After nearly two years in prison for the crime of stealing his own grain, Ukrainian immigrant Teodor Mykolayenko is a free man. While he was gone, his wife, Maria; their five children; and his sister, Anna, struggled to survive on the harsh northern Canadian prairie, but now Teodor—a man who has overcome drought, starvation, and Stalin's purges—is determined to make a better life for them. As he tirelessly clears the untamed land, Teodor begins to heal himself and his children. But the family's hopes and newfound happiness are short-lived. Anna's rogue husband, the arrogant and scheming Stefan, unexpectedly returns, stirring up rancor and discord that will end in violence and tragedy.Under This Unbroken Sky is a mesmerizing tale of love and greed, pride and desperation, that will resonate long after the last page is turned. Shandi Mitchell has woven an unbearably suspenseful story, written in a language of luminous beauty and clarity. Rich with fiery conflict and culminating in a gut-wrenching climax, this is an unforgettably powerful novel from a passionate new voice in contemporary literature.

    My Father Like a River transcends the haunting landscape of Rash's native south and explores the complex, powerful relationship between father and family, and the authentic sense of loss one experiences while unemployed—all told in vivid, potent prose.Also includes "The Trusty", which was originally published in The New Yorker.

    For the farming Pye family, life is a Greek tragedy where the sins of the fathers are visited on the sons, and terrible events occur—offstage. Centerstage are the Morrisons, whose tragedy looks more immediate if less brutal, but is, in reality, insidious and divisive. Orphaned young, Kate Morrison was her older brother Matt’s protegee, her fascination for pond life fed by his passionate interest in the natural world. Now a zoologist, she can identify organisms under a microscope but seems blind to the state of her own emotional life. And she thinks she’s outgrown her siblings—Luke, Matt, and Bo—who were once her entire world. In this universal drama of family love and misunderstandings, of resentments harbored and driven underground, Lawson ratchets up the tension with heartbreaking humor and consummate control, continually overturning one’s expectations right to the very end. Tragic, funny, unforgettable, this deceptively simple masterpiece about the perils of hero worship leapt to the top of the bestseller lists only days after being released in Canada and earned glowing reviews in The New York Times and The Globe and Mail, to name a few.

    The Wreckage is a truly epic, yet twisted, romance that unfolds over decades and continents. It engages readers on the austere shores of Newfoundland’s fishing villages and drags them across to Japanese POW camps during some of the worst events of the Second World War. Haunting, lyrical, and deeply intimate, Crummey’s language fully exposes his characters’ vulnerabilities as they struggle to come to terms with their guilt and regret over decisions made during their impulsive youths. In the fishing villages of Newfoundland we come across an itinerant Wish Furey. He’s a drifter and a projectionist, traveling from island to island bringing films to isolated communities. A Catholic in a staunchly Protestant community, working with an alcoholic, gambling partner, Wish is immediately labeled an outsider. On Little Fogo Island, he spots a desirable young woman in the audience and embarks on an unwavering mission to possess her. Mercedes Parsons – Sadie – is equally infatuated and yields to Wish's advances as much as her chaste upbringing will allow.Crummey masterfully captures the ferocity of the young romance, the coiled up sexual tension exploding in instances of pure pleasure and ending often in frustration. The pair can steal only scattered moments alone as Sadie’s mother puts up a formidable defense against Wish, whom she believes will bring only trouble. However intent he seems on winning Sadie, Wish's character remains mysteriously closed. He is painfully silent around her family, which only strengthens their mistrust. Crummey seems to purposefully disclose only the barest of Wish's intimate thoughts and motivations. While the romance intensifies, Crummey casts his lovers in a wider shadow. He brings to life the Newfoundland coastline, its unforgiving waters, the religious fervor and prejudice of its inhabitants, their ceaseless work, and the collective anxiety about the burgeoning war.Unable to defeat Sadie’s mother, and unable to quell his conscience after Sadie's breathless pleading, "Don't make a whore of me," Wish flees to St. John’s and enlists in the British army. Sadie embarks on a frantic pursuit only to find him gone. Defying her family she stays in the capital, building a new life, the reality of Wish's disappearance – the acute, constant ache of it – gradually settling in. Wish lands somewhere in southeast Asia and then, finally, in a Japanese POW camp. He suffers agonizing torture under a particularly cruel guard known initially as the Interpreter. We have met the Interpreter already. Crummey has woven this man's narrative through the novel, slowly revealing the origins of his unique hatred toward the Canadian prisoners. Born in British Columbia, Nishino has experienced a harsh brand of discrimination. It is through Nishino that Crummey provides a chilling example of how prejudice can breed exceptionally brutal cycles of violence.Crummey unveils the depths of his characters’ personalities with slow deliberation. The layers of their pain, suffering, and love are peeled back with each recounted memory as the novel makes its transition into contemporary times. With each memory that is unleashed the reader comes closer to understanding the choices the protagonists made, the consequences they endured, and their subsequent feelings of frustration and guilt. Fifty years after Sadie’s flight from St. John’s, she returns to Newfoundland to scatter the ashes of her dead husband and collides with Wish whom she believed dead. Sadie reflects, “It was like being handed a photograph from a stranger’s collection, one more unexpected glimpse of that face when she thought her memories of it were complete.” Memories can be taken out, tampered with, much like the film of the projectionist. It is here that Crummey cracks open Wish's character. There is a flood of revelations; his sexual exploits as a teenager, the bet made that he could conquer Sadie, Nishino's murder, and his own troubling reaction to it. It's a narrative coup. The reader is left, as Sadie is, stunned and grappling with these revelations and how our perceptions of his character have been altered. Wish is angry, sullen, and paralyzed with guilt. Yet he is still capable of love and being loved and Sadie is the only one left to remind him.It is a testament to Crummey’s gifts as a novelist that he can flow quite easily through time, across landscapes, and between vastly different characters. He vividly captures the mental and physical anguish Wish experienced in the prison camps, and with calm lucidity explores the motives of a Japanese soldier whose actions seem inhumanly cold and calculating. Crummey toys with the readers’ sympathies, suggesting there are few distinctions between the enemy and us. He incorporates heartbreaking tragedy – the dropping of the atom bomb, lynchings in America, murderous revenge – to underscore the darker side of humanity. Crummey shows that we are capable of violence, but in the end he proves we are also capable of redemption, forgiveness, and can be led, unashamed, back to the ones we love.From the Hardcover edition.

    Her daughter, Rita, knows her mother has a history of dissociation and memory problems, which have led her to wander off before. But never has she stayed away so long. Unconvinced the police are taking the case seriously, Rita begins to carry out her own investigation. In the course of searching for her mom, she is forced to confront a labyrinth of secrets surrounding the family’s internment at a camp in the California desert during the Second World War, their postwar immigration to Toronto, and the father she has never known.Epic in scope, intimate in style, After the Bloom blurs between the present and the ever-present past, beautifully depicting one family’s struggle to face the darker side of its history and find some form of redemption.

    Left alone with her sad, peculiar father, her days are spent piecing together why her mother and sister have disappeared and contemplating her inevitable career at Happy Family Farms, a chicken slaughterhouse on the outskirts of East Village. Not the East Village in New York City where Nomi would prefer to live, but an oppressive town founded by Mennonites on the cold, flat plains of Manitoba, Canada.This darkly funny novel is the world according to the unforgettable Nomi, a bewildered and wry sixteen-year-old trapped in a town governed by fundamentalist religion and in the shattered remains of a family it destroyed. In Nomi's droll, refreshing voice, we're told the story of an eccentric, loving family that falls apart as each member lands on a collision course with the only community any of them have ever known. A work of fierce humor and tragedy by a writer who has taken the American market by storm, this searing, tender, comic testament to family love will break your heart.

     The roles of celebrity wife and mother satisfied Anna Sandoval completely-until her husband, a famed international journalist, suffered a fatal heart attack. Now, a year later, still young and with her children grown, Anna seeks an interlude from grief and a fresh start on the timeless isle of Crete. In a small Greek community of ancient hills soaked in sun and surrounded by sea, Anna adapts to a slower pace and simpler lifestyle. Gradually, she rediscovers a passion for drawing and becomes protégé to a local artist and his sage wife, whose combined insights help Anna transform life into art-and take charge of her destiny. But when two very different men invite her into their lives, she must decide not just what kind of love she wants, but whether love itself is worth risking everything she's gained.

    Robert Raymond Cook, Ray Cook's son from his first marriage, was convicted of the crime, and had the infamy of becoming the last man hanged in Alberta. Forty-six years later, a troublesome character named Louise in a story that Betty Jane Hegerat finds herself inexplicably reluctant to write, becomes entangled in the childhood memory of hearing about that gruesome mass murder. Through four years of obsessively tracking the demise of the Cook family, and dancing around the fate of the fictional family, the problem that will not go away is how to bring the story to the page. A work of non-fiction about the Cooks and their infamous son, or a novel about Louise and her problem stepson? Both stories keep coming back to the boy. Part memoir, part investigation, part novella, part writer's journal, The Boy, is the author's final capitulation to telling the story with all of the troublesome questions unanswered.

    An almost deliberately ham-handed police investigation has Constable Hook suspecting a cover-up. The powerful United Council of Scottish Societies is demanding an inquiry. The killing has become a political issue with an election not far away.The city is buzzing with rumours. Miss Stewart's fellow nannies have accused the Chinese houseboy of murder, capitalizing on a wave of anti-Chinese propaganda led by the Asian Exclusion League and enthusiastically supported by the sensational press--not to mention the Ku Klux Klan, which has taken up residence in upperclass Shaughnessy.The White Angel is a work of fiction inspired by the cold case of Janet Smith, who, on July 26, 1924, was found dead in her employer's posh Shaughnessy Heights mansion. A dubious investigation led to the even more dubious conclusion that Smith died by suicide. After a public outcry, the case was re-examined and it was decided that Smith was in fact murdered; but no one was ever convicted, though suspects abounded--from an infatuated Chinese houseboy to a drug-smuggling ring, devil-worshippers from the United States, or perhaps even the Prince of Wales. For Vancouver, the killing created a situation analogous to lifting a large flat rock to expose the creatures hiding underneath.An exploration of true crime through a literary lens, The White Angel draws an artful portrait of Vancouver in 1924 in all its opium-hazed, smog-choked, rain-soaked glory--accurate, insightful and darkly droll.

    Every Indian has grown up conditioned to the view that the Pandavas were virtuous and wronged; and the Kauravas were manipulative and evil. On a visit to Malanada Temple, Kerala, national bestselling author of ASURA, Anand Neelakantan, discovered the temple deity to be none other than Duryodhanan, the ostensible 'villain' of the Mahabharata. This astonishing discovery prompted him to delve deep into the narrative of the defeated Crown Prince of Hastinapura, and the Kaurava clan. Ajaya challenges established views and compels us to think again. The book is all about the power of perception. It retells with compelling credibility, the epic events from Duryodhan's (given name: Suryodhana), point of view. While Jaya is the story of the Pandavas, told from the perspective of the victors of Kurukshetra; Ajaya is the narrative of the 'unconquerable' Kauravas, who were decimated to the last man. At the heart of India's most powerful empire, a revolution is brewing. Bhishma, the noble patriarch of Hastinapura, is struggling to maintain the unity of his empire. On the throne sits Dhritarashtra, the blind King, and his foreign-born Queen – Gandhari. In the shadow of the throne stands Kunti, the Dowager-Queen, burning with ambition to see her firstborn become the ruler, acknowledged by all. Amidst the chaos, Prince Suyodhana, heir of Hastinapura, stands tall, determined to claim his birthright and act according to his conscience. He is the maker of his own destiny – or so he believes. While in the corridors of the Hastinapura palace, a foreign Prince plots to destroy India. About the Author : Anand Neelakantan says: Ajaya is an attempt to revisit our mythologies with a modern view and see what the same events look like when observed from the side of the defeated. Were these people branded villains because they were far ahead of their times? There are many books about the Pandavas, about Karna, Draupadi, Kuniti and the other dramatis personae of the Mahabharata. But who speaks for Duryodhana? Growing up in a Kerala village with more temples than necessary, it was small wonder that mythology fascinated Anand early on. Ironically, he was drawn to the anti-heroes. But life called and he went on to become an engineer; joined the Indian Oil Corporation; moved to Bangalore; married Aparna; and welcomed a daughter and a son. But the voices of yore refused to be silenced in his head and he felt impelled to narrate the stories of the vanquished and the dammed; to give life to those silent heroes we have long overlooked in our uncritical acceptance of the conventional renderings of our epics. Ajaya follows the outstanding success of his #1 bestseller, Asura: Tale Of The Vanquished.

    All eighty-four men aboard died. February is the story of Helen O'Mara, one of those left behind when her husband, Cal, drowns on the rig. It begins in the present-day, more than twenty-five years later, but spirals back again and again to the "February" that persists in Helen's mind and heart.Writing at the peak of her form, her steadfast refusal to sentimentalize coupled with an almost shocking ability to render the precise details of her characters' physical and emotional worlds, Lisa Moore gives us her strongest work yet. Here is a novel about complex love and cauterizing grief, about past and present and how memory knits them together, about a fiercely close community and its universal struggles, and finally about our need to imagine a future, no matter how fragile, before we truly come home. This is a profound, gorgeous, heart-stopping work from one of our best writers.

    Best Friends Forever. Stunning, sexy and anything but sensible.Yasmin is a straight-talking game player who's got no-strings sex down to a T. So why is she suddenly craving commitment from the one man she can't have?Nicole is trapped in a passionless marriage but tangled up in a passionate affair. Should she risk the safety of her happy-ever-after for something that's oh so sexy but oh so risky?They both envy Juliet who seems to have it all. She's bagged a gorgeous toyboy of a husband but is she still entertaining naughty thoughts about a dangerous old flame?These girls will go to the ends of the earth for one another . . . and any lengths to get their men. But when everything starts to unravel, will they chose close friendship - or sex?

    As her path intersects with others--often only briefly, but always intensely--she will encounter people who, by turns, want to rescue, control, become, change, and escape her, revealing difficult yet shining truths about who they are and what they yearn for. There is the childhood playmate who comes to fear Astra's unpredictable ways; the stranger who rescues her from homelessness and then has to wrestle with his own demons; the mother who hires Astra as a nanny even as her own marriage goes off the rails; the man who takes a leap of faith and marries her. Even as Astra herself remains the elusive yet compelling axis around which these narratives turn, her story reminds us of the profound impact that an individual can have on those around her, and the power struggles at play in all our relationships, no matter how intimate. A beautifully constructed and revelatory novel, Astra explores what we're willing to give and receive from others, and how well we ever really know the people we love the most.

    But the serenity of Maggie’s new surroundings is soon disturbed by the irrational jealousy of the lodge-keeper’s wife. Restoring her own broken spirit, Maggie must also become a healer to others. In this, she is supported by her eccentric friend, Nell Severance, whose pearl-handled revolver – the Swamp Angel – becomes Maggie’s ambiguous talisman and the novel’s symbolic core.Ethel Wilson’s best-loved novel, Swamp Angel first appeared in 1954. It remains an astute and powerful study of one woman’s integrity and of the redemptive power of compassion.

    A solitary child, she spends her spare time learning the art of taxidermy, completely fascinated by the act of bringing new and eternal life to the bodies of the dead. At fourteen, her parents marry her off to Erastus Hammer, a polygamous horse breeder and renowned hunter, who does not want to bed her. The role he has in mind for his fourth and youngest wife is creator of trophies of his most impressive kills, an urgent desire in him as he is slowly going blind. Happy to be given this work, Dorrie secludes herself in her workshop, away from Mother Hammer’s watchful eyes and the rivalry between the elder wives.But as the novel opens, Hammer has brought Dorrie his latest kills, a family of wolves, and for the first time in her short life she struggles with her craft, dreaming each night of crows and strange scenes of violence. The new hand, Bendy Drown, is the only one to see her dilemma and to offer her help, a dangerous game in a Mormon household. Outside, a lone wolf prowls the grounds looking for his lost pack, and his nighttime searching will unearth the tensions and secrets of this complicated and conflicted family.Inspired by the real events of the Mountain Meadows Massacre in 1857, Alissa York blends fact with fiction in a haunting story of a family separated by secrets and united by faith.