As her daughter Norah retraces her mother’s celebrated career and bohemian life, she delves into long-kept secrets, both her mother’s and her own.Katherine began her career on Ireland’s bus-and-truck circuit before making it to London’s West End, Broadway, and finally Hollywood. Every moment of her life is a star turn, with young Norah standing in the wings. But the mother-daughter romance cannot survive Katherine’s past or the world’s damage. With age, alcohol, and dimming stardom, her grip on reality grows fitful and, fueled by a proud and long-simmering rage, she commits a bizarre crime.Her mother’s protector, Norah understands the destructive love that binds an actress to her audience, but also the strength that an actress takes from her art. Once the victim of a haunting crime herself, Norah eventually becomes a writer, wife, and mother, finding her way to her own hard-won joy. Actress is a book about the freedom we find in our work and in the love we make and keep.

    With a blend of academic insight and the true passion of a fan, V. Arrow explores how Panem could have evolved from the America we know today and uses textual clues to piece together Panem’s beliefs about class, ethnicity, culture, gender, sexuality, and more. Includes an extensive name lexicon and color-illustrated unofficial map of Panem.

    Despite this they are inseparable and the best of friends. They tackle the highs and lows of sixth grade together whether they are fending off bullies at the elite Blake Academy or examining rare antiquities at the Smithsonian Museum of Natural History. Then: life gets complicated. They discover that their friend and mentor, Dr. Gregorian, is part of a secret society called the Order of Time. It turns out that time is not fixed, it’s a fluid continuum where changes to the past can create ripples all the way through to the present. It unwittingly falls to the twins to travel back through time to ancient Egypt where they must overcome deadly assassins, evil high priests and vengeful gods in order to prevent disaster. Together Anastasia and Edward must navigate all obstacles to preserve the past and find their way back home. “The Order of Time is fast-paced, featuring compelling characters, a great setting, and a cleverly written plot. It is a delightful read for fans of young adult fantasy and time travel.” 5 Stars Reader’s Favorite“If you are looking for an action packed chapter book for your teen or preteen this is an excellent choice.” childrens_bookshelf “I could not get enough of this book and the language presented really will speak to young readers and I can not wait to share it with our community.” Meghan S. Librarian NetGalley review "The Order of Time is a fabulous debut. Totally captivating!" 5 Stars The Burgeoning Bookshelf

    It's an average work day. You've been wrapped up in a task, and you check the clock when you come up for air—4:44 pm. You go to check your email, and 44 unread messages have built up. With a shock, you realize it is April 4th—4/4. And when you get in your car to drive home, your odometer reads 44,444. Coincidence? Or have you just seen the edge of a rabbit hole? Rabbits is a mysterious alternate reality game so vast it uses our global reality as its canvas. Since the game first started in 1959, ten iterations have appeared and nine winners have been declared. Their identities are unknown. So is their reward, which is whispered to be NSA or CIA recruitment, vast wealth, immortality, or perhaps even the key to unlocking the secrets of the universe itself. But the deeper you get, the more deadly the game becomes. Players have died in the past—and the body count is rising. And now the eleventh round is about to begin. Enter K—a Rabbits obsessive who has been trying to find a way into the game for years. That path opens when K is approached by billionaire Alan Scarpio, the alleged winner of the sixth iteration. Scarpio says that something has gone wrong with the game and that K needs to fix it before Eleven starts or the whole world will pay the price. Five days later, Scarpio is declared missing. Two weeks after that, K blows the deadline and Eleven begins. And suddenly, the fate of the entire universe is at stake.

    Now this marvel of modern architecture and nontraditional urban planning has collapsed into a pile of rubble known as the Heap. In exchange for digging gear, a rehabilitated bicycle, and a small living stipend, a vast community of Dig Hands removes debris, trash, and bodies from the building’s mountainous remains, which span twenty acres of unincorporated desert land.Orville Anders burrows into the bowels of the Heap to find his brother Bernard, the beloved radio DJ of Los Verticalés, who is alive and miraculously broadcasting somewhere under the massive rubble. For months, Orville has lived in a sea of campers that surrounds the Heap, working tirelessly to free Bernard—the only known survivor of the imploded city—whom he speaks to every evening, calling into his radio show.The brothers’ conversations are a ratings bonanza, and the station’s parent company, Sundial Media, wants to boost its profits by having Orville slyly drop brand names into his nightly talks with Bernard. When Orville refuses, his access to Bernard is suddenly cut off, but strangely, he continues to hear his own voice over the airwaves, casually shilling products as “he” converses with Bernard.What follows is an imaginative and darkly hilarious story of conspiracy, revenge, and the strange life and death of Los Verticalés that both captures the wonderful weirdness of community and the bonds that tie us together.

    Doug is a staunchly anti-Meme, anti-tech intellectual who fondly remembers the days when people used email (everything now is text or videoconference) to communicate—or even actually spoke to one another, for that matter. One evening, Doug disappears from the NADEL offices, leaving a single written clue: ALICE. It’s a code word he devised to signal if he ever fell into harm’s way. And thus begins Anana’s journey down the proverbial rabbit hole . . .Joined by Bart, her bookish NADEL colleague, Anana’s search for Doug will take her into dark  basements and subterranean passageways; the stacks and reading rooms of the Mercantile Library; and secret meetings of the underground resistance, the Diachronic Society. As Anana penetrates the mystery of her father’s disappearance and a pandemic of decaying language called “word flu” spreads, The Word Exchange becomes a cautionary tale that is at once a technological thriller and a meditation on the high cultural costs of digital technology.

    Maggie is a successful young artist who has had bad luck with men. Her last put her in the hospital and, after she’s healed physically, left her needing to get out of London to heal mentally and find a place of quiet that will restore her creative spirit. On the rugged west coast of Ireland, perched on a wild cliff side, she spies the shell of a cottage that dates back to Great Famine and decides to buy it. When work on the house is done, she invites her dealer to come for the weekend to celebrate along with a couple of women friends, one of whom will become his wife. On the boozy last night, the other friend pulls out an Ouija board. What sinister thing they summon, once invited, will never go.Ireland is a country haunted by its past. In Billy O'Callaghan's hands, its terrible beauty becomes a force of inescapable horror that reaches far back in time, before the Famine, before Christianity, to a pagan place where nature and superstition are bound in an endless knot.

    Show Them a Good Time tells the stories of women slotted away into restrictive roles: the celebrity's girlfriend, the widower's second wife, the lecherous professor's student, the corporate employee. And yet, the genius of Flattery's characters is to blithely demolish the boundaries of these limited and limiting social types with immense complexity and caustic intelligence. Nicole Flattery's women are too ferociously mordant, too painfully funny to remain in their places.In this fiercely original and blazingly brilliant debut, Flattery likewise deconstructs the conventions of genre to serve up strange realities: In Not the End Yet, Flattery probes the hilarious and wrenching ambivalence of Internet dating as the apocalypse nears; in Sweet Talk, the mysterious disappearance of a number of local women sets the scene for a young girl to confront the dangerous uncertainties of her own sexuality; in this collection's center piece, Abortion, A Love Story, two college students in a dystopian campus reconfigure the perilous stories of their bodies in a fraught academic culture to offer a subversive, alarming, and wickedly funny play that takes over their own offstage lives. And yet, however surreal or richly imagined the setting, Flattery always shows us these strange worlds from startlingly unexpected angles, through an unforgettable cast of brutally honest, darkly hilarious women and girls.Like the stories of Mary Gaitskill, Miranda July, Lorrie Moore, Joy Williams, and Ottessa Moshfegh, Show Them a Good Time is the work of a profoundly resonant and revelatory literary voice – at once spiky, humane, achingly hilarious-- that is sure to echo through the literary culture for decades to come.

     After the loss of his parents, young Jack Thatch first met Stella as a child—this cryptic little girl of eight with dark hair and darker eyes, sitting alone on a bench in the cemetery clutching her favorite book. Gone moments later, the brief encounter would spark an obsession. She'd creep into his thoughts, his every waking moment, until he finally finds her again exactly one year later, sitting upon the same bench, only to disappear again soon after. The body of a man found in an alley, every inch of his flesh horribly burned, yet his clothing completely untouched. For Detective Faustino Brier, this wasn't the first, and he knew it wouldn't be the last. It was no different from the others. He'd find another just like it one year from today. August 9, to be exact. Isolated and locked away from the world in a shadowy lab, a little boy known only as Subject "D" waits, grows, learns. He's permitted to speak to no one. He has never known the touch of another. Harboring a power so horrific, those in control will never allow him beyond their walls. All of them linked in ways unimaginable.

    She made her fortune and now she hob nobs with the very rich and occasionally the semi-famous, and she enjoys luxuries she only dreamed of as a middle-class kid growing up in Potomac, Maryland. But despite it all, she can't ignore the fact that she isn't necessarily happy. In fact, lately Ramie has begun to feel more than a little empty.On a boat with friends off the Florida coast, she tries to fight her feelings of discontent with steel will and hard liquor. No one even notices as she gets up and goes to the diving board and dives off...Suddenly Ramie is waking up, straining to understand a voice calling in the distance...It's her mother: "Wake up! You're going to be late for school again. I'm not writing a note this time..."Ramie finds herself back on the eve of her eighteenth birthday, with a second chance to see the people she's lost and change the choices she regrets. How did she get back here? Has she gone off the deep end? Is she really back in time? Above all, she'll have to answer the question that no one else can: What it is that she really wants from the past, and for her future?

    And so begins a heart-warming tale of small acts of kindness, saying yes, and generally trying to make the world a better place.But when Luke's renewed faith is tested, will he return to his miserable old ways?… a stranger will guide you back.'A heartwarming and thought-provoking story of grief, redemption and reinvention in our modern world.' Imogen Clark, bestselling author of Where The Story Starts

    Sloane Jacobsen is the most powerful trend forecaster in the world (she was the foreseer of the swipe), and global fashion, lifestyle, and tech companies pay to hear her opinions about the future. Her recent forecasts on the family are unwavering: the world is over-populated, and with unemployment, college costs, and food prices all on the rise, having children is an extravagant indulgence. So it's no surprise when the tech giant Mammoth hires Sloane to lead their groundbreaking annual conference, celebrating the voluntarily childless. But not far into her contract, Sloane begins to sense the undeniable signs of a movement against electronics that will see people embracing compassion, empathy, and in-personism again. She's struggling with the fact that her predictions are hopelessly out of sync with her employer's mission and that her closest personal relationship is with her self-driving car when her partner, the French neo-sensualist Roman Bellard, reveals that he is about to publish an op-ed on the death of penetrative sex a post-sexual treatise that instantly goes viral. Despite the risks to her professional reputation, Sloane is nevertheless convinced that her instincts are the right ones, and goes on a quest to defend real life human interaction, while finally allowing in the love and connectedness she's long been denying herself.

    One resourceful boy. One miracle machine that could destroy everything. After an unexplained flash shatters her world, seventeen-year-old Eyelet Elsworth sets out to find the Illuminator, her father’s prized invention. With it, she hopes to cure herself of her debilitating seizures before Professor Smrt—her father’s arch nemesis—discovers her secret and locks her away in an asylum. Pursued by Smrt, Eyelet locates the Illuminator only to see it whisked away. She follows the thief into the world of the unknown, compelled not only by her quest but by the allure of the stranger—Urlick Babbit—who harbors secrets of his own. Together, they endure deadly Vapours and criminal-infested woods in pursuit of the same prize, only to discover the miracle machine they hoped would solve their problems may in fact be their biggest problem of all.

    But soon it’s discovered that Warwick killed dozens of people as he strove to perfect another improved Ticker for Penny, and he’s put on trial for mass murder. On the last day of Warwick’s trial, the Farthings’ factory is bombed, Penny’s parents disappear, and Penny and her brother, Nic, receive a ransom note demanding all of their Augmentation research if they want to see their parents again. Is someone trying to destroy the Farthings...or is the motive more sinister?Desperate to reunite their family and rescue their research, Penny and her brother recruit fiery baker Violet Nesselrode, gentleman-about-town Sebastian Stirling, and Marcus Kingsley, a young army general who has his own reasons for wanting to lift the veil between this world and the next. Wagers are placed, friends are lost, romance stages an ambush, and time is running out for the girl with the clockwork heart.

    A couple drive out to the hills in a last-ditch effort to save their marriage. A horse crashes a house party. Set on an imagined island off the west coast of Ireland, John Patrick McHugh’s debut collection of stories draw a complete community of characters – misdirected, posturing and self-deceiving. But in his fidelity to and compassion for their faults, McHugh embeds us in the moments on which these lives twist and turn, probing unflinchingly what most of us would rather ignore. Pure Gold heralds the arrival of a vibrant new literary voice.