on more recent developments in the women's novel in Britain, including the influence of the dazzling Angela Carter. --Regina Marler

    Sentenced to transportation she has to grow up fast to survive prison, the long journey and then life as an assigned servant in Van Diemen's Land of the 1820s. She is sustained by real friendships with other prisoners, Sarah and Helen. Can anyone of them overcome the pitfalls of convict life to become pioneering settlers of modern day Tasmania?

    Following her mother’s death she is guided to Horstberg in search of answers and contentment. When her path repeatedly crosses with the brooding Stefan Heinrich, she is drawn to him by feelings too profound to ignore. The love they share is intense and undeniable, but Ericha’s ignorance of Stefan’s circumstances puts her on a scale in his life opposite to the country he rules, and the wife he loathes.While Stefan questions daily what kind of madness drove him to marry the deceptive and tawdry Johanna Von Bindorf, a princess from the neighboring country of Kohenswald, he is torn between his commitment to do what is right, and his love for a woman that he cannot have; a woman who fills his aching soul. Years of spiraling downward in hopelessness finally drive him to make Ericha a part of his life as far as it is possible, while deep inside he knows that eventually a price for his happiness will have to be paid.As Ericha develops a deep bond with the legendary Abbi du Woernig, she unknowingly breathes life back into the heart and soul of Horstberg. But happiness and peace for the entire family are fleeting and fragile. Both Stefan and Ericha quickly realize the price for their choices is higher than either of them ever could have imagined. When Horstberg’s freedom is bargained for with the life of its ruler, Stefan knows that he must sacrifice everything to once again prove himself worthy to serve the people of his country with dignity and to live his life with the woman he loves.