Still recovering from a serious illness herself, making enough money to support her elderly mother and her orphaned nephew Cedric has never been easy, but then one of her clients is murdered shortly after sitting for Agnes, and then another, and another... Why is the killer seemingly targeting her business?Desperately seeking an answer, Agnes approaches Pearl, a child spirit medium lodging in Bath with her older half-sister and her ailing father, hoping that if Pearl can make contact with those who died, they might reveal who killed them.But Agnes and Pearl quickly discover that instead they may have opened the door to something that they can never put back...

    This chapel, a stained glass folly set on the moors of Shropshire, was built by de Bonne sixteen years earlier to house the remains of his beloved wife and muse, Ada. Since then, the chapel has been locked and abandoned, a pilgrimage site for the rabid fans of de Bonne’s last book, The Lost History of Dreams.However, Ada’s grief-stricken niece refuses to open the glass chapel for Robert unless he agrees to her bargain: before he can lay Hugh to rest, Robert must record Isabelle’s story of Ada and Hugh’s ill-fated marriage over the course of five nights.As the mystery of Ada and Hugh’s relationship unfolds, so does the secret behind Robert’s own marriage—including that of his fragile wife, Sida, who has not been the same since the tragic accident three years ago, and the origins of his own morbid profession that has him seeing things he shouldn’t—things from beyond the grave.Kris Waldherr effortlessly spins a sweeping and atmospheric gothic mystery about love and loss that blurs the line between the past and the present, truth and fiction, and ultimately, life and death.

    So begins the swirling, serpentine world of Paraic O’Donnell’s Victorian-inspired mystery, the story of a city cloaked in shadow, but burning with questions: why does the seamstress jump from the window? Why is a cryptic message stitched into her skin? And how is she connected to a rash of missing girls, all of whom seem to have disappeared under similar circumstances?On the case is Inspector Cutter, a detective as sharp and committed to his work as he is wryly hilarious. Gideon Bliss, a Cambridge dropout in love with one of the missing girls, stumbles into a role as Cutter’s sidekick. And clever young journalist Octavia Hillingdon sees the case as a chance to tell a story that matters—despite her employer’s preference that she stick to a women’s society column. As Inspector Cutter peels back the mystery layer by layer, he leads them all, at last, to the secrets that lie hidden at the house on Vesper Sands.By turns smart, surprising, and impossible to put down, The House on Vesper Sands offers a glimpse into the strange undertow of late nineteenth-century London and the secrets we all hold inside us.

    Luckily, her search is aided by an enchanting cast of characters, including a seven-foot tall housemaid; a melancholic, tattoo-covered ghost; and an avuncular apothecary. But secrets abound in this foggy underworld where spectacle is king and nothing is quite what it seems.Blending darkness and light, history and folklore, Things in Jars is a spellbinding Gothic mystery that collapses the boundary between fact and fairy tale to stunning effect and explores what it means to be human in inhumane times.

    Once, a family disappeared there. And now Constance Langton has inherited this dark place as well as the mysteries surrounding it. Having grown up in a house marked by the death of her sister, Constance is no stranger to mystery, secrets, and the dark magic around us. Her father was distant. Her mother was in perpetual mourning for her lost child. In a desperate attempt to coax her mother back to health, Constance took her to a seance hoping she would find supernatural comfort. But tragic consequences followed, leaving her alone in the world-- alone with Wraxford Hall. Saddled with this questionable bequest, she must find the truth at the heart of all these disappearances, apparitions, betrayal, blackmail, and villainy, even if it costs her life. John Harwood's second novel delivers on the great promise proven by his first with this gripping mystery set in the heart of Victorian England.

    Now his sudden death allows her to return to New York to make a fresh start, restoring Liefdehuis, a dilapidated Hyde Park mansion, and hopefully her reputation at the same time. However, fresh starts aren't as easy as they seem, as Alva discovers when stories of a haunting at Liefdehuis begin to reach her. But Alva doesn't believe in ghosts. So when the eccentric and brilliant professor, Samuel Moore, appears and informs her that he can get to the bottom of the mystery that surrounds Liefdehuis, she turns him down flat. She doesn't need any more complications in her life―especially not a handsome, convention-flouting, scandal-raising one like Sam. Unfortunately, though Alva is loath to admit it, Sam, a pioneer in electric lighting and a member of the nationally-adored Moore family of scientists, is the only one who can help. Together, the two delve into the tragic secrets wreathing Alva's new home while Sam attempts to unlock Alva's history―and her heart. Set during the Gilded Age in New York City, The Widow of Rose House is a gorgeous debut by Diana Biller, with a darkly Victorian Gothic flair and an intrepid and resilient American heroine guaranteed to delight readers.

    Eliza Caine arrives in Norfolk to take up her position as governess at Gaudlin Hall on a dark and chilling night. As she makes her way across the station platform, a pair of invisible hands push her from behind into the path of an approaching train. She is only saved by the vigilance of a passing doctor.When she finally arrives, shaken, at the hall she is greeted by the two children in her care, Isabella and Eustace. There are no parents, no adults at all, and no one to represent her mysterious employer. The children offer no explanation. Later that night in her room, a second terrifying experience further reinforces the sense that something is very wrong.From the moment she rises the following morning, her every step seems dogged by a malign presence which lives within Gaudlin’s walls. Eliza realises that if she and the children are to survive its violent attentions, she must first uncover the hall’s long-buried secrets and confront the demons of its past…

    Louisa Drew lost her husband in the First World War and her six-year-old twin sons in the Spanish Flu epidemic of 1918. Newly re-married to a war-traumatised husband and seven months pregnant, Louisa is asked by her employer to travel to Clewer Hall in Sussex where she is to photograph the contents of the house for auction.She learns Clewer Hall was host to an infamous séance in 1896, and that the lady of the house has asked those who gathered back then to come together once more to recreate the evening. When a mysterious child appears on the grounds, Louisa finds herself compelled to investigate and becomes embroiled in the strange happenings of the house. Gradually, she unravels the long-held secrets of the inhabitants and what really happened thirty years before... and discovers her own fate is entwined with that of Clewer Hall's.An exquisitely crafted and compelling mystery that invites the reader in to the crumbling Clewer Hall to help unlock its secrets alongside the unforgettable Louisa Drew.For fans of The Silent Companions, The Little Stranger and The Familiars.

    As the First World War enters its most brutal phase, back home in England, everyone is seeking answers to the darkness that has seeped into their lives. At Blackwater Abbey, on an island off the Devon coast, Lord Highmount has arranged a spiritualist gathering to contact his two sons who were lost in the conflict. But as his guests begin to arrive, it gradually becomes clear that each has something they would rather keep hidden. Then, when a storm descends on the island, the guests will find themselves trapped. Soon one of their number will die. For Blackwater Abbey is haunted in more ways than one...

    It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary.During a walk through the local church yard, Edmund spots an eye in the undergrowth. His terror is only briefly abated when he discovers its actually a painting, a 'doom', taken from the church. It's horrifying in its depiction of hell, and Edmund wants nothing more to do with it despite his historical significance. But the doom keeps returning to his mind. The stench of the Fen permeates the house, even with the windows closed. And when he lies awake at night, he hears a scratching sound – like claws on the wooden floor...Wakenhyrst is a terrifying ghost story, an atmospheric slice of gothic, a brilliant exploration of the boundaries between the real and the supernatural, and a descent into the mind of a psychopath.

     The Gallagher family has called Deeprath Castle home for seven hundred years. Nestled in the Wicklow Mountains of Ireland, the estate is now slated to become a public trust, and book lover and scholar Carragh Ryan is hired to take inventory of its historic library. But after meeting Aidan, the current Viscount Gallagher, and his enigmatic family, Carragh knows that her task will be more challenging than she’d thought. Two decades before, Aidan’s parents died violently at Deeprath. The case, which was never closed, has recently been taken up by a new detective determined to find the truth. The couple’s unusual deaths harken back a century, when twenty-three-year-old Lady Jenny Gallagher also died at Deeprath under mysterious circumstances, leaving behind an infant son and her husband, a renowned writer who never published again. These incidents only fueled fantastical theories about the Darkling Bride, a local legend of a sultry and dangerous woman from long ago whose wrath continues to haunt the castle. The past catches up to the present, and odd clues in the house soon have Carragh wondering if there are unseen forces stalking the Gallagher family. As secrets emerge from the shadows and Carragh gets closer to answers—and to Aidan—could she be the Darkling Bride’s next victim?

    Falling under the de Greys’ spell, Alice believes the family will heal her own past sorrows. But then the twins’ adoration becomes deceitful and taunting. Their father, ever distant, turns spiteful and cruel. The manor itself seems to lash out. Alice finds her surroundings subtly altered, her air slightly chilled. Something malicious resents her presence, something clouding her senses and threatening her very sanity.In present day New York, art gallery curator Rachel Wright has learned she is a descendant of the de Greys and heir to Winterbourne. Adopted as an infant, she never knew her birth parents or her lineage. At long last, Rachel will find answers to questions about her identity that have haunted her entire life. But what she finds in Cornwall is a devastating tragic legacy that has afflicted generations of de Greys. A legacy borne from greed and deceit, twisted by madness, and suffused with unrequited love and unequivocal rage.

    Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully--and for Kipps most tragically--The Woman In Black.The Woman In Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler--proof positive that this neglected genre, the ghost story, isn't dead after all.

    The truth about that summer, no one else knows.In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor on the banks of the Upper Thames. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe’s life is in ruins.Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist’s sketchbook containing the drawing of a twin-gabled house on the bend of a river.Why does Birchwood Manor feel so familiar to Elodie? And who is the beautiful woman in the photograph? Will she ever give up her secrets?

    Kate Riordan’s novel is a beautifully dark and beguiling tale which will sweep you away. It will appeal to fans of Kate Morton and Daphne Du Maurier's Rebecca.In the summer of 1933, Alice Eveleigh has arrived at Fiercombe Manor in disgrace. The beautiful house becomes her sanctuary, a place to hide her shame from society in the care of the housekeeper, Mrs Jelphs. But the manor also becomes a place of suspicion, one of secrecy.Something isn't right.Someone is watching.There are secrets that the manor house seems determined to keep. Tragedy haunts the empty rooms and foreboding hangs heavy in the stifling heat. Traces of the previous occupant, Elizabeth Stanton, are everywhere and soon Alice discovers Elizabeth's life eerily mirrors the path she herself is on.(