Set in 1917 New England, it is the story of a conventional girl with unconventional stirrings, in a world where the choosing of a husband determines a woman's life.

    She eventually worked for a wealthy family as their head chef. When she slapped the face of her employers son because of inappropriate advances she was immediately terminated. The only job she could find after six months of searching was for a general housekeeper, nanny and cook in Montana. She could pretend to be the mother she knew she would never be.

    It is a rude awakening when they are called upon for the real war. Hugely absorbing, rich and rewarding, Other Times brims with history and experience, love, sorrow and humour.

    And this is precisely what Bruce Fink does in this ambitious book, a fine analysis of Lacan's work on language and psychoanalytic treatment conducted on the basis of a very close reading of texts in his Icrits: A Selection.As a translator and renowned proponent of Lacan's works, Fink is an especially adept and congenial guide through the complexities of Lacanian literature and concepts. He devotes considerable space to notions that have been particularly prone to misunderstanding, notions such as "the sliding of the signified under the signifier,"or that have gone seemingly unnoticed, such as "the ego is the metonymy of desire." Fink also pays special attention to psychoanalytic concepts, like affect, that Lacan is sometimes thought to neglect, and to controversial concepts, like the phallus.From a parsing of Lacan's claim that "commenting on a text is like doing an analysis," to sustained readings of "The Instance of the Letter in the Unconscious," "The Direction of the Treatment," and "Subversion of the Subject" (with particular attention given to the workings of the Graph of Desire), Fink's book is a work of unmatched subtlety, depth, and detail, providing a valuable new perspective on one of the twentieth century's most important thinkers.Bruce Fink is a practicing Lacanian psychoanalyst, analytic supervisor, and professor of psychology at Duquesne University in Pittsburgh. He is the author of A Clinical Introduction to LacanianPsychoanalysis (1997) and The Lacanian Subject (1995). He has coedited three volumes on Lacan's seminars and is the translator of Lacan's Seminar XX, On Feminine Sexuality, the Limits of Love and Knowledge (1998), Icrits: A Selection (2002), and Icrits: The Complete Text (forthcoming).

    The Lady and Her Monsters by Roseanne Motillo brings to life the fascinating times, startling science, and real-life horrors behind Mary Shelley’s gothic masterpiece, Frankenstein.Montillo recounts how—at the intersection of the Romantic Age and the Industrial Revolution—Shelley’s Victor Frankenstein was inspired by actual scientists of the period: curious and daring iconoclasts who were obsessed with the inner workings of the human body and how it might be reanimated after death.With true-life tales of grave robbers, ghoulish experiments, and the ultimate in macabre research—human reanimation—The Lady and Her Monsters is a brilliant exploration of the creation of Frankenstein, Mary Shelley’s horror classic.

     But one year later, three sharp knocks on the door at midnight turn his seventeen year old daughter Sarah’s world upside down. As the oldest child, Sarah must be the first to leave her family, to make her escape in a perilous journey across France via Paris to Poitiers. And she must hide who she is and take a new name for her own safety. For now, bilingual Sarah is no longer a French Jew but a German girl. As she bids farewell to her beloved father and family, Sarah has hope, against all odds, that she will see them again when the war is over. But, travelling through the mountains she finds herself in terrible danger and meets Ralf, a German deserter, who risks his own life to save her. Ralf and Sarah continue their journey together, keeping their identities secret at all cost. But when Ralf is captured, will Sarah pay the ultimate price for sharing who she really is? A gripping and heart-breaking account of love, bravery and sacrifice during the terror of war. A story of standing up for what you believe in; even if it’s going to break your heart. Perfect for fans of The Tattooist of Auschwitz and The Ragged Edge of Night. What everyone is saying about Sharon Maas: The Soldier's Girl is a gripping and heart wrenching read that I couldn't tear myself away from… A moving and at times touching read that will stay with me for some time.’ By the Letter Book Reviews ‘This book brought tears to my eyes and every chapter was a new twist to the story… I could not stop reading this book and I know everyone is sure to love it.’ The Lovely Library ‘The Soldier’s Girl is a captivating, historical fiction novel… I was wholly engrossed until the very end.’ Write Escape ‘I loved this book a wonderful and heartbreaking tale which drew me in; it has strong characters and a beautiful story’ Goodreads Reviewer, 5 stars ‘A fantastic book. I also loved reading about the Alsace Region. Makes you think "what would you do in her shoes.’ Goodreads Reviewer, 5 stars ‘I really enjoyed this book and all of the characters. What an exciting book with many twists and turns. This book kept me on the edge of my seat and it was hard to put down.’ Goodreads Reviewer, 5 stars ‘Really enjoyed this book. Great characters, very well written and it was fascinating and informative with the Resistance theme. Highly recommend!’ Netgalley Reviewer, 5 stars

    A ‘nervous breakdown’ would be a politer phrase, but really she is being driven mad by her life and her madness is exacerbated by everyone’s indifference to her plight.

    Set in Old California, this powerful narrative richly depicts the life of the fading Spanish order, the oppression of tribal American communities and inevitably, the brutal intrusion of white settlers. Ramona, an illegitimate orphan, grows up as the ward of the overbearing Senora Moreno. But her desire for Alessandro, a Native American, makes her an outcast and fugitive...

    When Charles Dickens died in 1870, The Times of London successfully campaigned for his burial in Westminster Abbey, the final resting place of England's kings and heroes. Thousands flocked to mourn the best recognized and loved man of nineteenth-century England. His books had made them laugh, shown them the squalor and greed of English life, and also the power of personal virtue and the strength of ordinary people. In his last years Dickens drew adoring crowds to his public appearances, had met presidents and princes, and had amassed a fortune.Like a hero from his novels, Dickens trod a hard path to greatness. Born into a modest middle-class family, his young life was overturned when his profligate father was sent to debtors' prison and Dickens was forced into harsh and humiliating factory work. Yet through these early setbacks he developed his remarkable eye for all that was absurd, tragic, and redemptive in London life. He set out to succeed, and with extraordinary speed and energy made himself into the greatest English novelist of the century.Years later Dickens's daughter wrote to the author George Bernard Shaw, "If you could make the public understand that my father was not a joyous, jocose gentleman walking about the world with a plum pudding and a bowl of punch, you would greatly oblige me." Seen as the public champion of household harmony, Dickens tore his own life apart, betraying, deceiving, and breaking with friends and family while he pursued an obsessive love affair.Charles Dickens: A Life gives full measure to Dickens's heroic stature-his huge virtues both as a writer and as a human being- while observing his failings in both respects with an unblinking eye. Renowned literary biographer Claire Tomalin crafts a story worthy of Dickens's own pen, a comedy that turns to tragedy as the very qualities that made him great-his indomitable energy, boldness, imagination, and showmanship-finally destroyed him. The man who emerges is one of extraordinary contradictions, whose vices and virtues were intertwined as surely as his life and his art.

    For parents helping with their children’s homework, casual theatre-goers who want to enhance their enjoyment of the most popular plays and the general reader who feels they should probably know more about Britain’s most splendid scribe, Shakespeare for Grown-ups covers Shakespeare's time; his personal life; his language; his key themes; his less familiar works and characters; his most famous speeches and quotations; phrases and words that have entered general usage, and much more. With lively in-depth chapters on all the major works including Hamlet, Othello, King Lear, The Tempest, Romeo and Juliet, Much Ado About Nothing, Antony and Cleopatra, Richard II, Henry V, A Midsummer Night's Dream, The Merchant of Venice and Macbeth, Shakespeare for Grown-ups is the only guide you’ll ever need.

    When a series of dramatic events brings a strange man to her door, Mary emerges from the comfortable isolation that she knows to follow her dreams in Boston. Those desires do not come without sacrifice and hard choices. When her past comes back to haunt her, Mary must decide whether there is room for both her aspirations and her heart—or if she must surrender one to have the other.

    In this, one of Frances Parkinson Keyes' finest novels, determined men and valiant women wrest from the land a mighty tradition. The story of Brent and Mary Winslow is an epic of America. In a coutnryside rich with a French, Indian, and Negro heritage, the couple endure incredible hardships to become its foremost citizens. It is in the second generation, in the tragic story of their beautiful daughter Lavinia - torn between two men - that the family learns to endure, to again grow, and to find the blue camellia. 'Francis Parkinson Keyes a ther story telling best... a love story accented by a colorful background.'" ~Washington Post

    After his death -- a calamity that claimed her favorite person--she returned to that beloved novel as a way of wrestling with his memory and understanding her own grief.Smyth's story moves between the New England of her childhood and Woolf's Cornish shores and Bloomsbury squares, exploring universal questions about family, loss, and homecoming. Through her inventive, highly personal reading of To the Lighthouse, and her artful adaptation of its groundbreaking structure, Smyth guides us toward a new vision of Woolf's most demanding and rewarding novel--and crafts an elegant reminder of literature's ability to clarify and console.Braiding memoir, literary criticism, and biography, All the Lives We Ever Lived is a wholly original debut: a love letter from a daughter to her father, and from a reader to her most cherished author.

    Her abundant energy and devotion to learning made her a superior student, then a gifted teacher. But her smile concealed more than one youthful tragedy, and tragedy did not stop with youth. A 1941 movie, Cheers for Miss Bishop, was based on the novel.

    This time in the studio shapes their lives, instilling lessons about gender, power, bodies, and their place in the world both in and outside of dance. In Turning Pointe, journalist Chloe Angyal captures the intense love for ballet that so many dancers feel, while also grappling with its devastating shortcomings: the power imbalance of an art form performed mostly by women, but dominated by men; the impossible standards of beauty and thinness; and the racism that keeps so many people of color out of ballet. As the rigid traditions of ballet grow increasingly out of step with the modern world, a new generation of dancers is confronting these issues head on, in the studio and on stage. For ballet to survive the twenty-first century and forge a path into a more socially just future, this reckoning is essential.