Join three bestselling regency romance authors, Heidi Ashworth, Annette Lyon, and Michele Paige Holmes, for three new regency romance novellas in A MIDWINTER BALL. MUCH ADO ABOUT DANCING by Heidi Ashworth. Two years have passed since Lord Northrup declared his intentions for Miss Analisa Lloyd-Jones and forbade any other man to court her. Angry at the neglect, Analisa stopped reading his letters, never even breaking the seals. Tired of waiting, Analisa joins the house party at Mrs. Smith’s famous country home, determined to find a beau. When Lord Northrup unexpectedly joins the party, Analisa discovers she is no longer repulsed by the man who first laid claim to her hand. SWEETER THAN ANY DREAM by Annette Lyon. Olivia Wallington is firmly established as a spinster, but that doesn’t stop her from dreaming about the perfect man. Ever since her father’s death, Olivia has been forced into seclusion by her mother. When her brother and his wife come for a visit, they discover the extent to which she lives under their mother’s thumb. With their help, Olivia sneaks out to attend a local ball, where she meets Edward Blakemoore. For a few divine moments, all of her dreams seem possible. But even someone like Mr. Blakemoore would be hard pressed to get past Mrs. Wallington’s fortress of protection—or past Olivia’s pride.AN INVITATION TO DANCE by Michele Paige Holmes. Lady Ella has been isolated on her father’s estate since her mother’s death as her father travels the world. When Alex Darling arrives with a letter from her long-dead fiancé, and a demand that she travel to London for a series of engagements, Ella thinks her father instigated the strange demands and agrees. In London, she discovers the truth behind her fiancé’s death, and that new love might be possible in the arms of the most unexpected man.

    Here, the Lummi and Nooksack Indian people fish and farm, hermits pay their debts in sockeye salmon, and miners track gold-bearing streams.Here, too, is the intimate, murderous tale of three men. Clare Fishburn believes that greatness lies in store for him. John Ireland Sharp, an educated orphan, abandons hope when he sees socialists expel the Chinese workers from the region. Beal Obenchain, who lives in a cedar stump, threatens Clare Fishburn's life.A killer lashes a Chinese worker to a wharf piling at low tide. Settlers pour in to catch the boom the railroads bring. People give birth, drown, burn, inherit rich legacies, and commit expensive larcenies. All this takes place a hundred years ago, when these vital, ruddy men and women were ''the living.''

    Rankine's short, lyric poems are sharp, agonized, and exquisite, exploring themes of doubt and identity. The collection's sense of continuity and coherence comes through recurring poem types, including "still lifes," "instructions," and "symptoms."From "Symptoms of Aftermath":…When I am saved, a slim nurseleans out of the white light. I needto hear your voice, sweetheart. I seemy escape. I walk into the water.The sky is blue like the ocean,which is blue like the sky.Camille Rankine is the author of the chapbook Slow Dance with Trip Wire, selected by Cornelius Eady for the Poetry Society of America's Chapbook Fellowship. The recipient of a 2010 "Discovery" / Boston Review Poetry Prize and a MacDowell fellowship, her poetry appears in Boston Review, Denver Quarterly, Tin House, and other publications. Currently, she is assistant director of the MFA program in creative writing at Manhattanville College and lives in Harlem.

    Carefully chosen selections from Frye, Benjamin, Lévi-Strauss, Lukács, Bakhtin, and other prominent theorists explore the historical significance of the novel as a genre, from its early beginnings to its modern variations in the postmodern novel and postcolonial novel.Offering a generous selection of key theoretical texts for students and scholars alike, Theory of the Novel also presents a provocative argument for studying the genre. In his introduction to the volume and in headnotes to each section, McKeon argues that genre theory and history provide the best approach to understanding the novel. All the selections in this anthology date from the twentieth century—most from the last forty years—and represent the attempts of different theorists, and different theoretical schools, to describe the historical stages of the genre's formal development.

    In her first collection in five years, Anne Carson explores this idea with characteristic brilliance and a tantalizing range of reference, moving from Aphrodite to Antonioni, Demosthenes to Annie Dillard, Telemachos to Trotsky, and writing in forms as varied as opera libretto, screenplay, poem, oratorio, essay, shot list, and rapture. As she makes her way through these forms she slowly dismantles them, and in doing so seeks to move through the self, to its undoing.

    It is both an experiment in the attentive form of the essay - asking what happens, and where one might wander, when as readers and writers we pay minute attention to the language before us - and a polemic for certain kinds of experiment in prose. In a series of essays, each taking a single sentence as its starting point, the book explores style, voice and context. But it also uses its subjects - from George Eliot to Joan Didion, John Donne to Annie Dillard - to ask what the sentence is today and what it might become next.

    England is on the cusp of civil war.Jayne Swift, a daughter of the Dorset gentry, has resisted all offers of marriage and instead trained as a physician, using her skills to tend to her Royalist father's tenants and the local population. When civil war sweeps England she vows to remain neutral and aid the injured whether they be Royalist or Parliamentarian.William Harrier is first introduced to Jayne as footman to Lacy Alice, a Dorchester parliamentarian, but every time she encounters him, he seems to be in a different guise, and it's not always clear which side of the war he's fighting for.As the battles continue to rage, bringing pain and suffering to both sides, Jayne never wavers in her vow of neutrality. Throughout it all, from the terrifying siege of Lyme Regis, to the execution of the King, she always seems to find herself drawn back to William. But what does she really know of him? His past is a mystery, and his future seems uncertain.The Swift and the Harrier is a sweeping tale of adventure and loss, sacrifice and love with a unique and unforgettable heroine at its heart.

    Many years later, a couple sailing around the world take refuge on an uncharted island. Although they believe the tiny atoll to be uninhabited, it is actually home to a mysterious woman who has been stranded there for more than forty years. As that woman ponders whether to stay hidden or step back into society, a tempestuous storm threatens to change the course of all their lives.

    When an opportunity presents itself for her to emigrate to America, her hunger for escape compels her to leave everything behind for the gleaming promises await her and her young husband in Mr. Ford’s factories.Determine to survive, and perhaps even thrive, young Jane finds herself navigating not just a new language and country, but a world poised upon the edge of economic and social revolution—and war. As Jane searches for inner fulfillment while building young family, the tide of history ebbs and flows. From the chaos of Ellis Island to the melting pot of industrial Detroit, You Were There Before My Eyes spills over with colorful characters and vivid period details. Maria Riva paints an authentic portrait of immigrant America and poignantly captures the ever evolving nature of the American dream.

    Stafford's advice to beginning poets has become a favorite text in writing programs

    Though the newspapers refuse to give them credit, their exploits don't go unnoticed. Now, they've got a rival male gang on their trail and an old score to settle. Margaret Parker and Hattie LaCour never intended to turn outlaw. After being run off their ranch by a greedy cattleman, their family is left destitute. As women alone they have few choices: marriage, lying on their backs for money, or holding a gun. For Margaret and Hattie the choice is simple. With their small makeshift family, the gang pulls off a series of heists across the West. Though the newspapers refuse to give the female gang credit, their exploits don't go unnoticed. Pinkertons are on their trail, a rival male gang is determined to destroy them, and secrets among the group threaten to tear them apart. Now, Margaret and Hattie must find a way to protect their family, finish one last job, and avoid the hangman's noose.For more from Melissa Lenhardt, check out: The Sawbones SeriesSawbonesBlood OathBadlands

    But it quickly becomes clear that nothing is as easy as it seems. The bid is quickly undercut as twisted corporate politics and personal vendettas take over. When the buyout becomes all or nothing for the management buyout team, it all spins out of control: marriages fall apart, dark secrets are discovered, life savings are spent on the stock market, illegal insider dealing becomes a matter of fact and blackmail, theft, betrayal and manipulation are the new rules of the game. A once-in-a-lifetime opportunity turns into a lurid nightmare. Buyout is a gripping and compulsive page-turner about the power of money to unveil the deepest in human nature. It's also a story about chasing one extraordinary dream. At an extraordinary price. financial thrillers series, legal thrillers best sellers, blackmailed, corruption series, business thriller, financial thrillers, legal thrillers series

    The new family who moves into Eliza's old house seems quiet and respectable at first. Ada and Hetty welcome them as friends, while Ada's son Danny can't help but notice the pretty girl from Number 22. But all is not what it seems. For Tom Phillips is a bullying drunkard and his wife and children live in fear of his violent attaks. When Ada and Hetty find out, they rally the neighbours to help protect the family. Then fate steps in and life for the Phillips family changes for ever.

    In the northern Ukraine, an area of dense forests, abundant wild life, and sparkling rivers, Katya’s little village of Yanov has been a fairytale home. Her family life is rich with ancient traditions and magical beliefs, and her father has a good job working for the government at the Chernobyl Nuclear Power Station, a complex bigger than her whole village.Steeped in the imagery of her people, Katya believes that the station is a magical factory, and she looks for men in white robes, the angels she has heard push buttons to create electricity. When she asks her father about the station, he reassures her that it is safe: "so safe I would let you and Mama sleep there. I'd let a baby sleep there." Yet when Katya is sent into the forest to play while her family prepares her birthday dinner, she meets Vasyl, a mysterious otherworldly boy who tells her the agonizing truth: her world will be destroyed in an explosion. What is she to believe?On April 26, 1986, the Chernobyl Nuclear Power Plant exploded, and the Soviet government refused to acknowledge the extent of the disaster. As Katya struggles to survive in the aftermath, Vasyl reenters her life and helps her to realize that there can be no healing without truth, however difficult it may be to face. As she reconnects with her friends from before the explosion, she begins to learn more about the scientific concepts that have changed their world, and she discovers that blind patriotism like her father’s can be the undoing of a country as well as a man. With the help of friends she could have never imagined in her old life, Katya begins to understand that the things that are most important about her homeland and herself have survived the disaster. Combining the mythological truths of her ancestors with an understanding of the science behind the Chernobyl explosion, Katya finds the strength to fulfill a promise she made to herself many years before. And from her new vantage point she realizes that she is no longer the little girl in the fairy tale, she has become the author of her own story.Radiant Girl weaves history, fantasy, photographs and illustrations together to create a fictional coming of age tale that offers readers insight on surviving the powerful forces of change that rock their own lives, both from within and without.

    This book is partly a memoir of her own life in gardens: the large garden at home in Cairo where she spent most of her childhood, her grandmother's garden in a sloping Somerset field, then two successive Oxfordshire gardens of her own, and the smaller urban garden in the North London home she lives in today. It is also a wise, engaging and far-ranging exploration of gardens in literature, from Paradise Lost to Alice in Wonderland, and of writers and their gardens, from Virginia Woolf to Philip Larkin.