Alone and poor, she fights fiercely to give her son the very best. Gary chronicles his childhood with her in Russia, Poland, and on the French Riviera. And he recounts his adventurous life as a young man fighting for France in the Second World War. But above all, he tells the story of the love for his mother that was his very life, their secret and private planet, their wonderland "born out of a mother's murmur into a child's ear, a promise whispered at dawn of future triumphs and greatness, of justice and love." A romantic, thrilling memoir that has become a French classic.

    Readers of J. M. Coetzee's Disgrace, Bernhard Schlink's The Reader and Kafka will be captivated by Brodeck.Forced into a brutal concentration camp during a great war, Brodeck returns to his village at the war’s end and takes up his old job of writing reports for a governmental bureau. One day a stranger comes to live in the village. His odd manner and habits arouse suspicions: His speech is formal, he takes long, solitary walks, and although he is unfailingly friendly and polite, he reveals nothing about himself. When the stranger produces drawings of the village and its inhabitants that are both unflattering and insightful, the villagers murder him. The authorities who witnessed the killing tell Brodeck to write a report that is essentially a whitewash of the incident. As Brodeck writes the official account, he sets down his version of the truth in a separate, parallel narrative. In measured, evocative prose, he weaves into the story of the stranger his own painful history and the dark secrets the villagers have fiercely kept hidden.

    Placed by the parents of a 15-year-old Jewish girl, Dora Bruder, who had run away from her Catholic boarding school, the ad sets Modiano off on a quest to find out everything he can about Dora and why, at the height of German reprisals, she ran away on a bitterly cold day from the people hiding her. He finds only one other official mention of her name on a list of Jews deported from Paris to Auschwitz in September 1942. With no knowledge of Dora Bruder aside from these two records, Modiano continues to dig for fragments from Dora's past. What little he discovers in official records and through remaining family members, becomes a meditation on the immense losses of the period—lost people, lost stories, and lost history. Modiano delivers a moving account of the ten-year investigation that took him back to the sights and sounds of Paris under the Nazi Occupation, and the paranoia of the Pétain regime as he tries to find connections to Dora. In his efforts to exhume her from the past, Modiano realizes that he must come to terms with the specters of his own troubled adolescence. The result, a montage of creative and historical material, is Modiano's personal rumination on loss, both memoir and memorial.

    Celebrating the 50th anniversary of the liberation, this extraordinary diary by the author of The Lover is "a haunting portrait of a time and place" (New York Times).Written in 1944, and first published in 1985, Duras's riveting account of life in Paris during the Nazi occupation and the first few months of liberation depicts the harrowing realities of World War II-era France "with a rich conviction enhanced by [a] spare, almost arid, technique" (Julian Barnes, The Washington Post Book World). Duras, by then married and part of a French resistance network headed by François Mitterand, tells of nursing her starving husband back to health after his return from Bergen-Belsen, interrogating a suspected collaborator, and playing a game of cat and mouse with a Gestapo officer who was attracted to her. The result is "more than one woman's diary...[it is] a haunting portrait of a time and a place and also a state of mind" (The New York Times).

    While sifting through condolence letters after her mother's death, Camille finds a long, handwritten missive that she assumes came by mistake. But every Tuesday brings another installment from a stranger named Louis, a man separated from his first love, Annie, in the years before World War II. In his tale, Annie falls victim to the merciless plot of a wealthy, barren couple just as German troops arrive in Paris. But also awaiting Camille's discovery is the other side of the story - one that calls into question Annie's innocence and reveals the devastating consequences of revenge. As Camille reads on, she realizes that her own life may be the next chapter in this tragic story.

    Published in book form a year later and banned in Nazi Germany, it garnered high praise in the United States and much of Europe. A series of fictional letters between a Jewish art dealer living in San Francisco and his former business partner, who has returned to Germany, Address Unknown is a haunting tale of enormous and enduring impact.

    In the foothills of the French Alps the narrator meets a shepherd who has quietly taken on the task of planting one hundred acorns a day in an effort to reforest his desolate region. Not even two world wars can keep the shepherd from continuing his solitary work. Gradually, this gentle, persistent man's work comes to fruition: the region is transformed; life and hope return; the world is renewed.

    Losing her beloved husband after only seven years of marriage, heartbroken widow Nathalie steels herself against emotional attachments until she unexpectedly falls in for her offbeat, guileless co-worker, Markus, who represents the opposite of everything.

    As a study of conspiracy and conspirators, of men caught in the desperate clash of ideologies, betrayal, expediency, and of free will, Andre Malraux's novel remains unequaled.Translated from the French by Haakon M. Chevalier

    Combining inventive fiction and autobiography in a quite unprecedented way, Georges Perec leads the reader inexorably towards the horror that lies at the origin of the post-World War Two world, and at the crux of his own identity.

    Translated by Lewis Galantière.

    

    As they travel, they write home to wives and eunuchs in the harem and to friends in France and elsewhere. Their colourful observations on the culture differences between West and East culture conjure up Eastern sensuality, repression and cruelty in contrast to the freer, more civilized West - but here also unworthy nobles and bishops, frivolous women of fashion and conceited people of all kinds are satirized. Storytellers as well as letter-writers, Montesquieu's Usbek and Rica are disrespectful and witty, but also serious moralists. Persian Letters was a succès de scandale in Paris society, and encapsulates the libertarian, critical spirit of the early eighteenth century.

    The action takes place before and during the Mercenary Revolt, an uprising of mercenaries in the employ of Carthage in the 3rd century BC. --- An unfinished opera by Modest Mussorgsky, a silent film by Pierre Marodon and a play by Charles Ludlam are among the many adaptations of Flaubert's novel. --- Gustave Flaubert (1821-1880), famous French novelist, known for his endless search for "le mot juste" (the precise word); author of Madame Bovary (1857). In 1858, in order to gather material for Salammbo, Flaubert paid a visit to Carthage.

    Heartsnatcher is Boris Vian's most playful and most serious work. The main character is Clementine, a mother who punishes her husband for causing her the excruciating pain of giving birth to three babies. As they age, she becomes increasingly obsessed with protecting them, going so far as to build an invisible wall around their property.