The cousins don't get along, but they know something is not right. This ghost is more than a pesky nuisance. The authorities claim he's safe to be around, even as his mischievous behavior grows stranger and more menacing. It's almost like he wants to scare the Roosevelts out of their home - and no one seems to care!Meanwhile, Eleanor and Alice discover a dangerous ghost in the house where Alice was born and her mother died. Is someone else haunting the family? Introverted Eleanor and unruly Alice develop an unlikely friendship as they explore the family's dark, complicated history. It's up to them to destroy both ghosts and come to terms with their family's losses.Told from alternating perspectives, thrills and chills abound in Dianne K. Salerni's imaginative novel about a legendary family and the ghosts that haunt their secrets.

    For 130 years it has hosted tragedy, madness, perversion and murder, and now the Ghost Scouts team is spending the night.The Ghost Scouts are no strangers to bizarre phenomena: glowing mists, mysterious voices and things that go bump in the night...But Forester House is no ordinary haunting..."House of Dead Trees is a dark and violent book... moves at a steady pace while never becoming predictable or directionless... original and truly terrifying."Released December 13, 2011. 100,000 words. Published by Cobra E-books.

    The cottage provides the perfect escape: small, picturesque, and lonely. There, he becomes fascinated with the history of the cottage, and that of its larger sister property, the Riverhouse, now demolished. Shane embarks on an unusual painting project: recreating the Riverhouse on canvas, as it might have looked when it was first built. As the painting develops, surprising Shane both with its style and its strange, silent strength, he finds that the image is a sort of portal, inviting him into the Riverhouse’s past. He learns of its owners, portrait artist Gustav Wilhelm, known for his arrogance as much as his genius, and of Wilhelm’s wife, the beautiful but ignored Marlena. Their story blooms in Shane’s mind like a dark rose, full of deepening mystery and harrowing secrets. Gradually, Shane comes to realize that the decades’ old drama isn’t yet finished. Ghosts haunt the cottage, particularly the intriguing Marlena, and Shane finds himself inexplicably drawn to her, despite her otherworldly hatred of his tentative new love, art agent Christiana. Eventually, Shane finds himself caught in the spiraling collision course of his own life and that of the Riverhouse, which has secretly risen from its dead foundation. He knows he should escape and yet he cannot seem to walk away. After all, he thinks, ghosts can’t harm the living. Can they?

    Bored and sick in bed, Freddy listens to four scary stories told to him by members of his family and then makes one up himself.

    But what does that ghosts look like when he's shy? Or in love? Or a pirate, a llama, a Bona villain, or Russian nesting doll? 100 Ghosts explores every sort of spook in a series of whimsically haunting illustrations. It's a delightful collection for adults, children, and anyone in need of a friendly fright.

    Despite having just moved into a beautiful new house, the Williams family gave in to an odd, overwhelming desire to purchase and move into a Victorian home they had come upon by chance. They were curious, of course, as to why the house had, in the past, had such a high vacancy rate - no one ever seemed to live in it for a long period of time. But that curiosity didn't last long, because shortly after moving in, strange things began to happen. It became abundantly clear that the home's past owners had all had a reason for leaving: fear. The Williams' new home was haunted. At first, the family tried telling themselves there were logical explanations for the strange things they all were witnessing. But before long they came to accept the fact that they were sharing their home with ghosts. Haunted is the Williams family's story from the point of view of the mother, Dorah. Through her chilling reminiscences, we witness the all-too-real goings-on in the house. And we join the family as they seek a way to bring an end to the paranormal events that were occurring with ever more frequency and intensity, and learn why the events began in the first place.

    The job is hard, the Spook is distant and many apprentices have failed before Thomas. Somehow Thomas must learn how to exorcise ghosts, contain witches and bind boggarts. But when he is tricked into freeing Mother Malkin, the most evil witch in the County, the horror begins..

    In this book, antebellum estates, house museums, long-conquered forts, and restored townhouses are visited with a noted psychic investigator in order to learn what it is like to live and work in these places today. The result is some seventy stories, skillfully interwoven with the heritage of the area's colorful past, and illustrated with over thirty photos and sketches by local artists. Incidents of precognition, extrasensory perception, deja vu and possible reincarnation are included in this personal and highly readable account of a search for the deeper meaning of life and death through psychic experience.

    She doesn't want anything to do with Gerald and his two sons, and to make matters worse their new home is a derelict old house, neglected for decades. Joel thinks it's interesting. Cassie thinks it's a dump.But his sister isn't the only reason the house doesn't feel like a home. As fascinated as he is by the place, Joel has to admit there's something not quite right about it. Not only does he keep seeing things out of the corner of his eye, but his sleep is plagued by nightmares. He can't seem to stop dreaming about a terrified boy who keeps repeating the same fractured prayer:IF I SHOULD DIE BEFORE I WAKE, I PRAY THE LORD MY SOUL TO TAKE . . .As events in the house become harder and harder to explain, it seems that the line between nightmare and reality is getting steadily more blurred. And when the battle between Cassie and her step-brothers draws everyone deeper into the mystery, all four kids are forced to confront the question of just who the intruders really are.

    Trouble was, he didn’t ask Rose what she thought of the idea.It’s been more than sixty years since that night, and she’s still sixteen, and she’s still running.They have names for her all over the country: the Girl in the Diner. The Phantom Prom Date. The Girl in the Green Silk Gown. Mostly she just goes by “Rose,” a hitchhiking ghost girl with her thumb out and her eyes fixed on the horizon, trying to outrace a man who never sleeps, never stops, and never gives up on the idea of claiming what’s his. She’s the angel of the overpass, she’s the darling of the truck stops, and she’s going to figure out a way to win her freedom. After all, it’s not like it can kill her.You can’t kill what’s already dead.

    She’ll get to soak up the beauty and culture, and maybe even learn something about her family’s French roots.But a series of gruesome murders are taking place across the city, putting everyone on edge. And as she tours museums and palaces, Colette keeps seeing a strange vision: a pale woman in a ball gown and powdered wig, who looks suspiciously like Marie Antoinette.Colette knows her popular, status-obsessed friends won’t believe her, so she seeks out the help of a charming French boy. Together, they uncover a shocking secret involving a dark, hidden history. When Colette realizes she herself may hold the key to the mystery, her own life is suddenly in danger . . .Acclaimed author Katie Alender brings heart-stopping suspense to this story of revenge, betrayal, intrigue — and one killer queen.

    They were great tall things, the ironwork all twisted leaves and queer-looking flowers. And they were very definitely shut.'Tilly's heart sinks. Will's at the door of their cottage, daring her to come ice-skating up at Frost Hollow Hall. No one goes near the place these days. Rumour has it that the house is haunted . . . Ten years ago the young heir, Kit Barrington, drowned there in the lake. But Tilly never turns down a dare.Then it goes horribly wrong. The ice breaks, Tilly falls through and almost drowns. At the point of death, a beautiful angel appears in the water and saves her. Kit Barrington's ghost.Kit needs Tilly to solve the mystery of his death, so that his spirit can rest in peace. In order to discover all she can, Tilly gets work as a maid at Frost Hollow Hall. But the place makes her flesh crawl. It's all about the dead here, she's told, and in the heart of the house she soon discovers all manner of dark secrets . . .'Frost Hollow Hall' is a thrilling historical fiction debut. Told in Tilly's unique voice, it is a tale of love and loss, and how forgiveness is the key to recovery.

    Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.

    No one, that is, except Davie. Davie's felt the inexplicable presence in the Quinns' house and seen random objects fly through the air. And there's something else . . . a memory of Davie's beloved sister and a feeling deep down that it might just be possible for ghosts to exist. Full of thoughts of hauntings and grief and God, Davie hovers on a precipice of uncertainty and possibility, a space that storyteller David Almond occupies comfortably and returns to again and again -- here paired once more with the dynamic, dreamlike mixed-media art of Dave McKean.

    Hannah learns that the girl died mysteriously at age eleven in this very house nearly 140 years ago.Then, when Hannah draws a portrait of Maisie, things begin to fall apart. The house seems to be reverting to its nineteenth-century form, and Hannah's not sure whether it or Maisie herself is sending her messages. Hannah must solve the mystery of Maisie's death, because if she doesn't help her, Maisie may never leave Hannah alone. . . .Rebecca Wade has created a haunting story that will capture readers' imaginations until the very last page.